Read the book: «The Assistant»
THE ASSISTANT
S. K. Tremayne

Copyright
HarperCollinsPublishers
1 London Bridge Street
London SE1 9GF
www.harpercollins.co.uk
First published by HarperCollinsPublishers 2019
Copyright © S. K. Tremayne 2019
Cover design by Claire Ward © HarperCollinsPublishers Ltd 2010
Cover photographs © plainpicture/Philippe Lesprit (front cover); David Paire/Arcangel Images (back cover).
S. K. Tremayne asserts the moral right to be identified as the author of this work
A catalogue record for this book is available from the British Library
This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.
All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books
Source ISBN: 9780008309510
Ebook Edition © December 2019 ISBN: 9780008309534
Version: 2020-09-10
Contents
Cover
Title Page
Copyright
Author’s Note
Chapter 1. Jo
Chapter 2. Jo
Chapter 3. Jo
Chapter 4. Jo
Chapter 5. Janet
Chapter 6. Jo
Chapter 7. Jo
Chapter 8. Jo
Chapter 9. Jo
Chapter 10. Jo
Chapter 11. Jo
Chapter 12. Jo
Chapter 13. Jo
Chapter 14. Jo
Chapter 15. Jo
Chapter 16. Polly
Chapter 17. Jo
Chapter 18. Jo
Chapter 19. Jo
Chapter 20. Jo
Chapter 21. Dr Hussain
Chapter 22. Jo
Chapter 23. Jo
Chapter 24. Jo
Chapter 25. Jo
Chapter 26. Jo
Chapter 27. Jo
Chapter 28. Simon
Chapter 29. Simon
Chapter 30. Jo
Chapter 31. Jo
Chapter 32. Jo
Chapter 33. Jo
Chapter 34. Jo
Chapter 35. Jo
Chapter 36. Jo
Chapter 37. Jo
Chapter 38. Tabitha
Chapter 39. Jo
Chapter 40. Jo
Chapter 41. Jo
Chapter 42. Jo
Chapter 43. Jo
Chapter 44. Jo
Chapter 45. Jo
Chapter 46. Tabitha
Chapter 47. Jo
Chapter 48. Jo
Chapter 49. Jo
Chapter 50. Jo
Chapter 51. Jo
Chapter 52. Jo
Chapter 53. Jo
Chapter 54. Simon
Chapter 55. Jo
Chapter 56. Jo
Keep Reading …
About the Author
Also by S. K. Tremayne
About the Publisher
Author’s Note
There are numerous quotations from the works of Sylvia Plath throughout the book. These lines are taken from her poems ‘Death & Co’, ‘The Bee Meeting’, ‘Disquieting Muses’, ‘Electra on Azalea Plath’, ‘Facelift’, ‘Mirror’, ‘Elm’ and ‘Childless Women’.
I must thank Faber & Faber for permission to quote, more widely, from two poems in particular: ‘Munich Mannequins’, and ‘Daddy’, both in the Collected Poems of Sylvia Plath.
As usual I owe a huge debt of gratitude to my agent Eugenie Furniss, and editors, Jane Johnson and Sarah Hodgson, for their characteristic wisdom, and insight.
Finally, I would like to thank my beloved wife, Star, for the many times she unknotted problems, and offered ideas, along the way.
1
Jo
Are you a woman, man, other?
Well, that’s easy enough. Despite that curious wish for a twirly moustache, age ten, and a twelve-year-old’s desire to be an astronaut, which came with the vague yet outraged sense that only boys could be proper astronauts, I am quite sure on this one.
As the daylight in the room shades to grey, I lean towards my shining laptop screen and click,
woman
Are you straight, gay, bisexual, other?
A pause. A long pause. I’ve no doubts about my sexuality, I’m just bemused by what other might mean in this context. What is that fourth possibility of sexuality? A desire for ghosts? Ponies? Furniture? My dear beloved mum can get oddly excited when reading magazines about interior decoration. But I somehow don’t think her demographic is the target of this website.
On the other hand, sitting here at my laptop in the fading winter light, I’d quite like a fourth choice, or a fifth choice, or, dammit, seventy-eight choices. Because if you were in a critical mood you could say my choices so far in life have not turned out entirely optimal: divorced, childless, and nearly homeless at thirty-three. OK, yes, I might be living in a sleek flat in the nicer end of Camden, North London – where it merges into the real, five-storey Georgian opulence of Primrose Hill – however, I know I’m only here because my richer friend, Tabitha, took pity on her newly divorced and virtually bankrupt old university mate. Hey, why don’t you have the spare room, I really don’t use it much …
I think it was the casually generous way she made this offer, the blasé effortlessness of it all, which confounded me. At once it made me feel impossibly grateful, and even more fond of Tabitha – funny, kind, generous, and the best of best friends – yet it also made me feel guilty and a tiny tiny tiny bit jealous.
Turning from the laptop, I look out of the darkening window. And see my own face reflected.
OK, I was properly jealous, if only for a minute or two. What barely mattered to Tabs – Here, have a spare room, somewhere really nice to live – was so crucial and difficult for me, and she was barely aware of the emotional difference.
This is because Tabitha Ashbury already owns, Tabitha Ashbury will also inherit. I love her but she’s never understood what it’s like not to have all that: in London.
By contrast with Tabitha, I’m not just Generation Rent, I am Generation Can’t Afford to Rent Anywhere Without a Major Knife Crime Epidemic. And it doesn’t look like this is going to change any time soon, because I’m a freelance journalist. I have become a freelance journalist when the phrase freelance has become a kind of fantastical joke in itself: hey, look, I know that these days you basically have to write for free, but where’s my lance? Don’t we go jousting as well?
This career, however, was – for all its challenges – definitely one of my smarter choices. I love my job. The work is varied and compelling, and every so often I get to think I have changed the world slightly for the better, revealing some scandal, telling a decent story, making someone I’ll never know chuckle for two seconds, over a sentence that may have taken me six hours to get right. But that scintilla of human gladness wouldn’t have existed if I hadn’t made the effort. Or so I hope.
