Read the book: «The Other Mrs»

SADIE
Seven Weeks Later...

The siren woke us at some point in the middle of the night. I heard the scream of it. I saw the dazzling lights that streamed in the bedroom window as Will grabbed his glasses from the bedside table and sat up abruptly in bed, adjusting them on the bridge of his nose.

“What’s that?” he asked, holding his breath, disoriented and confused, and I told him it was a siren. We sat hushed for a minute, listening as the wail drifted farther away, quieting down but never going completely silent. We could hear it still, stopped somewhere just down the street from our home.

“What do you think happened?” Will asked, and I thought only of the elderly couple on the block, the man who pushed his wife in a wheelchair up and down the street, though he could barely walk. They were both white-haired, wrinkled, his back curved like the hunchback of Notre Dame. He always looked tired to me, like maybe she was the one who should be doing the pushing. It didn’t help that our street was steep, a decline to the ocean below.

“The Nilssons,” Will and I said at the same time, and if there was a lack of empathy in our voices it’s because this is what is expected of older people. They get injured, sick; they die.

“What time is it?” I asked Will, but by then he’d returned his glasses to the bedside table and said to me, “I don’t know,” as he pressed in closely and folded an arm around my waistline, and I felt the subconscious pull of my body from his.

We fell back asleep that way, forgetting altogether about the siren that had snatched us from our dreams.

In the morning I shower and get dressed, still tired from a fitful night. The boys are in the kitchen, eating breakfast. I hear the commotion downstairs as I step uneasily from the bedroom, a stranger in the home because of Imogen. Because Imogen has a way of making us feel unwelcome, even after all this time.

I start to make my way down the hall. Imogen’s door is open a crack. She’s inside, which strikes me as odd because her door is never open when she’s inside. She doesn’t know that it’s open, that I’m in the hallway watching her. Her back is to me and she’s leaned into a mirror, tracing the lines of black eyeliner above her eyes.

I peer through the crevice and into Imogen’s room. The walls are dark, tacked with images of artists and bands who look very much like her, with the long black hair and the black eyes, dressed in all black. A black gauzy thing hangs above her bed, a canopy of sorts. The bed is unmade, a dark gray pintuck duvet lying on the floor. The blackout curtains are pulled taut, keeping the light out. I think of vampires.

Imogen finishes with the eyeliner. She snaps the cap on it, turns too fast and sees me before I have a chance to retreat. “What the fuck do you want?” she asks, the anger and the vulgarity of her question taking my breath away, though I don’t know why. It’s not as if it’s the first time she’s spoken to me this way. You’d think I might be used to it by now. Imogen scuttles so quickly to the door that at first I think she’s going to hit me, which she hasn’t ever done, but the speed of her movement and the look on her face make me think she might. I involuntarily flinch, moving backward, and instead, she slams the door shut on me. I’m grateful for this, for getting the door slammed in my face as opposed to getting hit. The door misses my nose by an inch.

My heart thumps inside my chest. I stand in the hallway, breathless. I clear my voice, try to recover from the shock of it. I step closer, rap my knuckles on the wood and say, “I’m leaving for the ferry in a few minutes. If you want a ride,” knowing she won’t accept my offer. My voice is tumultuous in a way that I despise. Imogen doesn’t answer.

I turn and follow the scent of breakfast downstairs. Will is by the stove when I come down. He stands, flipping pancakes in an apron, while singing one of those songs from the jaunty CDs Tate likes to listen to, something far too merry for seven fifteen in the morning.

He stops when he sees me. “You okay?” he asks.

“Fine,” I say, voice strained.

The dogs circle Will’s feet, hoping he’ll drop something. They’re big dogs and the kitchen is small. There isn’t enough room for four of us in here, let alone six. I call to the dogs and, when they come, send them into the backyard to play.

Will smiles at me when I return and offers me a plate. I opt only for coffee, telling Otto to hurry up and finish. He sits at the kitchen table, hunched over his pancakes, shoulders slumped forward to make himself appear small. His lack of confidence worries me, though I tell myself that this is normal for fourteen. Every child goes through this, but I wonder if they do.

