Catastrophe: Europe Goes to War 1914

Haldane’s warning, transmitted to Berlin by the ambassador, was contemptuously dismissed. Gen. Helmuth von Moltke, Germany’s chief of staff, thought the British Army an imperial gendarmerie of little consequence, and the Royal Navy irrelevant in a continental clash of soldiers. The Kaiser scrawled on the ambassador’s report his own view that the British concept of a balance of power was an ‘idiocy’ which would make England ‘eternally into our enemy’. He wrote to Franz Ferdinand of Austria, describing Haldane’s remarks as ‘full of poison and hatred and envy of the good development of our mutual alliance and our two countries [Germany and Austria]’. Several British academics warned of the prevalence of opinion in German universities about the inevitability of a historic struggle between the Kaiser’s people and their own, identified as ascendant Rome and doomed Carthage.

Germany and the Dual Monarchy of Austria-Hungary were twin pillars of the Triple Alliance, of which Italy was a third member, upon whose attendance in the event of war nobody relied. For much of the previous century, the Ottoman Empire had been known as ‘the sick man of Europe’, its might and territories shrivelling. It had now been supplanted in that predicament by the Hapsburg Empire, whose dissolution in the face of its own contradictions and disaffected minorities was a focus of constant speculation in chancelleries and newspapers, not least in Germany. But the rulers of the Hohenzollern Empire elevated preservation of their tottering ally to a key objective of foreign policy. The Kaiser and his advisers shackled themselves to the Hapsburgs, not least because the beneficiaries of Austria-Hungary’s dissolution would be their chosen enemies: Russia and its Balkan clients. The Kaiser delivered frequent denunciations of ‘Slavdom’ and Russia’s alleged leadership of a front against ‘Germandom’. On 10 December 1912 he told the Swiss ambassador in Berlin: ‘we will not leave Austria in the lurch: if diplomacy fails we shall have to fight this racial war’.

The Hapsburg Empire embraced fifty million people of eleven nationalities, occupying the territories of modern Austria, Slovakia, the Czech Republic, Hungary, Croatia, Bosnia-Herzegovina, parts of Poland and north-east Italy. Franz Joseph was a weary old man of eighty-three, who had occupied his throne since 1848, and created the Dual Monarchy in 1867. For twenty-eight years he had enjoyed an intimacy with the actress Katharina Schratt. He wrote to her as ‘My Dear Good Friend’; she replied to ‘Your Imperial and Royal Majesty, my Most August Lord’. She was fifty-one in 1914, and they had long since settled into a pleasant domesticity. At Ischl, his summer residence, the Emperor rambled alone to her house, Villa Felicitas, where he would sometimes arrive at 7 a.m. after sending a note: ‘Please leave the small door unlocked.’

Having spent some years of his youth as a soldier, even seeing a little action, the Emperor almost invariably affected military uniform; he perceived his army as the unifying force of the empire. Its officer corps was dominated by noblemen, most of whom combined conceit with incompetence. Franz Joseph’s reign was symbolised by his insistence, when a young monarch, upon holding military exercises on a parade ground sheeted in ice, which caused many horses to slip and fall, killing two of their riders. On a larger scale, this was how he continued to rule, seeking to defy inexorable social, political and economic forces. Norman Stone has categorised the Hapsburg monarchy as ‘a system of institutionalised escapism’. Its capital harboured as much poverty and unemployment as any European city, and more despair than most: in 1913 almost 1,500 Viennese attempted suicide, and more than half succeeded. As for popular consent, one writer has observed of the Austrian parliament: ‘It was less a legislature than a cacophony. But since it was a Viennese cacophony, it shrilled and jangled with a certain flair.’ In March 1914 the racket grew too loud for Franz Joseph: he prorogued the Reichsrat in the face of relentless clashes between its Czech and German members. He and his ministers thereafter ruled by decree.

