An Old Fashioned Christmas Day

As the morning, though frosty, was remarkably fine and clear, the most of the family walked to the church, which was a very old building of grey stone, and stood near a village, about half a mile from the park gate. Adjoining it was a low snug parsonage, which seemed coeval with the church. As we passed this sheltered nest, the parson issued forth and preceded us.

I had expected to see a sleek, well-conditioned pastor, such as is often found in a snug living in the vicinity of a rich patron’s table; but I was disappointed. The parson was a little, meagre, black-looking man, with a grizzled wig that was too wide, and stood off from each ear; so that his head seemed to have shrunk away within it, like a dried filbert in its shell. He wore a rusty coat, with great skirts, and pockets that would have held the church Bible and prayer-book; and his small legs seemed still smaller, from being planted in large shoes decorated with enormous buckles.

I was informed by Frank Bracebridge that the parson had been a chum of his father’s at Oxford, and had received this living shortly after the latter had come to his estate. He was a complete black-letter hunter, and would scarcely read a work printed in the Roman character. The editions of Caxton and Wynkin de Worde were his delight; and he was indefatigable in his researches after such old English writers as have fallen into oblivion from their worthlessness. He had pored over these old volumes so intensely, that they seemed to have been reflected into his countenance indeed; which, if the face be an index of the mind, might be compared to a title-page of black-letter.

On reaching the church porch, we found the parson rebuking the grey-headed sexton for having used mistletoe among the greens with which the church was decorated. It was, he observed, an unholy plant, profaned by having been used by the Druids in their mystic ceremonies; and though it might be innocently employed in the festive ornamenting of halls and kitchens, yet it had been deemed by the Fathers of the Church as unhallowed, and totally unfit for sacred purposes. So tenacious was he on this point, that the poor sexton was obliged to strip down a great part of the humble trophies of his taste, before the parson would consent to enter upon the service of the day.

The interior of the church was venerable but simple; on the walls were several mural monuments of the Bracebridges, and just beside the altar was a tomb of ancient workmanship, on which lay the effigy of a warrior in armour, with his legs crossed, a sign of his having been a crusader. I was told it was one of the family who had signalised himself in the Holy Land, and the same whose picture hung over the fireplace in the hall.

The orchestra was in a small gallery, and presented a most whimsical grouping of heads, piled one above the other, among which I particularly noticed that of the village tailor, a pale fellow with a retreating forehead and chin, who played on the clarionet, and seemed to have blown his face to a point; and there was another, a short pursy man, stooping and labouring at a bass viol, so as to show nothing but the top of a round bald head, like the egg of an ostrich. There were two or three pretty faces among the female singers, to which the keen air of a frosty morning had given a bright rosy tint; but the gentlemen choristers had evidently been chosen like old Cremona fiddles, more for tone than looks; and as several had to sing from the same book, there were clusterings of odd physiognomies, not unlike those groups of cherubs we sometimes see on country tombstones.

The usual services of the choir were managed tolerably well. But the great trial was an anthem that had been prepared and arranged by Master Simon, and on which he had founded great expectation. Unluckily there was a blunder at the very outset; the musicians became flurried; Master Simon was in a fever; everything went on lamely and irregularly until they came to a chorus beginning ‘Now let us sing with one accord,’ which seemed to be a signal for parting company: all became discord and confusion; each shifted for himself, and got to the end as well, or rather as soon, as he could, except one old chorister in a pair of horn spectacles bestriding and pinching a long sonorous nose; who, happening to stand a little apart, and being wrapped up in his own melody, kept on a quavering course, wriggling his head, ogling his book, and winding all up by a nasal solo of at least three bars’ duration.