The Mediterranean: Its Storied Cities and Venerable Ruins

Almeria, while awaiting the return of maritime prosperity, can look with some complacency upon a memorable if not altogether glorious past. Its very names, Portus Magnus under the Romans, and Al Meriah, the “Conspicuous,” under the Moors, attest its importance. All the agricultural produce of the prolific Vega, the silks that were woven on Moorish looms and highly prized through the East, were brought to Almeria for transmission abroad. The security and convenience of this famous port gave it an evil reputation in after years, when it became an independent kingdom under Ibn Maymum. Almeria was the terror of the Mediterranean; its pirate galleys roved to and fro, making descents upon the French and Italian coasts, and carrying back their booty, slaves, and prizes to their impregnable home. Spaniards and Genoese presently combined against the common enemy, and Almeria was one of the earliest Christian conquests regained from the Moors. Later still the Algerian Moors took fresh revenge, and their corsairs so constantly threatened Almeria that Charles V. repaired its ancient fortifications, the old Moorish castle now called the Alcazaba, the center or keep, and hung a great tocsin bell upon its cathedral tower to give notice of the pirates’ approach. This cathedral is the most imposing object in the decayed and impoverished town. Pigs and poultry roam at large in the streets, amidst dirt and refuse; but in the strong sunlight, white and blinding as in Africa, the mean houses glisten brightly, and the abundant color seen on awnings and lattice, upon the women’s skirts and kerchiefs, in the ultramarine sea, is brought out in the most vivid and beautiful relief.

The scenery on the coast from Malaga eastward is fine, in some parts and under certain aspects magnificent. Beyond Almeria is the famous Cape de Gatt, as it is known to our mariners, the Cabo de Gata of local parlance, the Agate Cape, to give it its precise meaning. This remarkable promontory, composed of rocks encrusted with gems, is worthy a place in the “Arabian Nights.” There are miles and miles of agates and crystal spar, and in one particular spot amethysts are found. Wild winds gather and constantly bluster about this richly constituted but often storm-tossed landmark. Old sailor saws have perpetuated its character in the form of a proverb, “At the Cape de Gatt take care of your hat.” Other portions of the coast nearer Malaga are still more forbidding and dangerous: under the Sierra Tejada, for example, where the rocky barriers which guard the land rise tier above tier as straight as a wall, in which there are no openings, no havens of safety for passing craft in an inshore gale. Behind all, a dim outline joining hands as it were with the clouds, towers the great snowy range of southern Spain, the Sierra Nevada, rejoicing in an elevation as high as the Swiss Alps, and in some respects far more beautiful.

There are, however, no such grim glaciers, no such vast snow-fields as in Switzerland, for here in the south the sun has more power, and even at these heights only the peaks and pinnacles wear white crests during the summer heats. This more genial temperature encourages a richer vegetation, and makes the ascents less perilous and toilsome. A member of the Alpine Club would laugh to scorn the conquest of Muley Hacen, or of the Picacho de la Veleta, the two crowning peaks of the range. The enterprise is within the compass of the most moderate effort. The ascent of the last-named and lowest, although the most picturesque, is the easiest made, because the road from Granada is most direct. In both cases the greatest part of the climbing is performed on horseback; but this must be done a day in advance, and thus a night has to be passed near the summit under the stars. The temperature is low, and the travellers can only defend themselves against the cold by the wraps they have brought and the fuel they can find (mere knotted roots) around their windy shelter. The ascent to where the snow still lingers, in very dirty and disreputable patches, is usually commenced about two in the morning, so that the top may be reached before dawn. If the sky is clear, sunrise from the Picacho is a scene that can never be forgotten, fairly competing with, if not outrivaling, the most famous views of the kind. The Mediterranean lies below like a lake, bounded to the north and west by the Spanish coast, to the south by the African, the faintest outlines of which may often be seen in the far, dim distance. Eastward the horizon is made glorious by the bright pageants of the rising sun, whose majestic approach is heralded by rainbow-hued clouds. All around are the strangely jagged and contorted peaks, rolling down in diminishing grandeur to the lower peaks that seem to rise from the sea.

