Phases of an Inferior Planet

For a moment he regarded her silently. Then he spoke. "My reasons are valid. They giggle; they flirt; and they put candy in my pockets."

"And you don't like women at all?"

"I like nice, sensible women, who wear square-toed shoes, and who don't distort themselves with corsets."

The girl put out her pretty foot in its pointed and high-heeled slipper. Then she shook her head with mock seriousness.

"I don't suppose you think that very sensible?" she remarked.

He looked at it critically.

"Well, hardly. No, it isn't in the least sensible, but it – it is very small, isn't it?"

"Oh yes," responded Mariana, eagerly. She felt a sudden desire to flaunt her graces in his face. He was watching the play of her hands, but she became conscious, with an aggrieved surprise, that he was not thinking of them.

"But you don't like just mere – mere women?" she asked, gravely.

"Are you a mere – mere woman?"

"Yes."

"Then I like them."

The radiance that overflowed her eyes startled him.

"But you aren't just a mere – mere man," she volunteered.

"But I am – a good deal merer, in fact, than many others. I am a shape of clay."

"Then I like shapes of clay," said Mariana.

For an instant they looked at each other in silence. In Mariana's self-conscious eyes there was a soft suffusion of shyness; in his subjective ones there was the quickening of an involuntary interest.

"Then we agree most amicably," he remarked, quietly. As she rose he stood facing her. "It is time for your sleep and my work," he added, and held out his hand.

As Mariana placed her own within it she flashed whitely with a sudden resentment of his cool dismissal.

"Good-night!" she said.

He looked down at her as she lingered before him. "I want to be of use to you," he said, frankly, "but things have an unfortunate way of slipping my memory. If at any time I can serve you, just come to the fire-escape and call me."

"No," answered the girl, pettishly, "certainly not."

His brow wrinkled. "That was rude, I know," he rejoined, "but I meant it honestly."

"I have no doubt of it."

As she turned to go he detained her with a compelling touch.

"You aren't angry?"

"No."

"And you forgive me?"

"I have nothing to forgive. Indeed, I am grateful for your charity."

He surveyed her in puzzled scrutiny. "Well, I am sure I sha'n't forget you," he said. "Yes, I am quite sure of it."

"What a marvellous memory!" exclaimed Mariana, crossly, and she stepped out upon the fire-escape.

"Good-night!" he called.

"Good-night!" she responded, and entered her room.

"He is very rude," she whispered as she closed the shutters. In the half-light she undressed and sat in her night-gown, brushing the heavy tangles of her hair. Then she lighted the flame before the little altar and said her prayers; kneeling with bowed head. As she turned off the light she spoke again. "I am not sure that I don't like rudeness," she added.

Meanwhile Algarcife had watched her vanish into the shadows, a smile lightening the gravity of his face. When she had disappeared he turned to his desk. With his singular powers of concentration, he had not taken up his pen before all impressions save those relating to the subject in hand had been banished from his mind. His expression was buoyant and alert. Turning over his papers, he passed with a sense of reinvigoration to the matter before him.

"Yes; I think, after all, that a strongly modified theory of pangenesis may survive," he said.

CHAPTER VI

At the extreme end of the corridor upon which Mariana's door opened there was a small apartment occupied by three young women from the South, who were bent upon aims of art.

They had moved in a month before, and had celebrated a room-warming by asking Mariana and several of the other lodgers to a feast of beer and pretzels. Since then the girl had seen them occasionally. She knew that they lived in a semi-poverty-stricken Bohemia, and that the pretty one with pink cheeks and a ragged and uncurled fringe of hair, whose name was Freighley, worked in Mr. Nevins's studio and did chrysanthemums in oils. She had once heard Mr. Nevins remark that she was a pupil worth having, and upon asking, "Has she talent?" had met with, "Not a bit, but she's pretty."

"Then it is a pity she isn't a model," said Mariana.

"An example of the eternal contrariness of things," responded Mr. Nevins. "All the good-looking ones want to paint and all the ugly ones want to be painted." Then he rumpled his flaxen head. "In this confounded century everything is in the wrong place, from a woman to her waist-line."

