The International Monthly, Volume 3, No. 1, April, 1851
TextIV.—THE AMBASSADRESS
On the twentieth of June, 1818, six months before the occurrence of the scene we have described in the preceding chapter, the greatest excitement was exhibited in a magnificent hotel in the Faubourg Saint-Honoré. The principal entrance of this hotel, or the Faubourg, was occupied by a crowd of workmen, who were busy in arranging a multitude of flower vases, from the court-gate to the door of the hotel. Upholsterers and florists crowded the vestibule, the stairway, and the antechambers with their flowers and carpets. The interior of the rooms on the ground floor presented a scene of a different kind of disorder. A pell-mell—a crowd of men and women were tacking down and sowing rich and sumptuous stuffs on the floors. The rooms of the lower floor of the hotel opened on one of the gardens surrounding the Champs-Elysées towards the Faubourg St. Honoré. An immense ball-room was constructed in the garden. This ball-room was united to the house by richly dressed doors, cut into the windows, and, with the ground floor, formed one immense suite. The garden at this period of the year contributed in no small degree to the pleasures of the festival. The curtains at the doors of this hall could at any time be lifted up so as to permit access to this oasis of verdure. One might have thought a magic ring had transported to this corner of Paris, all the riches of the vegetation of southern climes, and might have, in imagination, strayed beneath the jasmin bowers, amid the roses and orange-groves of Italy, so delicious was the perfume which filled this garden. Its peculiar physiognomy and design, its form, manner, and even the statues, the majority of which were chef-d'-œuvres of Italian art, all proved some foreign taste had presided over its construction, and that this taste had been the passion of some elegant and distinguished man.
But now this paradise had passed into the possession of a charming woman and admirable artiste. This hotel belonged to the beautiful Felina, the Italian queen of song, who had deigned to descend from a throne to be the Duchess of Palma. The lofty brow which had borne so proudly the diadem of Semiramis and Junia, wore now a duchess's coronet. This was a great self-deprecation; for Europe contained a thousand duchesses, and but one Felina. Worse still, many duchesses would not recognize La Felina as one of the number. She was a duchess by chance; a duchess not by the grace of God, but by the grace of talent and beauty. Observe, too, that this version was the most favorable, the most amiable and polite. It was the one adopted by the intelligent, philosophic and sensible duchesses of the empire. The true duchesses, those of other days, who could not understand how any one could wear a ducal coronet without having at least three centuries of nobility, made use of all the grape of their artillery to annihilate the singing woman. It was whispered, but loudly enough to be heard by half a dozen persons, that La Felina, arming herself with that rigidity she kept for the Duke of Palma alone, displaying all her charms, and envying the title and fortune of the noble Neapolitan, had refused to surrender her heart without her hand;—that the poor Duke, entwined in the nets of this modern Circe, wearied of the many love-scrapes which he had undergone, made up his mind, as he could not become a lover, to become a husband. This delightful theme was so decorated by the rich imaginations of the ladies of the Faubourg Saint-Germain, that it could scarcely be recognized beneath the inlaying of the rich anecdotes to which it gave occasion; but which lacked only three essentials of merit—good sense, justice, and truth. As far as relates to good sense, we will say that the Duchess of Palma was far richer than her husband. Her talent had long procured her a brilliant income; and to renounce the stage, at the height of her reputation and glory, when every note she uttered was worth a doubloon, was to reject vast wealth, the source of which was her voice and talent. Good sense would not justify the reproach of cupidity; truth and justice would equally have rejected the charge.
La Felina, far from wishing to lead the Duke astray—far from wishing, as was said, to make her fortune by marrying him, had long rejected the hand of the Neapolitan minister of police when the most powerful reasons would have induced her to accept it. She married the Duke only because of the deep and irrepressible passion which animated her heart for the Count Monte-Leone. She knew the Count loved Aminta; she knew that, when at liberty, he would marry the sister of Taddeo. Anxious to contend with herself by creating new weapons to oppose the passion which devoured her, anxious to build up a new barrier between the Count and herself, and to prepare a defence for her own heart, she accepted the hand of the Duke of Palma as a rampart of duty, and, as it were, forcibly to leave a profession, the triumphs of which disgusted and offended her because she regretted having ever experienced them. These were the reasons or reasonings which led La Felina to act as she did. We shall see, at a later period, that she achieved her purpose.
