The Dead Command

"And what of that?" Febrer asked.

The Little Chaplain seemed to pity the señor's simplicity.

"Be careful, Don Jaime. You don't know the men of the island. This conversation at the forge means something. This is Saturday, courting night. I am sure they are plotting to do you harm if you come down to Can Mallorquí."

Febrer received these words with a gesture of scorn. He would be there, in spite of everything. Did they imagine they could frighten him? The only thing he regretted was that they delayed so long in attacking him.

He spent the rest of the day in a state of nervous anger, eager for night to come. He avoided approaching Can Mallorquí in his walks, gazing at it from a distance, in the hope of catching a glimpse of the slender figure of Margalida. Since he had become a suitor he could not present himself as a friend. A visit from him might prove embarrassing for Pèp's family, and also he feared that the girl might conceal herself on seeing him approach.

As soon as the sun had set and the stars appeared in the clear winter sky with the keenness of points of ice, Febrer descended from the tower.

During his brief walk to the farmhouse, recollections of the past returned again with ironic precision, as they had done on the former courting night.

"If Mary Gordon should see me!" he thought. "Perhaps she would compare me to a rustic Siegfried going forth to slay the dragon, which guards the treasure of Iviza. If certain cynical women I have known should see me!"

But his love immediately effaced these recollections. What if they should see him! Margalida was better than all the women he had ever known; she was the first, the only one. All his past life seemed to him false, artificial, like the life presented on the stage, painted and covered with tinsel beneath a deceptive light. He would never return to that world of fiction. The present was reality.

Arrived at the porch, he found all the suitors, who seemed to be talking in smothered voices. When they saw him they instantly became silent.

"Bòna nit!"

No one replied. They did not even receive him with the grunt of the other night.

When Pèp, opening the door, gave them entrance to the kitchen, Febrer saw that the Minstrel had a small drum hanging from one arm and was carrying the drum stick in his right hand.

It was to be an evening of music. Some of the youths smiled with a wicked expression when they took their places, as if rejoicing in advance over something extraordinary. Others, more serious, showed in their faces the noble disgust of those who fear to witness an inevitable evil deed. The Ironworker remained impassive in one of the farthest corners, shrinking down so as to remain unnoticed among his comrades.

A few of the youths had talked with Margalida, when suddenly, the Minstrel, seeing the chair unoccupied, approached and took his seat in it, holding the drum between his knee and his elbow, and resting his forehead in his left hand. He slowly beat the drum, while a prolonged hissing demanded silence. It was a new song; every Saturday the Minstrel came with fresh verses in honor of the daughter of the house. The charm of wild and barbarous music, admired since childhood, compelled all to listen. The sacred emotion of poesy made these simple souls thrill in advance.

The poor consumptive began to sing, accompanying each verse with a final clucking which shook his chest and reddened his cheeks. Tonight, however, the Minstrel seemed to have more strength than usual; his eyes had an extraordinary brilliancy.

An outburst of laughter greeted the first verses, hailing the sarcastic cleverness of the rural poet.

Febrer did not understand much of it. When he heard this monotonous and neighing music, which seemed to recall the primitive songs scattered over the Mediterranean by the Semitic sailors, he took refuge within his thoughts to pass away the time, and to be less bored by the extraordinary length of the ballad.

The loud laughter of the young men attracted his attention as something which he vaguely comprehended as directed against himself with hostile intent. What was that angry lamb saying? The singer's voice, his rustic pronunciation, and the continual clucking with which he ended the verses, were scarcely intelligible to Jaime, but he gradually began to realize that the ballad was directed at young women who desired to abandon the field, to marry caballeros, and who longed to wear the same ornaments as city ladies. The singer described feminine fashions in extravagant terms, which made the peasants laugh.

The simple Pèp also laughed at these jests, which flattered both his rural pride and his masculine vanity, which was inclined to see in the female nothing but a sharer of his burdens. "True! True!" And he joined his laughter to that of the boys. What an amusing fellow was that Minstrel!

After a few verses the improvisatore no longer sang of young women in general, but of a particular one, ambitious and heartless. Febrer glanced instinctively at Margalida, who remained motionless, with lowered eyes, her cheeks colorless, as if frightened, not at what she had already heard, but at what was undoubtedly yet to come.