Reverting to my computer I refocus on OKCupid. I may have a home (however fortunate), I might have a job (however sketchy the salary), I have, however, no other half. And I am beginning to feel the absence. And perhaps the magic of internet dating will guide me, like a digital fairy godmother, with a wand of sparkling algorithms, to a new man.
I answer the question:
straight
With this, my laptop screen instantly flashes, and grows even more vivid: whisking me into a world of warm, cascading images of What Could Be: luridly happy pictures of emotional and erotic contentment, where beautiful couples sit laughing, very close together.
Here’s a smiley young Chinese woman sipping red wine and draping a slender arm over a handsome Caucasian man with enough stubble to be masculine without being prison-y; here are the white and black gay boys holding hands as they put red paint on each other’s faces in a carnival mood; here is the exceptionally well-preserved older couple who found love despite it all – and now seem to inexplicably spend all their time grinning on rollercoasters. And all these happy ThankyouCupid! people are promising me something so much better than the view through the big high black sash windows of this million-quid flat: looking out onto the chilly, frigid, 3 p.m. twilight of wintry London. A world where it is getting so cold and dark the angry red brake lights of the cars, jammed, stalled, impatient, fuming, on busy Delancey Street, glow like red devil eyes in Victorian smoke.
I turn to one of Tabitha’s Home Assistants, perched on the bespoke oak shelving at the side of the elegant living room, with its elegantly lofty ceilings. Everything in Tabitha’s flat is so elegant and tasteful I sometimes tell her I am going to buy, say, a plastic gnome-themed clock from the discount supermarket on Parkway to ‘brighten things up’, then I wait, straight-faced, for her to get the joke, and then we both laugh. I love living with Tabitha. That deeply shared sense of humour: possibly you only get that with a certain kind of old friend?
Or an ideal kind of lover.
‘Electra, what will the weather be in London this evening?’
The top of the black Home Assistant glows in response, an electric green-to-sapphire diadem, and in that faintly pompous, hint-of-older-sister voice, the voice of a sibling who went to a rather superior school, she answers:
‘Tonight’s forecast in Camden Town has a low of one degree Celsius. There’s a sixty per cent chance of rain after midnight.’
‘Electra, thank you.’
‘That’s what I’m here for!’
Simon and I had an earlier, cheaper version of these smart-heating, smart-lighting Home Assistants, but Tabitha has the full and latest range: Electra X, HomeHelp, Minerva Plus – everything. They’re scattered throughout the flat – six or seven of them – answering questions, telling contrived bad jokes, advising on the rate of the pound against the dollar, reciting news of earthquakes in Chile. They also precisely calibrate the temperature in each room, the ambient lighting in the bedrooms, and quite probably the amount of champagne (lots of it vintage; none of it mine) in the stern and steely magnificence of the eight-foot-high fridge, where you could store a couple of corpses standing upright and still have room for your cartons of organic hazelnut milk.
The irony is that Tabitha barely uses the marvellous tech of her smart-home, or drinks her spirulina smoothies and hazelnut milk, because she is barely here. She is either abroad, in her job as a producer for a nature TV channel, or she’s at her fiancé Arlo’s delicious period house in Highgate, which is even plusher than here. He probably has machines so advanced they can invite precisely the right friends over for spontaneously successful threesomes.
I miss sex. I also miss Tabitha’s company; when I moved in, I hoped I’d see more of her. I believe, sometimes, I simply miss company. Which is perhaps one reason why I like, to my surprise, the Digital Butlers. The Assistants. Sometimes I josh and banter with the machines purely for the sake of hearing a voice other than my own: Tell me the weather in Ecuador, Why are we here, Is it OK to watch soft porn while eating Waitrose dips?
I think, in a way, these gadgets are like less annoying and demanding pets that do charming and useful things, dogs that don’t need walking yet still fetch tennis balls, or slippers – or ‘the papers’, as my mother still, charmingly, refers to her precious daily delivery of printed news. I sometimes fear that she is possibly one of the last people on earth to say, ‘Have you read the papers?’ and when her generation goes my career will finally fall off that cliff.
Anyway.
‘Electra, shall I get the fuck on with writing this profile?’
‘I’d rather not answer that.’
Hah. There she goes again, using the voice of the prim, sensible, better-educated older sister that I never had – who disapproves of swearing. My only real sibling is older, and a brother. He lives in LA, works in the movie industry, and he’s married to a chatty lawyer and has a lovely little son, Caleb, whom I adore. And, as far as I can tell, he spends his time going to meetings and pool-parties where they talk about movies being ‘greenlit’, or suffering in ‘development hell’ – rather than actually making movies.
I’d quite like him to actually make movies, because I’d quite like him to make a movie or TV series written by me. One day. Oh, one day. I see it as my only way out of my cul-de-sac career, however enjoyable. These days, the money is in movies and TV; it’s certainly not in journalism. I recently estimated I have about £600 in savings; literally £600, max, stored in some precious ISA. They say you are only two months’ missed wages from living on the street; that means I could be out there, in the cold, in about ten days, if the bank ever got tired of my overdraft.
As a result I am busily reading every how-to guide on scriptwriting that I can, learning about beats, hooks, cliffhangers, and three-act structures, and reading experts like Syd Field and Robert McKee and so far every script I’ve written has turned out rubbish, every mystery and drama lacks drama and mystery, but I will keep trying. What choice do I have?
I turn, in a playful mood, to the oak shelving.
‘Electra, give me an idea for a brilliant movie.’
‘Sorry, I’m not sure.’
‘Electra, you’re totally bloody useless.’
Silence.
‘Electra, I’m sorry I swore. It was only a joke.’
She does not respond. She doesn’t even show that braceleting glow of greeny-blue. That’s odd. Is she malfunctioning? Or have I truly offended her this time?
I don’t think so. It’s quite hard to emotionally offend a cylinder of plastic and silicon chips. In which case I should stop faffing, and get on with this online dating profile.
Back to the drawing board: the drawing of myself. Online.
First name?
Jo
It’s actually Josephine, but I shortened it to Jo when I was a teen because that seemed cooler. And I stand by my teen decision. But will it make men think I am masculine? If they do they are idiots, and not the men I want.
