The Ivory Snuff Box
TextCHAPTER XVII
All during the afternoon of the day upon which she had first met her husband during his confinement at Dr. Hartmann's, Grace Duvall wandered about the place, looking for him, waiting with growing fears for his appearance. When evening came, and she had failed to find him, she became greatly alarmed. In her excitement, she forgot the word she had agreed to send into Brussels by the boy who drove the delivery wagon, and was just returning to the house when she heard someone calling to her from the drive. She turned and saw that it was the bread boy, who had stopped his cart some little distance from the veranda.
"Mademoiselle," he called, "you have dropped your handkerchief." He pointed with his whip to a white object which lay in the roadway close beside the wheels of the cart. She had not dropped her handkerchief – she knew that it was at that moment tightly clenched in her left hand, but she understood.
"Thank you," she called, and hurried toward him. The boy, meanwhile, had climbed down from the wagon, and picking up the handkerchief, which he had himself secretly dropped, handed it to her, with a polite bow. She felt, as she clutched the bit of linen, that within it lay a note.
"He is here," she said quickly, in an undertone. "The box is safe. It is hidden. They have not yet discovered it. But I am afraid something terrible has happened to Mr. Duvall. Tell them to send help, quick." She turned away, and the boy mounted his box, whistling gayly, and at once drove off.
Grace hurried to her room, to examine the note within the handkerchief. She could hardly wait to see what it contained. The contents were a great disappointment to her. "Leave the house about ten o'clock to-morrow morning," it said. That was all. She had already decided to do this, in order to effect, if possible, her husband's release. So far as the snuff box was concerned, she felt that she did not care whether the doctor discovered it or not, if only she might know that Richard was safe. All during the evening she wandered aimlessly about the house, hoping each minute that she might come upon him, but her search was in vain. Richard Duvall seemed to have vanished completely.
Once she met the doctor, just as she had given up in despair and was returning to her room. He spoke pleasantly enough, asked her how she felt, and showed much concern that she had refused to eat any supper. "You must eat, mademoiselle," he told her. "Have you taken regularly the tonic I prescribed?" She nodded, not considering it necessary to inform him that she had carefully poured it, dose by dose, into the sink. For a moment she thought of asking him what had become of Mr. Brooks, but she feared to rouse his suspicions. "I'm feeling somewhat out of sorts," she said. "I'll be all right in the morning."
"I am gratified to observe," he remarked, as she left him, "that you had no tendency to walk in your sleep last night. I trust the improvement will continue. Good-night." She could not determine whether or not there lay any hidden meaning back of his words. His mirthless smile somehow made her feel uncomfortable.
His words, however, inspired her to form a new plan. She would go to the laboratory that night, if she could by any means escape the vigilance of the woman on guard in the hall, and find out, if possible, whether or not Richard was confined there. From the windows of her room, which faced the rear of the house, she could see plainly the small square brick building in which the laboratory was located. There were lights in the floor on a level with her windows – that, she knew, was the room in which she had seen Hartmann sitting at his desk, on the night of her arrival. But there were, she knew, rooms both above and below this one, and in the latter lay hidden the Ambassador's snuff box. Was Richard confined there, as well? She determined to find out.
The woman who sat on watch in the hall came to her room at half-past ten and looked in to see if she required anything. Grace, who was just getting into bed, told her that she did not, said good-night sleepily, and asked her to turn off the lights. The woman did so, and closing the door softly, retired.
Grace lay in bed a long time, wondering how she could get down the hall, and into the passageway leading to the laboratory, without being observed. There seemed no possible way of accomplishing this, yet she was determined to attempt it. Her thoughts were interrupted by the faint ringing of an electric bell. She knew it was the one in the hall, near where the nurse sat, by which any of the patients, desiring her presence during the night, might summon her to their rooms. Grace slipped out of bed, opened her door the slightest crack, so that she could command a view of the hall, and peered out. She saw the nurse coming toward her with a glass of water in her hand. She disappeared for a moment into a room across the corridor, then reappeared almost at once and resumed her seat at the head of the stairs.
Grace was disappointed. She had been on the point of starting out, when the woman's reappearance prevented her. She crouched on the floor beside her door, waiting until the nurse should again be summoned away.