Austria-Hungary was a predominantly rural society, but Vienna was toasted as one of the most cultured and cosmopolitan capitals on earth, beloved of Franz Lehár and Thomas Mann. Lenin thought it ‘a mighty, beautiful and vivacious city’. Irving Berlin’s ‘Alexander’s Ragtime Band’ was sung there in English, and in 1913 it played host to the world premiere of Bernard Shaw’s Pygmalion. It is an oddity of history that in the same year Stalin, Trotsky, Tito and Hitler alike lived for some months in Vienna. The great American boxer Jack Johnson was star turn of that winter’s season at the Apollo Theatre. Among a host of popular cafés, the Landtmann was the favourite of Sigmund Freud. The city represented a global pinnacle of snobbery: bowing, scraping and even hand-kissing shopkeepers flattered their middle-class customers by adding an aristocratic ‘von’ to their names, and addressing them as ‘Your Grace’. Domestic servants were subject to almost feudal routines: employment law entitled housemaids to only seven hours off a fortnight, every alternate Sunday. Aristocratic Viennese had a New Year custom of pouring gobbets of molten lead into buckets of iced champagne, then trying to predict the future by the shapes into which they hardened.

Austrian aristocratic social life was the most ritualised in Europe, dominated by appearances in the boxes of the Parquet Circle at the Court Theatre and Court Opera, and weekly At Homes. Every smart Viennese knew that Sunday was the afternoon of Princess Croy; Monday, of Countess Haugwitz; Tuesday, Countess Berchtold; Wednesday, Countess Buquoy. Countess Sternberg organised weekend ski outings at the Semmering Alp; Countess Larisch presided at bridge parties; Pauline, Princess Metternich, was alleged to entertain so many Jewish bankers that she received sneers as ‘Notre Dame de Zion’. Vienna boasted one of the largest and most influential Jewish communities in Europe, and formidable anti-Semitism to go with it.

Though the Germans condescended politically and militarily to the Austrians, they were prone to spasms of social inadequacy when meeting Hapsburg grandees on their home turf. Wickham Steed, the long-serving Times correspondent, wrote of Vienna: ‘The combination of stateliness and homeliness, of colour and light, the comparative absence of architectural monstrosities and the Italian influence everywhere apparent, contribute, together with the grace and beauty of the women, the polite friendliness of the inhabitants and the broad, warm accent of their speech, to charm the eye and ear of every travelled visitor.’ But Steed found Viennese vanity ‘insufferable’; he perceived ‘a general atmosphere of unreality’, and complained that the city lacked a soul.

The Austrians cultivated relationships with Germany, Turkey and Greece in efforts to frustrate Serbian ambitions to create a pan-Slav state, a Yugoslavia, embracing several million Hapsburg subjects. In the years before 1914, the Empire also grew accustomed to employing military threats as a routine extension of its diplomacy. Its generals regarded war with reckless insouciance, as a mere tool for the advancement of national interests rather than as a passport to Hades. As Hapsburg minorities became ever more alienated, imperial repression became increasingly heavy-handed. Vienna fostered divisions between its subject Muslims, Serbs and Croats. Most minorities were denied political rights, while being liable to punitive taxation. Vienna might waltz, but there was little grace or mercy about anything else in Franz Joseph’s dominions. The best that might be said was that its neighbours behaved no better.

The leaders of Russia shared with the Kaiser’s court a belief that the two empires were fated to participate in a historic struggle between Germanism and Slavdom. Germans made no secret of their contempt for the Russians, and subjected them to constant snubs. Meanwhile the Tsar’s subjects were resentful of German cultural and industrial superiority. The two nations’ most conspicuous point of friction and threatened collision was Turkey. They circled the ailing Ottoman Empire as predators, each bent upon securing choice portions of its carcass. Control of the Dardanelles entrance to the Black Sea, through which 37 per cent of Russian exports passed, was an especially critical issue. Weak Ottoman supervision was just acceptable in St Petersburg. German dominance was not, yet this was a key objective of the Kaiser’s foreign policy. The Young Turks who seized power in Constantinople in 1908 welcomed German aid, and especially military advisers, in their drive to modernise the country. As for Berlin’s view, when Gen. Liman von Sanders departed to command the Constantinople garrison in 1913, Wilhelm urged him: ‘create for me a new strong army which obeys my orders’.

Liman’s appointment to Turkey provoked consternation in St Petersburg. The president of the Duma urged Nicholas II to act boldly to wrest the Dardanelles from the Ottomans before the Germans did so: ‘the Straits must become ours. A war will be joyfully welcomed, and will raise the government’s prestige.’ At a December 1913 Russian Council of Ministers meeting, the navy and war ministers were questioned about the readiness of their services to fight, and answered that ‘Russia was perfectly prepared for a duel with Germany, not to speak of one with Austria.’ The following February, Russian military intelligence passed to the government a German secret memorandum which shocked St Petersburg: it emphasised Berlin’s commitment to controlling the Dardanelles, and to securing for the Kaiser’s officers command of the straits’ gun batteries. It seems extravagant to suggest, as do some historians, that the Russians wished to start a war in 1914 to gain the Black Sea approaches. But they were almost certainly willing to fight to stop the Germans getting them.