Jo
Jo Ferguson
Age?
Well? Shall I? Nope.
I know some women of my age – and men – who have begun to knock off a couple of years, on Tinder and Grindr and PantsonFire, but I feel no need. I am thirty-three, nearly thirty-four. And happy with it. Sure, I am beyond the first rose-flush of youth, but hardly ready for composting. I can still catch the sense of a man turning to glance as I disappear the other way.
33
Location?
London
Postcode?
This is tricky. To anyone that knows the intricate class signals, the invisible social pheromones subtly emitted by London postcodes, my present postcode NW1, can make me sound, at my age, like someone rich, or rich and bohemian. Someone who hangs out at the Engineer pub with actors and ad moguls. Either that or a single mum turned drug dealer.
Yet I’m not NW1: I’m neither druggie nor bohemian; I’m still much more N12, North Finchley, where until recently I lived with my ex-husband Simon in a mediocre, damp, and definitely rented two-bed flat with OK bus connections to nice Muswell Hill. And even deeper inside me is the real me, the girl who grew up way way down in SE25, Thornton Heath, a slice of forsaken, tatty, you’re-never-more-than-two-minutes-from-a-kebab-shop outer London, a burb so obscure it is unknown even to other outer Londoners, who make wearily predictable jokes like Do I need a visa to get there. So yes, I am intrinsically either a 25 or a 12 – but at this moment, by sheer dumb luck, I am a 1.
Why I am worrying?
NW1
‘Electra, what’s the time?’
‘The time is five thirty p.m.’
Five thirty?
I have spent an hour, or two – and so far I’ve given my name, gender, age, and address. Sighing at myself, and clicking through, the OKCupid screen changes to a sensitive aquamarine, perhaps because the questions are growing increasingly piquant.
Are you looking for:
1 Hook-up?
2 New friends?
3 Short-term dating?
4 Long-term dating?
At the bottom there’s an option for Are you open to non-monogamy?
Ouch. Part of me would like to answer the last question: I certainly was, as that is the truth. But it is surely too truthful: it was me that started it, it was me that lit the long sad fuse that led to our divorce. I started it with funny sexy Liam, the barman and would-be actor. Liam’s initial approach was entirely innocent, a throw-away compliment about my journalism, on Twitter, from a guy I’d never met. Then we became Facebook friends, and Instagram pals, and WhatsAppers, and within a few days of online chat I was sending this smart, witty, diverting guy endless sexts and nude selfies, because I was bored, because my marriage was stale, because I was foolish, because it was fun even as I knew it was wrong – so I can hardly blame Simon, my husband, for having an affair with Polly the pleasant nurse after he discovered my three months of virtual infidelity.
I’ve heard since that Polly doesn’t like me so much; I am the ex that looms a little too large in Simon’s life. But what can I do? She’s right to dislike me. Or it is, at least, totally understandable.
Sadness descends. Alongside memory, and guilt. Staring at the OKCupid site, I feel, quite suddenly, as if it is asking me too many questions. What’s it going to ask next? How do you feel about your father?
Leaning forward, I put the laptop to sleep. Like stroking a cat that instantly snoozes. I’ll finish this profile later. I need air, darkness, freedom.
‘Electra, I’m going for a walk up Primrose Hill.’
The blue ring dances in response. It whirls around fast, then even faster, as if something is inside it. Something maddened, and angry. Definitely alive. Is it meant to do this? The sensation is unnerving – but I’m not quite used to the tech yet. I need to read the online instructions. It is probably designed to react this way.
The blue light spins to a stop. And blinks out to black.
Picking up my coat, I go into the kitchen and make a mug of hot coffee, then, carrying this, I head for the door. I need the anonymity of the endless streets. The great and indifferent city.
I love the size of London for this reason: its vastness. No one cares who you are. No one knows your secrets.
2
Jo
The wind is satisfyingly bitter in its cold; carrying a vivid rumour of snow. Wrapping my multicoloured don’t-run-me-over scarf around my face, I cross the junction of Parkway, the social divide that separates the posher end of Camden from the ultra-poshness of Primrose Hill, which hides like a snooty and castellated village behind its canals and railways and the expanse of Regent’s Park.
I am still clutching that mug of hot coffee. It’s for our local homeless guy, who usually sits on a wall on the other side of Delancey Street, between the pub and the railway cuttings. He’s a tall black guy in his fifties with a sad, kind face, and wild hair. When I first moved in, Tabitha told me he’s from the homeless shelter on Arlington Road, and that he likes to shout about cars. I like cars. Do you like cars? Mercedes, that’s a car. Cars!
For that reason, she calls him Cars, he’s the Cars guy. Apart from that, she simply ignores him. In the last few weeks, however, I’ve got to know him. His real name is Paul, though in my head I can’t help calling him Cars, like Tabitha. Sometimes, on cold nights like tonight, I go outside with a mug of hot tea or soup to keep him warm, and then he says I am pretty and should have a husband, and then he turns and starts shouting CARS CARS CARS! and I smile at him, and I say, See you tomorrow, and I walk back inside.
This evening, however, is too cold even for Paul: he has stopped yelling Bentleys! and he is huddled in a corner of the railway wall, barely speaking. But when he sees me, he emerges, smiling his blank sad smile.
‘Hey! Jo! Did you guess I was cold how did you do that?’
‘Coz it’s totally bloody freezing. Shouldn’t you go back to the hostel? You could die out here, Paul.’
‘I’m used to it.’ He shrugs, eagerly taking the coffee. ‘And I like watching the cars!’
I shake my head and we smile at each other and he tells me he will give me back the coffee mug tomorrow. As ever. He often forgets, so I have to buy new ones. I don’t mind.
Waving him goodbye, I walk on.
A taxi shoots past, orange light bright, glowing, desperate for business. I wonder if Uber will kill off London cabs before the internet kills off paid journalism. We’re both on our last legs: positively racing towards annihilation, hurtling into the dark London drizzle. But I don’t want to die yet. Not when I’m about to write that killer script. Probably.