Jaime began to stir uneasily in his chair. The idea of that rustic annoying her like that! A louder and more insolent outburst of laughter again attracted his attention to the verses. The singer was making fun of the girl, who, in order to become a lady, wished to marry a poor ruined man possessed of neither home nor family; a foreigner, who had no lands to cultivate.

The effect of this was instantaneous. Pèp, in the denseness of his dull brain, saw something like a spark of light, a luminous divination, and he extended his hands imperatively, while at the same instant he arose.

"Enough! Enough!"

But it was too late; a form interposed between himself and the candle light; it was Febrer, who had leaped forward.

He grasped the drum from the singer's knees and hurled it at his head with such force that the parchment gave way and the frame fitted itself down over the bleeding forehead like a shapeless cap.

The youths sprang impulsively from their seats, their hands reaching into their girdles. Margalida, screaming, took refuge at her mother's side, and the Little Chaplain felt that the time had come to draw his knife. His father, with the authority of his years, shouted:

"Outside! Outside!"

They all obeyed, and went out into the fields in front of the farmhouse. Febrer went also, in spite of the resistance of Pèp.

The young men seemed to be divided among themselves, and were carrying on a heated discussion. Some were protesting. The idea of striking the poor Minstrel, an unfortunate sick boy who could not defend himself! Others shook their heads. They had been expecting it. A man could not be insulted gratuitously without something happening. They had opposed the singing; they believed that when a man had something to say to another man he should say it face to face.

In the heat of their contrary opinions and in their jealous rivalry they were about to resort to blows when their attention was distracted by the Minstrel. He had removed the drum from his head and was wiping the blood from his forehead, weeping with the fury of a weak man who longs to wreak direct vengeance, and yet realizes himself a slave to his impotence.

"I'll settle with him!" he cried. Suddenly stooping to pick up stones in the darkness, he began to throw them at Febrer, each time receding a few steps as if to defend himself against a new aggression. The stones, flung by his forceless arms, fell into the shadows or rebounded against the porch.

The Minstrel's friends surrounded him and led him away. His cries could be heard in the distance, shouting defiance, swearing vengeance. He would kill the stranger! He alone would put an end to the Majorcan!

Jaime stood motionless among his enemies, with one hand in his belt. He was overcome with shame at having lost his temper, and having struck the poor consumptive. To stifle his remorse he muttered arrogant threats. He only wished it had been another man who had done the singing. His eyes sought the Ironworker, as if defying him; but the dreaded man-slayer had disappeared.

Half an hour afterward, when the tumult had subsided and Febrer returned to his tower, he stopped on the way several times, revolver in hand, as if expecting someone.

Nobody!

CHAPTER II
LOVE AND PISTOLS

The next morning just after sunrise the Little Chaplain ran in search of Don Jaime, revealing in his manner as he entered the tower, the importance of the news which he was bearing.

In Can Mallorquí they had all passed a bad night. Margalida wept; her mother lamented the occurrence; what would the people of the district think of them when they heard that men had come to blows in her house as in a tavern? What would the girls say about her daughter? But Margalida gave little heed to the opinion of her friends. Something else seemed to worry her, something of which she said nothing, but which caused her to shed copious tears. Señor Pèp, after closing the door on the suitors, had paced up and down the kitchen for an hour muttering to himself and clenching his fists. "That Don Jaime! Why should he persist in trying to obtain the impossible? Obstinate, like all his kindred!"

The Little Chaplain had not slept either. In the mind of the young savage, astute and sagacious, a suspicion tad gradually assumed the reality of fact.

On entering the tower he immediately communicated his thoughts to Don Jaime. Whom did he imagine had conceived the offensive song? The Minstrel? No, señor; it was the Ironworker! The Minstrel had made the rhymes, but the theme originated with the malicious man-slayer. He it was who had conceived the idea of insulting Don Jaime in the presence of all the suitors, relying on the certainty that he would not let the affront pass unheeded. Now the boy understood the reason for the interview between the two suitors which he had surprised in the mountain.

Febrer received this news, to which the Little Chaplain attached great importance, with a gesture of indifference. What of that? He had already punished the insolent Minstrel, and as for the man-slayer, he had sneaked off when he had challenged him at the door of the farmhouse. He was a coward.