She waited for hours. She heard the church bells in the city, far off and muffled, booming the hour of midnight. The nurse on the chair yawned and nodded. After what seemed an eternity, she heard one o'clock strike, and then two. The house was shrouded in silence. Her knees were cramped and cold, from contact with the floor; her whole body seemed sore, from the nervous tension of her position. She almost screamed, when the electric bell suddenly rang out again, its sound intensified by the stillness until it seemed as though it must wake everyone in the house.
The nurse rose sleepily, glanced at the indicator on the wall which informed her from which room the summons had come, and started down the corridor toward the west wing of the building. As she passed beyond the circle of light cast by the electric globe in the central hall, Grace pushed her door open and slipped noiselessly out. For a moment she hesitated, saw the woman enter a room midway of the corridor, then flew like the wind toward the door which gave entrance to the passageway leading to the laboratory. Her bare feet made no sound, she gained the door without being discovered, and in an instant had swung it open, and was standing in the long covered way outside. She drew the door to after her noiselessly, then sank upon her knees and listened. In a short while she heard the nurse come shuffling down the corridor, and the creaking of her chair as she sank heavily into it. So far, she felt that she was safe.
She advanced along the corridor with great caution. Her chief fear was that the door of the laboratory might be locked, in which case, she would be unable to proceed further. When she reached it, and felt it yield as she slowly turned the knob, she heaved a sigh of relief. In a moment she was in the laboratory.
The room was unlighted, save for a faint glow which came from a small black box in the center of the floor. She had no idea what this box was, but noticed that heavy wires ran to it, from each side, and that there were several protuberances upon its top, which shone like brass. She did not stop to examine it further, however, but looked about for some means of reaching the room below. The idea of recovering the snuff box had suddenly occurred to her. With that in her possession, Richard, she believed, need no longer hesitate to escape at the first opportunity. He had told her that it was hidden in the room beneath. She ran quickly down the steps which she observed in one corner, feeling a glow of excitement at the daring of her quest.
At the bottom of the stairs she found a narrow little corridor with a heavy door opening on it which she judged led into the room she desired to enter. The corridor was lighted by a single window at the end opposite the staircase, through which came a faint light from without.
She groped about in the semi-darkness until she found the knob of the door and slowly turned it, pressing her weight against the panels. It did not yield. With a sickening feeling of disappointment she realized that it was locked.
She stood still for a moment, wondering what she should do next. Suddenly she shuddered, and a horrible faintness came over her. From within the room she distinctly heard the slow moaning of someone evidently in great pain. Thoughts of Richard at once rushed through her mind; she flung herself on her knees, in an agony of fear, and sought frantically for the keyhole. At last she found it, and looked into the room. The sight that met her gaze sent her reeling backward. There lay Richard, her husband, upon the floor, his face encircled by a ring of blinding light, by which she could see, with frightful distinctness, the ghastly expression of his features, the lines of agony about his eyes and mouth.
For a moment she beat frantically upon the door, calling to him incoherently. She thought he did not hear her, for he did not turn his head. Then she stopped, frightened at what she had done. Suppose the doctor were to overhear her? Everything would be lost. There was but one chance for Richard now, she felt, and that lay with her. She would leave the house, in the morning, proceed at once to the Minister's, and tell him the whole story. Snuff box or no snuff box, she was determined to rescue her husband from his present situation, if it was not already too late.
For a long time she looked into the room, watching the face, grim and silent in the circle of light. She called to him over and over, softly, telling him of her plans, of her love for him, of her sorrow, but he seemed not to hear. But for the twitching of his face, and the low moans which he uttered from time to time, she might have supposed him dead.
How she got back to her room, she could scarcely have told. She staggered up the stairs into the laboratory, out along the corridor, and at last reached the door leading into the main building. She pushed this silently open, and gazed cautiously into the hall. The nurse sat in her chair, apparently asleep. With the utmost care, Grace managed to enter the hall, and to close the door behind her. Then seeing that the woman was rousing, she determined upon a bold plan. She opened her eyes wide, trying to give them a vacant, staring appearance, and with arms extended started toward the nurse.