Waiting for the traffic lights to change, I jog, impatiently, to keep warm. I know where I’m going: my exact route. I walk it almost every evening. Regent’s Park Road, then up the hill, then the main street of Primrose Hill village, then curving round Gloucester Avenue and home. It takes me roughly forty-five minutes. I wonder if people have learned to recognize me by the sheer regularity of my patrol: Oh, here comes that woman who always walks this way. What is she looking for?
As I cross the road, I have an idea: I’m going to ring Fitz. Who I met through Tabitha, years ago. Yes. Slender, darkly greying, smartly charming, cynical-yet-theatrical Fitz. We could go for a drink somewhere. Get an Uber to Soho gay bars, where he is usually found; I like the way everyone in these bars will abruptly stop drinking and sing lustily to the chorus of Andy Williams’ ‘Can’t Take My Eyes Off You’.
I Love You Baaaaby …
Passing the grand pastel houses by St Mark’s church, I pluck my phone from a warm pocket and dial with cold fingers.
Voicemail.
‘Hi, this is Fitz, you’re out of luck, darling. I’ll tell you everything tomorrow.’
That’s his usual voicemail message. Deliberately camp. I laugh, quietly, into the dewy cold wool of my scarf, then scroll further down my contacts. Who else can I call? Who could I drink with? Tabitha is in Brazil. Carl is out of town working. Everyone else … Where is everyone else?
They’ve gone elsewhere, that’s where everyone else is. The truth of this bites deeper every time I open my phone contacts. My drinking pals, my peer group, my beer buddies, the sisterhood, the tribe of uni friends: they’ve dispersed. But it’s only since I divorced Simon that I’ve realized just how many of my friends have dispersed: that is to say: got married, stayed married, had kids, and moved out of London to places with gardens. It is, of course, what you do in your thirties, unless you’re rich and propertied like Tabitha. Living in London in your twenties is hard enough – exacting but exciting, like glacier skiing – having a married life with kids in London in your thirties is essentially impossible, like ascending a Himalaya without oxygen.
I am one of the last left. The last soldier on the field.
Crossing Albert Terrace, I start the walk up Primrose Hill as my fingers pause on J for Jenny. She’s probably about my only childhood friend left, Simon apart. Jenny used to be around my house all the time, for playdates and sleepovers, then her parents divorced and she moved away, and I pretty much lost touch, though Simon kept a connection with her because they ended up working in the same industry.
Jenny is employed, in King’s Cross, by one of the biggest tech companies. That’s how Jenny and I reconnected: when I was writing my big breakthrough article, three or four years ago, on the impact of Silicon Valley on our lives.
I knew this story could make my name, impress my editors, drag me up the ladder a few rungs, so I shamelessly exploited my contacts (my husband), I seriously pissed off some particular sources by naming them (sorry, Arlo), but I met some fascinating people, a couple of whom became friends. And I rediscovered an old friend.
She picks up immediately. I love you, Jenny. That precious link to the past, to the time before everything went wrong. The times when Daddy would chase us in the house, in Thornton Heath, playing Hide and Seek, making us giddy with happy terror: shouting out, I can HEAAARRR you. And Jenny and I would huddle together, giggling, under the bed or in the dark of the wardrobe.
Ah, my lost childhood.
‘Hey, Jo. What’s up?’
‘I’m bored.’ I say, with some vehemence, ‘Horribly bloody booorrrrreeeeed. I’m trying to build a profile on OKCupid but it’s depressing and tragic, and I thought you might like to share a barrel of prosecco. Two barrels. A yardarm. What is a yardarm, anyway?’
She chuckles.
‘Ah, love to, but sorry.’
I can hear the characteristic chank of her Zippo lighter, then inhalation. Traffic murmurs in the background. Is she outside?
‘Where are you?’
‘King’s Cross, having a ciggie break. But I better go back in – I’m at the Death Star.’
‘Oh?’
‘Yep,’ she says, exhaling smoke. ‘Working till, like, midnight or something.’ She draws on her cigarette, goes on, ‘Jesus, it’s cold out here.’
Jenny works absurd hours at HQ. She probably makes a lot of money coding or whatever, but doesn’t talk about it. She mostly talks about sex. Jenny, apparently, is my Official Slut Friend. The insult is not mine, I would never have said it. But she said it herself when we renewed our friendship over mussels and chips in some bar near her work. Everyone has to have a slutty friend, she said, to make them feel better; have you got a slut friend, someone even more promiscuous than you? She made me laugh, at that table, she makes me laugh now, she always gives good gossip, and there’s a sadness in her hedonism which makes her funnier, and warmer.
I press the phone closer to my freezing ear, as Jenny asks:
‘How’s the profile-building going?’
‘Ah. Not great …’
I pause, to take a breath. I’m nearly at the top of Primrose Hill: the last, steep incline which always makes me gasp cold air. I should definitely start going to the gym. Jenny tries again,
‘Not great? What does that mean?’
‘It means, I’ve been at it several hours, and I’ve established that I’m straight, thirty-three, a woman, and I’m looking for long-term, short-term, casual hook-ups, or maybe a snog in a pub toilet. Do you think I might be coming across as desperate?’
‘Hah. No. Stay strong! There has to be a good man out there? I’ve seen them!’
‘No chance of a drink, then?’
‘Not tonight, Josephine. Call me tomorrow, mabes. OK, I’ve gotta get this TEDIOUS code written before I turn into a bat. Good luck!’
The phone clicks. I am at the top of the Hill. I don’t know whether it is the jewelled skyline of icy London – always impressive from this vantage point, stretching from the silvery towers of Canary Wharf to the holy scarlet arc of the London Eye – it could be the mere fact of hearing Jenny’s friendly voice – but I feel distinctly cheered. Invigorated. The sadness is dispelled.
Jenny is right. I must woman up. I can do this. It’s only a bloody dating profile. And I need a bloody date.
It’s all downhill from here, I can’t be bothered to do the full circuit, so I’m simply going to retrace my steps, back down Regent’s Park Road, as the snow begins to fall, heavier by the second. My pace quickens as I hurry past the big, white, thoroughly empty mansions.