Pepet shook his head incredulously.

"Be careful, Don Jaime! You do not know the ways of the braves around here, the cunning they employ to avoid being caught when wreaking vengeance. You must be on your guard now more than ever. You know what the jail-bird is, and he doesn't want to get sent back to prison. What he has just done is a trick which other man-slayers have played before."

Jaime lost patience at the boy's mysterious air and confused words.

"Why don't you speak out? Come!"

At last the Little Chaplain gave voice to his suspicions. Now the Ironworker could attempt anything he liked against Don Jaime; he could lie in ambush for him among the tamarisks at the foot of the tower and shoot him as he passed. Suspicion would at once be directed against the Minstrel, in view of the quarrel at the farmhouse and his threats of vengeance. With this, and with the man-slayer establishing an alibi by taking a short cut to some distant place where he could be seen by many persons, it would be easy for him to avenge himself with impunity.

"Ah!" exclaimed Febrer seriously, as if suddenly realizing the importance of these words.

The boy, delighting in his superior knowledge, continued giving advice. Don Jaime must be more careful; he must lock the door of his tower and pay no attention to calls from outside after dark. Surely the man-slayer would try to induce him to come out by challenging cries, with howls of defiance.

"If you hear any cries of challenge during the night, Don Jaime, you must keep still. I know their ways," continued the Little Chaplain with the importance of a hardened man-slayer. "They hide in the bushes, with weapon aimed, and if their man comes out, they fire without ever showing themselves. You must stay in after dark."

This advice was for the night. By day the señor could go abroad without fear.

"Here am I to accompany you wherever you wish."

The boy straightened himself with an aggressive air, moving one hand to his belt to convince himself that his knife had not disappeared, but he was immediately undeceived by Febrer's mocking expression of gratitude.

"Laugh, Don Jaime; make fun of me if you will; but I can be of some use to you. See how I warn you of danger! You must be on your guard. The Ironworker planned that singing with evil intent."

He glanced about like a chieftain preparing for a long siege. His eyes encountered the gun hanging on the wall among the decorations of shells. Very good; both barrels must be loaded with ball, and on top of this a good handful of lead slugs or coarse bird-shot. It would be no more than prudent. Thus his glorious grandfather had done. Seeing Jaime's revolver lying on the table, he frowned.

"Very bad! Small arms should be worn on one's person at all hours. I sleep with my knife on my breast. What if an enemy should rush in suddenly without giving a man time to look for his weapon?"

The tower, which, in former centuries, had been the scene of executions and battles between pirates, a stone vault suggestive of tragedies, the walls covered by gleaming whitewash, then claimed the boy's attention.

He cautiously made his way to the door as if an enemy were lying in wait for him at the foot of the stairway, and concealing his body behind the thick wall, he advanced, nothing but an eye and part of his forehead being visible. Then he shook his head with despair. If one looked out at night, even with these precautions, the enemy, lying in ambush below, could see him, could aim at him with the greatest facility, resting his arms on a branch or on a stone with no fear of missing him. It would be even worse to step outside the door and venture to go down. No matter how dark the night, the enemy could point his gun at a cluster of leaves, at a star on the horizon, at anything standing out conspicuously in the dusk near the stairway, and when a dark form should pass before it, momentarily obscuring the object sighted at—bang! It was sure game! He had heard grave men tell of having spent whole months crouching behind a hillock or a tree trunk, the butt-end of a musket close to the cheek and the eyes fixed on the end of the barrel, from sunset till daybreak, lying in wait for some old-time enemy.

No, the Little Chaplain did not like this door with its stairway in the open. He must find another exit, and he inspected the window, opened it, and looked out. With simian agility, laughing with joy at his discovery, he sprang over the embrasure and disappeared, seeking with feet and hands the irregularities of the rubble-work, the deep, stair-like sockets left by the stones when they had fallen loose from the mortar. Febrer looked out and saw him picking up his hat and waving it with a triumphant expression. Then the boy ran around the base of the tower, and soon his steps resounded, trotting noisily up the wooden stairs.