Imogen stomps through the kitchen. There are tears up the thighs and in the knees of her black jeans. Her boots are black leather combat boots, with nearly a two-inch heel. Even without the boots, she’s taller than me. Raven skulls dangle from her ears. Her shirt reads, Normal people suck. Tate, at the table, tries to sound it out, as he does all of Imogen’s graphic T-shirts. He’s a good reader, but she doesn’t stand still long enough for him to get a look at it. Imogen reaches for a cabinet pull. She yanks open the door, scanning the inside of the cabinet before slamming it shut.

“What are you looking for?” Will asks, always eager to please, but Imogen finds it then in the form of a Kit Kat bar, which she tears open and bites into.

“I made breakfast,” Will says, but Imogen, blue eyes drifting past Otto and Tate at the kitchen table, seeing the third, vacant place setting set for her, says only, “Good for you.”

She turns and leaves the room. We hear her boots stomp across the wooden floors. We hear the front door open and close, and only then, when she’s gone, can I breathe.

I help myself to coffee, filling a travel mug before making an effort to stretch past Will for my things: the keys and a bag that sit on the countertop just out of reach. He leans in to kiss me before I go. I don’t mean to, and yet it’s instinctive when I hesitate, when I draw back from his kiss.

“You okay?” Will asks again, looking at me curiously, and I blame a bout of nausea for my hesitation. It’s not entirely untrue. It’s been months now since the affair, and yet his hands are still like sandpaper when he touches me and, as he does, I can’t help but wonder where those hands have been before they were on me.

A fresh start, he’d said, one of the many reasons we find ourselves transported to this home in Maine, which belonged to Will’s only sister, Alice, before she died. Alice had suffered for years from fibromyalgia before the symptoms got the best of her and she decided to end her life. The pain of fibromyalgia is deep. It’s diffused throughout the body and often accompanied by incapacitating exhaustion and fatigue. From what I’ve heard and seen, the pain is intense—a sometimes stabbing, sometimes throbbing pain—worse in the morning than later in the day, but never going completely away. It’s a silent disease because no one can see pain. And yet it’s debilitating.

There was only one thing Alice could do to counter the pain and fatigue, and that was to head into the home’s attic with a rope and step stool. But not before first meeting with a lawyer and preparing a will, leaving her house and everything inside of it to Will. Leaving her child to Will.

Sixteen-year-old Imogen spends her days doing only God knows what. School, presumably, for part of it at least, because we only get truancy calls on occasion. But how she spends the rest of the day I don’t know. When Will or I ask, she either ignores us or she has something smart to say: that she’s off fighting crime, promoting world peace, saving the fucking whales. Fuck is one of her favorite words. She uses it often.

Suicide can leave survivors like Imogen feeling angry and resentful, rejected, abandoned, full of rage. I’ve tried to be understanding. It’s getting hard to do.

Growing up, Will and Alice were close, but they grew apart over the years. He was rattled by her death, but he didn’t exactly grieve. In truth, I think he felt more guilty than anything: that he did a negligent job of keeping in touch, that he wasn’t involved in Imogen’s life and that he never grasped the gravity of Alice’s disease. He feels he let them down.

At first, when we’d learned of our inheritance, I suggested to Will that we sell the home, bring Imogen to Chicago to live with us, but after what happened in Chicago—not just the affair alone, but all of it, everything—it was our chance to make a new beginning, a fresh start. Or so Will said.

We’ve been here less than two months, so that we’re still getting the lay of the land, though we found jobs quickly, Will and me, he working as an adjunct professor teaching human ecology two days a week, over on the mainland.

As one of only two physicians on the island, they practically paid me to come.

I press my lips to Will’s mouth this time, my ticket to leave.

“I’ll see you tonight,” I say, calling again to Otto to hurry up or we’ll be late. I grab my things from the countertop and tell him I’ll be in the car waiting. “Two minutes,” I say, knowing he’ll stretch two to five or six as he always does.