The highest peak of the Sierra Nevada is Muley Hacen, although it has only the advantage over the Picacho de la Veleta by about a couple of hundred feet. It is a longer and more difficult ascent, but in some ways the most interesting, as it can best be reached through the Alpujarras, those romantic and secluded valleys which are full of picturesque scenery and of historical associations. The starting point, as a general rule, is Trevelez, although the ascent may be equally made from Portugos, somewhat nearer Granada. Trevelez is the other side and the most convenient coming from Malaga by way of Motril. But no one would take the latter route who could travel by the former, which leads through Alhendin, that well-known village which is said to have seen the last of the departing Moors. This is the point at which Granada is finally lost to view, and it was here that Boabdil, the last king of Granada, took his last farewell of the city whose loss he wept over, under the scathing sarcasm of his more heroic mother, who told him he might well “weep like a woman for what he could not defend as a man.” Near this village is the little hill still known as the site of “El Ultimo Suspiro del Moro, the last sigh of the Moor.” This same road leads through Lanjaron, an enchanting spot, posted high upon a spur of the hills, and famous as a bathing place with health-giving mineral springs. From Portugos or Trevelez the climb is easy enough: to be accomplished a great part of the way on horseback, and in its earlier levels ascending amid forests of evergreen oak; after that, long wastes of barren rock are passed, till at length the summit is reached, on a narrow strip of table-land, the highest in Southern Europe, and with an unrivaled view. The charm of the Muley Hacen peak is its isolation, while the Picacho looks better from it than Muley Hacen does from the Picacho, and there is a longer vista across the Mediterranean Sea.

IV
BARCELONA

The flower market of the Rambla – Streets of the old town – The Cathedral of Barcelona – Description of the Columbus monument – All Saints’ Day in Spain – Mont Tibidaho – Diverse centers of intellectual activity – Ancient history – Philanthropic and charitable institutions.

“Barcelona, shrine of courtesy, harbor of the wayfarer, shelter of the poor, cradle of the brave, champion of the outraged, nurse of friendship, unique in position, unique in beauty!”

Such was the eulogium bestowed upon Barcelona by the great Cervantes several hundred years ago, an eulogium warranted by a stranger’s experience in our own day. The matchless site of the second city of Spain, its luxuriant surroundings, awaken enthusiasm as of old, whilst even the briefest possible sojourn suffices to make us feel at home. A winning urbanity, a cosmopolitan amiableness, characterize the townsfolk, Spanish hauteur is here replaced by French cordiality. Softness of manner and graces of speech lend additional charm to a race conspicuous for personal beauty. The Barcelonese are described by a contemporary as laborious and energetic, ambitious of social advance, tenacious of personal dignity, highly imaginative, at the same time eminently practical, steadfast in friendship, vehement in hate. The stir and magnificence of the city attest the progressive character of the inhabitants.

Few European capitals can boast of finer public monuments, few indeed possess such a promenade as its famous Rambla. The Rambla may be regarded as an epitome, not only of the entire city, but of all Spain, and here the curious traveller should take up his quarters. A dozen brilliant or moving spectacles meet the eye in a day, whilst the normal aspect is one of unimaginable picturesqueness and variety. The dark-eyed flower-girls with their rich floral displays; the country folks still adhering to the costume of Catalonia – the men sandaled and white-hosed, for headgear, slouch caps of crimson, scarlet, or peach-colored felt, the women with gorgeous silk kerchiefs pinned under the chin – the Asturian nursemaids in poppy-red skirts barred with black, and dainty gold and lace caps; the ladies fanning themselves as they go in November, with black lace mantillas over their pretty heads; the Guardia Civile in big, awe-inspiring cocked hats and long black cloaks reaching to the ankle; the trim soldiery in black and red tunics, knickerbockers and buskins, their officers ablaze with gold braid and lace; the spick-and-span city police, each neat as a dandy in a melodrama, not a hair out of place, collars and cuffs of spotless white, ironed to perfection, well-fitting costumes, swords at their sides; the priests and nuns; the seafaring folk of many nationalities; the shepherds of uncouth appearance from the neighboring mountains – all these at first make us feel as if we were taking part in a masquerade.

