Read the book: «Child’s Play»
REGINALD HILL
CHILD’S PLAY
A Dalziel and Pascoe novel

Copyright
Harper An imprint of HarperCollinsPublishers 1 London Bridge Street, London SE1 9GF
First published in Great Britain by HarperCollinsPublishers 1987
www.harpercollins.co.uk
Copyright © Reginald Hill 1987
Reginald Hill asserts the moral right to be identified as the author of this work
All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this ebook on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins ebooks.
HarperCollinsPublishers has made every reasonable effort to ensure that any picture content and written content in this ebook has been included or removed in accordance with the contractual and technological constraints in operation at the time of publication.
Source ISBN: 9780586072578
EPub Edition © July 2015 ISBN: 9780007386222
Version: 2015-06-18
For Rose and Peter
Table of Contents
Cover Page
Title Page
Copyright
Dedication
Prologue
Chapter 1
SECOND ACT: Voices from the Grave
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
THIRD ACT: Voices from the Gallery
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
FIRST ACT: Voices from a Far Country
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Epilogue
Keep Reading
About the Author
Also by the Author
About the Publisher
Prologue
spoken by a member of the company
A simple child, dear brother Jim,
That lightly draws its breath,
And feels its life in every limb,
What should it know of death?
Wordsworth: We are seven
Chapter 1
Death? Not much. Not then, not now. What is it? You here, I there: you stopping, I going on? Unimaginable! But I can imagine dying and the fear of it. The love of it too. I can imagine a corvette in heavy seas - a bathtub vessel in harbour, but let a gale come howling up the Tyrrhenian, then in the twinkling of a dog-star, its steel sides are changed to perilous cliffs and the dinghy far below bounces on the wild waters like a baby’s teething-ring.
I can hear what the wind sings! At home, a father’s anger and a mother’s tears; at school, nipping draughts and stumbling repetitions, dreadful doubts and tiny triumphs … the sum of the squares … Lars Porsena of Clusium … a spot on the nose … a place in the Eleven … how to mash a girl … arma virumque cano!
Now I seize the rope and feel its fibres burn my frozen palms. With what strange utterance the wind resounds against this metal cliff; arms and the man, it sings … you ‘orrible sprog! … move to the right in threes! … hands off cocks and on to socks! … squeeze it like a tit! … a pip on the shoulder … a place on a course … how to kill a man …
Italiam non sponte sequor!
And now at last the gaping O receives me and suddenly it is once more a dinghy and the wind is just a wind. Master of myself finally, and of these men who kneel around me, I give commands. Eyes gleam white as fish in sea-dark faces, paddles plunge deep, and my buoyant craft drives over the grasping waves towards the sounding but unseen, the undesired but never to be evaded Ausonian shore.
Fanciful, you say? Romantic even? Oh, but I have still darker imaginings. Time blows like mist in a wind, parting and joining, revealing and concealing, and now the wind is a wind of autumn bearing with it not the salt spume of foreign seas but the bright decay of fallen leaves and the peppery scent of heather and the dust of limestone tors.
There is noise in it too, animal noise, a breathing, a coughing, an uneasy shuffling of feet as I pass over the dew-damp grass towards the darkling house. A window stands carelessly open … reckless I enter and the wind enters with me … slowly I move across the rooms … along corridors … up stairs … uncertain, hesitant, yet driven on by a gale in the blood stronger than any fear.
I push open a bedroom door … a nightlight shines like a corpse-light … but this dimly apprehended shape is no corpse.
Who’s there? Is there someone there? What do you want?
It is time to speak into this light which shows so little.
Mother?
Who’s there? Closer! Closer! Let me see!
And now the wind is a burning wind of the desert in my veins, and it sobs and it shrieks, and the house bristles with light, and I reach for the saving darkness as the helpless, hopeless sailor embraces the drowning sea …
SECOND ACT Voices from the Grave
Sweet is a legacy, and passing sweet
The unexpected death of some old lady.
Byron: Don Juan
Chapter 1
No one who attended Gwendoline Huby’s funeral would soon forget it.
Her eighty-year-old frame was lighter by far than the ornate casket that enclosed it, but the telekinetic weight of resentment from the chief mourners was enough to make the bearers stagger on their slow path to the grave.
She was buried, of course, in the Lomas plot at St Wilfrid’s in Greendale, an interesting specimen of late Norman church with some Early English additions and a pre-Norman crypt which the vicar’s wife (in a pamphlet on sale in the porch) theorized might have been the work of Wilfrid himself. Such archaeological speculation was far from the minds of the bereaved as they processed from the dark interior to the brilliant autumn sunlight which traced out the names on the tombstones of all but the most eroded and deepest lichened dead.
The surviving relatives were few. To the left of the open grave stood the two London Lomases; to the right huddled the four Old Mill Inn Hubys. Miss Keech, successively nurse, housekeeper, companion, and finally nurse once more at Troy House, essayed a crossbench neutrality at the foot of the grave, but her self-effacing tact was vitiated by the presence at her shoulder of the man generally regarded as the chief author of their woes, Mr Eden Thackeray, senior partner of Messrs Thackeray, Amberson, Mellor and Thackeray (usually known as Messrs Thackeray etcetera), Solicitors.