The Duke of Palma having secretly married La Felina in the town of Ferentino, the day Monte-Leone recognized him, took his beautiful wife to a villa he possessed on the lago di Como, and after sojourning there a few days, went to Naples and forced the King to accept his resignation as minister of police. The Duke was dissatisfied with Naples, for no one would forgive him for marrying the Prima-Donna. The two then came to Paris after a brief mission, during which the Duke had been obliged to leave her alone at the lago di Como. There they purchased the hotel of which we have spoken, and prepared to receive the court, and exhibit all the aristocratic luxury with which the Duke of Palma was so familiar. One circumstance, however, which had been entirely unforeseen, wrecked all their hopes. The best society of Paris, which is so lenient to some eccentricities, yet so rigid in its exaction of obedience to certain prejudices—the society to which, from rank and position, the Duke of Palma belonged, was rebellious. Among the nobles of the restoration there were a few exceptions, and though the persons who ventured to the Duke's were perfectly well received—though they praised in the highest degree the graces and exquisite haut-ton of the Duchess, their example was not followed, and the hotel remained silent and empty. The Duke and Duchess lived alone, buried in a magnificent tomb. The cause of this neglect of the invitations of the ex-minister may be easily divined. The Duke had married La Felina, the singer, about whom there had been, and yet were, so many reports. The beautiful artiste was much wounded by this general neglect, not because she regretted the world and its pleasures, but on account of other impressions which had haunted her since she had lived alone at Como. The affront, however, recoiled on her husband, and her deep, resolute soul bitterly resented it. La Felina was an Italian, and those of that nation who receive affronts avenge them. She was not long at a loss. Her vengeance, however, could not easily be attained, for she had to do with a rich and powerful society, which had, as it were, formed a coalition to insult a woman, by rejecting her with disdain and contempt.
The renown of La Felina as a singer had long excited the curiosity of Paris. Her admirable voice, her dramatic talent, her wonderful beauty, made the great artiste to be envied in every theatre in Europe. By a strange caprice, or an exaggerated distrust of her powers, the great artiste had always refused to sing in the capital, though well aware that there alone great artistic talent is baptized. Amazed at the national glory, she had never asked this sacrifice of French cognoscenti. Great, therefore, was the emotion of the various drawing-rooms, when it was said that a great concert would be given by the Duke of Palma, and that his Duchess La Felina would sing. The concert was for the benefit of some interesting charity; and humanity was a pretext to the high Parisian society not to visit La Felina, but to perform a great duty. How though could invitations be had? There was great difficulty, for the invitations were most limited in number. It is always the case in Paris, that as obstacles increase, the desire to overcome them also is multiplied. This was exemplified in the case of the concert. It was, however, strange that the very hotels where the ducal artiste had been worst treated, where her advances had been worst received, were those to which the invitations came first. Here and there some affronts given by the noble Italians who were the intimate friends of the Duke of Palma, but they were all submitted to, so anxious was the world to enjoy the long-desired but unexpected pleasure of hearing La Felina.
This took place many months before the entertainments, the preparations for which we described at the commencement of this chapter. On the day appointed for the concert, a long file of carriages filled up the whole Faubourg St. Honoré, and stopped at the door of the hotel of the Duke of Palma. The Duchess sat in her most remote drawing-room, dressed with extreme simplicity, beautiful without adornment, and waited for the guests, whom an usher at the door of the first drawing-room announced. As each one saluted her, she arose, and thanked them for their visit. This reception, far from gratifying the majority of her guests, seemed to offend them. They fancied they had met on neutral ground, in a room appropriated to charity, and not to wait on a lady who did the honors of her own house. The latter, however, was the case. Multiplying her cares for and attention to her guests, appearing to notice neither the cold politeness of the one nor the rudeness of the other, the Duchess increased her amiability and politeness to all who approached her. The ice was broken. The men could not resist her charms, and many women followed their example. The dazzling luxury of the hotel, the admirable pictures, the majestic beauty of the Duchess, produced such an effect on this society, composed of the most illustrious persons of Paris, and of all who were famous at the epoch, that the success of La Felina was complete. The great feature of the entertainment was impatiently waited for. The concert which the Duchess had announced did not begin, and it was growing late. The artistes, it was said, had not yet come, and all were as impatient as possible, when an excellent orchestra was heard. A few young people, forgetting why they had come, and utterly reckless of the opposition they would give rise to, hurried to the great ball-room, and whiled away the time before the concert in dancing.