After this Mariana accompanied Miss Freighley on students' day to the Metropolitan Museum, and watched her make a laborious copy of "The Christian Martyr." Upon returning she was introduced to Miss Hill and Miss Oliver, who shared the apartment, and was told to make herself at home.

Then, one rainy Saturday afternoon there was a knock at her door, and, opening it, she found Miss Freighley upon the outside.

"It is our mending afternoon," she said, "and we want you to come and sit with us. If you have any sewing to do, just bring it."

Mariana picked up her work-basket, and, finding that her thimble was missing, began rummaging in a bureau-drawer.

"I never mend anything until I go to put it on," she said. "It saves so much trouble."

Then she found her thimble and followed Miss Freighley into the hall.

Miss Freighley laughed in a pretty, inconsequential way. She had a soft, monotonous voice, and spoke with a marked elimination of vowel sounds.

"We take the last Saturday of the month," she said. "Only Juliet and I do Gerty's things, because she can't sew, and she cleans our palettes and brushes in return."

She swung open the door of the apartment, and they entered a room which served as studio and general lounging-room in one.

A tall girl, sitting upon the hearth-rug beside a heap of freshly laundered garments, stood up and held out a limp, thin hand.

"I told Carrie she would find you," she said, speaking with a slight drawl and an affected listlessness.

She was angular, with a consumptive chest and narrow shoulders. She wore her hair – which was vivid, like flame, with golden ripples in the undulations – coiled confusedly upon the crown of her head. Her name was Juliet Hill. A mistaken but well-known colorist had once traced in her a likeness to Rossetti's "Beata Beatrix." The tracing had resulted in the spoiling of a woman without the making of an artist.

Mariana threw herself upon a divan near the hearth-rug and looked down upon the pile of clothes.

"What a lot of them!" she observed, sympathetically.

Miss Hill drew a stocking from the heap and ran her darning-egg into the heel to locate a hole.

"It is, rather," she responded, "but we never mend until everything we have is in rags. I couldn't find a single pair of stockings this morning, so I knew it was time."

"If you had looked into Gerty's bureau-drawer you might have found them," said Miss Freighley, seating herself upon the end of the divan. "Gerty never marks her things, and somehow she gets all of ours. Regularly once a month I institute a search through her belongings, and discover more of my clothes than I knew I possessed. Here, give me that night-gown, Juliet. The laundress tore every bit of lace off the sleeve. What a shame!"

Mariana removed a guitar from the couch and leaned back among the pillows, glancing about the room. The walls were covered with coarse hangings, decorated in vague outlines of flying cranes and vaguer rushes. Here and there were tacked groups of unframed water-colors and drawings in charcoal – all crude and fanciful and feminine. Upon a small shelf above the door stood a plaster bust, and upon it a dejected and moth-eaten raven – the relic of a past passion for taxidermy. In the centre of the room were several easels, a desk, with Webster's Unabridged for a foot-stool, and a collection of palettes, half-used tubes of paint, and unassorted legs and arms in plaster.

"How do you ever find anything?" asked Mariana, leaning upon her arm.

"We don't," responded a small, dark girl, coming from the tiny kitchen with a dish of cooling caramels in her hand; "we don't find, we just lose." She placed the dish upon the table and drew up a chair. "I would mortgage a share of my life if I could turn my old mammy loose in here for an hour."

"Gerty used to be particular," explained Miss Freighley; "but it is a vicious habit, and we broke her of it. Even now it attacks her at intervals, and she gets out a duster and goes to work."

"I can't write in a mess," interrupted Miss Oliver, a shade ruefully. "I haven't written a line since I came to New York." Then she sighed. "I only wish I hadn't written a word before coming. At home I thought I was a genius; now I know I am a fool."

"I have felt the same way," said Mariana, sympathetically, "but it doesn't last. The first stage-manager I went to I almost fell at his feet; the next almost fell at mine. Neither of them gave me a place, but they taught me the value of men."

"I don't think it's worth learning," returned Miss Oliver, passing her caramels. "Try one, and see if they are hard."

"Poor Gerty!" drawled Miss Hill, watching Mariana bite the caramel. "She faces editors and all kinds of bad characters. Her views of life are depressing."

"They are not views," remonstrated Miss Oliver, "they are facts. Facts are always depressing, except when they are maddening."

"I have begged her to leave off writing and take to water-color or china painting," said Miss Freighley, cheerfully, "but she won't."

