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The Pit: A Story of Chicago

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"Sure, sure. Oh, I haven't forgot."

"Well, I was wishing the other day that I could bring Sadie down here, and—oh, I don't know—give her a good time. She never had a good time when she was alive. Work, work, work; morning, noon, and night. I'd like to have made it up to her. I believe in making people happy, Sam. That's the way I take my fun. But it's too late to do it now for my little sister."

"Well," hazarded Gretry, "you got a good wife in yonder to—"

Jadwin interrupted him. He half turned away, thrusting his hands suddenly into his pockets. Partly to himself, partly to his friend he murmured:

"You bet I have, you bet I have. Sam," he exclaimed, then turned away again. "… Oh, well, never mind," he murmured.

Gretry, embarrassed, constrained, put his chin in the air, shutting his eyes in a knowing fashion.

"I understand," he answered. "I understand, J."

"Say, look at this organ here," said Jadwin briskly. "Here's the thing I like to play with."

They crossed to the other side of the room.

"Oh, you've got one of those attachment things," observed the broker.

"Listen now," said Jadwin. He took a perforated roll from the case near at hand and adjusted it, Gretry looking on with the solemn interest that all American business men have in mechanical inventions. Jadwin sat down before it, pulled out a stop or two, and placed his feet on the pedals. A vast preliminary roaring breath soughed through the pipes, with a vibratory rush of power. Then there came a canorous snarl of bass, and then, abruptly, with resistless charm, and with full-bodied, satisfying amplitude of volume the opening movement of the overture of "Carmen."

"Great, great!" shouted Gretry, his voice raised to make himself heard. "That's immense."

The great-lunged harmony was filling the entire gallery, clear cut, each note clearly, sharply treated with a precision that, if mechanical, was yet effective. Jadwin, his eyes now on the stops, now on the sliding strip of paper, played on. Through the sonorous clamour of the pipes Gretry could hear him speaking, but he caught only a word or two.

"Toreador … horse power … Madame Calve … electric motor … fine song … storage battery."

The movement thinned out, and dwindled to a strain of delicate lightness, sustained by the smallest pipes and developing a new motive; this was twice repeated, and then ran down to a series of chords and bars that prepared for and prefigured some great effect close at hand. There was a short pause, then with the sudden releasing of a tremendous rush of sound, back surged the melody, with redoubled volume and power, to the original movement.

"That's bully, bully!" shouted Gretry, clapping his hands, and his eye, caught by a movement on the other side of the room, he turned about to see Laura Jadwin standing between the opened curtains at the entrance.

Seen thus unexpectedly, the broker was again overwhelmed with a sense of the beauty of Jadwin's wife. Laura was in evening dress of black lace; her arms and neck were bare. Her black hair was piled high upon her head, a single American Beauty rose nodded against her bare shoulder. She was even yet slim and very tall, her face pale with that unusual paleness of hers that was yet a colour. Around her slender neck was a marvellous collar of pearls many strands deep, set off and held in place by diamond clasps.

With Laura came Mrs. Gretry and Page. The broker's wife was a vivacious, small, rather pretty blonde woman, a little angular, a little faded. She was garrulous, witty, slangy. She wore turquoises in her ears morning, noon, and night.

But three years had made a vast difference in Page Dearborn. All at once she was a young woman. Her straight, hard, little figure had developed, her arms were rounded, her eyes were calmer. She had grown taller, broader. Her former exquisite beauty was perhaps not quite so delicate, so fine, so virginal, so charmingly angular and boyish. There was infinitely more of the woman in it; and perhaps because of this she looked more like Laura than at any time of her life before. But even yet her expression was one of gravity, of seriousness. There was always a certain aloofness about Page. She looked out at the world solemnly, and as if separated from its lighter side. Things humorous interested her only as inexplicable vagaries of the human animal.

"We heard the organ," said Laura, "so we came in. I wanted Mrs. Gretry to listen to it."