About midnight a report was circulated among the guests that the Duchess was fatigued at the reception of so many persons, and the habitues said that her efforts to make her guests happy had been so great that she would not sing, and the entertainment would conclude with a ball. Nothing could equal the vexation and anger which appeared on certain faces, and which were augmented by the fact that La Felina made no apology, but in the kindest terms thanked them for the pleasure she had received from them, and which she feared she could not enjoy again for a long time, her health demanding the most complete solitude. Thus Felina turned a concert into a ball, and forced all Paris to visit her.
The next day the journals said: "Yesterday the Duke and Duchess of Palma gave the most magnificent entertainment of the year. The élite of the faubourg Saint-Germain and the capital were assembled, and all retired delighted with the reception extended to them by the illustrious strangers. The Duke sent ten thousand francs to the poor of his arrondissement, to make up a subscription which could not otherwise be completed."
A few months after, the Duke was appointed ambassador of Naples to the court of France, and in honor of his sovereign's birthday prepared the magnificent entertainment which created such disorder in the faubourg St. Honoré. The new position of the Duke of Palma, his diplomatic character, and the rumor of the beauty and elegance of the Duchess had silenced all complaints, and all now were anxious to be received at the Neapolitan Embassy.
A circumstance, however, of which the world was entirely ignorant, had within a few months made an altogether different woman of the Duchess, who had previously been gay and happy. An air of sadness reigned over her features, and her eyes assumed not unfrequently a wild glare, which could be removed only by tears. Some unknown sorrow had made great inroads even upon her beauty. Always kind and considerate to the Duke and those who surrounded her, she yet seemed to fulfil her requisitions of duty alone in complying with the observances of her rank. She seemed anxious to seclude herself from the world, and to seek to drown her grief in the solitude she had formerly avoided. Whether sorrow had assumed too deep an empire over her heart, or from some other cause, all were struck at the change so suddenly worked in her moral organization and in her beauty. Far, however, from making any opposition to this splendid entertainment, or exhibiting any indifference to its preparations, all were surprised to see the Duchess devote herself to it so fully. Nothing escaped her care; her refined taste neglected nothing which could contribute to the brilliancy of the entertainment. The Duke, delighted at the apparent revival of the Duchess's taste for the pleasures of the world, which she had long disdained, aided her with all his power, and spared no expense to gratify her. The invitations were numerous, and on this occasion there were no refusals; for the most noble persons were anxious to be entertained by the Neapolitan minister. The Duke hesitated only in relation to one of the many persons who were to be invited. This person was the Count Monte-Leone. The secretary who had been directed to prepare the list of persons to be invited had according to custom put down his name among the noble and distinguished Neapolitans who had called at the embassy of their country in Paris. The Duchess saw the list, and said nothing. The Duke hesitated for a long time—not that he had the least suspicion of the Duchess's sentiments towards Monte-Leone: he had attributed the presence of La Felina at the etruscan house to the consequence of an abortive masked-ball pleasantry. Besides, at the time of the arrest there were three other men in the house, and the ex-minister had almost forgotten the affair. The Count, in spite of his acquittal, was known to be an enemy of the government, and he doubted if it was proper to receive him at the embassy. One consideration alone prevented the Duke from erasing his name from the list—it was that the Count would not wish to appear at the embassy, and the Duke would thus be spared the necessity of showing any rudeness to him. The day came at last. The interior of the hotel was really fairy-like, and the rooms on the ground floor joined with the garden ball-room presented one of those magical pictures of which poets dream, but which men rarely see. The arts, luxury, comfort, opulence, and taste, all were united to produce a spectacle, which, lighted by a thousand lamps, spoke both to the mind and senses, and recalled one of those splendid palaces of The Thousand and One Nights, of which we have read, but which none will see.