Now way is made for the funeral train of some rich citizen, the lofty car of sumptuous display of black and gold drapery, wreaths of fresh roses, violet, and heliotrope, large as carriage-wheels, fastened to the sides, the coffin, encased in black and violet velvet, studded with gold nails; following slowly, a long procession of carriages bearing priests, choristers, and mourners. And now the sounds of martial music summon the newcomer a second time to his window. It is a soldier who is borne to his rest. Six comrades accompany the bier, carrying long inverted tapers; behind march commanding officers and men, the band playing strains all too spirited it seems for such an occasion. There is always something going on in this splendid avenue animated from early morning till past midnight, market-place, parade ground, promenade in one.

The daily flower-market of itself would almost repay the journey from London. When northern skies are gloomiest, and fogs are daily fare, the Rambla is at its best. The yellowing leaves of the plane-trees look golden under the dazzling blue sky, and brilliant as in a picture are the flower-sellers and their wares. These distractingly pretty girls, with their dark locks pulled over the brow, their lovely eyes, rich olive complexions, and gleaming white teeth, have nothing of the mendicant about them. As they offer their flowers – perhaps fastening roses to a half-finished garland with one hand, whilst with the other a pot of heliotrope is reached down – the passer-by is engagingly invited to purchase. The Spanish language, even the dialect of Catalonia, is music to begin with, and the flower-maidens make it more musical still by their gentle, caressing ways. Some wear little mantillas of black, blonde, or cashmere; others, silk kerchiefs of brightest hue – orange, crimson, deep purple, or fanciful patterns of many colors. Barcelona is a flower-garden all the year round, and in mid-winter we stroll between piled-up masses of rose, carnation, and violet, to say nothing of dahlias and chrysanthemums.

It is especially on All Saints’ and All Souls’ Days that the flower-market of the Rambla is seen to advantage; enormous sums are spent upon wreaths and garlands for the cemetery, the poorest then contriving to pay his floral tribute to departed kith and kin.

In striking contrast with the wide, airy, ever brilliantly illuminated Rambla, electric light doing duty for sunshine at night, are the streets of the old town. The stranger may take any turning – either to right or left – he is sure to find himself in one of these dusky narrow thoroughfares, so small ofttimes the space between window and opposite window that neighbors might almost shake hands. With their open shops of gay woolen stuffs, they vividly recall Cairene bazaars. Narrow as is the accommodation without, it must be narrower still within, since when folks move from one house to another their goods and chattels are hoisted up and passed through the front windows. The sight of a chest of drawers or a sofa in cloudland is comical enough, although the system certainly has its advantages. Much manual labor is thereby spared, and the furniture doubtless escapes injury from knocking about.

The wise traveller will elect to live on the Rambla, but to spend his time in the old town. Wherever he goes he is sure to come upon some piece of antiquity, whilst here, in a great measure, he loses sight of the cosmopolitan element characterizing the new quarters. Novel and striking as is its aspect to the stranger, Barcelona must nevertheless be described as the least Spanish of Spanish towns. The second seaport of Spain is still – as it was in the Middle Ages – one of the most important seats of international commerce on the Mediterranean. As we elbow our way along the crowded Rambla we encounter a diversity of types and hear a perplexing jargon of many tongues. A few minutes suffice to transport us into the old-world city familiar to Ford – not, however, to be described by the twentieth century tourist in Ford’s own words. “A difficult language,” he wrote just upon half a century ago, “rude manners, and a distrust of strangers, render Barcelona a disagreeable city.” Nowhere nowadays is more courtesy shown to the inquiring stranger. He is not even obliged to ask his way in these narrow tortuous streets. The city police, to be found at every turn, uninvited come to his aid, and, bringing out a pocket-map, with an infinity of pains make clear to him the route he has to take. The handsome Calle San Fernando leads to the somber but grandiose old Cathedral with its lovely cloisters, magnificent towers and bells, deep-voiced as that of Big Ben itself. All churches in Spain, by the way, must be visited in the forenoon; even then the light is so dim that little can be seen of their treasures – pictures, reliquaries, marble tombs. The Cathedral of Barcelona forms no exception to the rule. Only lighted by windows of richly stained old glass, we are literally compelled to grope our way along the crowded aisles. Mass is going on from early morning till noon, and in the glimmering jeweled light we can just discern the moving figures of priests and acolytes before the high altar, and the scattered worshippers kneeling on the floor. Equally vague are the glimpses we obtain of the chapels, veritable little museums of rare and beautiful things unfortunately consigned to perpetual obscurity, veiled in never-fading twilight. What a change we find outside! The elegant Gothic cloisters, rather to be described as a series of chapels, each differing from the other, each sumptuously adorned, enclose a sunny open space or patio, planted with palms, orange and lemon trees, the dazzlingly bright foliage and warm blue sky in striking contrast to the somber gray of the building-stone. A little farther off, on the other side, we may see the figures of the bell-ringers high up in the open belfry tower, swinging the huge bells backwards and forwards with tremendous effort, a sight never to be missed on Sundays and fête days.