I kiss little Tate goodbye before I go. He stands on his chair, wraps his sticky arms around my neck and screams into an ear, “I love you, Mommy,” and somewhere inside of me my heart skips a beat because I know that at least one of them still loves me.

My car sits on the driveway beside Will’s sedan. Though we have a garage attached to the house, it’s overrun with boxes that we have yet to unpack.

The car is cold when I arrive, covered in a thin layer of frost that has settled on the windows overnight. I unlock the door with my key fob. The headlights blink; a light turns on inside.

I reach for the door handle. But before I can give it a tug, I catch sight of something on the window that stops me. There are lines streaked through the frost on the driver’s side. They’ve started to liquefy in the warmth of the morning’s sunlight, softening at their edges. But still, they’re there. I step closer. As I do, I see that the lines are not lines at all, but letters traced into the frost on the window, coming together to form a single word: Die.

A hand shoots to my mouth. I don’t have to think hard to know who left this message for me to find. Imogen doesn’t want us here. She wants us to leave.

I’ve tried to be understanding because of how awful the situation must be for her. Her life has been upended. She lost her mother and now must share her home with people she doesn’t know. But that doesn’t justify threatening me. Because Imogen doesn’t mince words. She means just what she said. She wants me to die.

I make my way back up the porch steps and call through the front door for Will.

“What is it?” he asks, making his way from the kitchen. “Did you forget something?” he asks as he cocks his head to the side, taking in my keys, my bag, my coffee. I didn’t forget something.

“You have to see this,” I say, whispering now so the boys don’t hear.

Will follows me barefoot out the front door, though the concrete is bitterly cold. Three feet from the car I point at it, the word inscribed in the frost of the window. “You see it?” I ask, turning my eyes to Will’s. He sees it. I can tell as much in his expression, in the way it turns instantly distressed, mirroring mine.

“Shit,” he says because he, like me, knows who left that there. He rubs at his forehead, thinking this through. “I’ll talk to her,” he says, and I ask defensively, “What good will that do?”

We’ve talked to Imogen many times over the last few weeks. We’ve discussed the language she uses, especially around Tate; the need for a curfew; more. Though talking at would be a more fitting term than talking to because it isn’t a conversation we have. It’s a lecture. She stands while Will or I speak. She listens, maybe. She rarely replies. She takes nothing to heart and then she leaves.

Will’s voice is quiet when he speaks. “We don’t know for certain that she left this here,” he says softly, floating an idea by me, one I’d rather not consider. “Isn’t it possible,” Will asks, “that someone left that message for Otto?”

“You think someone left a death threat on my window for our fourteen-year-old child?” I ask, in case Will has somehow misconstrued the meaning of that word Die.

“It’s possible, isn’t it?” he asks, and though I know that it is, I tell him, “No.” I say it with more conviction in my voice than I feel, because I don’t want to believe it. “Not again,” I insist. “We left all that behind when we moved.”

But did we? It isn’t entirely outside the realm of possibility that someone is being mean to Otto. That someone’s bullying him. It’s happened before. It can happen again.

I say to Will, “Maybe we should call the police.”

But Will shakes his head. “Not until we know who did this. If it’s Imogen, is that really a reason to involve the police? She’s just an angry girl, Sadie. She’s grieving, lashing out. She’d never do anything to hurt any of us.”

“Wouldn’t she?” I ask, far less sure than Will. Imogen has become another point of contention in our marriage. She and Will are related by blood; there’s a connection there that I don’t have.

When Will doesn’t reply, I go on, arguing, “No matter who the intended recipient, Will, it’s still a death threat. That’s a very serious thing.”

“I know, I know,” he says, glancing over his shoulder to be sure Otto isn’t on his way out. He speaks quickly, says, “But if we get the police involved, Sadie, it will draw attention to Otto. Unwanted attention. The kids will look at him differently, if they don’t already. He won’t stand a chance. Let me call the school first. Speak to his teacher, the principal, make sure Otto isn’t having trouble with anyone. I know you’re worried,” he says, voice softening as he reaches out, runs a comforting hand along my arm. “I’m worried, too,” he says. “But can we do that first,” he asks, “before calling the police? And can I at least have a conversation with Imogen before we just assume this was her?”