"How can she?" asked Mariana.

"Of course I can't," retorted Miss Oliver, shortly. "I never had a paint-brush in my hand in my life, except when I was cleaning it."

Miss Freighley laid her sewing aside and stretched her arms.

"It only requires a little determination," she said, "and I have it. I got tired of Alabama. I couldn't come to New York without an object, so I invented one. It was as good as any other, and I stuck to it."

Miss Hill shook her head, and her glorious hair shone like amber.

"Art is serious," she said, slowly. She was just entering the life-class at the Art League.

"But the artist is not," returned Miss Freighley, "and one can be an artist without having any art. I am. They think at home I am learning to paint pictures to go on the parlor wall in place of the portraits that were burned in the war. But I am not. I am here because I love New York, and – "

"Claude Nevins," concluded Miss Oliver.

Mariana looked up with interest. "How nice!" she said. "He told me you were awfully pretty."

Miss Freighley blushed and laughed.

"Nonsense!" she rejoined; "but Gerty is so faithful to her young fellow down South that it has gone to her brain."

"I am faithful because I have no opportunity for faithlessness," sang Gerty to an accompaniment she was picking upon the guitar. "I have been in love one – two – six times since I came to New York. Once it was with an editor, who accepted my first story. He was short and thick and gray-haired, but I loved him. Once it was with that dark, ill-fed man who rooms next to Mariana. He almost knocked me down upon the stairway and forgot to apologize. I have forgotten the honorable others, as the Japanese say, but I know it is six times, because whenever it happened I made a little cross-mark on my desk, and there are six of them."

"It must have been Mr. Ardly," said Mariana. "I never look at him without thinking what an adorable lover he would make."

"He has such nice hands," said Miss Oliver. "I do like a man with nice hands."

"And he is clean-shaven," added Miss Freighley. "I detest a man with a beard."

Miss Hill crossed her thin ankles upon the hearth.

"Love should be taken seriously," she said, with a wistful look in her dark eyes.

Miss Freighley's pretty, inconsequent laugh broke in.

"That is one of Juliet's platitudes," she said. "But, my dear, it shouldn't be taken seriously. Indeed, it shouldn't be taken at all – except in cases of extreme ennui, and then in broken doses. The women who take men seriously – and taking love means taking men, of course – sit down at home and grow shapeless and have babies galore. To grow shapeless is the fate of the woman who takes sentiment seriously. It is a more convincing argument against it than all the statistics of the divorce court – "

"For the Lord's sake, Carrie, beware of woman's rights," protested Miss Oliver. "That is exactly what Mrs. Simpson said in her lecture on 'Our Tyrant, Man.' Why, those dear old aunts of yours in Alabama have inserted an additional clause in their Litany: 'From intemperance, evil desires, and woman's suffrage, good Lord deliver us!' They are grounded in the belief that the new woman is an édition de luxe of the devil."

Mariana rose and shook out her skirts. "I must go," she said, "and you haven't done a bit of work."

"So we haven't," replied Miss Hill, picking up her needle. "But take some caramels – do."

Mariana took a caramel and went out into the hall. Algarcife's door was open, and he was standing upon the threshold talking to Claude Nevins.

As Mariana passed, Nevins smiled and called to her:

"I say, Miss Musin, here is a vandal who complains that you make night hideous."

Algarcife scowled.

"Nevins is a fool," he retorted, "and if he doesn't know it, he ought to be told so."

"Thanks," returned Nevins, amiably, "but I have long since learned not to believe anything I hear."

Anthony's irritation increased. "I should have thought the presumptive evidence sufficient to overcome any personal bias," he replied.

Nevins spread out his hands with an imperturbable shrug.

"My dear fellow, I never found my conclusions upon presumptive evidence. Had I done so, I should hold life to be a hollow mockery – whereas I am convinced that it is a deuced solid one."

"You are so bad-tempered – both of you," said Mariana; "but, Mr. Algarcife, do you really object to my singing? I can't keep silent, you know."

Algarcife smiled.

"I never supposed that you could," he answered. "And as for music, I had as soon listen to you as to – to Patti."

"Not that he values your accomplishments more, but Patti's less," observed Nevins, placidly.

