George Alfred Henty: The Story of an Active Life
TextAs regards many of his stories, he admitted starting them on the “go-as-you-please” system; that is to say, events and characters were allowed to shape themselves in their own way; but then it must be remembered that Henty had a good store to work upon, and that he had, moreover, accustomed himself, through many years of press work, to quickness of thought and the swift maturing of the line of reasoning, since in writing for newspapers the man who hesitates is lost, for the master printer takes no denial.
In popularity he may be reckoned to have passed W.H.G. Kingston and R.M. Ballantyne, while he was, as it were, quite level with Captain Mayne Reid and Jules Verne; the last-named writer’s skeleton frameworks rather than romances had deservedly an enormous vogue, partly because of their tremendous scope, and also on account of the fillip they gave to the imagination of the young reader. With such a man as Henty it seems like begging the question to speak of “atmosphere”; but by whatever name that intangible quality is designated, certain it is that Henty possessed himself of it before he started work. Francis Hammond in his gondola in old-world Venice, or Mademoiselle de Pignerol in the days of the Grand Monarque, are all part and parcel of their respective times, and it is this ring of truth which makes his stories prevail. The neurotic was as far from Henty as are the poles asunder; but in giving to boyhood something more substantial to dream about than “the gay castles of the clouds that pass,” in the story of the azure main, of England’s greatness, and the whole stirring, many-coloured panorama of ancient days and battles fought on the other side of uncounted sunsets, it is reasonable to imagine that at times he lived and perhaps almost lost himself in the old world which he re-created. The man who knew the byways of history as he did would be graceless and inconsistent if he did not feel the grandeur of all those things, seen for a flying moment down the winding turret stairway as the curtain is drawn aside. It is as good to regard his masterly treatment of historic themes as it is painful to witness the wretched spectacle of feeble handling of subjects vast as these. Life, as Macbeth said, is but a walking shadow; but there is a good deal of reality in it too, and there was nothing visionary about the people Henty created: they were genial, good-humoured, time-serving, sluggish, magnificent, or Boeotian, as circumstance and occasion warranted, while in delineating a soldier of our time his hand was unerring. His sketch of the linesman or the trooper was as true as that of the mediaeval Spaniard in his shabby cloak, the plump landlady of the inn, the bragging mountebank in questionable buskins, the adventurer ready to sell his sword to the highest bidder, or any other of the sometimes brilliant, sometimes lack-lustre company with whom he had to deal on that broad white route of historical romance which it was given to him to traverse that others might appreciate these things. It is not only a question of boys, for many an old stager whose life now is his club, likes these breezy, healthy stories, and enjoys meeting once more the grave signors who managed the political world in the bygone, and saluting yet once again the kings whose weaknesses and whose grandeur filled a world that has vanished. And his treatment of these legends, or facts, as the case may be, is full of charm, just as his writing is simple and sincere and instinct with the insight of a mind which had that greatest of all gifts – the gift of keeping young.
Chapter Forty One.
Personal Notes
Henty’s study was an ideal room for a writer, with all kinds of suggestive objects around, such as would be useful to a man who wrote about war’s alarms; for he did not go upon any of his adventurous journeys without keeping in mind the walls of the study, which was practically a museum. It must be quite five-and-twenty years since, after dining with him one evening, Henty took the writer into his den to show and describe (from out of the cloud emitted by a favourite brier-root pipe which he used steadily) the various weapons hanging from the walls, some of which were very beautiful, in spite of the purpose for which they had been formed. One memorable, clumsy-looking, straight, two-edged sword seemed to be about as unsuitable for causing destruction and death as it could have been made. It was Indian, of considerable length, and peculiar in this way. The armourer who made it had so contrived that the hilt was fused, as it were, into a gauntlet for the protection of the knuckles of the man who wielded it, and the handle was exactly the reverse of that joined to an ordinary sword, for the warrior who grasped it would have to take hold at right angles to the course of the blade, in fact, precisely as a gardener would take hold of a spade. To us this seems a curious clumsy fashion, but it is one which we find repeated in many of the Indian knives or daggers, and to some extent in the Malay creese, which, roughly speaking, bears round towards right angles like the butt of a horse pistol.