"That's easy enough!" he shouted, as he entered the room, red with excitement over his discovery. "That's a stairway fit for a gentleman!"

Realizing the importance of his discovery, he assumed a grand air of mystery. This must be kept between them—not a word to anyone. It was a precious means of exit, the secret of which must be jealously guarded.

The Little Chaplain envied Don Jaime. How he longed to have an enemy himself to come and call a challenge to him in the tower during the night! While the Ironworker lay howling in ambush, his eyes glued upon the stairway, he would descend by means of the window, at the rear of the tower, and, creeping cautiously around, he would hunt the hunter. What a stroke! He laughed with savage glee, as if on his dark red lips trembled the ferocity of his glorious ancestors who considered the hunting of man the most noble of exercises.

Febrer seemed to be infected by the boy's exhilaration. He would try going down by the window route himself! He flung his legs over the sill, and carefully, clumsily, began feeling with his toes for the irregularities in the wall until he found the holes which served as steps. He slowly made his way down, loose stones slipping beneath his feet, until he reached the ground, giving a sigh of satisfaction. Very good! The descent was easy; after a few more trials he would be able to get down as nimbly as the Little Chaplain. Pepet, who had followed him agilely, almost hanging over his head, smiled, like a master pleased at the lesson, and repeated his advice. Don Jaime must not forget! When he heard the challenge he must climb out of the window and down the wall, getting around behind his adversary.

At noon when Febrer was left alone he felt himself possessed of a warlike ferocity, of an aggressiveness which caused him to look long at the wall on which hung his gun.

At the foot of the promontory, from the shore where Tío Ventolera's boat was beached, rose the voice of the old fisherman singing mass. Febrer looked out the door, carrying both hands to his mouth in the form of a trumpet.

Tío Ventolera, with the help of a boy, was shoving his boat into the water. The furled sail trembled aloft on the mast. Jaime did not accept the invitation. "Many thanks, Tío Ventolera!" The old fisherman insisted in his puny voice, which, wafted in on the wind, sounded like the plaintive crying of a child. The afternoon was fine; the wind had changed; they would catch fish in abundance near the Vedrá. Febrer shrugged his shoulders. No, no, many thanks; he was busy.

He had scarcely ceased speaking when the Little Chaplain presented himself at the tower for the second time, carrying the dinner. The boy seemed gloomy and sad. His father, choleric over the scene of the previous night, had chosen him as the victim on whom to vent his displeasure. An injustice, Don Jaime! Pèp had been striding up and down the kitchen, while the women, with tearful eyes and cringing air, shrank away from his gaze. Everything that had happened he attributed to the weakness of his character, to his good nature, but he intended to apply a remedy at once. The courting was to be suspended; he would no longer receive suitors nor visits. And as for the Little Chaplain—this bad son, disobedient and rebellious, he was to blame for everything!

Pèp did not know for a certainty how the presence of his son had brought on the scandal of the night before, but he remembered his resistance against becoming a priest, his running away from the Seminary, and the recollection of these annoyances inflamed his anger and caused it to be concentrated on the boy. Monday next he was going to take him back to the seminary. If he tried to resist, and if he should run away again, it would be better for him to embark as a cabin boy and forget that he had a father, for in case he returned home Pèp would break his two legs with the iron bar which fastened the door. To let off steam, to get his hand in, and to give a sample of his future temper, he gave him a few blows and kicks, getting even in this way for the wrath he had felt when he saw the boy appear as a fugitive from Iviza.

The Little Chaplain, submissive and shrinking through habit, took refuge in a corner behind the defense of skirts and petticoats which his weeping mother opposed to Pèp's fury; but now, up in the tower, recalling the event with glaring eyes, livid cheeks and clenched fists, he gnashed his teeth.

What injustice! Should a man stand being beaten like that, for no reason whatever except that his father might work off his ill humor! The idea of his having to take a beating, he who carried a knife in his belt, and was not afraid of anyone on the island. Paternity and filial respect seemed to the Little Chaplain at the moment the inventions of cowards, created only to crush and mortify brave-hearted men. Added to the blows, humiliating to his dignity as a man of mettle, the thought of being shut up in the Seminary, dressed in a black cassock, like a woman in petticoats, with shaven head, losing forever those curls which peeped arrogantly beneath his hat brim; having a tonsure which would make the girls laugh, and—farewell to dancing and courting! Farewell to the knife!