This is Will. Always the voice of reason in our marriage.

“Fine,” I tell him, relenting, admitting that he might be right. I hate to think of Otto as an outcast in a new school, of him being bullied like this.

But I also can’t stand to consider the animosity Imogen has toward us. We have to get to the bottom of this without making things worse. “But if it happens again, if anything like this happens again,” I say, pulling my hand from my bag, “we go to the police.”

“Deal,” Will agrees, and he kisses me on the forehead. “We’ll get this taken care of,” he says, “before it has a chance to go too far.”

“Do you promise?” I ask, wishing Will could snap his fingers and make everything better, just like that.

“I promise,” he says as I watch him skip back up the stairs and inside the house, disappearing behind the door. I scribble my hand through the letters. I wipe my hands on the thighs of my pants before letting myself into the cold car. I start the engine and blast the defrost, watching as it takes the last traces of the message away, though it’ll stay with me all day.

The minutes on the car’s dash pass by, two and then three. I stare at the front door, waiting for it to open back up, for Otto to appear this time, slogging to the car with an unreadable expression on his face that gives no indication of what’s going on inside his mind. Because that’s the only face he makes these days.

They say that parents should know these things—what our kids are thinking—but we don’t. Not always. We can never really know what anyone else is thinking.

And yet when children make poor choices, parents are the first to be blamed.

How didn’t they know? critics often ask. How did they overlook the warning signs?

Why weren’t they paying attention to what their kids were doing?—which is a favorite of mine because it implies we weren’t.

But I was.

Before, Otto was quiet and introverted. He liked to draw, cartoons mostly, with a fondness for anime, the hip characters with their wild hair and their larger-than-life eyes. He named them, the images in his sketch pad—and had a dream to one day create his own graphic novel based on the adventures of Asa and Ken.

Before, Otto had only a couple of friends—exactly two—but those that he had called me ma’am. When they came for dinner, they brought their dishes to the kitchen sink. They left their shoes by the front door. Otto’s friends were kind. They were polite.

Otto did well in school. He wasn’t a straight A student, but average was good enough for him and Will and me. His grades fell in the B/C range. He did his homework and turned it in on time. He never slept through class. His teachers liked him, and only ever had one complaint: they’d like to see Otto participate more.

I didn’t overlook the warning signs because there were none to overlook.

I stare at the house now, waiting for Otto to come. After four minutes, my eyes give up on the front door. As they do, something out the car window catches my eye. Mr. Nilsson pushing Mrs. Nilsson in her wheelchair, down the street. The slope is steep; it takes great effort to hang on to the rubbery handles of the wheelchair. He walks slowly, more on the heels of his feet, as if they are car brakes and he’s riding the brakes all the way down the street.

Not yet seven twenty in the morning, and they’re both completely done up, him in twill slacks and a sweater, her in some sort of knit set where everything is a light pink. Her hair is curled, tightly woven and set with spray, and I think of him, scrupulously wrapping each lock of hair around a roller and securing the pin. Poppy is her name, I think. His might be Charles. Or George.

Right before our home, Mr. Nilsson makes a diagonal turn, going to the opposite side of the street from ours.

As he does, his eyes remain on the rear of my car where the exhaust comes out in clouds.

All at once the sound of last night’s siren returns to me, the waning bellow of it as it passed by our home and disappeared somewhere down the street.

A dull pain forms in the pit of my stomach, but I don’t know why.

SADIE

The drive from the ferry dock to the medical clinic is short, only a handful of blocks. It takes less than five minutes from the time I drop Otto off until I pull up to the humble, low-slung blue building that was once a house.

From the front, it still resembles a house, though the back opens up far wider than any home ever would, attaching to a low-cost independent living center for senior citizens with easy access to our medical services. Long ago someone donated their home for the clinic. Years later, the independent living center was an addition.

The state of Maine is home to some four thousand islands. I didn’t know this before we arrived. There’s a dearth of doctors on the more rural of them, such as this one. Many of the older physicians are in the process of retiring, leaving vacancies that prove difficult to fill.