This stately old Cathedral, like so many others, was never finished and works of reparation and restoration are perpetually going on. Close by stands the Palais de Justice, with its beautiful Gothic court and carved stone staircase, the balustrade supported by lovely little statuettes or gargoyles, each an artistic study in itself. Abutting this is the Palais de Diputacion, Provincial or local Parliament House, a building of truly Spanish grandeur. Its wide marble staircases, its elaborate ceilings of carved wood, its majestic proportions, will, perhaps, have less interest for some travellers than its art-treasures, two chefs d’œuvre of the gifted Fortuny. Barcelona was the patron of this true genius – Catalan by birth – so unhappily cut off in his early prime. With no little pride the stately officials show these canvases – the famous “Odalisque” and the “Battle of Tetuan” – the latter, alas! left unfinished. It is a superb piece of life and color, but must be seen on a brilliant day as the hall is somber. Nothing can exceed the courtesy of the Barcelonese to strangers, and these pictures are shown out of the regular hours. But let no one incautiously offer a fee. The proffered coin will be politely, even smilingly, rejected, without humiliating reproof, much less a look of affront. Ford’s remark that “a silver key at all times secures admission” does not hold good in these days.

Near the Cathedral, law courts, and Provincial Parliament House stands another picturesque old palace of comparatively modern date, yet Saracenic aspect, and containing one of the most curious historic treasures in Europe. This is the palace of the kings of Aragon, or Archivo General de la Corona de Aragon. The exterior, as is usual with Spanish buildings, is massive and gloomy. Inside is a look of Oriental lightness and gaiety. Slender columns, painted red, enclose an open court, and support a little terrace planted with shrubs and flowers. Here in perfect order and preservation, without a break, are stored the records of upwards of a thousand years, the earlier consisting of vellum scrolls and black letter, the latter showing the progress of printing from its beginning down to our own day. The first parchment bears date A. D. 875. Among the curiosities of the collection are no less than eight hundred and two Papal Bulls from the year 1017 to 1796. Besides the archives of Barcelona itself, and of the kingdom of Aragon, to which it was annexed in the twelfth century, the palace contains many deeply interesting manuscripts found in the suppressed monasteries.

The archives have been ingeniously arranged by the learned keeper of records. The bookcases, which are not more than six feet high, stand on either side of the vast library, at some distance from the wall, made staircase-wise; one set of volumes just above the other, with the result that no accumulation of dust is possible, and that each set is equally accessible. The effect on the eye of these symmetrically-placed volumes in white vellum is very novel and pleasing. We seem to be in a hall, the walls of which are of fluted cream-colored marble.

The little museum of local antiquities in the ruined Church of Santa Agneda, the somber old churches of San Pablo del Campo, Santa Maria del Mar and Belen, the fragments of mediæval domestic architecture remaining here and there – all these will detain the archæologist. Of more general interest are the modern monuments of Barcelona. In no city have civic lavishness and public spirit shone forth more conspicuously.