The three years that had just passed had been the most important years of Laura Jadwin's life. Since her marriage she had grown intellectually and morally with amazing rapidity. Indeed, so swift had been the change, that it was not so much a growth as a transformation. She was no longer the same half-formed, impulsive girl who had found a delight in the addresses of her three lovers, and who had sat on the floor in the old home on State Street and allowed Landry Court to hold her hand. She looked back upon the Miss Dearborn of those days as though she were another person. How she had grown since then! How she had changed! How different, how infinitely more serious and sweet her life since then had become!

A great fact had entered her world, a great new element, that dwarfed all other thoughts, all other considerations. This was her love for her husband. It was as though until the time of her marriage she had walked in darkness, a darkness that she fancied was day; walked perversely, carelessly, and with a frivolity that was almost wicked. Then, suddenly, she had seen a great light. Love had entered her world. In her new heaven a new light was fixed, and all other things were seen only because of this light; all other things were touched by it, tempered by it, warmed and vivified by it.

It had seemed to date from a certain evening at their country house at Geneva Lake in Wisconsin, where she had spent her honeymoon with her husband. They had been married about ten days. It was a July evening, and they were quite alone on board the little steam yacht the "Thetis." She remembered it all very plainly. It had been so warm that she had not changed her dress after dinner—she recalled that it was of Honiton lace over old-rose silk, and that Curtis had said it was the prettiest he had ever seen. It was an hour before midnight, and the lake was so still as to appear veritably solid. The moon was reflected upon the surface with never a ripple to blur its image. The sky was grey with starlight, and only a vague bar of black between the star shimmer and the pale shield of the water marked the shore line. Never since that night could she hear the call of whip-poor-wills or the piping of night frogs that the scene did not come back to her. The little "Thetis" had throbbed and panted steadily. At the door of the engine room, the engineer—the grey MacKenny, his back discreetly turned—sat smoking a pipe and taking the air. From time to time he would swing himself into the engine room, and the clink and scrape of his shovel made itself heard as he stoked the fire vigorously.

Stretched out in a long wicker deck chair, hatless, a drab coat thrown around her shoulders, Laura had sat near her husband, who had placed himself upon a camp stool, where he could reach the wheel with one hand.

"Well," he had said at last, "are you glad you married me, Miss Dearborn?" And she had caught him about the neck and drawn his face down to hers, and her head thrown back, their lips all but touching, had whispered over and over again:

"I love you—love you—love you!"

That night was final. The marriage ceremony, even that moment in her room, when her husband had taken her in his arms and she had felt the first stirring of love in her heart, all the first week of their married life had been for Laura a whirl, a blur. She had not been able to find herself. Her affection for her husband came and went capriciously. There were moments when she believed herself to be really unhappy. Then, all at once, she seemed to awake. Not the ceremony at St. James' Church, but that awakening had been her marriage. Now it was irrevocable; she was her husband's; she belonged to him indissolubly, forever and forever, and the surrender was a glory. Laura in that moment knew that love, the supreme triumph of a woman's life, was less a victory than a capitulation.

Since then her happiness had been perfect. Literally and truly there was not a cloud, not a mote in her sunshine. She had everything—the love of her husband, great wealth, extraordinary beauty, perfect health, an untroubled mind, friends, position—everything. God had been good to her, beyond all dreams and all deserving. For her had been reserved all the prizes, all the guerdons; for her who had done nothing to merit them.

Her husband she knew was no less happy. In those first three years after their marriage, life was one unending pageant; and their happiness became for them some marvellous, bewildering thing, dazzling, resplendent, a strange, glittering, jewelled Wonder-worker that suddenly had been put into their hands.

As one of the first results of this awakening, Laura reproached herself with having done but little for Page. She told herself that she had not been a good sister, that often she had been unjust, quick tempered, and had made the little girl to suffer because of her caprices. She had not sympathised sufficiently with her small troubles—so she made herself believe—and had found too many occasions to ridicule Page's intenseness and queer little solemnities. True she had given her a good home, good clothes, and a good education, but she should have given more—more than mere duty-gifts. She should have been more of a companion to the little girl, more of a help; in fine, more of a mother. Laura felt all at once the responsibilities of the elder sister in a family bereft of parents. Page was growing fast, and growing astonishingly beautiful; in a little while she would be a young woman, and over the near horizon, very soon now, must inevitably loom the grave question of her marriage.