On commenting upon the peculiarity of the great Indian sword, and the impossibility of a man using it to thrust, or make an adequate cut, Henty rose from his seat and gave the writer an exemplification of how such a weapon would be used by a native foot-soldier in a mêlée. Single-handed, he would rush into a crowd with outstretched arm stiffened by the steel gauntlet-like hilt, and would clear a space all round him by the murderous sweep of the blade which he wielded, turning himself into a sort of human windmill. In fact, in the hands of a strong man it was about the most horrible, butcher-like weapon ever invented for the destruction of human life. By comparison, as the great blade was replaced with its fellows, a far preferable death would have been inflicted by a gracefully-curved, razor-edged, exquisitely forged and grained Damascus blade. This had probably been the pride of some Mahratta chief, some keen, dark, aquiline-nosed soldier whose hands must have been as delicate as a woman’s, for the hilt of this, as well as those of its fellows upon the wall, seemed toy-like in the grip of such a man as Henty.
He possessed quite a museum of such objects as these, and his armoury of trophies went on growing till his death, when he was the possessor of an endless number of choice little treasures. These were considerably added to by his son, Captain C.J. Henty, in the shape of weapons collected during the late Boer War (where he distinguished himself in command of the detachment of volunteers of the London Irish Rifles), and by another son during the latter’s adventurous life in the Wild West.
A treasure of Henty’s own collecting was a beautiful suit of Northern Indian armour, exquisitely damascened and inlaid with gold, the skullcap-like spiked helmet being provided with sliding face-guard and hood of chain mail, while the almost gauze-like steel shirt, with sleeves, breast, and arm-plates of beautiful workmanship, were all perfect. From Abyssinia came a silver shield, massive and brilliantly polished, and trophy after trophy had been garnered in other countries, including weapons from China and Japan. About one and all of these treasures, from the most costly weapons to the spears, arrows, and shields of savage warfare, the owner could discourse eloquently and well, for concerning each he had some history or anecdote to tell.
He was much liked in the little social company he affected, and here his discourse and ways seemed to show how warmly he felt towards his companions; while of his thorough sincerity he unobtrusively gave them most ample proof.
In such coteries of literary and artistic men, workers for the ordinary income as well as for the praise of the world, there are, of course, some who prosper far beyond their highest hopes, and, sad to say, more who, in spite of every effort, only gain disappointment, with its concomitants – poverty and despair. It was in such cases as these that, with evident care that his action should not hurt the feelings of a friend, Henty’s hand, so to speak, glided unseen towards his pocket, to plunge in pretty deeply, and return far better filled than those of his fellows who had taken similar action. And this was not from the possession of wealth, but from true fellow-feeling and generosity of heart.
He numbered fewer friends, perhaps, than others who were his colleagues and fellow-workers, but those whom he classed as intimates were of the more sterling metal, stamped with the brand of solidity, and the most lasting in their wear; while they on their side, possibly from their being the choice of one who, after the long gatherings of experience, was no mean judge of human nature, were no doubt as staunch as he. Certainly they enjoyed the satisfaction of being numbered among his friends.
Washington Irving, in his Knickerbocker Papers, when describing the sages among the old Dutch settlers in the Hudson region, refers to the way in which they were looked up to for their wisdom and for the character they obtained and kept by much smoking and preserving silence, in addition to never being found out. This comes to mind when thinking over Henty’s quiet, stolid way in after-dinner communion at his clubs. He always looked calm, grave, and thoughtful, but, unlike the old Dutch settlers recorded by that charming American writer, he did think; he thought deeply, but spoke little. When he did open his lips though, he was outspoken, plain, straightforward, and to the point.