A penny tramway – you may go anywhere here for a penny – takes you to the beautiful Park and Fountain of Neptune. The word “fountain” gives an inadequate notion of the splendid pile, with its vast triple-storied marble galleries, its sculptured Naiads and dolphins, and on the summit, towering above park and lake and cascades, its three gigantic sea-horses and charioteers richly gilt, gleaming as if indeed of massive gold. Is there any more sumptuous fountain in the world? I doubt it. In spite of the gilded sea-horses and chariot, there is no tawdriness here; all is bold, splendid, and imposing. Below the vast terraced galleries and wide staircases, all of pure marble, flows in a broad sheet the crystal-clear water, home of myriads of gold fish. The entourage is worthy of so superb a construction. The fountain stands in the midst of a scrupulously-kept, tastefully laid-out, ever-verdant park or public pleasure-ground. In November all is fresh and blooming as in an English June. Palms, magnolias, bananas, oleanders, camellias, the pepper-tree, make up a rich, many-tinted foliage. Flowers in winter-time are supplanted by beds of brilliant leaved plants that do duty for blossoms. The purple, crimson, and sea-green leaves are arranged with great effect, and have a brilliant appearance. Here surrounded by gold green turf, are little lakes which may be sailed across in tiny pleasure skiffs. At the chief entrance, conspicuously placed, stands the fine equestrian monument to Prim, inaugurated with much civil and military pomp some years ago. It is a bold statue in red bronze. The general sits his horse, hat in hand, his fine, soldier-like face turned towards the city. On the sides of the pedestal are bas-reliefs recording episodes of his career, and on the front these words only, “Barcelona à Prim.” The work is that of a Spanish artist, and the monument as a whole reflects great credit alike to local art and public spirit.

But a few minutes’ drive brings us within sight of a monument to one of the world’s heroes. I allude to the memorial column recently raised to Columbus by this same public-spirited and munificent city of Barcelona. Columbus, be it remembered, was received here by Ferdinand and Isabella after his discovery of America in 1493. Far and wide over hills and city, palm-girt harbor, and sea, as a lighthouse towers the tremendous obelisk, the figure of the great Genoese surmounting it, his feet placed on a golden sphere, his outstretched arm pointing triumphantly in the direction of his newly-discovered continent as much as to say, “It is there!”

Never did undertaking reflect more credit upon a city than this stupendous work. The entire height of the monument is about two-thirds of the height of the Monument of London. The execution was entrusted to Barcelonese craftsmen and artists; the materials – bronze, stone, and marble – all being supplied in the neighborhood.

On the upper tier of the pedestal are statues of the four noble Catalans who materially aided Columbus in his expedition – by name Fray Boyl, monk of Montserrat, Pedro Margarit, Jaime Ferrer, and Luis Sentangel. Below are allegorical figures representing, in the form of stately matrons, the four kingdoms of Catalonia, Castille, Aragon, and Leon. Bas-reliefs, illustrating scenes in the career of the discoverer, adorn the hexagonal sides, six magnificent winged lions of greystone keep jealous watch over the whole, and below these, softening the aspect of severity, is a belt of turf, the following inscription being perpetually written in flowers: “Barcelona à Colon.” The column is surmounted by a globe burnished with gold, and above rises the colossal figure of Columbus.

No happier site could have been selected. The monument faces the sea, and is approached from the town by a palm-bordered walk and public garden. The first object to greet the mariner’s eye as he sights land is the figure of Columbus poised on his glittering ball; the last to fade from view is that beacon-like column towering so proudly above city and shore. A little excursion must be made by boat or steamer, in order to realize the striking effect of this monument from the sea.

To obtain a bird’s-eye view of Barcelona itself, the stranger should go some distance inland. The Fort of Montjuich, commanding the town from the south, or Mont Tibidaho to the north, will equally answer his purpose. A pretty winding path leads from the shore to a pleasure-garden just below the fort, and here we see the entire city spread as in a map at our feet. The panorama is somewhat monotonous, the vast congeries of white walls and grey roofs only broken by gloomy old church towers and tall factory chimneys, but thus is realized for the first time the enormous extent of the Spanish Liverpool and Manchester in one. Thus, indeed, may Barcelona be styled. Looking seaward, the picture is animated and engaging – the wide harbor bristling with shipping, lateen-sailed fishing boats skimming the deep-blue sunny waves, noble vessels just discernible on the dim horizon.

The once celebrated promenade of the Murallo del Mar, eulogized by Ford and other writers, no longer exists, but the stranger will keep the sea-line in search of the new cemetery. A very bad road leads thither, on All Saints’ and All Souls’ days followed by an unbroken string of vehicles, omnibuses, covered carts, hackney carriages, and private broughams; their occupants, for the most part, dressed in black. The women, wearing black Cashmere mantillas, are hardly visible, being hidden by enormous wreaths, crosses, and bouquets of natural and also of artificial flowers. The new cemetery is well placed, being several miles from the city, on high ground between the open country and the sea. It is tastefully laid out in terraces – the trees and shrubs testifying to the care bestowed on them. Here are many costly monuments – mausoleums, we should rather say – of opulent Barcelonese, each family possessing its tiny chapel and burial-place.