"On the other hand, I should say that Miss Musin would make decidedly the less noise," said Anthony.

"He's a brute, isn't he, Mariana?" asked Nevins – and added, "Now I never said you made anything hideous, did I?"

Mariana laughed, looking a little vexed. "If you wouldn't always repeat everything you hear other people say, it would be wiser," she responded, tartly.

"Such is the reward of virtue," sighed Nevins. "All my life I have been held as responsible for other people's speeches as for my own. And all from a conscientious endeavor to let my neighbors see themselves as others see them – "

Algarcife smiled good-humoredly. "Whatever bad qualities Nevins may possess," he said, "he has at least the courage of his convictions – "

Nevins shrugged his shoulders.

"I don't know about the convictions," he rejoined, "but I've got the courage all right." Then he looked at Mariana. "Is that an implement of housewifery that I see?" he demanded.

"I have been to a darning-party," she answered, "but we didn't darn anything – not even circumstances."

"Lucky circumstances!" ejaculated Nevins. Then he lowered his voice. "I should not have believed it of you," he protested; "to attend a darning-party, and to leave not only me, but my socks, outside."

Mariana flushed angrily.

"You are insufferable," she said, "and you haven't a particle of tact – not a particle. Only yesterday I heard you tell Mr. Morris that his head looked like an advertisement for sapolio, and the day before you told Miss Freighley that I said she didn't know how to dress her hair."

"It was true," said Nevins. "You can't make a liar of me, Mariana."

"I wish you wouldn't call me Mariana," she retorted; and he went upon his way with a lament.

As Mariana laid her hand upon her door-knob she looked at Anthony.

"Mr. Algarcife," she said, "do you really mind my singing so very much?"

From the end of the corridor Nevins's voice was heard chanting:

 
"How fickle women are,
Fickle as falling star."
 

"I wish that Nevins would attend to his own affairs," Algarcife responded. "As for me, you may dance a break-down every night of your life, and, if it amuses you, I'll grin and bear it."

CHAPTER VII

During Algarcife's first term at college, a fellow fraternity man remarked of him that he resembled the eternal void, in that he might have been anything and was nothing. Algarcife accepted the criticism with a shrug.

"Wait and see," he responded, shortly, and the fraternity man had waited and had seen.

In that first year Anthony succeeded in sowing a supply of wild oats sufficient for the domestication of the species. He was improvident from principle and reckless from an inborn distrust of accepted dogmas. "I shall live as I please," he replied, in answer to the warnings of a classmate, "and I shall think as I damn please."

For a year he went about his dissipations in a kind of inquiring ardor. He called it "seeing life," and he pursued his observations with entire obliviousness to public regard, but with philosophic concern as to the accuracy of the information obtained. He was known to have got drunk upon whiskey and light wine in order to test the differences in effect, and it was rumored that he made love to the homeliest and most virtuous daughter of the saloon-keeper that he might convince himself whether her virtue was the logical resultant of her homeliness. Into all experiments he carried an entire absence of prejudice, and a half-defiant acceptance of consequences.

"It is a sheer waste of time," said John Driscoll, of the Senior class. "You haven't learned the first principle of scientific dissipation. Instead of plunging into excesses, you stroll into them. By Jove! if you broke every command in the Decalogue, you would appear to sin in moderation."

Algarcife laughed. "I am going to reform," he said. "I am not enough of an artist to see the æsthetic values of vice. Let's become decent. It is more economical."

It was at this time that he reduced his living expenses one-half, and appropriated the surplus funds to the support of a young mechanic, whose health had collapsed in the struggle to work his way to a university degree. "He not only gave it," declared the young mechanic, in a burst of gratitude, "but he gave it without knowing that he did a generous thing."

When Algarcife left college that summer he followed Driscoll to his cabin in the Adirondacks and spent several months botanizing. The chance application to science decided the tenor of his mind, and, upon his return to study, he refused to bow beneath the weight of authority hurled upon him. He denounced the classics and a classical training. Several courses he declared superficial, and he mastered various systems of moral philosophy that he might refute the fallacies of the professor. The brilliancy which he had frittered during the preceding year was turned into newer channels, and the closeness of his reliance upon inductive reasoning caused him to become at once a source of amusement to his classmates and of annoyance to his instructor. To see him rise in class, his face charged with the nervous vigor which seized him in moments of excitement, his keen glance riveted upon the professor as he mercilessly dissected his utterances, was an event which, to his fellow-students, rendered even old Monckton's lectures of interest.