As a rule he left speaking to those who were gifted, or cursed, with fluency. Debating was a horror to be avoided and denounced; but all the same it was no unusual thing for him to be chosen to preside at a social dinner, or to take the chair at a committee meeting, and when this happened he always distinguished himself.
A fellow-member of one of his clubs supplies the writer with a characteristic anecdote, which carries with it an impression of the downright, straightforward character and outspoken nature of Henty in his utter detestation of sharp practice in every form. The incident occurred during the after-dinner conversation, throughout which the subject of this memoir sat like a modern literary Jupiter in the midst of the clouds of smoke which he had largely helped to evolve. Out of this smoke he could be seen glowering at one of the speakers. This man was a stranger to him, and he had listened to him in silence, quite unaware that he was a city journalist connected with one of the financial papers. The speaker had been making a great and verbose use of his knowledge of his own particular subject, and for a long time Henty had sat and frowned at him. No better term could possibly be found for describing my old friend’s aspect at the time. It suggested a revival of Samuel Johnson visiting his old haunts, and those who knew Henty became silent listeners too, in the full expectation that he would be moved to show his displeasure, and would make some remark upon the revelations about the peculiar ways of transacting business occasionally carried out in the neighbourhood of Throgmorton Street.
But Jupiter was still silent, and the fluent speaker prattled on about bulls and bears, about the great coups that were made, and about the immense profits of some and the heavy losses and ruin of the weak and foolish who, in the fierce race for wealth, were tempted in their folly into city gambling.
Matters went on, and Henty grew more heated. The smoke of his brier pipe rolled out in increased volume; his eyes grew more fierce; but no interruption came, and as he still remained silent, a feeling of disappointment began to grow among those who knew him best. He was only waiting, however, until the financial discourse died out, not for want of material, since, unfortunately, that is always too plentiful, but more probably on account of weariness on the speaker’s part. Then, to the great satisfaction of Henty’s listeners, he growled out: “Well, have you done? Now I will tell you what I think about financial newspapers and their conductors. – They are a set of confounded thieves.”
It is recorded of him that he was upon one occasion called upon to preside at a meeting in which someone was suspected of having been a defaulter in a case in which full confidence had been placed. It was a serious matter, one which had been fully discussed, and at last it fell to Henty’s lot to give something like the casting vote. He had been seated very silently, full of severe earnestness, till with stern, solemn dignity he stood up to speak, his words shaping themselves for some time like those of a prosecuting counsel, till at last he finished by being almost denunciatory in tone, as with grim irony he exclaimed: “And then he told us that lie! Now, why should he have told us such a lie as that, when he knew very well that he must be found out? If he wanted to tell a lie,” he continued, his voice growing more cutting in his bitter sarcasm, “why did he not choose one that we had not a chance of finding out?”
Chapter Forty Two.
Club Life
Henty was a man who always enjoyed mixing with his fellows, and being constantly associated with members of the fourth estate, it was quite natural that he should join certain clubs. It followed therefore that, as years rolled by in a long life, he had a pretty good list in the way of membership to his name.
He was, of course, a member of various yachting clubs; but coming to literary gatherings, he early became a member of the world-known Savage, which he joined in its old days, and his was a familiar, quiet, thoughtful face at the weekly dinners, while he was a welcome and trusted chairman at the gatherings of the committee. Later, without giving up his membership, he joined, consequent upon some little tiff, the select band of the oldest members, who formed what, if they had been members of Saint Stephen’s, would have been called the Cave of Adullam. Here, however, the little branch or lodge was dubbed the Wigwam, whose cognisance, still printed on the circulars which announce the chairman and the date of the next dinner, is a clever sketch of a Red Indian’s wigwam. This was drawn by a clever artist member, who has passed away almost as these lines are being written – namely, Wallis Mackay. The skin lodge is looped back to display a group of occupants in full war paint, feathers, and blanket, seated smoking. These represent in admirable likeness a few familiar members, numbering, among others, Tegetmeier the naturalist, Henry Lee of Brighton Aquarium and of octopus celebrity, and Ravenstein the geographer, while, glass in eye, raising himself like a look-out from the smoke aperture at the top, there are the unmistakable features of the late J.L. Toole. To name one more, there is the subject of this memoir. It is a playful little skit, with a grim caricature in the distance shaped like a skeleton, suspended from a blasted tree, as if suggestive of the fate of an intruder, while plainly written upon one of the folds of the skin tent is “No admission except on business.”