On that day the Duchess seemed to have regained all her dazzling beauty. An observer might however have asked if the animation of this lady was not derived from a kind of feverish agitation, evident in the brilliancy of her eyes and deep red of her lips, rather than from expectation of pleasure or joy at the realization of the plans she had marked out for herself. Nine o'clock struck when the first guests were introduced. A crowd soon followed them, and the most distinguished names were heard in the saloons. The Duke d'Harcourt! the Vicompte and Mlle. Marie d'Harcourt! the Prince de Maulear! the Marquis and Marquise de Maulear! Signor Taddeo Rovero! Il Conte Monte-Leone!
Corregio, the illustrious painter, is said to have been born and bred, and to have lived and died in extreme poverty. It is stated that he came to his death at the early age of forty, from the fatigue of carrying home a load of halfpence paid for one of his immortal works.
TRANSFORMATION
BY THE LATE MRS. SHELLEY
Forthwith this frame of mine was wrench'd
With a woful agony,
Which forced me to begin my tale,
And then it set me free.
Since then, at an uncertain hour,
That agony returns;
And till my ghastly tale is told
This heart within me burns.
Coleridge's Ancient Mariner.
I have heard it said, that, when any strange, supernatural, and necromantic adventure has occurred to a human being, that being, however desirous he may be to conceal the same, feels at certain periods torn up, as it were, by an intellectual earthquake, and is forced to bare the inner depths of his spirit to another. I am a witness of the truth of this. I have dearly sworn to myself never to reveal to human ears the horrors to which I once, in excess of fiendly pride, delivered myself over. The holy man who heard my confession, and reconciled me to the church, is dead. None knows that once—
Why should it not be thus? Why tell a tale of impious tempting of Providence, and soul-subduing humiliation? Why? answer me, ye who are wise in the secrets of human nature! I only know that so it is; and in spite of strong resolves—of a pride that too much masters me—of shame, and even of fear, so to render myself odious to my species—I must speak.
Genoa! my birthplace—proud city! looking upon the blue waves of the Mediterranean sea—dost thou remember me in my boyhood, when thy cliffs and promontories, thy bright sky and gay vineyards, were my world? Happy time! when to the young heart the narrow-bounded universe, which leaves, by its very limitation, free scope to the imagination, enchains our physical energies, and, sole period in our lives, innocence and enjoyment are united. Yet, who can look back to childhood, and not remember its sorrows and its harrowing fears? I was born with the most imperious, haughty, tameless spirit, with which ever mortal was gifted. I quailed before my father only; and he, generous and noble, but capricious and tyrannical, at once fostered and checked the wild impetuosity of my character, making obedience necessary, but inspiring no respect for the motives which guided his commands. To be a man, free, independent; or, in better words, insolent and domineering, was the hope and prayer of my rebel heart.
My father had one friend, a wealthy Genoese noble, who, in a political tumult, was suddenly sentenced to banishment, and his property confiscated. The Marchese Torella went into exile alone. Like my father, he was a widower: he had one child, the almost infant Juliet, who was left under my father's guardianship. I should certainly have been an unkind master to the lovely girl, but that I was forced by my position to become her protector. A variety of childish incidents all tended to one point,—to make Juliet see in me a rock of refuge; I in her, one, who must perish through the soft sensibility of her nature too rudely visited, but for my guardian care. We grew up together. The opening rose in May was not more sweet than this dear girl. An irradiation of beauty was spread over her face. Her form, her step, her voice—my heart weeps even now, to think of all of relying, gentle, loving, and pure, that was enshrined in that celestial tenement. When I was eleven and Juliet eight years of age, a cousin of mine, much older than either—he seemed to us a man—took great notice of my playmate; he called her his bride, and asked her to marry him. She refused, and he insisted, drawing her unwillingly towards him. With the countenance and emotions of a maniac I threw myself on him—I strove to draw his sword—I clung to his neck with the ferocious resolve to strangle him: he was obliged to call for assistance to disengage himself from me. On that night I led Juliet to the chapel of our house: I made her touch the sacred relics—I harrowed her child's heart, and profaned her child's lips with an oath, that she would be mine, and mine only.