Russia boomed in the last years before Armageddon, to the dismay of its German and Austrian enemies. After 1917, its new Bolshevik rulers forged a myth of Tsarist industrial failure. In reality, the Russian economy had become the fourth largest in the world, growing at almost 10 per cent annually. The country’s 1913 national income was almost as large as that of Britain, 171 per cent of France’s, 83.5 per cent of Germany’s, albeit distributed among a much larger population – the Tsar ruled two hundred million people to the Kaiser’s sixty-five million. Russia had the largest agricultural production in Europe, growing as much grain as Britain, France and Germany combined. After several good harvests, the state’s revenues were soaring. In 1910, European Russia had only one-tenth the railway density of Britain or Germany, but thereafter this increased rapidly, funded by French loans. Russian production of iron, steel, coal and cotton goods matched that of France, though still lagging far behind Germany’s and Britain’s.

Most Russians were conspicuously better off than they had been at the end of the previous century: per-capita incomes rose 56 per cent between 1898 and 1913. With an expansion of schools, literacy doubled in the same period, to something near 40 per cent, while infant mortality and the overall death rate fell steeply. There was a growing business class, though this had little influence on government, still dominated by the landowning aristocracy. Russian high life exercised a fascination for Western Europeans. That genteel British magazine The Lady portrayed Nicholas II’s empire in romantic and even gushing terms: ‘this vast country with its great cities and arid steppes and extremes of riches and poverty, captures the imagination. Not a few Englishmen and Englishwomen have succumbed to its fascinations and made it their home, and English people, generally speaking, are liked and welcomed by Russians. One learns that the girls of the richer classes are brought up very carefully. They are kept under strict control in the nursery and the schoolroom, live a simple, healthy life, are well taught several languages including English and French … with the result that they are well-educated, interesting, graceful, and have a pleasing, reposeful manner.’

It was certainly true that Europe’s other royal and noble fraternities mingled on easy terms with their Russian counterparts, who were as much at home in Paris, Biarritz and London as in St Petersburg. But the Tsarist regime, and the supremely hedonistic aristocracy behind it, faced acute domestic tensions. Whatever the Hapsburg Empire’s difficulties in managing its ethnic minorities, the Romanov Empire’s were worse: enforced Russification, especially of language, was bitterly resisted in Finland, Poland, the Baltic states and Muslim regions of the Caucasus. Moreover Russia faced massive turmoil created by disaffected industrial workers. In 1910 the country suffered just 222 stoppages, all attributed by the police to economic rather than political factors. By 1913 this tally had swelled to 2,404 strikes, 1,034 of them branded as political; in the following year there were 3,534, of which 2,565 were deemed political. Baron Nikolai Wrangel observed presciently: ‘We are on the verge of events, the like of which the world has not seen since the time of the barbarian invasions. Soon everything that constitutes our lives will strike the world as useless. A period of barbarism is about to begin and it will last for decades.’

Nicholas II was a sensitive man, more rational than the Kaiser if no more intelligent. Having seen the 1905 Russo-Japanese war – which Wilhelm incited him to fight – provoke a revolution at home, the Tsar understood that a general European conflict would be disastrous for most, if not all, of the participants. But he cherished a naïve faith in the common interests of the emperors’ trade union, supposing that he and Wilhelm enjoyed a personal understanding, and were alike committed to peace. He was contradictorily influenced, however, by Russia’s recent humiliations – in 1905 by Japan’s forces, in 1908 by Austrian diplomacy when the Hapsburgs summarily annexed Bosnia-Herzegovina. The latter especially rankled. In January 1914 the Tsar sternly declared to former French foreign minister Théophile Delcassé: ‘We shall not let ourselves be trampled upon.’