The latter rose with an exclamation of alarm, then recognizing the sudden apparition as Grace, came up to her, took her by the arm, and led her back to her room. She sank helplessly upon the bed, and pretended to fall asleep. Whether the woman suspected her or not, she could not tell – she noticed that she locked the door, on leaving the room.
The hours until dawn seemed interminable. She lay in bed, praying that there might yet be time in which to save Richard from Hartmann's machinations. What it was that the latter was doing to him, she could not guess, but the look of agony on Duvall's face told her that his sufferings, from some cause, were very great.
After a long time the day broke, and she dressed and managed to choke down a little breakfast. She kept in her room until long after nine o'clock, not daring to leave the house before ten. Dr. Hartmann came in just as she was preparing to go. She saw him glance quickly toward her hat, as she put it on. "I'm going in to the city, this morning, doctor," she said, carelessly. "There are a few things I must get at one of the shops."
He nodded, as though the matter were quite unimportant. "You had another attack, last night, Miss Ellicott," he said. "I regret that the symptoms have recurred."
"Did I? What did I do?" she inquired, wide-eyed.
"Nothing, luckily. Walked down the corridor a short distance, the nurse tells me. She stopped you before you got very far." He regarded her with his keen professional look. "Strange – you do not appear abnormally nervous. I fear I shall have to begin the hypnotic treatment at once."
She paid but scant attention. If she could accomplish what she hoped, this morning, neither Dr. Hartmann nor his treatments would matter in the least to her. "I am sorry it will be necessary," she said, "but of course you know best."
When she left the grounds, she watched carefully to see if she was being followed, but there was nothing to indicate that such was the case. At the corner below, a small, youngish-looking man turned in behind her. He appeared to have been walking rapidly, but she had no particular reason to believe that he was following her.
She made at once for the center of the town, determined to walk the distance rather than wait to find a cab. On the way she passed several stores, and it occurred to her to stop in at one of them and buy a pair of gloves, to lend color to her excuses. She did so, and was just going out again when she suddenly came face to face with the young man she had thought was following her. "Miss Ellicott," he said, raising his hat, and as his hand was poised before her eyes, she saw on his finger a ring similar to the one which had been given her in Paris by Monsieur Lefevre, on the day of her departure. She colored, started to pass on, then stopped. "Good-morning," she gasped, faintly.
"I'm so glad to see you," he rattled on. "Don't you remember our being introduced, at dinner one night, in Paris. I'm delighted to meet you again. On your way down-town, I suppose?" His remark seemed a question. She answered it at once. "Yes, a little shopping to do, and then I thought of stopping at the house of some friends – the United States Minister," she added, by way of explanation.
The stranger bowed. "May I have the pleasure of accompanying you?" he asked. "I also am going in that direction."
Grace assented, and they went out together. At the door the man summoned a cab. "It is safer," he whispered. "We may be observed."
Once inside the cab, which was a closed one, the young man began to ply Grace with questions. "I am one of Monsieur Lefevre's men," he told her, noting her momentary hesitation. "Be quite frank, please, and tell me everything."
When she had finished her story, he sat in silence for a long time. Then he turned to her with a question which made her think he had suddenly lost his mind. "Has Dr. Hartmann a phonograph in the house?" he inquired.
"A phonograph?" she looked at him curiously.
"Yes – yes." His voice betrayed his excitement. "We must send a message to Mr. Duvall. Your windows overlook the room where he is confined. He may hear it. It is the only way."
"Yes," she said, after a moment's thought. "There is a phonograph in the library – a small one. It is seldom used. But Dr. Hartmann – "
"Listen to me," he interrupted, "and do exactly as I say. Pretend to be ill. Ask Dr. Hartmann's permission to have the instrument moved to your room. Then play the records which I am about to get for you."
She gazed at him, scarcely understanding. "But – " she began.
"Of course you will play other records, as well, but this one you must play often – as often as possible. I do not know that Mr. Duvall will understand what the message is – it is a chance, but we must take it. I myself do not understand it very clearly, but the suggestion comes from Monsieur Lefevre himself. You know him. He has your husband's safety at heart." He leaned out, giving a few rapid instructions to the cabman, and then once more turned to Grace.