Well, those days passed away. Torella returned in a few years, and became wealthier and more prosperous than ever. When I was seventeen, my father died; he had been magnificent to prodigality; Torella rejoiced that my minority would afford an opportunity for repairing my fortunes. Juliet and I had been affianced beside my father's deathbed—Torella was to be a second parent to me.
I desired to see the world, and I was indulged. I went to Florence, to Rome, to Naples; thence I passed to Toulon, and at length reached what had long been the bourne of my wishes, Paris. There was wild work in Paris then. The poor king, Charles the Sixth, now sane, now mad, now a monarch, now an abject slave, was the very mockery of humanity. The queen, the dauphin, the Duke of Burgundy, alternately friends and foes—now meeting in prodigal feasts, now shedding blood in rivalry—were blind to the miserable state of their country, and the dangers that impended over it, and gave themselves wholly up to dissolute enjoyment or savage strife. My character still followed me. I was arrogant and self-willed; I loved display, and above all, I threw all control far from me. Who could control me in Paris? My young friends were eager to foster passions which furnished them with pleasures. I was deemed handsome—I was master of every knightly accomplishment. I was disconnected with any political party. I grew a favorite with all: my presumption and arrogance was pardoned in one so young; I became a spoiled child. Who could control me? not letters and advice of Torella—only strong necessity visiting me in the abhorred shape of an empty purse. But there were means to refill this void. Acre after acre, estate after estate, I sold. My dress, my jewels, my horses and their caparisons, were almost unrivalled in gorgeous Paris, while the lands of my inheritance passed into possession of others.
The Duke of Orleans was waylaid and murdered by the Duke of Burgundy. Fear and terror possessed all Paris. The dauphin and the queen shut themselves up; every pleasure was suspended. I grew weary of this state of things, and my heart yearned for my boyhood's haunts. I was nearly a beggar, yet still I would go there, claim my bride, and rebuild my fortunes. A few happy ventures as a merchant would make me rich again. Nevertheless, I would not return in humble guise. My last act was to dispose of my remaining estate near Albaro for half its worth, for ready money. Then I despatched all kinds of artificers, arras, furniture of regal splendor, to fit up the last relic of my inheritance, my palace in Genoa. I lingered a little longer yet, ashamed at the part of the prodigal returned, which I feared I should play. I sent my horses. One matchless Spanish jennet I despatched to my promised bride; its caparisons flamed with jewels and cloth of gold. In every part I caused to be entwined the initials of Juliet and her Guido. My present found favor in hers and in her father's eyes.
Still, to return a proclaimed spendthrift, the mark of impertinent wonder, perhaps of scorn, and to encounter singly the reproaches or taunts of my fellow-citizens, was no alluring prospect. As a shield between me and censure, I invited some few of the most reckless of my comrades to accompany me; thus I went armed against the world, hiding a rankling feeling, half fear and half penitence, by bravado and an insolent display of satisfied vanity.
I arrived in Genoa. I trod the pavement of my ancestral palace. My proud step was no interpreter of my heart, for I deeply felt that, though surrounded by every luxury, I was a beggar. The first step I took in claiming Juliet must widely declare me such. I read contempt or pity in the looks of all. I fancied, so apt is conscience to imagine what it deserves, that rich and poor, young and old, all regarded me with derision. Torella came not near me. No wonder that my second father should expect a son's deference from me in waiting first on him. But, galled and stung by a sense of my follies and demerit, I strove to throw the blame on others. We kept nightly orgies in Palazzo Carega. To sleepless, riotous nights, followed listless, supine mornings. At the Ave Maria we showed our dainty persons in the streets, scoffing at the sober citizens, casting insolent glances on the shrinking women. Juliet was not among them—no, no; if she had been there, shame would have driven me away, if love had not brought me to her feet.