The isolation of island living isn’t for everyone, present company included. There’s something unsettling in knowing that when the last ferry leaves for the night, we’re quite literally trapped. Even in daylight, the island is rocky around its edges, overcome with tall pines that make it suffocating and small. When winter comes, as it soon will, the harsh weather will shut much of the island down, and the bay around us may freeze, trapping us here.

Will and I got our house for free. We got a tax credit for me to work at the clinic. I said no to the idea, but Will said yes, though it wasn’t the money we needed. My background is in emergency medicine. I’m not board-certified in general practice, though I have a temporary license while I go through the process of becoming fully licensed in Maine.

Inside, the blue building no longer resembles a house. Walls have been put up and knocked down to create a reception desk, exam rooms, a lobby. There’s a smell to the building, something heavy and damp. It clings to me even after I leave. Will smells it, too. It doesn’t help that Emma, the receptionist, is a smoker, consuming about a pack a day of cigarettes. Though she smokes outside, she hangs her coat on the same rack as mine. The smell roves from coat to coat.

Will looks curiously at me some nights after I’ve come home. He asks, Have you been smoking? I might as well be for the smell of nicotine and tobacco that follows me home.

Of course not, I’ve told him. You know I don’t smoke, and then I tell him about Emma.

Leave your coat out. I’ll wash it, Will has told me countless times. I do and he washes it, but it makes no difference because the next day it happens all over again.

Today I step into the clinic to find Joyce, the head nurse, and Emma waiting for me.

“You’re late,” Joyce says, but if I am, I’m only a minute late. Joyce must be sixty-five years old, close to retirement, and a bit of a shrew. She’s been here far longer than either Emma or me, which makes her top dog at the clinic, in her mind at least. “Didn’t they teach you punctuality where you came from?” she asks.

I’ve found that the minds of the people are as small as the island itself.

I step past her and start my day.

Hours later, I’m with a patient when I see Will’s face surface on my cell phone, five feet away. It’s silenced. I can’t hear the phone’s ring, though Will’s name appears above the picture of him: the attractive, chiseled face, the bright hazel eyes. He’s handsome, in a take-your-breath-away way, and I think that it’s the eyes. Or maybe the fact that at forty, he could still pass for twenty-five. Will wears his dark hair long, swept back into a low bun that’s growing in popularity these days, giving off an intellectual, hipster vibe that his students seem to like.

I ignore the image of Will on my phone and attend to my patient, a forty-three-year-old woman presenting with a fever, chest pain, a cough. Undoubtedly bronchitis. But still, I press my stethoscope to her lungs for a listen.

I practiced emergency medicine for years before coming here. There, at a state-of-the-art teaching hospital in the heart of Chicago, I went into each shift without any idea of what I might see, every patient coming in in distress. The victims of multiple-vehicle collisions, women hemorrhaging excessively following a home birth, three-hundred-pound men in the midst of a psychotic break. It was tense and dramatic. There, in a constant state of high alert, I felt alive.

Here, it is different. Here, every day I know what I will see, the same rotation of bronchitis, diarrhea and warts.

When I finally get the chance to call Will back, there’s a hitch to his voice. “Sadie,” he says, and, from the way that he says it, I know that something is wrong. He stops there, my mind engineering scenarios to make up for that which he doesn’t say. It settles on Otto and the way I left him at the ferry terminal this morning. I got him there just in time, a minute or two before the ferry would leave. I said goodbye, my car idling a hundred feet from the waiting boat, watching as Otto moped off for another day of school.

It was then that my eyes caught sight of Imogen, standing at the edge of the pier with her friends. Imogen is a beautiful girl. There’s no rebutting that. Her skin is naturally fair; she doesn’t need to cover it in talcum powder, as her friends must do, to make herself look white. The piercing through her nose has taken some getting used to. Her eyes, in contrast to the skin, are an icy blue, her former brunette showing through the unkempt eyebrows. Imogen eschews the dark, bold lipstick the other girls like her wear, but instead wears a tasteful rosy beige. It’s actually quite lovely.