"Do not visit the house of the United States Minister. It will be most unwise. As soon as he learns that Mr. Duvall and yourself are at Dr. Hartmann's house as spies, he will of necessity refuse to assist you further. Should he not do so, should he demand Mr. Duvall's release, nothing would be gained, since the snuff box would of necessity be left behind. Dr. Hartmann will not injure your husband – he is too anxious to get possession of the snuff box for that. We will try the phonograph, to-day, and if that means is unsuccessful, we must make an attempt to regain the box, and release your husband by force."
As he finished speaking, the cab drew up at a music store. The stranger sprang out, and in a few moments reappeared with a small package in his hand. He handed it to her, then removed his hat and bowed. "I would suggest, mademoiselle, that you return at once, and make use of this as I have directed. If anything further occurs, send word by the delivery boy to-night." He bowed, and walked rapidly down the street.
Grace sadly ordered the cabman to return to Dr. Hartmann's, and then sat back, her mind torn by conflicting emotions. The whole thing seemed inexplicably mysterious and confusing. Here was Richard, her husband, suffering she knew not what agonies at Dr. Hartmann's hands, and these people, who ought to be attempting to liberate him, asked her to play upon the phonograph. She tore open the package which the young man had handed her, and glanced at it eagerly. Its title told her no more than the stranger himself had done. She read it over and over, aimlessly. It was The Rosary.
CHAPTER XVIII
The dull, heavy sleep into which Richard Duvall had fallen, after Dr. Hartmann had left him, was suddenly disturbed by the realization that someone had seized him roughly by the arms. He attempted to rise, struggling instinctively against the two men who, he dimly saw, were bending over him, but his resistance was useless. In a moment the leather straps which encircled his wrists and ankles had been drawn tight, and he felt himself being lifted bodily and deposited on the floor in the center of the room. At first he cried out, cursing his captors loudly, but an instant's reflection showed him how profitless his remonstrances were, and he allowed himself to be bound to the floor in silence. In a moment, Dr. Hartmann – the detective saw that it was he, with Mayer – had switched on the violet light, and he once more felt its blinding radiance upon his face.
Hartmann opened the door. "I shall be back again in a few hours," he said, as he left the room. "I hope that by that time you will have quite recovered your senses."
The detective made no reply. He had definitely made up his mind upon one point: he was not going to purchase his freedom at the expense of his duty. The unfortunate situation in which he now found himself was, he knew very well, entirely his own fault, and his desire to atone for his momentary carelessness made him determined not to accede to Dr. Hartmann's demands. He hoped that his friends outside – Lablanche, Dufrenne, even Grace – might be able to come to his assistance. If he could only know that the snuff box was safe in Monsieur Lefevre's hands, the rest did not matter much.
These thoughts passed through his mind as he lay with closed eyes, his face quivering under the dazzling light which fell upon it. Its intensity was, he thought, greater, if anything, than it had been before, and the irritating effect upon his eyes more pronounced. He did not open his eyes at all, on this occasion, for fear even a momentary exposure would increase their sensitiveness.
Slowly the day passed. He concluded that it was afternoon, when he heard far off a bell striking the hour of two, although it might equally well have been two o'clock in the morning, for all he could tell. There was a faint hum of conversation in the laboratory above him, which convinced him that it was still day.
Presently his ear, acutely sensitive to the slightest noise which might disturb the stillness about him, became aware of a faint sound of music, which seemed to come to him from a long distance off. It was a popular French march, and from a certain quality of the notes he concluded that it was being played upon a phonograph. The strains of the music distracted him, took his mind from the things about him, and as he listened to it, it seemed that the effort of keeping his eyes tightly closed grew sensibly less, the blinding pressure of the unwavering light cone upon his face appreciably easier to bear. He knew that this was but a momentary relief, but he welcomed it eagerly. Lying in this terrifying silence, under the cruel glare of light, had become frightful – he wondered if, after all, his nerves, his mind, could long stand the strain.
The music stopped suddenly. He found himself eagerly hoping that there would be more. In a few moments it began again, and he was listening to the familiar strains of The Rosary. He had always liked the song – Grace, too, had been fond of it. He wondered if she could be playing to him, trying to soothe his fast-shattering nerves with music. It pleased him to think that it might be so, although he had no reason to suppose that Grace knew of the torture to which Dr. Hartmann was subjecting him.