 

But it was only this realisation of certain responsibilities that during the first years of her married life at any time drew away Laura's consideration of her husband. She began to get acquainted with the real man-within-the-man that she knew now revealed himself only after marriage. Jadwin her husband was so different from, so infinitely better than, Jadwin her lover, that Laura sometimes found herself looking back with a kind of retrospective apprehension on the old days and the time when she was simply Miss Dearborn. How little she had known him after all! And how, in the face of this ignorance, this innocence, this absence of any insight into his real character, had she dared to take the irretrievable step that bound her to him for life? The Curtis Jadwin of those early days was so much another man. He might have been a rascal; she could not have known it. As it was, her husband had promptly come to be, for her, the best, the finest man she had ever known. But it might easily have been different.

His attitude towards her was thoughtfulness itself. Hardly ever was he absent from her, even for a day, that he did not bring her some little present, some little keep-sake—or even a bunch of flowers—when he returned in the evening. The anniversaries—Christmas, their wedding day, her birthday—he always observed with great eclat. He took a holiday from his business, surprised her with presents under her pillow, or her dinner-plate, and never failed to take her to the theatre in the evening.

However, it was not only Jadwin's virtues that endeared him to his wife. He was no impeccable hero in her eyes. He was tremendously human. He had his faults, his certain lovable weaknesses, and it was precisely these traits that Laura found so adorable.

For one thing, Jadwin could be magnificently inconsistent. Let him set his mind and heart upon a given pursuit, pleasure, or line of conduct not altogether advisable at the moment, and the ingenuity of the excuses by which he justified himself were monuments of elaborate sophistry. Yet, if later he lost interest, he reversed his arguments with supreme disregard for his former words.

Then, too, he developed a boyish pleasure in certain unessential though cherished objects and occupations, that he indulged extravagantly and to the neglect of things, not to say duties, incontestably of more importance.

One of these objects was the "Thetis." In every conceivable particular the little steam yacht was complete down to the last bolt, the last coat of varnish; but at times during their summer vacations, when Jadwin, in all reason, should have been supervising the laying out of certain unfinished portions of the "grounds"—supervision which could be trusted to no subordinate—he would be found aboard the "Thetis," hatless, in his shirt-sleeves, in solemn debate with the grey MacKenny and—a cleaning rag, or monkey-wrench, or paint brush in his hand—tinkering and pottering about the boat, over and over again. Wealthy as he was, he could have maintained an entire crew on board whose whole duty should have been to screw, and scrub, and scour. But Jadwin would have none of it. "Costs too much," he would declare, with profound gravity. He had the self-made American's handiness with implements and paint brushes, and he would, at high noon and under a murderous sun, make the trip from the house to the dock where the "Thetis" was moored, for the trivial pleasure of tightening a bolt—which did not need tightening; or wake up in the night to tell Laura of some wonderful new idea he had conceived as to the equipment or decoration of the yacht. He had blustered about the extravagance of a "crew," but the sums of money that went to the brightening, refitting, overhauling, repainting, and reballasting of the boat—all absolutely uncalled-for—made even Laura gasp, and would have maintained a dozen sailors an entire year.

This same inconsistency prevailed also in other directions. In the matter of business Jadwin's economy was unimpeachable. He would cavil on a half-dollar's overcharge; he would put himself to downright inconvenience to save the useless expenditure of a dime—and boast of it. But no extravagance was ever too great, no time ever too valuable, when bass were to be caught.

For Jadwin was a fisherman unregenerate. Laura, though an early riser when in the city, was apt to sleep late in the country, and never omitted a two-hours' nap in the heat of the afternoon. Her husband improved these occasions when he was deprived of her society, to indulge in his pastime. Never a morning so forbidding that his lines were not in the water by five o'clock; never a sun so scorching that he was not coaxing a "strike" in the stumps and reeds in the shade under the shores.