Then he took a prominent part in a debating society. With a readiness which his friends declared to spring from love of logic, his enemies from lack of principle, he accepted either side of a given argument, and had been known to undertake at once the negative and the affirmative, detecting his own weaknesses as ruthlessly as he had detected those of old Monckton.

Before leaving college, and at the urgency of his guardian, he had carried through with dogged distaste a course in dogmatic theology. It was then that he fell into the way of writing theses from opposite sides of a subject, and when handing in a treatise upon "Historical Evidences of Christianity," or "The Pelagian Heresy," it was invariably accompanied by the remark: "I wish you'd look over that 'Lack of Historical Evidences,' or 'Defence of Pelagianism,' at the same time. You know, I always do the other side."

And it was "the other side" which finally drove him out of theology and his guardian into despair. Whether it was an argument in moral philosophy, a mooted question in Egyptology, or a stand in current politics, Algarcife was ready with what his classmates called "the damned eternal opposition." It was even said that a facetious professor, in remarking to his class that it was "a fine day," had turned in absent-minded custom and called upon Mr. Algarcife for "the other side," an appeal which drew a howl of approbation from hilarious students.

Anthony was not popular at college, though his friends were steadfast. It was not until later years, when life had tempered the incisive irony of his speech and endowed him with the diplomacy of indifference, that men fell beneath the attraction of his personality. At that time he was looked upon in an ominous light, and the scintillant scepticism which he carried fearlessly into every department of knowledge caused him to be regarded as one who might prove himself to be an enemy to society. Even his voice, which long afterwards exerted so potent an influence, had not then gained its varied range and richness of expression.

So, when, years later, the public lauded the qualities they had formerly condemned, there was no inconsistence – since life is more colored by points of view than by principles. At the end of his theological course he had delivered an address, at the request of his class, upon the "Christian Revelation." When it was over he went into his guardian's room, the flame of a long determination in his eyes. The paper which he had read was still in his hands, and he laid it upon the table as he spoke.

"It can't be," he said. "I give it up."

The man whom he addressed rose slowly and faced him, standing, a tall, gaunt figure in his clerical coat. His hair was white, and at a first glance he presented the impression of a statue modelled in plaster, so much did the value of form outweigh that of color in his appearance. In meeting his eyes an observer would, perhaps, have gained a conception of expression rather than shade. One would have said that the eyes were benevolent, not that they were gray or blue. His forehead was high and somewhat narrow, three heavy furrows running diagonally between the eyebrows – ruts left by the constant passage of perplexities. He was called Father Speares, and was an impassioned leader of the High Church movement.

"Do you mean it?" he asked, slowly – "that you give up your faith?"

Algarcife's brow wrinkled in sudden irritation. "That I have given up long ago," he answered. "If I ever had any, it was an ingrafted product. What I do mean is that I give up the Church – that I give up theology – that I give up religion."

The other flinched suddenly. He put out one frail, white hand as if in protest.

"I – I cannot believe it," he said.

"And yet I have been honest."

"Honest! Yes, I suppose so. Honest – " he lifted the paper from the table and unfolded it mechanically. "And yet you could write this?"

Anthony shook his head impatiently. "I was but a special pleader with the side assigned, and you knew it."

"But I did not know your power – nor do you. It convinced me – convinced me, though I came with the knowledge that your words were empty – empty and rotten – "

"They were words. The case was given me, and I defended it as a lawyer defends a client. What else could I do?"

Father Speares sighed and passed his hand across his brow.

"It is not the first disappointment of my life," he said, "but it is the greatest."

Algarcife was looking through the open window to the sunlight falling upon the waving grass. A large butterfly, with black and yellow wings, was dancing above a clump of dandelions.

"I am sorry," he said, more gently – "sorry for that – but it can't be helped. I am not a theologian, but a scientist; I am not a believer, but an agnostic; I am not a priest, but a man."