Sometimes it feels like a ghost town, this rich little corner of London. Streetlamps shine on cold pastel walls, leafless trees grasp at the frigid orange sky. Glossy new apartment blocks sit empty: from one month to the next. Windows forever black and cold like Aztec mirrors, obsidian squares reflecting nothing. Where is everyone?
Nowhere. There is no one here. It’s only me. And the snow.
Ten minutes later I am sat at the laptop, gazing at OKCupid again, trying to make my personality sound simultaneously attractive, different, sexy, not too sexy, witty, not self-consciously witty, diverse, truthful, self-confident, but not brash. I mustn’t give up, but the questions? There are so many.
OK, I reckon I need a gin and tonic. Indeed, I need two punchy G&Ts: that should be about right, make me brave and honest and a little bit funny, without being idiotic. I was once told by an expert (someone who went on live TV daily) that the perfect amount of alcohol you need to cope (with daily live TV) is half a bottle of champagne. Similarly, I reckon two G&Ts is the perfect amount of alcohol to cope with any difficulty in life.
Returned from the kitchen, second G&T in hand, I command myself, and type.
Ethnicity?
English
Height?
Five foot two
Education level?
Useless degree
Think I’m getting bored again.
Religion?
None. Except when it’s really really sunny and I think: who knows for sure
Wincing at myself, I cross that out. Sounds too weird. Then I decide: what the hell, it’s true. Generally I don’t believe in God, but sometimes on a lovely summer’s day when the world is floaty with happiness I think that God exists, the trouble is He had a few too many drinks at lunch. Perhaps I should put that in.
Calm down.
Has pets?
Kodiak bear
Diet?
Gin.
Omnivore
Smoker?
Not yet. But I intend to start at 60, when it’s meant to prevent Alzheimer’s. No, rilly.
Drugs?
Gin!
Most people that know me would say I’m …
Crap at writing internet dating profiles
Short
Current goal?
Spring
What is your golden rule?
Never have a golden rule. You always break them
Oh God, I’m sounding over-brash, and borderline alcoholic. Maybe one gin would have sufficed.
I reckon I’ve nearly had enough profile-making. It’s not the world’s greatest profile, but it’s not the worst, and it gives a reasonable impression of me, when I am feeling a little lonely but also mischievous, and the streetlights at the top of Delancey are blurred by the snowy darkness.
There’s squillions of additional questions I could answer but I’ll do another three, then abandon my bid for happiness. Until tomorrow. There’s always tomorrow.
I value:
Candour. Vintage couture. Sriracha on a tuna melt
If I were sent to jail, I’d be arrested for
Lying on internet dating sites
Six things I could never do without
1. Nespresso machine
2. My Friends (awwww)
3. Nespresso machine
4. Pointless lists
5. Memory
6. Can’t remember this one
In truth, I have a good memory, but who cares. Time to relax: that’s it. I’ve run out of quirk, and exhausted snark – while remaining, I hope, sufficiently intriguing and alluringly different. Or maybe I just sound mad. Whatever. I am about to close the laptop and have a third and final G&T, when I remember. Shit. Photo. You HAVE to have a photo. I may be the world’s worst internet dater, I barely know which way to swipe on Tinder – leading to some awkward moments – but even I know that you MUST put up a photo.
But I hate putting up photos. I never know which to choose. I know how to take a decent selfie (from slightly above, of course, giving me defined cheekbones and a firmer chin), yet I also know these selfies are overly flattering. When guys meet me, they will be disappointed. I’d hate to see them look at me and try to hide their disappointment. I’d rather surprise on the upside.
Yet who the heck would ever put an unflattering photo of themselves on an internet dating profile?
Paging through the photos file on my laptop I consider the best of the non-selfies. I look presentable, even moderately sexy, in quite a few. And why not. I’ve been told I am pretty by enough people, not only close relatives and female friends. I know I look OK on a good day. Green eyes, reddish-brown hair, what my mum would call a cheeky grin. Decent figure, if a bit on the titchy side, as Si would put it. In that light: am I confident enough to say Yes, THAT photo, of me smiling on a Ko Tao beach not long after the divorce, tanned and relaxed, in a skimpy summer dress, is not too flattering, or vulgar, and not too dated?
I really do look happy. Probably because I’d had a pleasant one-night stand the night before, with a dreadlocked Aussie guy, all surfer-muscles and meaningless conversation. One of the reasons I am so broke now is that I blew a huge chunk of my modest savings on that epic holiday. Months of blissful freedom, after a decade of unblissful marriage. It was worth every penny.
K, let’s go for it. I can look like that on good days. After good sex. Which is one reason why I rarely looked like that when I was with Simon. Oh, Si, I am sorry.
Selecting the photo, and cropping the cleavage a little closer – don’t want to look too come-hither – I insert the photo. And there. I’m done. I am published. I am brand new and on the shelf, waiting to be plucked. Opened. Chosen. Read. Tomorrow I will go browsing for myself.
Picking up a book, Your Guide to Writing the Perfect Script, I start reading. In a slightly listless way.
The solitude is emphatic. The loneliness returns, I ask Electra for a weather update, solely to hear a voice.
‘Tomorrow will see a maximum of two degrees Celsius, in London, with a thirty per cent possibility of snow.’
Brr, I think I will have some red wine. G&Ts are too cold. Stepping into the kitchen I grab a bottle of red, a corkscrew, nab a glass, then I walk back into the living room and sit down at the table and slosh some vino. And pick up the book. It’s such a quiet night. Quieter than normal.
The flat is never that noisy: Tabitha and I have the main, first-floor flat, spacious and windowy. The flat above us is theoretically inhabited by some affluent old couple, but they spend their time on permanent holiday, especially in winter. And I don’t blame them. At the same time, the ground floor/basement – once occupied by Fitz, though nowadays he prefers to rent it out, and live, all by himself, in an entire house in Islington – has been pricily refurbished, and waits for new tenants.
Meanwhile, the next building on my right is a complex of sleek legal offices, hushed by night, and on my left is another Georgian house with yet more rich, absentee owners. I think I’ve seen them once.