After a time, the final strains of The Rosary died away, to be followed by a German march, played by some military band. This, too, he was glad to hear, although he found himself thinking that he preferred The Rosary. As if in answer to his thoughts, it began again – he found himself repeating the words to himself mechanically, and thinking of Grace.
The music continued for long over an hour. Duvall noted with surprise that while there were many other selections, The Rosary was played almost every other time. So often, in fact, did its strains break the stillness, that he became annoyed – in his nervous state this constant repetition of the song worried him. After a time he shuddered when he heard it, hoping that each time would be the last. No one but an imbecile, he muttered to himself, could enjoy playing a piece over and over in that aimless fashion. When at last the impromptu concert had ceased, and the silence about him was once more unbroken, he found himself puzzling in vain over the matter, as though it had become of vast importance to him.
After the music ceased, he realized how much it had helped him to endure the two or more hours which had elapsed since Hartmann left him. His real tortures were only just beginning. The constant blaze of light on his face, the ceaseless effort to keep his eyes closed, to turn his head away, in spite of the bonds which prevented it, once more almost frenzied him. He fell to wondering whether Hartmann had been in earnest, when he told him of the qualities of the violet rays. Could they in any way affect his mind? The mere thought stimulated his imagination to such an extent that already he was convinced that his senses were wandering – that his mind was becoming sluggish and dull.
As hour after hour passed, this thought became almost a certainty. His head began again to ache terribly, his eyes seemed to swim in pools of liquid fire. Bright flashes of light darted through his brain, and at times it seemed almost on fire. The pain which the constant effort to turn his head caused, was becoming more acute as each minute passed – he felt constantly on the point of screaming out in terror – begging for release – agreeing to do anything they asked of him. Then with a mighty effort of the will he would calm himself, and closing his eyes tightly once more, determine to endure until the end.
After an interminable period, the sound of the music once more fell upon his troubled brain. This time the strains sounded more distinct and clear. Three times in rapid succession The Rosary was played, then sudden silence. He waited in vain for more – dreading the recurrence of the song, yet expecting it, as one expects the continuance of any oft-repeated sound. There was nothing further, however, and once more the silence became like the darkness about him, a grim and positive thing.
Hours later, when his brain reeled endlessly in a blazing redness, and his tortured eyes seemed bursting from their sockets, the cone of violet light vanished as though some silent hand had brushed it aside, and in the reaction he fainted.
He awoke again to find himself lying on the floor, with Hartmann bending over him, feeling his pulse. In a fit of rage, he struck out with his clenched hand, and missing, scrambled to his feet. The room was faintly lit by the single electric globe, and he saw Mayer and Dr. Hartmann confronting him, the latter with a revolver in his hand. Once more he realized the futility of resistance, and sank against a packing box, his hand covering his burning eyes.
The latter appeared to be no longer in his former state of sardonic good nature. "Are you ready to tell us what you have done with the box?" he snarled.
Duvall made no reply, and this angered the doctor still further. "I'll give you an hour to think the matter over," he said, furiously. "And if you don't come to terms by that time, you shall stay under the influence of the light until you do." He turned toward the door, followed by Mayer, and in a moment they had left the room.
Duvall, in his pain and distress, realized that something would have to be done at once, within the next hour, in fact, or he would be obliged to give up. Physical torture he could stand, but to lie here silently, under that cruel radiance, and realize that his brain was slowly giving way, he felt he could not endure.
Yet what was there that he could do? The walls of the room, of solid brick, he could not hope to penetrate. The door, of iron, a dozen men could not break through. He forced his shoulder against it, and laughed bitterly as he realized that with all his strength he could not even cause it to give the fraction of an inch. He determined to get the snuff box – to examine it – reckless of his fear of being observed. In a moment he had snatched the opera hat from the corner, torn out the lining, and held the box in his hand.
He paused for a moment, listening intently. Everything about him was still. There were no sounds from the laboratory above. He remembered now that he had not heard Hartmann and his companion ascend the iron stairway. Doubtless they had returned to the main building by means of the lower corridor.