It was the one pleasure he could not share with his wife. Laura was unable to bear the monotony of the slow-moving boat, the hours spent without results, the enforced idleness, the cramped positions. Only occasionally could Jadwin prevail upon her to accompany him. And then what preparations! Queen Elizabeth approaching her barge was attended with no less solicitude. MacKenny (who sometimes acted as guide and oarsman) and her husband exhausted their ingenuity to make her comfortable. They held anxious debates: "Do you think she'll like that?" "Wouldn't this make it easier for her?" "Is that the way she liked it last time?" Jadwin himself arranged the cushions, spread the carpet over the bottom of the boat, handed her in, found her old gloves for her, baited her hook, disentangled her line, saw to it that the mineral water in the ice-box was sufficiently cold, and performed an endless series of little attentions looking to her comfort and enjoyment. It was all to no purpose, and at length Laura declared:

"Curtis, dear, it is no use. You just sacrifice every bit of your pleasure to make me comfortable—to make me enjoy it; and I just don't. I'm sorry, I want to share every pleasure with you, but I don't like to fish, and never will. You go alone. I'm just a hindrance to you." And though he blustered at first, Laura had her way.

Once in the period of these three years Laura and her husband had gone abroad. But her experience in England—they did not get to the Continent—had been a disappointment to her. The museums, art galleries, and cathedrals were not of the least interest to Jadwin, and though he followed her from one to another with uncomplaining stoicism, she felt his distress, and had contrived to return home three months ahead of time.

It was during this trip that they had bought so many of the pictures and appointments for the North Avenue house, and Laura's disappointment over her curtailed European travels was mitigated by the anticipation of her pleasure in settling in the new home. This had not been possible immediately after their marriage. For nearly two years the great place had been given over to contractors, architects, decorators, and gardeners, and Laura and her husband had lived, while in Chicago, at a hotel, giving up the one-time rectory on Cass Street to Page and to Aunt Wess'.

But when at last Laura entered upon possession of the North Avenue house, she was not—after the first enthusiasm and excitement over its magnificence had died down—altogether pleased with it, though she told herself the contrary. Outwardly it was all that she could desire. It fronted Lincoln Park, and from all the windows upon that side the most delightful outlooks were obtainable—green woods, open lawns, the parade ground, the Lincoln monument, dells, bushes, smooth drives, flower beds, and fountains. From the great bay window of Laura's own sitting-room she could see far out over Lake Michigan, and watch the procession of great lake steamers, from Milwaukee, far-distant Duluth, and the Sault Sainte Marie—the famous "Soo"—defiling majestically past, making for the mouth of the river, laden to the water's edge with whole harvests of wheat. At night, when the windows were open in the warm weather, she could hear the mournful wash and lapping of the water on the embankments.

The grounds about her home were beautiful. The stable itself was half again as large as her old home opposite St. James's, and the conservatory, in which she took the keenest delight, was a wonderful affair—a vast bubble-like structure of green panes, whence, winter and summer, came a multitude of flowers for the house—violets, lilies of the valley, jonquils, hyacinths, tulips, and her own loved roses.

But the interior of the house was, in parts, less satisfactory. Jadwin, so soon as his marriage was a certainty, had bought the house, and had given over its internal furnishings to a firm of decorators. Innocently enough he had intended to surprise his wife, had told himself that she should not be burdened with the responsibility of selection and planning. Fortunately, however, the decorators were men of taste. There was nothing to offend, and much to delight in the results they obtained in the dining-room, breakfast-room, parlors, drawing-rooms, and suites of bedrooms. But Laura, though the beauty of it all enchanted her, could never rid herself of a feeling that it was not hers. It impressed her with its splendour of natural woods and dull "colour effects," its cunning electrical devices, its mechanical contrivances for comfort, like the ready-made luxury and "convenience" of a Pullman.

However, she had intervened in time to reserve certain of the rooms to herself, and these—the library, her bedroom, and more especially that apartment from whose bay windows she looked out upon the Lake, and which, as if she were still in her old home, she called the "upstairs sitting-room"—she furnished to suit herself.

For very long she found it difficult, even with all her resolution, with all her pleasure in her new-gained wealth, to adapt herself to a manner of living upon so vast a scale. She found herself continually planning the marketing for the next day, forgetting that this now was part of the housekeeper's duties. For months she persisted in "doing her room" after breakfast, just as she had been taught to do in the old days when she was a little girl at Barrington. She was afraid of the elevator, and never really learned how to use the neat little system of telephones that connected the various parts of the house with the servants' quarters. For months her chiefest concern in her wonderful surroundings took the form of a dread of burglars.