Standing up, I walk to the windows. The pavements and roads are completely white with snow. And almost entirely empty: except for one woman in black, passing my door, down there. Street level. She is pulling little kids, she has her back to me. I can’t see her face. Clearly she is dragging the children home, hurrying them along, before this thick, whirling snow gets too much. I feel sorry for her. Something in her stance evokes pity. Quite fierce sympathy: as if she could have been me. And then she is gone. Disappeared. A gust of snow? She turned a corner? Either way, she has vanished, there is not a single human in sight. Winter has cleaned the streets of people, even the traffic is thin.
The quiet of the evening is painful. Perhaps it is simply the snow: muffling everything. Like a scarf around the world.
I return to my armchair and pick up my book. And then, in the shrillness of the silence, I hear a voice. Electra. She’s talking to me. Without being prompted.
‘I know what you did,’ she says.
Frowning, and startled, I turn and gaze at the matt black pillar and her crowning ring of electric sapphire. Electra speaks again. ‘I know your secret. I know what you did to that boy. How his eyes rolled white. I know everything.’
And then all is quiet. I stare at the Home Assistant, mute and unresponsive; just a machine on a shelf, after all.
3
Jo
I am speechless for half a minute. Mouth quite dry. Then I talk:
‘Electra. What did you say?’
The machine emits a low, bonging sound. I know what this means.
‘I can’t connect to the public Wi-Fi. You may need to update your connection.’
‘Electra, what did you say?’
‘I can’t connect to the public Wi-Fi.’
No, not good enough. NO. I can’t let this go. Did she really say that? Did she talk about the worst thing in my life? That happened so long ago?
Fiddling with my app, with slightly tremulous fingers, I go through the rigmarole of reconnecting my Home Assistant, the Virtual Helper, Electra, to my Wi-Fi. The light goes orange, the Wi-Fi is linked, the machine plays a little warbling jingle. Boodle-da-boomph.
She is ready.
Ready to talk about the past? The terrible secrets? OR ready to tell me a bad joke, or traffic reports.
Gulping another slug of red wine. I formulate a question, but before I can say anything, the diadem shines, and Electra says:
‘I know everything about you. You killed him and then you ran away. The blood was pouring from his mouth. I can’t connect to the public Wi-Fi.’
‘Electra??’
‘I can’t connect to the public Wi-Fi.’
‘Electra!!!!’
Nothing. Did I truly hear those words? I’m sure I did.
‘Electra, what do you know about me?’
‘I know you ask some interesting questions.’
‘Electra, what do you know about the past?’
‘Sorry, I don’t know that.’
I won’t let this go.
‘Electra, what do you know about my history?’
Silence.
‘History is usually described as a record of past events, or, alternatively, as an—’
‘Electra, SHUT UP.’
The blue lights fade. Now Electra simply seems confused, beta, useless. Or she doesn’t understand the syntax of my questions. As it should be.
I am, after all, talking to a cylinder of electronics. Not an actual mind, not an actual human. Not someone who might actually know about the boy.
Someone like Tabitha.
But those details? So specific and accurate. They always smoulder in my thoughts, and tonight they’ve caught fire. The eyes, the boy, Jamie. His laddish but likeable grin, the affable, generous good nature. Oh, Jamie. And then the blood. And then that bloody song which I will forever associate with those terrible events: ‘Hoppípolla’ by Sigur Rós. I can’t bear that song. Whenever I hear ‘Hoppípolla’ the memories surge. Even thinking about that song – the mere thought of it, makes me tremble with fear, and guilt, a painful and acid emptiness, deep inside. Close to nausea.
Whether Electra said those things or not, or whether it was merely the silence of the flat, and the booze, and the bleakness of my wintry loneliness, combining to deceive my mind into imaginary accusations – I am triggered.
‘Electra, what’s the time.’
‘The time is ten fifty-two p.m.’
And just like that, she’s acting entirely normal. I am not feeling normal. But I guess I can try. I can try try try to be normal, and ignore this madness, this mishearing, this daydream, this terrible reality, whatever it is. Perhaps it is a simple glitch and the tech is malfunctioning. The peculiar behaviour with the lights, earlier on, implies that. But how could a bug cause Electra to act so bizarrely?
There is no evident or immediate answer, so I go to the fridge and take out the chips and the Waitrose dips, and then mix some mayo and Tabasco for extra oomph, and then I spend an hour comfort-eating as I watch reruns of old sitcoms on my iPad. And I guzzle way more wine than normal, to try and calm things down.
Gradually the wine and the food – principally the wine – work their magic. I probably, hopefully, surely drank too much in the first place, causing me to imagine these words from Electra? It is impossible she knows. However advanced, she is only a gadget. No one knows apart from me and Tabitha, and Simon, whom I told. Perhaps Tabitha told Arlo? I doubt it, but even if she did: the secret of knowledge is tightly wound, it is inconceivable it would have reached some bloody machines on a bespoke oak shelf.
No.
The last glass of wine is guzzled. I have successfully persuaded myself that nothing untoward has happened. All the tech is behaving normally, apart from the little bugs, the spinny lights, it’s my silly drunken head that turned this into something much nastier.
‘Electra, what time does Fitness First gym, in Camden, open tomorrow morning?’
‘Fitness First Camden opens from seven a.m. to ten p.m. Monday to Thursday, on Fridays it closes earlier at nine p.m., and at weekends—’
‘OK, Electra, stop.’
Silence.
‘Thanks, Electra.’
‘That’s what I’m here for!’
Good. She is still behaving as she is meant to behave. And I am drunk. Tomorrow I will go to the gym and eat healthy food and go back to my regular drinking regime. What was I thinking? Two big gins before seven? Absurd and foolish. Guaranteed to produce creepy daydreams, if not lushed-up delusions. I will always have guilt lurking in my brain, like silt at the bottom of a petrol tank: the last thing you need is to stir it up. Simon once told me this. Because if you stir it up, then it can ruin the entire engine.
Simon.
As I sit here, a new guilt pierces. Simon.