A conscientious ruler, Nicholas saw all foreign dispatches and telegrams; many military intelligence reports bear his personal mark. But his imagination was limited: he existed in an almost divine seclusion from his people, served by ministers of varying degrees of incompetence, committed to sustaining authoritarian rule. An assured paternalist, on rural visits he was deluded about the monarchy’s popularity by glimpses of cheering peasantry, with whom he never seriously engaged. He believed that revolutionary and even reformist sentiment was confined to Jews, students, landless peasants and some industrial workers. The Kaiser would not have dared to act as arbitrarily as did the Tsar in scorning the will of the people: when the Duma voted against funding four battleships for the Baltic Fleet, Nicholas shrugged and ordered that they should be built anyway. Even the views of the 215-member State Council, dominated by the nobility and landowners, carried limited weight.

If no European government displayed much cohesion in 1914, Nicholas II’s administration was conspicuously ramshackle. Lord Lansdowne observed caustically of the ruler’s weak character: ‘the only way to deal with the Tsar is to be the last to leave his room’. Nicholas’s most important political counsellor was Sergei Sazonov, the foreign minister. Fifty-three years old and a member of the minor nobility, he had travelled widely in Europe, serving in Russia’s London embassy, where he developed a morbid suspiciousness about British designs. He had now led the foreign ministry for four years. His department – known for its location as the Choristers’ Bridge, just as its French counterpart was the Quai d’Orsay – spoke scarcely at all to the Ministry of War or to its chief, Vladimir Sukhomlinov; meanwhile the latter knew almost nothing about international affairs.

Russian statesmen were divided between easterners and westerners. Some favoured a new emphasis on Russian Asia and exploitation of its mineral resources. The diplomat Baron Rosen urged the Tsar that his empire had no interests in Europe save its borders, and certainly none worth a war. But Rosen was mocked by other royal advisers as ‘not a proper Russian’. Nicholas’s personal respect and even sympathy for Germany caused him to direct most of his emotional hostility towards Austria-Hungary. Though not committed to pan-Slavism, he was determined to assert the legitimacy of Russian influence in the Balkans. It remains a focus of keen dispute how far such an assumption was morally or politically justifiable.

Russia’s intelligentsia as a matter of course detested and despised the imperial regime. Captain Langlois, a French expert on the Tsarist Empire, wrote in 1913 that ‘Russian youth, unfortunately supported or even incited by its teachers, adopted anti-military and even anti-patriotic sentiments which we can scarcely imagine.’ When war came, the cynicism of the educated class was evidenced by its many sons who evaded military service. Russian literature produced no Kipling to sing the praises of empire. Lack of self-belief, coupled to nationalistic aggressiveness, has always been a prominent contradiction in the Russian character. Nicholas’s thoughtful subjects were conscious of their country’s repeated failures in wars – against the British, French, Turks, Japanese. The last represented the first occasion in modern history when a European nation was defeated by an Asiatic one, which worsened the humiliation. In 1876 the foreign minister Prince Gorchakov told a colleague gloomily: ‘we are a great, powerless country’. In 1909 Gen. A.A. Kireyev lamented in his diary, ‘we have become a second-rate power’; he believed that imperial unity and moral cohesion were collapsing. When Russia acquiesced in Austria’s annexation of Bosnia-Herzegovina, he exclaimed bitterly: ‘Shame! Shame! It would be better to die!’

France’s new relationship with Russia began in 1894, when the two governments signed a military convention; it derived from a belief that neither nation could alone aspire to climb into the ring against Germany, which posed a common threat, and that only such an alliance could offer security against the Kaiser’s expansionist ambitions. Thereafter, the French advanced large loans to St Petersburg, chiefly to fund the building of strategic railways. France had many cultural ties with Russia, symbolised by Diaghilev’s Ballets Russes, the toast of Paris. The close military relationship known as the Dual Entente evolved progressively: in 1901, the Russians agreed with the French that their army would engage the Germans eighteen days after any declaration of war. France’s cash funded a big rearmament programme; Russians even aspired to create a first-class navy by 1930.

The Tsar’s peacetime army was Europe’s largest – 1.42 million men, potentially rising to five million on mobilisation. But could they fight? Many foreigners were sceptical. After attending Russian manoeuvres, the British military attaché wrote: ‘we saw much martial spectacle, but very little serious training for modern war’. France’s Gen. Joseph Joffre, invited to inspect Nicholas’s forces in August 1913, agreed. He found some of the Tsar’s advisers, the war minister among them, frankly hostile to their country’s French alliance. The Russian army was burdened with weak leaders and chronic factionalism; one historian has written that it retained ‘some of the characteristics of a dynastic bodyguard’. Its ethos was defined by brutal discipline rather than skill or motivation, though its commanders persuaded themselves that their men would fight better in a Slav cause than they had done against Japan in 1904–05.