Her keenest delights were her stable and the great organ in the art gallery; and these alone more than compensated for her uneasiness in other particulars.

Horses Laura adored—black ones with flowing tails and manes, like certain pictures she had seen. Nowadays, except on the rarest occasions, she never set foot out of doors, except to take her carriage, her coupe, her phaeton, or her dog-cart. Best of all she loved her saddle horses. She had learned to ride, and the morning was inclement indeed that she did not take a long and solitary excursion through the Park, followed by the groom and Jadwin's two spotted coach dogs.

The great organ terrified her at first. But on closer acquaintance she came to regard it as a vast-hearted, sympathetic friend. She already played the piano very well, and she scorned Jadwin's self-playing "attachment." A teacher was engaged to instruct her in the intricacies of stops and of pedals, and in the difficulties of the "echo" organ, "great" organ, "choir," and "swell." So soon as she had mastered these, Laura entered upon a new world of delight. Her taste in music was as yet a little immature—Gounod and even Verdi were its limitations. But to hear, responsive to the lightest pressures of her finger-tips, the mighty instrument go thundering through the cadences of the "Anvil Chorus" gave her a thrilling sense of power that was superb.

The untrained, unguided instinct of the actress in Laura had fostered in her a curious penchant toward melodrama. She had a taste for the magnificent. She revelled in these great musical "effects" upon her organ, the grandiose easily appealed to her, while as for herself, the role of the "grande dame," with this wonderful house for background and environment, came to be for her, quite unconsciously, a sort of game in which she delighted.

It was by this means that, in the end, she succeeded in fitting herself to her new surroundings. Innocently enough, and with a harmless, almost childlike, affectation, she posed a little, and by so doing found the solution of the incongruity between herself—the Laura of moderate means and quiet life—and the massive luxury with which she was now surrounded. Without knowing it, she began to act the part of a great lady—and she acted it well. She assumed the existence of her numerous servants as she assumed the fact of the trees in the park; she gave herself into the hands of her maid, not as Laura Jadwin of herself would have done it, clumsily and with the constraint of inexperience, but as she would have done it if she had been acting the part on the stage, with an air, with all the nonchalance of a marquise, with—in fine—all the superb condescension of her "grand manner."

 

She knew very well that if she relaxed this hauteur, that her servants would impose on her, would run over her, and in this matter she found new cause for wonder in her husband.

The servants, from the frigid butler to the under groom, adored Jadwin. A half-expressed wish upon his part produced a more immediate effect than Laura's most explicit orders. He never descended to familiarity with them, and, as a matter of fact, ignored them to such an extent that he forgot or confused their names. But where Laura was obeyed with precise formality and chilly deference, Jadwin was served with obsequious alacrity, and with a good humour that even livery and "correct form" could not altogether conceal.

Laura's eyes were first opened to this genuine affection which Jadwin inspired in his servants by an incident which occurred in the first months of their occupancy of the new establishment. One of the gardeners discovered the fact that Jadwin affected gardenias in the lapel of his coat, and thereat was at immense pains to supply him with a fresh bloom from the conservatory each morning. The flower was to be placed at Jadwin's plate, and it was quite the event of the day for the old fellow when the master appeared on the front steps with the flower in his coat. But a feud promptly developed over this matter between the gardener and the maid who took the butler's place at breakfast every morning. Sometimes Jadwin did not get the flower, and the gardener charged the maid with remissness in forgetting to place it at his plate after he had given it into her hands. In the end the affair became so clamourous that Jadwin himself had to intervene. The gardener was summoned and found to have been in fault only in his eagerness to please.

"Billy," said Jadwin, to the old man at the conclusion of the whole matter, "you're an old fool."

And the gardener thereupon had bridled and stammered as though Jadwin had conferred a gift.

"Now if I had called him 'an old fool,'" observed Laura, "he would have sulked the rest of the week."