Otto has never lived in such close proximity to a girl before. His curiosity has gotten the better of him. The two of them don’t talk much, no more than Imogen and I speak. She won’t ride with us to the ferry dock; she doesn’t speak to him at school. As far as I know, she doesn’t acknowledge him on the commute there. Their interactions are brief. Otto at the kitchen table working on math homework last night, for example, and Imogen passing through, seeing his binder, noting the teacher’s name on the front of it, commenting: Mr. Jansen is a fucking douche.

Otto had just stared back wide-eyed in reply. The word fuck is not yet in his repertoire. But I imagine it’s only a matter of time.

This morning, Imogen and her friends were standing at the edge of the pier, smoking cigarettes. The smoke encircled their heads, loitering, white in the frosty air. I watched as Imogen brought a cigarette to her mouth, inhaled deeply with the expertise of someone who’d done this before, who knew what she was doing. She held it in and then exhaled slowly and, as she did, I was certain her eyes came to me.

Did she see me sitting there in my car, watching her?

Or was she just staring vacantly into space?

I’d been so busy watching Imogen that, now that I think back on it, I never saw Otto board the ferry. I only assumed he would.

“It’s Otto,” I say aloud now, at the same time that Will says, “It wasn’t the Nilssons,” and at first I don’t know what he means by that. What does Otto have to do with the elderly couple who lives down the street?

“What about the Nilssons?” I ask, but my mind has trouble going there, because—at the sudden realization that I didn’t see Otto board the ferry—all I can think about is Otto in the single seat across from the principal’s office with handcuffs on his wrists, a police officer standing three feet away, watching him. On the corner of the principal’s desk, an evidence bag, though what was inside, I couldn’t yet see.

Mr. and Mrs. Foust, the principal had said to us that day and, for the first time in my life, I attempted some clout. Doctor, I said to him, face deadpan as Will and I stood behind Otto, Will dropping a hand to Otto’s shoulder to let him know that whatever he’d done, we were there for him.

I wasn’t sure if it was my imagination, but I was quite certain I saw the police officer smirk.

“The siren last night,” Will explains now over the phone, bringing me back to the present. That was before, I remind myself, and this is now. What happened to Otto in Chicago is in the past. Over and done with. “It wasn’t the Nilssons after all. The Nilssons are perfectly fine. It was Morgan.”

“Morgan Baines?” I ask, though I’m not sure why. There isn’t another Morgan on our block, as far as I know. Morgan Baines is a neighbor, one I’ve never spoken to but Will has. She and her family live just up the street from us in a foursquare farmhouse not unlike our own, Morgan, her husband and their little girl. Because they lived at the top of the hill, Will and I often speculated that their views of the sea were splendid, three hundred sixty degrees of our little island and the ocean that walls us in.

And then one day Will slipped and told me they were. The views. Splendid.

I tried not to feel insecure. I told myself that Will wouldn’t have admitted to being inside her home if there was something going on between them. But Will has a past with women; he has a history. A year ago I would have said Will would never cheat on me. But I couldn’t put anything past him now.

“Yes, Sadie,” Will says. “Morgan Baines,” and only then do I make out her face, though I’ve not seen her up close before. Only from a distance. Long hair, the color of milk chocolate, and bangs, the type that hang too long, that spend their time wedged behind an ear.

“What happened?” I ask as I find a place to sit, and, “Is everything all right?” I wonder if Morgan is diabetic, if she’s asthmatic, if she has an autoimmune condition that would trigger a middle-of-the-night visit to the emergency room. There are only two physicians here, myself and my colleague, Dr. Sanders. Last night she was on call, not me.

There are no EMTs on the island, only police officers who know how to drive an ambulance and are minimally trained in lifesaving measures. There are no hospitals as well, and so a rescue boat would have been called in from the mainland to meet the ambulance down by the dock to cart Morgan away for treatment, while another waited on shore for the third leg of her commute.

I think of the amount of time that would have taken in sum. What I’ve heard is that the system works like a well-oiled machine and yet it’s nearly three miles to the mainland. Those rescue boats can only go so fast and are dependent on the cooperation of the sea.