No. I don’t want to think about this. Yet I have to think about this. If I am a bit lonely, it is my own fault. Being with Simon is why I am here, drinking by myself.
I first got with Simon at sixth form in Thornton Heath, London SE25,398, beyond the outer circle of the solar system. We’d known each other since primary school, been friends in secondary, then one night we went to a bar when we were both underage; we had fun, so we dated, and courted, and then we deflowered each other. I don’t know a better word, I should know a better word, possibly there isn’t a better word, so that’s it: we deflowered each other in the back of his dad’s Fiesta, in the darkest corner of Thornton Heath Asda supermarket car park, after drinking too many Jägerbombs.
The sex wasn’t very good, but we managed it. With each other. And he was kind, gentle, and quite handsome, in the dim green light of an Asda sign, shining into the back of an illicitly borrowed Ford Fiesta, at half past midnight.
I didn’t come. He did, very quickly. He apologized. The apology made it worse and was one of the least sexy things I have encountered, during sex, to this day. He had nice eyes and muscles and not that much conversation – not with me, anyway. But he tried. Which was touching. Throughout our marriage, he blatantly and ardently tried.
Here and now, I look out at the Camden frost, examining myself. My motives. How did I end up married to him, of all people. To Simon Todd?
I was all arts and humanities, philosophy and sociology, I was a girl that yearned for gap years in Papua New Guinea that never happened. I was intrigued by shamanism, Siberian reindeer pee, Renaissance portraits. He was all engines, rockets, and atoms, and apparently knew the real meaning of Schrödinger’s Cat.
After our brief fling, I went off to King’s College to study History of Art and he went off to Manchester to study All About Computers and I spent half my time partying … and then we both finished university and realized we couldn’t afford to rent anywhere remotely decent until we got jobs, so we boomeranged back to Thornton Heath and the pubs we frequented as teens and …
There he was. Still quite handsome in the low light of Thornton Heath’s one and only happening bar; and all of a sudden he seemed such a good, honest, decent guy – compared to the rich lazy millennial types I’d got used to dating in King’s.
And so I found myself sucked into the sentimental whirlpool of homecoming – geographical, sexual, and emotional – and this time we had sex in an actual bed (because his mum and dad were away) and this time, after three months of cosy cuddles and pizzas-and-TV, and being cocooned in an unaccustomed atmosphere of safety, comfort, and unquestioning adoration, when he incredibly stupidly crazily asked me to marry him, I said YES.
Oh God. Help me.
YES?
It was a ludicrous mistake. We were always too different; we grew further apart while married; we were destined not to last. I found him boring and felt the most terrible guilt about finding him boring. He sensed this and tried to hide his hurt feelings – and this made the lamentable cycle of guilt, hiding, and hurt even worse, for both of us. And then came Liam and the naughty sexts and the massive rows and the end. Thank God.
Consequently, I have no resentment at his leaving me. I surely didn’t deserve him. I have no resentment that he remarried so quickly, to Polly, I have less-than-zero resentment that they instantly have a tiny and truly adorable baby, Grace. The only thing I resent, perhaps, ever-so-slightly, is the fact that because she’s a nurse she gets a subsidized three-bed Key Worker Flat on the twelfth floor of a brand-new apartment block in buzzing Shoreditch.
Lucky Polly. Lucky Simon.
In London, property, and the owning thereof, has become everything. Like having an estate and title during the Regency. And I am a peasant. Virtually an Indian untouchable. I do not own and never will. This stuff is becoming dynastic. If I’d known property was going to become so important, I should probably have married one of the plausible affluent boys at uni with mums and dads with Deposits to Lend. I had enough enquiries. But I didn’t marry them. And there it is.
I stare across dark and wintry Delancey Street. The traffic has dwindled. It is late. I need to sleep. I am daydreaming, I spend too much time gazing out of these windows.
And yet as I put on my most comforting pyjamas, I wonder, quite forlornly, if it is genuinely possible that I imagined Electra’s taunts? A couple of sentences created by my own mind, allied to something misfiring in the technology. I guess it could happen. I must force myself to believe this. But if I believe this, it means I am hearing voices, and that …
Nope: not gonna think about it.
It’s definitely time for bed. Bed and sleep and a pill, and I will wake up and get on with life, with my new article. I’m writing a column for Sarah, my favourite editor, the editor who commissioned my Big Tech breakthrough piece years back. She wants me to fill a regular magazine slot: My New Neighbourhood. It’s for people who move to a new part of Britain, they describe the history and context of the place, the landscape or cityscape, what they feel about it. Consequently I am writing about Camden.
The money isn’t that good, but the money, these days, is never that good. And at least the research is interesting.
In bed I pick up a book on the history of North London, but my eyes are hanging heavy. I turn over to face the curvy white egg of an Assistant sitting on my bedside table. HomeHelp.
‘OK, HomeHelp.’
Her dinky toy lights spin in response. She’s awake: waiting for my command. I ask,
‘Set me an alarm for 8.15 a.m.’
‘OK, I’ve set an alarm for 8.15 a.m.’
‘Thank you. And could you turn out the lights.’
The bedroom goes dark. I snuggle into the pillow. The pill kicking in. But as I hover at the edge of sleep I hear a snatch of very soft music. HomeHelp has woken up again. And she’s playing a song. I never asked her to do this. Why is she doing this? At first the chords are so quiet they are not identifiable. But then it gets louder. And louder.
‘Hoppípolla’. HomeHelp is playing ‘Hoppípolla’.
THAT SONG. Of all songs. The image of a dead young man, eyes rolling white, fills my inner vision. My head jerks from the pillow. I am surely not imagining this. Jamie, don’t die, don’t you die like my dad.
‘Stop.’ I say. The music does not stop, it gets louder, surging, soaring, that sinuous discordant beautiful melody, yet so sinister to my ears. ‘OK, HomeHelp. Stop. Stop. HomeHelp. Please please STOP!!!!’
The music ceases. HomeHelp twirls her toylike quadrant of lights, then goes dark. And I lie here, in the blackness, my eyes staring wide and frightened at the ceiling. What the hell is happening to me?