The happiest time of the day for Laura was the evening. In the daytime she was variously occupied, but her thoughts continually ran forward to the end of the day, when her husband would be with her. Jadwin breakfasted early, and Laura bore him company no matter how late she had stayed up the night before. By half-past eight he was out of the house, driving down to his office in his buggy behind Nip and Tuck. By nine Laura's own saddle horse was brought to the carriage porch, and until eleven she rode in the park. At twelve she lunched with Page, and in the afternoon—in the "upstairs sitting-room" read her Browning or her Meredith, the latter one of her newest discoveries, till three or four. Sometimes after that she went out in her carriage. If it was to "shop" she drove to the "Rookery," in La Salle Street, after her purchases were made, and sent the footman up to her husband's office to say that she would take him home. Or as often as not she called for Mrs. Cressler or Aunt Wess' or Mrs. Gretry, and carried them off to some exhibit of painting, or flowers, or more rarely—for she had not the least interest in social affairs—to teas or receptions.

But in the evenings, after dinner, she had her husband to herself. Page was almost invariably occupied by one or more of her young men in the drawing-room, but Laura and Jadwin shut themselves in the library, a lofty panelled room—a place of deep leather chairs, tall bookcases, etchings, and sombre brasses—and there, while Jadwin lay stretched out upon the broad sofa, smoking cigars, one hand behind his head, Laura read aloud to him.

His tastes in fiction were very positive. Laura at first had tried to introduce him to her beloved Meredith. But after three chapters, when he had exclaimed, "What's the fool talking about?" she had given over and begun again from another starting-point. Left to himself, his wife sorrowfully admitted that he would have gravitated to the "Mysterious Island" and "Michael Strogoff," or even to "Mr. Potter of Texas" and "Mr. Barnes of New York." But she had set herself to accomplish his literary education, so, Meredith failing, she took up "Treasure Island" and "The Wrecker." Much of these he made her skip.

"Oh, let's get on with the 'story,'" he urged. But Pinkerton for long remained for him an ideal, because he was "smart" and "alive."

"I'm not long very many of art," he announced. "But I believe that any art that don't make the world better and happier is no art at all, and is only fit for the dump heap."

But at last Laura found his abiding affinity in Howells.

"Nothing much happens," he said. "But I know all those people." He never could rid himself of a surreptitious admiration for Bartley Hubbard. He, too, was "smart" and "alive." He had the "get there" to him. "Why," he would say, "I know fifty boys just like him down there in La Salle Street." Lapham he loved as a brother. Never a point in the development of his character that he missed or failed to chuckle over. Bromfield Cory was poohed and boshed quite out of consideration as a "loafer," a "dilletanty," but Lapham had all his sympathy.

"Yes, sir," he would exclaim, interrupting the narrative, "that's just it. That's just what I would have done if I had been in his place. Come, this chap knows what he's writing about—not like that Middleton ass, with his 'Dianas' and 'Amazing Marriages.'"

Occasionally the Jadwins entertained. Laura's husband was proud of his house, and never tired of showing his friends about it. Laura gave Page a "coming-out" dance, and nearly every Sunday the Cresslers came to dinner. But Aunt Wess' could, at first, rarely be induced to pay the household a visit. So much grandeur made the little widow uneasy, even a little suspicious. She would shake her head at Laura, murmuring:

"My word, it's all very fine, but, dear me, Laura, I hope you do pay for everything on the nail, and don't run up any bills. I don't know what your dear father would say to it all, no, I don't." And she would spend hours in counting the electric bulbs, which she insisted were only devices for some new-fangled gas.

"Thirty-three in this one room alone," she would say. "I'd like to see your dear husband's face when he gets his gas bill. And a dressmaker that lives in the house.... Well,—I don't want to say anything."

Thus three years had gone by. The new household settled to a regime. Continually Jadwin grew richer. His real estate appreciated in value; rents went up. Every time he speculated in wheat, it was upon a larger scale, and every time he won. He was a Bear always, and on those rare occasions when he referred to his ventures in Laura's hearing, it was invariably to say that prices were going down. Till at last had come that spring when he believed that the bottom had been touched, had had the talk with Gretry, and had, in secret, "turned Bull," with the suddenness of a strategist.