Russians were proud of their role in helping to free much of the Balkans from Ottoman rule, and determined not to see this supplanted by Austrian or German hegemony. The semi-official St Petersburg newspaper Novoe Vremya wrote in June 1908 that it was impossible ‘without ceasing to be Russian’ to allow Germanic cultural domination of southern and eastern Europe. In 1913 the British minister in Belgrade, G.H. Barclay, wrote that ‘Serbia is, practically speaking, a Russian province.’ This was an exaggeration, because Serb leaders were intensely self-willed, but St Petersburg made plain that the country was under its protection. Russian security guarantees to Serbia proved as fatal to European peace as was German support for Austria – with the important difference that the former were defensive, the latter aggressive. But at the very least, Russia was irresponsible in failing to insist upon a halt to Serbian subversion in the Hapsburg Empire as the price for its military backing.

The south Slavs lived in four different states – the Hapsburg Empire, Serbia, Montenegro and Bulgaria – under eight different systems of government. Their impassioned nationalism imposed a dreadful blood forfeit: about 16 per cent of the entire population, almost two million men, women and children, perished violently in the six years of struggle that preceded Armistice Day 1918. Serbia fought two Balkan wars, in 1912 and 1913, to increase its size and power by seizing loose fragments of the Ottoman Empire. In 1912 the Russian foreign minister declared that a Serb–Bulgarian triumph over the Turks would be the worst outcome of the First Balkan War, because it would empower the local states to turn their aggressive instincts from Islamism, against Germanism: ‘In this event one … must prepare for a great and decisive general European war.’ Yet the Serbs and Bulgarians indeed triumphed in that conflict; a subsequent Serb–Romanian victory in the Second Balkan War – a squabble over the spoils of the First – made matters worse. Serbia doubled its territory by incorporating Macedonia and Kosovo. Serbians burst with pride, ambition and over-confidence. Wars seemed to work well for them.

In June 1914 the Russian minister in Belgrade, the dedicated pan-Slavist Nikolai Hartwig, was believed actively to desire an armed clash between Serbia and Austria, though St Petersburg almost certainly did not. The Russian ambassador in Constantinople complained that Hartwig, a former newspaper columnist, ‘shows the activity of an irresponsible journalist’. Serbia was a young country wrested from the Ottoman Empire only in 1878, which now clung to the south-eastern frontier of the Hapsburg Empire like some malevolent growth. Western statesmen regarded the place with impatience and suspicion. Its self-assertiveness, its popular catchphrase ‘Where a Serb dwells, there is Serbia,’ destabilised the Balkans. Europe’s chancelleries were irritated by its ‘little Serbia’, proud-victim culture. Serbs treated their own minority subjects, especially Muslims, with conspicuous and often murderous brutality. Every continental power recognised that the Serbs could achieve their ambition to enfold in their own polity two million brethren still under Hapsburg rule only at the cost of bringing down Franz Joseph’s empire.

Just four and a half million Serbs occupied 87,300 square kilometres of rich rural regions and barren mountains, a smaller country than Romania or Greece. Four-fifths of them lived off the land, and the country retained an exotic oriental legacy from its long subjection to the Ottomans. Such industries as it had were agriculturally based – flour and sawmills, sugar refineries, tobacco. ‘Within little more than two days’ rail from [London],’ wrote an enthusiastic pre-war British traveller, ‘there lies an undeveloped country of extraordinary fertility and potential wealth, possessing a history more wonderful than any fairy tale, and a race of heroes and patriots who may one day set Europe by the ears … I know no country which can offer so general an impression of beauty, so decided an aroma of the Middle Ages. The whole atmosphere is that of a thrilling romance. Conversation is larded with accounts of hairbreadth ’scapes and deeds of chivalry … Every stranger is welcome, and an Englishman more than any.’