But this is catastrophic thinking only, my mind ruminating on worst-case scenarios.

“Is she all right, Will?” I ask again because in all this time, Will has said nothing.

“No, Sadie,” he says, as if I should somehow know that everything is not all right. There’s a pointedness about his reply. A brevity, and then he says no more.

“Well, what happened?” I urge, and he takes a deep breath and tells me.

“She’s dead,” he says.

And if my response is apathetic, it’s only because death and dying are a part of my everyday routine. I’ve seen every unspeakable thing there is to see, and I didn’t know Morgan Baines at all. We’d had no interaction aside from a onetime wave out my window as I drove slowly by her home and she stood there, thrusting the bangs behind an ear before returning the gesture. I’d thought about it long after, overanalyzing as I have a tendency to do. I wondered about that look on her face. If it was meant for me or if she was scowling at something else.

“Dead?” I ask now. “Dead how?” And as Will begins to cry on the other end of the line, he says, “She was murdered, they say.”

“They? Who’s they?” I ask.

“The people, Sadie,” he says. “Everyone. It’s all anyone’s talking about in town,” and as I open the door to the exam room and step into the hall, I find that it’s true. That patients in the waiting room are in the thick of a conversation about the murder, and they look at me with tears in their eyes and ask if I heard the news.

“A murder! On our island!” someone gasps. A hush falls over the room and, as the door opens and a man steps in, an older woman screams. It’s a patient only, and yet with news like this, it’s hard not to think the worst of everyone. It’s hard not to give in to fear.

CAMILLE

I’m not going to tell you everything. Just the things I think you should know.

I met him on the street. The corner of some city street, where it crosses beneath the “L” tracks. It was gritty, grungy there. The buildings, the tracks didn’t let the light in. Parked cars, steel girders, orange construction cones filled the road. The people, they were ordinary Chicago people. Just your everyday eclectic mix of hipsters and steampunk, hobos, trixies, the social elite.

I was walking. I didn’t know where I was going. All around, the city buzzed. Air-conditioning units dripped from up above; a bum begged for cash. A street preacher stood on the curb, foaming at the mouth, telling us we’re all hell-bound.

I passed a guy on the street. I was going the other way. I didn’t know who he was, but I knew his type. The kind of rich former prep school kid who never fraternized with the trashy public school kids like me. Now he was all grown up, working in the Financial District, shopping at Whole Foods. He’s what you’d call a chad, though his name was probably something else like Luke, Miles, Brad. Something smug, uptight, overused. Mundane. He gave me a nod and a smile, one that said women easily fell for his charms. But not me.

I turned away, kept walking, didn’t give him the satisfaction of smiling back.

I felt his eyes follow me from behind.

I spied my reflection in a storefront window. My hair, long, straight, with bangs. Rust-colored, stretching halfway down my back, over the shoulders of an arctic-blue tee that matched my eyes.

I saw what that chad was looking at.

I ran a hand through my hair. I didn’t look half bad.

Overhead, the “L” thundered past. It was loud. But not loud enough to tune out the street preacher. Adulterers, whores, blasphemers, gluttons. We were all doomed.

The day was hot. Not just summer but the dog days of it. Eighty or ninety degrees out. Everything smelled rancid, like sewage. The smell of garbage gagged me as I passed an alley. The hot air trapped the smell so there was no escaping it, just as there was no escaping the heat.

I was looking up, watching the “L,” getting my bearings. I wondered what time it was. I knew every clock in the city. The Peacock clock, Father Time, Marshall Field’s. Four clocks on the Wrigley Building, so that it didn’t matter which way you came at it from, you could still see a clock. But there were no clocks there, on the corner where I was at.

I didn’t see the stoplight before me go red. I didn’t see the cab come hustling past, racing another cab to snatch up a fare down the street. I stepped right into the street with both feet.

I felt him first. I felt the grip of his hand tighten on my wrist like a pipe wrench so that I couldn’t move.

