"The Call of Cthulhu" by Howard Phillips H. P. Lovecraft is one of the classic horror works, so called βLovecraft horrorsβ.
American author of horror, fantasy, and science fiction.
Lovecraft's major inspiration and invention was cosmic horror; the idea that life is incomprehensible to human minds and that the universe is fundamentally alien. Those who genuinely reason, like his protagonists, gamble with sanity. Lovecraft has developed a cult following for his Cthulhu Mythos, a series of loosely interconnected fiction featuring a pantheon of human-nullifying entities, as well as the Necronomicon, a fictional grimoire of magical rites and forbidden lore. His works were deeply pessimistic and cynical, challenging the values of the Enlightenment, Romanticism, and Christian humanism. Lovecraft's protagonists usually achieve the mirror-opposite of traditional gnosis and mysticism by momentarily glimpsing the horror of ultimate reality.
Some people adore it, some people find it way too long (reading it is definitely work), but everyone agrees itβs a monumental story that ties together the universe where βThe Call of Cthulhu,β The Shadow Over Innsmouth, βThe Dunwich Horror,β and lots of other stories exist. A group of explorers go to Antarctica and discover evidence of a previous civilization. I donβt want to spoil the surprises, but I can at least tell you the big discovery the explorers make: There are things that even monsters fear.
Famous works of the author Howard Phillips Lovecraft: At the Mountains of Madness, The Dreams in the Witch House, The Horror at Red Hook, The Shadow Out of Time, The Shadows over Innsmouth, The Alchemist, Herbert West: Reanimator, Ex Oblivione, Azathoth, The Call of Cthulhu, The Cats of Ulthar, The Outsider, The Picture in the House, The Shunned House, The Terrible Old Man, The Tomb, What the Moon Brings.
ΠΠ°ΡΡΠ΅Ρ Π΄Π°ΠΆΠ΅ Π½Π΅ ΠΏΡΡΠ°Π»ΡΡ ΠΎΠ±ΡΡΡΠ½ΠΈΡΡ ΠΈΠΌ, ΡΡΠΎ Π΄ΠΎΠ±ΡΠΎ ΠΈ Π·Π»ΠΎ, ΠΊΡΠ°ΡΠΎΡΠ° ΠΈ ΡΡΠΎΠ΄ΡΡΠ²ΠΎ - ΡΠ·ΠΎΡΡ Π±Π΅ΡΠΊΠΎΠ½Π΅ΡΠ½ΠΎΠ³ΠΎ ΠΎΡΠ½Π°ΠΌΠ΅Π½ΡΠ° ΠΈ ΠΏΡΠΈΠΎΠ±ΡΠ΅ΡΠ°ΡΡ ΡΠΌΡΡΠ» Π»ΠΈΡΡ Π² ΡΠ²ΡΠ·ΠΈ Ρ Π½ΠΈΠΌ.
ΠΡΡΡ, ΠΊΠ°ΠΊ ΠΈΠ·Π²Π΅ΡΡΠ½ΠΎ, Π·Π²ΡΠΊΠΈ, ΠΏΡΠΈΡΡΡΠΈΠ΅ ΠΆΠΈΠ²ΠΎΡΠ½ΡΠΌ, ΠΈ Π·Π²ΡΠΊΠΈ, ΠΏΡΠΈΡΡΡΠΈΠ΅ ΡΠ΅Π»ΠΎΠ²Π΅ΠΊΡ; ΠΈ ΠΆΡΡΠΊΠΎ ΡΡΠ°Π½ΠΎΠ²ΠΈΡΡΡ, ΠΊΠΎΠ³Π΄Π° ΠΈΡΡΠΎΡΠ½ΠΈΠΊΠΈ ΠΈΡ Π²Π΄ΡΡΠ³ ΠΌΠ΅Π½ΡΡΡΡΡ ΠΌΠ΅ΡΡΠ°ΠΌΠΈ.
ΠΠΎΡΡΡΠ°Π²ΡΠΈΠΉ ΠΌΠΎΠΆΠ΅Ρ ΠΏΠΎΠ³ΡΡΠ·ΠΈΡΡΡ Π² Π±Π΅Π·Π΄Π½Ρ, Π° ΠΏΠΎΠ³ΡΡΠ·ΠΈΠ²ΡΠΈΠΉΡΡ Π² Π±Π΅Π·Π΄Π½Ρ ΠΌΠΎΠΆΠ΅Ρ Π²Π½ΠΎΠ²Ρ Π²ΠΎΡΡΡΠ°ΡΡ.
ΠΠΎΠΆΠ΅Ρ Π½Π΅ ΡΠΎΠ»ΡΠΊΠΎ ΠΌΠ΅ΡΡΠ²ΡΠΉ Π»Π΅ΠΆΠ°ΡΡ Π±Π΅Π· Π΄Π²ΠΈΠΆΠ΅Π½ΠΈΡ Π²Π΅ΡΠ½ΠΎ,
Π ΡΡΡΠ°Π½Π½ΡΡ ΠΆΠ΅ ΡΠΏΠΎΡ Ρ ΠΌΠΎΠΆΠ΅Ρ ΠΈ ΡΠΌΠ΅ΡΡΡ ΡΠΌΠ΅ΡΠ΅ΡΡ.
ΠΠ΅ΡΠΎΠ³Π»ΠΈΡΡ ΡΡΠΈ, ΠΊΠ°ΠΊ ΠΏΠΎ ΡΠΎΡΠΌΠ΅, ΡΠ°ΠΊ ΠΈ ΠΏΠΎ ΡΠΎΠ΄Π΅ΡΠΆΠ°Π½ΠΈΡ, ΠΏΡΠΈΠ½Π°Π΄Π»Π΅ΠΆΠ°Π»ΠΈ ΠΊ ΡΠ΅ΠΌΡ-ΡΠΎ ΡΡΡΠ°ΡΠ½ΠΎ Π΄Π°Π»Π΅ΠΊΠΎΠΌΡ ΠΈ ΠΎΡΠ»ΠΈΡΠ½ΠΎΠΌΡ ΠΎΡ Π½Π°ΡΠ΅Π³ΠΎ ΡΠ΅Π»ΠΎΠ²Π΅ΡΠ΅ΡΠΊΠΎΠ³ΠΎ ΠΌΠΈΡΠ°; ΠΎΠ½ΠΈ Π²ΡΠ³Π»ΡΠ΄Π΅Π»ΠΈ Π½Π°ΠΏΠΎΠΌΠΈΠ½Π°Π½ΠΈΠ΅ΠΌ ΠΎ Π΄ΡΠ΅Π²Π½ΠΈΡ ΠΈ Π½Π΅ΠΎΡΠ²ΡΡΠ΅Π½Π½ΡΡ ΡΠΈΠΊΠ»Π°Ρ ΠΆΠΈΠ·Π½ΠΈ, Π² ΠΊΠΎΡΠΎΡΡΡ Π½Π°ΠΌ ΠΈ Π½Π°ΡΠΈΠΌ ΠΏΡΠ΅Π΄ΡΡΠ°Π²Π»Π΅Π½ΠΈΡΠΌ Π½Π΅ Π±ΡΠ»ΠΎ ΠΌΠ΅ΡΡΠ°.
ΠΡΠ·ΡΠ²Ρ