Others saw Serbia in much less roseate hues: the country exemplified the Balkan tradition of domestic violence, regime change by murder. On the night of 11 June 1903, a group of young Serb officers fell upon the tyrannical King Alexander and his hated Queen Draga by candlelight in the private apartments of their palace: the bodies were later found in the garden, riddled with bullets and mutilated. Among the assassins was Dragutin Dimitrijević, who became the ‘Apis’ of the Sarajevo conspiracy: he was wounded in a clash with the royal guards, which earned him the status of a national hero. When King Peter returned from a long exile in Switzerland to take the throne of a notional constitutional monarchy, Serbia continued to seethe with factionalism. Peter had two sons: the elder, Djordje, educated in Russia, was a violent playboy who was forced to relinquish his claim to the throne after a 1908 scandal in which he kicked his butler to death. His brother Alexander, who became the royal heir, was suspected of attempting to poison Djordje. The Serb royal family provided no template for peaceful co-existence, and the army wielded as much power as that of a modern African statelet.

Though Serbia was a rural society, it boasted a dynamic economy and a Western-educated intellectual class. One of the latter’s aspiring sophisticates enthused to a foreign visitor: ‘I am so fond of this country. It is so pastoral, don’t you think? I am always reminded of Beethoven’s Pastoral Symphony.’ He whistled a few bars abstractedly. ‘No, I made a mistake. That is the Third, isn’t it?’ Centuries of Ottoman dominance had bequeathed an exotic Eastern cultural legacy. American correspondent John Reed wrote:

All sorts of people hung about the stations, men turbaned and fezzed and capped with conical hats of brown fur, men in Turkish trousers, or in long shirts and tights of creamy homespun linen, their leather vests richly worked in colored wheels and flowers, or in suits of heavy brown wool ornamented with patterns of black braid, high red sashes wound round and round their waists, leather sandals sewed to a circular spout on the toe and bound to the calf with leather ribbons wound to the knees; women with the Turkish yashmak and bloomers, or in leather and woollen jackets embroidered in bright colors, waists of the rare silk they weave in the village, embroidered linen underskirts, black aprons worked in flowers, heavy overskirts woven in vivid bars of color and caught up behind, and yellow or white silk kerchiefs on their heads.

In cafés, men drank Turkish coffee and ate kaymak cheese-butter. Every Sunday in village squares peasants gathered to dance – different dances for marriages, christenings, and even for each party at elections. They sang songs that were often political: ‘If you will pay my taxes for me, then I will vote for you!’ This was the nation that was the focus of intense Austrian anxiety and hostility, matched by Russian protectiveness. Whatever view is adopted about Serbia’s role in the crisis of 1914, it is hard to make a case that its people were martyred innocents.

In western Europe, Balkan violence was so familiar that new manifestations aroused only weary disdain. In Paris in June 1914, the general European situation was thought less dangerous than it had been in 1905 and 1911, when acute tensions between the Triple Alliance and the Triple Entente were defused by diplomacy. Raymond Poincaré, fifty-three years old, was a former conservative prime minister who was elected president in 1913, and made his office for the first time executive rather than ceremonial. Though he became the first holder of the post since 1870 to dine at the Germans’ Paris embassy, he loathed and feared the Kaiser’s nation, and caused support for Russia to become the central pillar of French foreign policy. Few responsible historians suggest that the French desired a European war in 1914, but to a remarkable degree Poincaré relinquished his country’s independence of judgement about participating in such an event. The Germans were the historic enemies of his people. Their war plan was known to demand an immediate assault on France, before addressing Russia. Poincaré believed, perhaps not wrongly, that the Entente powers must hang together, or Germany would hang them separately.

France had recovered brilliantly from defeat by Prussia in 1870. Bismarck’s annexation of the twin French provinces of Alsace and Lorraine as a strategic buffer zone west of the Rhine remained a grievance, but was no longer a bleeding wound in the national consciousness. The French Empire was prospering, despite chronic discontent among its Muslim subjects, especially in North Africa. The army’s prestige had been appallingly damaged by its senior officers’ decade-long parade of brutality, snobbery, stupidity and anti-Semitism in the Dreyfus case, but it was now recognised – though not by the Kaiser – as one of the most formidable fighting forces in Europe. France’s surging fortunes and commitment to innovation were symbolised by the first telephone boxes, railway electrification, the birth of Michelin maps. The brothers Lumière pioneered the development of cinema. Transport was being mechanised, with Paris becoming the fourth world city to acquire a metro, soon transporting four hundred million passengers a year. It was acknowledged as the cultural capital of the world, home to the avant-garde and the finest painters on earth.