Soon Jaime would see him no more. Within a week the trip to Iviza was to be taken. Others would bring his dinner up to the tower. Febrer saw a ray of hope. Perhaps then Margalida would come as in former days! The Little Chaplain, in spite of his grief, smiled maliciously. No, not Margalida; anyone but her. Pèp was in no mood to consent to that. When the poor mother, to plead her son's cause, had timidly suggested that the boy was needed in the house to wait on the señor, Pèp burst forth into fresh raving. He would carry Don Jaime's meals up to the tower every day himself, or else his wife should do so, and if need be they would get a girl to act as servant for the señor since he was determined to live near them.

The Little Chaplain said no more, but Febrer guessed the words which the good peasant had doubtless hurled against him, forgetting all respect in his anger, enraged over the trouble brought upon the family by his presence.

The boy returned to the ranchhouse with his basket, muttering revenge, swearing that he would not return to the Seminary, although he knew no means of avoiding it. His resistance took the turn of knightly valor. Abandon his friend Don Jaime now that he was surrounded by dangers! Go and shut himself up in that house of gloom, among black-skirted gentlemen who spoke a strange language, now that out in the open, in the light of the sun, or in the mystery of night, men were going to kill one another! Should such extraordinary events occur, and he not witness them!

When Febrer was left alone he took down his gun, and stood near the door for a long time examining it absent-mindedly. His thoughts were far away, much farther than the ends of the barrels, which seemed to point toward the mountain. That miserable Ironworker! That insufferable bully! Something had stirred within him, an irresistible antipathy, the first time he had seen him. Nobody in the island aroused his ire as did that gloomy jail-bird.

The cold steel weapon in his hand brought him back to reality. He resolved to go into the mountains hunting. But what should he hunt? He extracted two cartridges from the barrels, cartridges loaded with small shot, suitable for the birds which crossed the island returning from Africa. He introduced two other cartridges into the double barrel and filled his pockets with more, which he took from a pouch. They were loaded with buckshot. He was going hunting for big game!

Slinging his gun over his shoulder, he walked with arrogant step down the stairway of the tower building, as if his resolution filled him with satisfaction.

As he passed Can Mallorquí the dog leaped out to meet him, barking joyously. No one peeped out of the door, as in the past. Surely he had been seen, but no one came out of the kitchen to greet him. The dog followed for some time, but turned back when he saw him take the road to the mountain.

Febrer strode hurriedly between the stone walls which retained the sloping terraces, following the walks paved with blue pebbles, converted by the winter rains into high-banked ravines. Then he passed beyond the lands furrowed by the plow. The compact soil was covered with wild and spiny vegetation. Fruit trees, the tall almonds and the spreading fig trees, were succeeded by junipers and pines, twisted by the winds blowing from the sea. As Febrer stopped for a moment and looked behind, he saw at his feet the buildings of Can Mallorquí, like white dice shaken from the great rocks by the sea. The Pirate's Tower stood like a fortress on its hill. His ascent had been swift, almost at full speed, as if he feared to arrive too late at some meeting-place with which he was unfamiliar. He continued on his way. Two wild doves rose from the shrubbery with the feathery swish of an opening fan, but the hunter seemed not to see them. Stooping black figures in the bushes caused him to lift his right hand to the stock of his gun to sling it from his shoulder. They were charcoal burners piling wood. As Febrer passed near them they stared at him with fixed eyes, in which he thought he noticed something extraordinary, a mixture of astonishment and curiosity.

"Good afternoon!"

The grimy men replied, but they followed him a long time with their eyes, which shone with a transparency of water in their soot-blackened faces. Evidently the lonely mountain dwellers had heard of the events of the evening before at Can Mallorquí and were surprised at seeing the señor of the tower alone, as if defying his enemies and believing himself invulnerable.

Now he no longer met people along his path. Suddenly, above the murmur of dry leaves caressed by the wind, he heard the faint ring of beaten iron. A slender column of smoke was rising from among the verdure. It was the blacksmith's forge.