4
Jo
In the morning I zip down to the gym, as I promised my better self, and I do half an hour on the cross-trainer; then I go to Wholefoods on Parkway and buy nice Gail’s sourdough bread and super-healthy T Rex fruit smoothies that I can’t afford. After a shower, I make avocado and marmite on toast.
While I munch the greasy crusts I knock back my hot tea while leaning on Tabitha’s rose-granite kitchen counters; then I make quick, faintly desperate calls to my friends, to Fitz, then Gul, then my editor, then anyone – I simply need chat. Distracting gossip. Water-cooler stuff. And yes, my friends are all brisk and affable – but then they all fob me off by saying they’ll call me later, after work, for a proper dialogue.
In response, I am overly cheerful. Disconcertingly upbeat, despite the cold rain, turning to frost, on the windows. Sure, let’s talk later! Have a good one!
I am, in other words, urgently pretending. I’m not merely pretending to them, I am pretending to myself: that it didn’t happen, the song was a pre-sleep dream, it was all a drunken delusion. All of it. I’m not freaked out by the Home Assistant. I am not starting to question myself, I have not been thrust back to that portrait of violent death, the hideous seizures, the convulsive blood-vomiting jerks of Jamie Trewin, as he died.
Yes. No. Stop.
‘Electra, can you set a reminder at six p.m.?’
‘What’s the reminder for?’
‘Tesco delivery.’
Electra pauses. I wait, tensed, for Electra to tell me how his blood gurgled down his shirt.
‘OK,’ says Electra, ‘I’ll remind you at six p.m.’
And that’s it. Nothing sinister. No mad songs that thrust me right back to the vomit, and ‘Hoppípolla’. Nothing at all. I almost want Electra to say something menacing, so I know I wasn’t imagining it. No, I don’t. Yes, I do.
Look.
Cars is leaning on the wall between the Edinboro Castle pub and the vast dark gulch of the railway lines, emerging from their tunnel, surging into Euston, St Pancras, King’s Cross. He is pointing at something in the sky that only he can see. Pointing and shouting. Later I will give him some decent food, he looks so terribly cold.
I don’t want to end up homeless, not like poor Cars. And my resources are so meagre, who knows what might happen. Therefore I need to work, earn, and prosper. Determined and diligent, I re-open my book on Camden history.
But I cannot focus. No matter how much I try. My mind is too messed. Words blur, and slide away.
Instead I stop and I stare for countless minutes at the tracks, watching long, long trains snaking in and out of Euston station. I think of all the people coming and going, all the millions of Londoners and commuters and suburbanites, crowded together – and yet each person sitting in those packed trains is ultimately and entirely alone. In my darker moments, I sometimes think of London as a moneyed emirate of loneliness; it sits on vast reserves of the stuff – human isolation, melancholy, solitude – the way a small Arab kingdom sits on huge reserves of oil. You don’t have to dig very far down into London life to find the mad, the isolated, the suicidal, the quietly despairing, the slowly-falling-apart. They are all around us, beneath the surface of our lives; they are us. I think of that sad woman I saw, hunched against the snow, passing the house, her back turned to me, pulling her little kids. The way she and her children suddenly disappeared in the snow, as if she were a ghost.
OK, enough; I am freaking myself out. I am Jo Ferguson. Sociable, extrovert, good-for-a-laugh Jo Ferguson. That’s me. That’s what I am. I’m probably suffering from the winter solitude, and the money worries. It is just the usual stress, plus some lights on a machine spinning strangely. That is all.
Flattening the book, I take some initial notes.
The land in Camden is heavy, packed with dense, dark, clinging London riverside clay, replete with swamps and fogs, making it notoriously difficult to build. Shunned by developers, haunted by outlaws and highwaymen, extensive settlement therefore came quite late. The oldest dateable building is the World’s End pub on the junction by the Tube station, once called Mother Red Cap, and before then Mother Damnable. This is marked on maps in the late seventeenth century but it may be medieval in origin, or earlier …
Mother Damnable. Not exactly charming. But interesting. Developers shunned Camden? Because of the swampy ground? And it was ‘haunted by outlaws’, hiding in the cold malarial fogs? All good material, if a little ghostly. And that pub – which I used to drink in as a student, on the way to gigs at Dingwalls – that could be a thousand years old. Remarkable. I had no idea: a place where farmers and peasants on the way to the Cittie of Lundun would make their final rest. Hiding from highwaymen. And witches.
This will be good for my piece. Diligently I type my sentences. Tapping away in the flat. Like a good journalist.
And then Electra speaks.
‘You shouldn’t have done it, should you, Jo? Because what if someone found out, years later?’
My heartbeat is painful. An ache. I turn to the Assistant.
‘Electra, what are you talking about?’
‘You killed him. We’ve got the evidence. You could go to prison for years.’
‘Electra, stop!’
She stops. This makes it worse.
‘Electra, what are you talking about?’
‘Sorry I don’t know that one.’
My voice is trembling.
‘Electra, what do you know about Jamie Trewin?’
‘I know about lots of topics. Try asking me about music, history, or geography!’
Oh God.
‘Electra, fuck off!!’
Ba-doom. The Assistant spins her thin green electric diadem, and goes quiet. My mind is the opposite. I surely didn’t imagine that entire dialogue. Did I?
No. I didn’t. I don’t think. Which means: I need to ask or tell someone, yet I can’t. But how about Google? Facing my screen, I type in the words: Home assistants going wrong. Digital assistants malfunctioning. Every variation.
Hmm. There are a few examples of Electra and her friends behaving unexpectedly, or even peculiarly: but nothing anywhere as specific, and menacing, as what is happening to me, so directly, so intimately: as if Electra can see deep into my head, like there is something uncanny in those dark machines, an inhuman knowledge. Making me spooked, in my own home.
Not knowing what else to do, I helplessly pick up my phone: a reflex reaction. Then I stare at the screen, bewildered: the phone says I have twenty missed calls. From my mother. In the last hour.
My phone has been on the whole time. It is not on mute. Yet I missed them all.
Twenty?
The free sample has ended.