For many years also Henty’s was a face heartily welcomed as a friend and fellow clubman at the quiet little social tavern club known as the Whitefriars, a club at which in its early days politics was tabooed. But as years passed on times altered, and political and social debate became the rule, much to Henty’s annoyance. His idea of a club was that it should be a gathering-place where a few old friends, freed for the time being from quill-driving and thinking out books, leading articles, and other brain-worrying tasks, should meet for a social chat, and where there should be no delivering of speeches, no debates. So soon, therefore, as this debating and speech-delivering became the custom, Henty began to talk to those with whom he was most intimate of withdrawing his name from the club. Such a proceeding, it was pointed out to him, would be depriving his oldest friends of his company. He seemed to see the force of this, and matters went on, and a proposal he had made to a few friends that they should follow the example of the dwellers in the Wigwam and meet together in peace, seemed to have died out. Nevertheless Henty was a man of very strong political feeling, and possessed all the firm attributes of a thoroughly stanch Conservative gentleman, one might say Tory, of the past. If he had taken a motto, his would have been that of the old John Bull newspaper: “God, the Sovereign, and the People.” Throughout his life, though gentle and kindly by nature, he was, when roused by what he looked upon as injustice or cowardice, a fierce and truculent Briton, ready to defy the whole world.
On the whole, though, perhaps from its propinquity to the newspaper world, Henty was most frequently seen at that centre of which the late Andrew Halliday wrote that the qualification for admission was to be “a working-man in literature or art, and a good fellow.” Of course the rendezvous meant is the Savage Club – that place “apart from the chilling splendour of the modern club,” – the club over which so many disputes have taken place amongst its members as to its title, as to whether it borrows it from poor, improvident Richard Savage, or from its supposed Bohemian savagery. Be that as it may, it is certainly the spot where the bow of everyday warfare is unstrung and set aside.
It has long been the custom here to invite to dine at the social Saturday evening gathering pretty well everyone who has become famous, and whose name is upon the public lips, and these invitations have been accepted by warrior and statesman, by our greatest artists and travellers, whether they have sought to discover the Boreal mysteries or to cross the Torrid Zone. Even those who have become great rulers have not disdained to accept “Savage” hospitality, and upon such nights some popular or distinguished member of the club is called upon to take the chair. Now it so happens that there is extant a copy of the menu of a dinner, drawn by one of the cleverest members, which depicts in quaint, characteristic, and light-hearted fashion the imaginary proceedings and post-prandial entertainment connected with the aforesaid unstrung bow. In the case in question Lord Kitchener was the guest, fresh from his victories in the Sudan, and no better chairman could have been chosen than the popular war correspondent, George Henty, whose portrait and that of the famous general occupy the centre of the dinner card represented here.
It would be difficult to over-estimate the interest of such a typical meeting at the club, one which had naturally drawn together a crowded gathering of men who had more or less deeply cut their names upon the column of popularity, if not of fame.
The names of the general and war correspondent attracted to that dinner a distinguished company; the singer possessed of sweet tenor voice or deepest bass; the musician who excelled as pianist or who could bring forth the sweetest tones from the strings; the flautist; the skilful prestidigitator who puzzled the gathering with the latest Egyptian card trick, but who will amuse no more; the clever actor ready to give expression to some recitation, serious or laughable; the delineator of quaint phases of life; the artist whose works have provoked thought and admiration in the picture galleries; the scientist with the secrets of his laboratory gradually developing into life-saving and labour-economising reforms; to say nothing of the keen-visaged diplomatist whose range covers the mysteries of the chancelleries of Europe and cabinets where whispers are sacred and policies are shaped; and the writer to whom the wide world is but the sunning ground of cogitation.