In a moment he had hung the torn opera hat over the knob of the door, to prevent anyone from observing him through the keyhole, and going directly beneath the bracket which held the electric globe, proceeded to examine the box carefully.
The first thought that came to his mind, filled him with a strange feeling of hope. He had no more than glanced at the top of the box when he saw what he had previously failed to observe, that the circle of pearls upon its top formed a rosary, which was completed by the ivory cross in the center. The Rosary! Why had this song been so persistently and continuously played? Was it for him, some message, indeed, intended to show him a way out of his difficulties? Yet if so, to what did it lead? There was a rosary upon the top of the box, it is true, but what of it? Absently he began to count the pearls, hardly realizing what he was doing. One of them, he noted, the one at the very top of the cross, was larger than the others, and he started here, slowly counting around the circumference of the box. His eyes pained him frightfully and twice he lost count and had to begin all over again, but on the third attempt he discovered that the pearls numbered twenty-six. Even yet, the significance of this fact did not occur to him – he began to count the pearls again, mechanically.
Then suddenly, in a flash, the thing came to him. Twenty-six pearls – twenty-six letters in the alphabet. Evidently the box, in some way, formed a cipher, a secret alphabet, which might be used in correspondence, or in the preparation of important documents, yet how – how?
With repressed eagerness he held the box more closely to the light, searching its surface for some further clue. At once he noticed the arrangement of the concentric circles of letters which made up the Latin prayer. The words were so written that each letter stood opposite a pearl, and reading inward from each pearl, there was a row of letters six deep reaching almost to the center of the box. Clearly here were six different ciphers, that is, six circles of twenty-six letters each, any one of which might constitute a working cipher. It was only necessary to call the big pearl at the top "A," and here were six different letters opposite it, any one of which, in a system of cipher writing, might be used as the letter A.
Duvall, however, knew enough about ciphers to know that such an arrangement constituted no cipher at all, in other words, that ciphers so simple, so readily solved, as this, would never be employed in any case where absolute secrecy was imperative. He felt that there was something more to the matter than he had so far discovered.
Suddenly he saw that, just beyond each pearl, was engraved on the ivory rim of the box a number – starting with the large pearl at the top as number one, the circle of numbers ran around the edge of the box until it returned to its starting point, at number twenty-six. In his efforts to see these numbers, which were very small, he gripped the box tightly in his hands to hold it the more steadily toward the rather dim light. In doing so, he suddenly became aware of the fact that the rim or edge of the box, containing the numbers and the circle of pearls, was movable. It fitted so cunningly into the top of the box, that the joint appeared not as a crack or perceptible space, but merely as a fine thin line, apparently a part of the engraving on its surface. Holding the lower part of the box firmly in his left hand, he turned the rim of the top slowly about. At once the purpose of this became apparent. Not only had each pearl, representing a letter of the alphabet, six corresponding values from rim to center, in any one position, but by turning the rim around, twenty-six such positions could be secured, making a total of one hundred and fifty-six different alphabets from which a person desiring to use a cipher might choose.
Again, however, Duvall was conscious of a feeling of disappointment. One hundred and fifty-six different ciphers were no better than a single one, if only one were used. Evidently he had not yet reached the solution of the problem. In employing such a system of ciphers, some combination, precisely similar to the combinations used on the locks of safes, would have to be used. It was absolutely necessary, in order to insure safety, to use not one cipher, but a large number, changing the arrangement of the letters with each line written – even with each word, in order to defy solution. Yet such an arrangement being purely arbitrary, could not well be trusted to memory, for, once forgotten, the translation of the document written, even by the writer himself, would be absolutely impossible. It occurred to him that as there were six different concentric lines of lettering, each constituting in itself a complete cipher, the obvious way to use the box would be to place the pearls in a given position, write six words, using a different alphabet for each word, and then shift the ring of pearls to a new position, and repeat the operation. This, of course, could be done indefinitely, although half a dozen changes would be sufficient to insure a cipher that would absolutely defy solution. Where, however, was the key? That, after all, was the important matter; without it, the snuff box would be as useless to Monsieur de Grissac as it would be to his enemies themselves.