Jaime, with his gun half supported on his shoulder, as if the weapon were about to slip off, stepped into a clearing, which formed a broad square in front of the smithy. It was a miserable little adobe hut of a single story, blackened by smoke and covered by a hip roof, which, in places, sunk in as if about to collapse. Beneath a shed gleamed the flaming eye of a forge and near it stood the Ironworker beside the anvil, beating with his hammer on a bar of red-hot iron, which looked like the barrel of a carbine.

Febrer was not displeased with his theatrical entrance into the open square. The man-slayer raised his eyes on hearing the sound of steps in the interval between two blows. He stood motionless, with raised hammer as he recognized the señor of the tower, but his cold eyes conveyed no impression.

Jaime passed by the forge, staring at the Ironworker, giving a look of challenge which the other seemed not to understand. Not a word, not a greeting! The señor walked on, but once outside the square he stopped near one of the first trees and sat down on a projecting root, holding the gun between his knees.

The pride of virile arrogance invaded the soul of Febrer. He was rejoiced at his own assurance. That bully could easily see that he had come to seek him in the solitude of the mountain, at his own house; he must be convinced that he was not afraid of him.

To better demonstrate his serenity, he drew his tobacco box from his belt and began to roll a cigarette.

The hammer had begun to ring upon the metal again. From his seat on the tree trunk Jaime saw the Ironworker, his back turned with careless confidence, as if ignorant of his presence and intent on nothing but his work. This calmness disconcerted Febrer somewhat. Vive Dios! Had the man not guessed his intention?

The Ironworker's coolness was exasperating, but at the same time his calmly turning his back, confident that the señor of the tower was incapable of taking advantage of this situation to fire a treacherous shot, inspired a vague gratitude.

The hammer ceased ringing. When Febrer looked again in the direction of the shed he did not see the Ironworker. This caused him to pick up his gun, fingering the trigger. Undoubtedly he was coming with a weapon, annoyed by this provocation of one who came to seek him in his own house. Perhaps he was going to shoot out of one of the miserable windows which gave light to the blackened dwelling. He must be prepared against stratagem, and he arose, trying to conceal his body behind a tree trunk, leaving nothing but an eye visible.

Someone was stirring inside the hut; something black cautiously peeped out. The enemy was coming forth. Attention! He grasped his gun, intending to fire as soon as the muzzle of the hostile weapon should appear, but he stood motionless and confused on seeing that it was a black skirt, terminated by naked feet in worn and tattered sandals, and above it a withered bust, bent and bony, a head coppery and wrinkled, with but one eye, and thin gray hair, which allowed the gloss of baldness to shine between its locks.

Febrer recognized the old woman. She was the Ironworker's aunt, the one-eyed woman of whom the Little Chaplain had told him, the sole companion of the Ironworker in his wild solitude. The woman stood near the forge, her arms akimbo, thrusting forward her abdomen, bulky with petticoats, focusing her single eye, inflamed by anger, on the intruder who came to provoke a good man in the midst of his work. She stared at Jaime with the fiery aggressiveness of the woman who, secure in the respect produced by sex, is more audacious and impetuous than a man. She muttered threats and insults which the señor could not hear, furious that anyone would venture to oppose her nephew, the beloved whelp on whom, in her sterility, she had lavished all the ardor of frustrated motherhood.

Jaime suddenly realized the odiousness of his behavior in coming to antagonize another in his own house in broad daylight. The old woman was right in insulting him. It was not the Ironworker who was the bully; it was himself, the señor of the tower, the descendant of so many illustrious dons, he, so proud of his origin.

Shame intimidated him, overcoming him with stupid confusion. He did not know how to get away, nor which way to escape. At last he flung his gun across his shoulder, and, gazing aloft, as if pursuing a bird which sprang from branch to branch, wandered among the trees and through thickets, avoiding the forge.

He walked down toward the valley, escaping from the forest to which a homicidal impulse had drawn him, ashamed of his former purpose. Again he passed the grimy men making charcoal.

"Good afternoon!"

They replied to his greeting, but in their eyes which shone peculiarly white in their blackened faces, Febrer felt something like hostile mockery of objectionable strangeness, as if he were of a different race and had committed an unheard of deed which forever placed him beyond friendly contact with the islanders.