At the club’s improvised concerts and entertainments all are ready to amuse or be amused; even the learned judge and the argumentative counsel who takes his brief from some clever lawyer, now his companion for the evening, meet the eye of physician or surgeon upon common ground.
Later, the deeply-engaged actor, when his part is at an end, comes in straight from the boards, bringing with him the buoyancy and imaginativeness of the strange fantastic realm where he is so popular – a realm so different from all others, although merely divided from the commonplace world by a row of lights.
Here all are friends, gathered by the attractions of music, song, and repartee. Men who have striven greatly all their lives and have gained much, and maybe lost something too, are here in good fellowship. Irksome trammels for the time are cast aside, permitting one and all to partake of what seems to be like a whiff of ozone or a breath from the pine-scented Surrey hills, after the contracted arena of the struggle for life.
On the particular occasion referred to above, supported as he was by those who had shared his past and been his companions and the witnesses of many a deadly battle, Henty was thoroughly at home; and it was a happy choice of a chairman which brought him to preside on that November evening when Kitchener was the special guest.
It was only a few short months after Kitchener’s crowning victory at Omdurman, which had finally crushed the Dervish power and set Slatin and his fellow captives free, and established law and order at Khartoum and through the immense territories which separate that city from Cairo. It was, therefore, a bright idea that inspired Oliver Paque, to give him his nom de plume, in his merry caricature to depict the gallant general as a beau sabreur leading a charge at full gallop and riding in to the feast. He is seen, as the illustration shows, leaping triumphantly through a circus paper hoop supported by a swarthy Sudanese, and the tatters of the paper ingeniously form the map of Africa. Right through Africa he leaps, as it were, into the fire of cheers and applause that greet him – into the smoke of the “Savage” pipe of peace, started by the chairman.
But that memorable night is not so far back in the Hinterland that one has any need to strain the memory assiduously for the leading details of historic incidents sketched in upon the menu card. The tattered indication of a map recalls Major Marchand and his march across desert and through forest and swamp to Fashoda. There are pleasant suggestions, too, in the tribute paid to the chairman by the artist’s pencil, which playfully deals with the fame the chairman had reaped by his books. Boys are shown eagerly reading his thrilling tales of history and adventure, a young mother is depicted admonishing a lad who is engrossed in some stirring work, while the list of titles —A Dash for Khartoum, True to the Old Flag, Through the Fray, By Right of Conquest, Held Fast for England– is alone a tribute to the sturdy chairman, for though titles only they illustrate the feelings of a patriotic man.
The pen-painter of the merry scene, indeed, notwithstanding the grotesqueness of the work, has contrived to suggest by many a happy touch little peculiarities in the individualities of his subjects. Thus he gives a wonderful likeness of such a familiar member as Dan Godfrey, the well-known band-master of the Guards, who is shown leading the concert in heroic bearskin what time Handel’s march of “The Conquering Hero” is blown by one of the most popular humourists of the club. The name of another member – Slaughter – seems by the irony of fate to be singularly apposite at a war correspondent’s banquet, while the drum and cymbals and the tom-tom tell their own tale as beaten by members whose faces are familiar to those behind the scenes. Everything, in short, tended to make this dinner a great success.
Sometimes when taking the chair, however, at one of these club dinners, Henty would fancy that the attendance was not so good as it might have been, and attributing it to a want of popularity, he would turn to the writer and whisper with almost a sigh, “Another frost!” This quaint bit of dramatic slang is, of course, popularly used in the theatrical world when the British public displays a tendency not to throng the seats, and there is a grim array of empty benches to crush all the spirit out of the actors in some clever piece. It was quite a mistake, though, to use it in connection with Henty’s dinners, for he was always surrounded by plenty of warm-hearted friends whose presence and sunshiny aspect were sufficient to set the wintry chill of unsociability at defiance.