It is to be hoped that so progressive a city as Barcelona will ere long adopt the system of cremation. Nothing can be less hygienic, one would think, than the present mode of burial in Spain. To die there is literally – not figuratively – to be laid on the shelf. The terrace-like sides of the cemetery ground have been hollowed out into pigeon-holes, and into these are thrust the coffins, the marble slab closing the aperture bearing a memorial inscription. Ivy and other creepers are trained around the various divisions, and wreaths of fresh flowers and immortelles adorn them; the whole presenting the appearance of a huge chest of drawers divided into mathematically exact segments. To us there is something uncanny – nay, revolting – in such a form of burial; which, to say the least of it, cannot be warranted on æsthetic, much less scientific, principles. It is satisfactory to find that at last Protestants and Jews have their own burial-place here, shut off from the rest, it is true by a wall at least twenty feet high, but a resting-place for all that. It was not so very long ago that Malaga was the only Spanish town according Protestants this privilege, the concession being wrung from the authorities by the late much-esteemed British consul, Mr. Mark.

For some days preceding the festival of All Saints the cemetery presents a busy scene. Charwomen, gardeners, masons, and painters then take possession of the place. Marble is scoured, lettering is repainted, shrubs clipped, turf cut – all is made spick and span, in time for the great festival of the dead. It must be borne in mind that All Saints’ Day in Spain has no analogy with the same date in our own calendar. Brilliant sunshine, air soft and balmy as of July, characterize the month of November here. These visits to the cemetery are, therefore, less depressing than they would be performed amid English fog and drizzle. We Northerners, moreover, cannot cast off gloomy thoughts and sad retrospection as easily as the more elastic, more joyous Southern temperament. Mass over, the pilgrimage to the cemetery paid, all is relaxation and gaiety. All Saints’ and All Souls’ days are indeed periods of unmitigated enjoyment and relaxation. Public offices, museums, schools, shops, are closed. Holiday folk pour in from the country. The city is as animated as Paris on the 14th of July.

In the forenoon it is difficult to elbow one’s way through the crowded thoroughfares. Every street is thronged, men flocking to mass as zealously as devotees of the other sex. In these early hours most of the ladies wear black; their mourning garb later in the day to be exchanged for fashionable toilettes of all colors. The children are decked out gaily, as for a fancy fair. Service is being held in every church, and from all parts may be heard the sonorous Cathedral bells. Its vast, somber interior, now blazing with wax-lights, is a sight to remember. Crowds in rapt devotion are kneeling on the bare stones, the ladies heedless of their silks; here and there the men kneeling on a glove or pocket-handkerchief, in order to protect their Sunday pantaloons. Rows of poor men – beggars, it would seem, tidied up for the occasion – sit in rows along the aisle, holding lighted tapers. The choir is filled with choristers, men and boys intoning the service so skilfully that they almost seem to sing. Soon the crowds fall back, and a procession passes from choir to high altar – priests and dignitaries in their gorgeous robes, some of black, embroidered with crosses in gold, others of white and purple or yellow, the bishop coming last, his long violet train borne by a priest; all the time the well-trained voices of the choristers – sweet treble of the boys, tenor, and base – making up for lack of music. At last the long ceremony comes to an end, and the vast congregation pours out to enjoy the balmy air, the warm sunshine, visits, confectionery, and other distractions.

Such religious holidays should not be missed by the traveller, since they still stamp Spain as the most Catholic country in the world. Even in bustling, cosmopolitan, progressive Barcelona people seem to spend half their time in church.

In the capital of Catalonia, twentieth-century civilization and the mediæval spirit may still be called next-door neighbors. The airy boulevards and handsome villas of suburban Algiers are not more strikingly contrasted with the ancient Moorish streets than the new quarters of Barcelona with the old. The Rambla, its electric lights, its glittering shops, cafés, clubs, and theaters, recalls a Parisian boulevard. In many of the tortuous, malodorous streets of the old town there is hardly room for a wheelbarrow to be drawn along; no sunbeam has ever penetrated the gloom.