I grew tired of this. Suddenly I paid the Marchese a visit. He was at his villa, one among the many which deck the suburb of San Pietro d'Arena. It was the month of May—a month of May in that garden of the world—the blossoms of the fruit-trees were fading among thick, green foliage; the vines were shooting forth; the ground strewed with the fallen olive blooms; the firefly was in the myrtle hedge; heaven and earth wore a mantle of surpassing beauty. Torella welcomed me kindly, though seriously; and even his shade of displeasure soon wore away. Some resemblance to my father—some look and tone of youthful ingenuousness, lurking still in spite of my misdeeds, softened the good old man's heart. He sent for his daughter, he presented me to her as her betrothed. The chamber became hallowed by a holy light as she entered. Hers was that cherub look, those large, soft eyes, full dimpled cheeks, and mouth of infantine sweetness, that expresses the rare union of happiness and love. Admiration first possessed me; she is mine! was the second proud emotion, and my lips curled with haughty triumph. I had not been the enfant gâté of the beauties of France not to have learnt the art of pleasing the soft heart of woman. If towards men I was overbearing, the deference I paid to them was the more in contrast. I commenced my courtship by the display of a thousand gallantries to Juliet, who, vowed to me from infancy, had never admitted the devotion of others; and who, though accustomed to expressions of admiration, was uninitiated in the language of lovers.
For a few days all went well. Torella never alluded to my extravagance; he treated me as a favorite son. But the time came, as we discussed the preliminaries to my union with his daughter, when this fair face of things should be overcast. A contract had been drawn up in my father's lifetime. I had rendered this, in fact, void, by having squandered the whole of the wealth which was to have been shared by Juliet and myself. Torella, in consequence, chose to consider this bond as cancelled, and proposed another, in which, though the wealth he bestowed was immeasurably increased, there were so many restrictions as to the mode of spending it, that I, who saw independence only in free career being given to my own imperious will, taunted him as taking advantage of my situation, and refused utterly to subscribe to his conditions. The old man mildly strove to recall me to reason. Roused pride became the tyrant of my thought: I listened with indignation—I repelled him with disdain.
"Juliet, thou art mine! Did we not interchange vows in our innocent childhood? are we not one in the sight of God? and shall thy cold-hearted, cold-blooded father divide us? Be generous, my love, be just; take not away a gift, last treasure of thy Guido—retract not thy vows—let us defy the world, and setting at naught the calculations of age, find in our mutual affection a refuge from every ill!"
Fiend I must have been, with such sophistry to endeavor to poison that sanctuary of holy thought and tender love. Juliet shrank from me affrighted. Her father was the best and kindest of men, and she strove to show me how, in obeying him, every good would follow. He would receive my tardy submission with warm affection, and generous pardon would follow my repentance. Profitless words for a young and gentle daughter to use to a man accustomed to make his will law, and to feel in his own heart a despot so terrible and stern, that he could yield obedience to nought save his own imperious desires! My resentment grew with resistance; my wild companions were ready to add fuel to the flame. We laid a plan to carry off Juliet. At first it appeared to be crowned with success. Midway, on our return, we were overtaken by the agonized father and his attendants. A conflict ensued. Before the city guard came to decide the victory in favor of our antagonists, two of Torella's servitors were dangerously wounded.
This portion of my history weighs most heavily with me. Changed man as I am, I abhor myself in the recollection. May none who hear this tale ever have felt as I. A horse driven to fury by a rider armed with barbed spurs, was not more a slave than I to the violent tyranny of my temper. A fiend possessed my soul, irritating it to madness. I felt the voice of conscience within me; but if I yielded to it for a brief interval, it was only to be a moment after torn, as by a whirlwind, away—borne along on the stream of desperate rage—the plaything of the storms engendered by pride. I was imprisoned, and, at the instance of Torella, set free. Again I returned to carry off both him and his child to France; which hapless country, then preyed on by freebooters and gangs of lawless soldiery, offered a grateful refuge to a criminal like me. Our plots were discovered. I was sentenced to banishment; and as my debts were already enormous, my remaining property was put in the hands of commissioners for their payment. Torella again offered his mediation, requiring only my promise not to renew my abortive attempts on himself and his daughter. I spurned his offers, and fancied that I triumphed when I was thrust out from Genoa, a solitary and penniless exile. My companions were gone: they had been dismissed the city some weeks before, and were already in France. I was alone—friendless; with nor sword at my side, nor ducat in my purse.