In an instant, I fell in love with that hand—warm, capable, decisive. Protective. His fingers were thick; his hands big with clean, short nails. There was a tiny tattoo, a glyph on the skin between his fingers and thumb. Something small and pointy, like a mountain peak. For a minute, that was all I saw. That inky mountain peak.

His grip was powerful and swift. In one stroke, he stopped me. A second later, the cab raced past, not six inches from my feet. I felt the rush of it on my face. The wind off the car pushed me away, and then sucked me back in as it passed. I saw a flash of colors only; I felt the breeze. I didn’t see the cab shoot past, not until it was speeding off down the street. Only then did I know how close I came to being roadkill.

Overhead, the “L” screeched to a stop on the tracks.

I looked down. There was his hand. My eyes went up his wrist, his arm; they went to his eyes. His eyes were wide, his eyebrows pulled together in concern. He was worried about me. No one ever worried about me.

The light turned green, but we didn’t move. We didn’t speak. All around, people stepped past us while we stood in the way, blocking them. A minute went by. Two. Still, he didn’t let go of my wrist. His hand was warm, tacky. It was humid outside. So hot it was hard to breathe. There was no fresh air. My thighs were moist with sweat. They stuck to my jeans, made the arctic-blue tee cling to me.

When we finally spoke, we spoke at the same time. That was close.

We laughed together, released a synchronous sigh.

I could feel my heart pound inside of me. It had nothing to do with the cab.

I bought him coffee. It sounds so unimaginative after the fact, doesn’t it? So cliché.

But that was all I could come up with in a pinch.

Let me buy you a coffee, I said. Repay you for saving my life.

I fluttered my eyelashes at him. Put a hand on his chest. Gave him a smile.

Only then did I see that he already had a coffee. There in his other hand sat some iced froufrou drink. Our eyes went to it at the same time. We sniggered. He lobbed it into a trash can, said, Pretend you didn’t just see that.

A coffee would be nice, he said. When he smiled, he smiled with his eyes.

He told me his name was Will. There was a stutter when he said it, so that it came out Wi-Will. He was nervous, shy around girls, shy around me. I liked that about him.

I took his hand into mine, said, It’s nice to meet you, Wi-Will.

We sat in a booth, side by side. We drank our coffees. We talked; we laughed.

That night there was a party, one of those rooftop venues with a city view. An engagement party for Sadie’s friends, Jack and Emily. She was the one who was invited, not me. I don’t think Emily liked me much, but I planned to go anyway, just the same as Cinderella went to the royal ball. I had a dress picked out, one I took from Sadie’s closet. It fit me to a T, though she was bigger than me, Sadie with her broad shoulders and her thick hips. She had no business wearing that dress. I was doing her a favor.

I had a bad habit of shopping in Sadie’s closet. Once, when I was there, all alone or so I thought, I heard the jiggle of keys in the front door lock. I slipped out of the room, into the living room, arriving only a second before she did. There stood my darling roommate, hands on her hips, looking quizzically at me.

You look like you’ve been up to no good, she said. I didn’t say one way or the other whether I’d been being good. It wasn’t often that I was good. Sadie was the rule follower, not me.

That dress wasn’t the only thing I took from her. I also used her credit card to buy new shoes, metallic wedge sandals with a crisscross strap.

I said to Will that day in the coffee shop about the engagement party: We don’t even know each other. But I’d be an idiot not to ask. Come with me?

I’d be honored, he said, making eyes at me in the café booth. He sat close, his elbow brushing against mine.

He’d come to the party.

I gave him the address, told him I’d meet him inside.

We parted ways beneath the “L” tracks. I watched him walk away until he got swallowed up in pedestrian traffic. Even then, I still watched.

I couldn’t wait to see him that night.

But as luck would have it, I didn’t make it to the party after all. Fate had other plans that night.

But Sadie was there. Sadie, who had been invited to Jack and Emily’s engagement party. She was out of this world. He went right up to her, fawned all over her, forgot about me.

I’d made it easy on her, inviting him to that party. I always made things easy for Sadie.

If it wasn’t for me, they never would’ve met. He was mine before he was hers.

She forgets that all the time.