"But you are young. The pendulum may swing back – "

"Never," said Algarcife – "never." He lifted his head, looking into the other's eyes. "Don't you see that when a man has once conceived the magnitude of the universe he can never bow his head to a creed? Don't you see that when he has grasped the essential verity in all religions he no longer allies himself to a single one? Don't you see that when he has realized the dominance of law in religions – the law of their growth and decay, of their evolution and dissolution, when he has once grasped the fact that man creates, and is not created by, his god – don't you see that he can never bind himself to the old beliefs?"

"I see that he can awake to the knowledge of the spiritual life as well as to the physical – that he can grasp the existence of a vital ethical principle in nature. I shall pray for you, and I shall hope – "

Algarcife frowned. "I am sick of it," he said – "sick to death. To please you, I plodded away at theology for three solid years. To please you, I weighed assumptions as light as air. To please you, I read all the rot of all the Fathers – and I am sick of it. I shall live my own life in my own way."

"And may God help you!" said the elder man; and then, "Where will you go?"

"To Egypt – to India – to the old civilizations."

"And then?"

"I do not know. I shall work and I shall succeed – with or without the help of God."

And he had gone. During the next few years he travelled in Africa and Asia, when the sudden loss of his income recalled him to America. Finding it fruitless to rebel, he resigned himself philosophically, secured a position as instructor in a woman's college, made up an annual deficit by writing for the scientific reviews, and continued his studies. His physical nature he believed he had rendered quiescent.

Some days after his encounter with Mariana he came upon her again. He had just entered the park at the Seventy-second Street entrance, on his way from his lecture at the Bodley College. The battered bonnet of a beggar-woman had blown beneath the horses' hoofs in the drive, and he had stopped to rescue it, when he heard his name called, and saw Mariana beside him.

She spoke impulsively.

"I have been watching you," she said.

He looked at her in perplexity.

"Indeed! And what have you discovered?"

"I discovered that you are a gentleman."

He laughed outright.

"Your powers of intuition are positively miraculous," he replied.

She upbraided him with a glance.

"You are unkind," she said.

"Am I?"

"You are unkind to me." Her manner had grown subtly personal. He felt suddenly as if he had known her from the beginning of time and through various transmigrations.

"You laugh at me," she added. "You were kinder to that woman – "

He broke in upon her, perplexity giving place to amusement.

"Oh!" he said; "so that is what you mean! Why, if you were to lose your hat, I shouldn't laugh, I assure you."

Mariana walked on silently. Her eyes were bent upon the gray sidewalk, there was a faint flush in her face. A line of men seated upon the benches beside the way surveyed her with interest.

"Miss Musin!"

Her face quickened.

"I have a confession to make."

She looked up inquiringly. A finger of sunlight pierced the branches of an elm and pointed to her upraised face.

"I have rather bad manners," he went on. "It is a failing which you must accept as you accept the color of my hair – "

Mariana smiled.

"I say just what I think," he added.

Mariana frowned.

"That is what I complain of," she responded. Then she laughed so brightly that a tiny child, toddling with a toy upon the walk, looked up and clapped its hands.

His eyes warmed.

"But you will take me for better or for worse?" he demanded.

"Could it be better?" she asked, demurely.

"That is a matter of opinion."

They left the park and turned into a cross-town street. The distant blocks sloped down into the blue blur of the river, from which several gaunt, gray masts rose like phantom wrecks evolved from the mist. Beyond them the filmy outline of the opposite shore was revealed.

Suddenly Mariana stopped.

"This is Morani's, and I must go in." She held out her hand.

"How is the voice?" he asked.

"I am nursing it. Some day you shall hear it."

"I have heard it," he responded.

She smiled.

"Oh, I forgot. You are next door. Well, some day you shall hear it in opera."

"Shall I?"

"And I shall sing Elsa with Alvary. My God! I would give ten years of my life for that – to sing with Alvary."

He smiled at the warmth in her words and, as he smiled he became conscious that her artistic passion ignited the fire of a more material passion in himself. A fugitive desire seized him to possess the woman before him, body and brain. From the quivering of his pulses he knew that the physical nature he had drugged had stirred in response to a passing appeal.

"Good-bye," said Mariana. She tripped lightly up the brown-stone steps. As she opened the outer door she turned with a smile and a nod. Then the door closed and he went on his way. But the leaping of his pulses was not appeased.