‘Man that is born of woman hath but a short time to live and is full of misery,’ intoned the vicar.
Eden Thackeray, who had thoroughly enjoyed the greater part of his fifty-odd years, composed his face to a public sympathy with the words. Certainly if several of those present had their way, there’d be an extra dollop of misery on his plate shortly. Not that he minded. Misery to lawyers is like the bramble-bush to Brer Rabbit - a natural habitat. As the old lady’s solicitor and executor, he was confident that any attempt to challenge the will would only serve to put money in the ever-receptive coffers of Messrs Thackeray etcetera.
Nevertheless, unpleasantness at a funeral was not, how should he put it? was not pleasant. He hadn’t relished being greeted by Mr John Huby, nephew to the deceased, landlord of the Old Mill Inn and archetypal uncouth Yorkshireman, with a look of sneering accusation and the words, ‘Lawyers? I’ve shit ’em!’
It was his own fault, of course. There had been no need to reveal the terms of the will until after probate, but it had seemed a kindness to pre-empt any anticipatory extravagance on the part of John Huby by summoning little Lexie from her typewriter and explaining to her the limits of her family’s expectations. Lexie had taken it well. She had even smiled faintly when told of Gruff-of-Greendale. But all smiles had clearly stopped together when she bore the news back to the Old Mill Inn.
No! Eden Thackeray assured himself firmly. This was the last time he let a kindly impulse move him off the well-worn rails of legal procedure, not even if he saw one of his own family chained to the line ahead!
‘Thou knowest, Lord, the secrets of our hearts …’
Aye, Lord, mebbe thou dost, and if so, nivver hesitate to pass them on to that silly old bat if she happens to drift in thy direction! thought John Huby savagely.
All those years of dancing attendance! All those cups of watery tea, supped with his little finger crooked and his head nodding agreement with her half-baked ideas on Lord’s Day Observance and preserving the Empire! All those Sunday afternoons spent crammed - no matter what the weather - into his blue serge suit, the arse of which always required a good hour’s brushing to remove the thick layer of cat and dog hair it picked up from every seat at Troy House! All that wasted effort!
And worse. All those debts run up in the expectation of plenty. All those foundations already dug and equipment already ordered for the restaurant and function room extensions. His heart fell flat as a slop-tray at the thought of it. Years of confident hope, months of tremulous anticipation, and barely twenty-four hours of joyous attainment before Lexie came home from that bloodsucking bastard’s office and broke the incredible news.
Oh yes, Lord! If like the vicar says, thou knowst what’s going on in my heart, then pass it on to the silly old bat pretty damn quick, and tell her if she hangs around a bit, she’ll likely catch Gruff-of-sodding-Greendale coming up the chimney at the Old Mill after her!
‘Forasmuch as it hath pleased Almighty God of his great mercy to take unto himself the soul of our dear sister here departed …’
The pleasure, dear God, is entirely yours, thought Stephanie Windibanks, née Lomas, first cousin once removed of the dear departed, as she grasped a handful of earth and wondered which of those around the grave would make the best target.
That low publican, Huby? Rod’s suggestion that she should console herself with the thought that she had been dealt with no worse than that creature had only fanned her resentment. To be put on a par with such an uncouth lout! Oh Arthur, Arthur! she apostrophized her dead husband, see what a pass you’ve brought me to, you stupid bastard! At least, dear God, do not let them find out about the villa!
But what was the use of appealing to God? Why should He reward faith when He was so reluctant to reward works? For it had been hard work cultivating the Yorkshire connection all these years. Of course, it might be pointed out that she had long been aware - who better? - of Cousin Gwen’s central dottiness. Indeed, she had to admit that on occasion she had even actively encouraged it. But who would have guessed that when it pleased Almighty and entirely Unreliable God of His great mercy to take Gwen’s soul unto himself, it would also amuse him to leave her dottiness wandering loose and dangerous on the terrestrial plane?
God then her target, rather than Huby? But how to strike the intangible? She wanted a satisfyingly meaty mark. What about God’s accomplice in this, that smug bastard Thackeray? It would be nice, but long experience of the world of affairs had taught her that lawyers loomed large in the ranks of the pricks it was fruitless to kick against.
Keech, then? That downmarket Mrs Danvers, peering with myopic piety at a point a little above the vicar’s head as if hoping to see there and applaud the ascension of her benefactress’s soul …
No. Keech had done well, it was true, but only in relation to her needs. And think of the price. A lifetime of those creatures and that smell …! It required the soul of an ostler to envy Miss Keech!
This then was the worst moment of all, the moment when you realized there was no one to vent your rage on, a nothingness as insubstantial as the spirit of that silly old woman doubtless smiling smugly in her satin blancmange mould six feet below!
She hurled the earth with such force against the coffin lid that a pebble rebounded straight up the vicar’s cassock, producing a little squeal of shock and pain which translated the sure and certain hope of the Resurrection into the sure and certain hype of the Resurrection. No one was surprised. Was not this, after all, the age of the New English Prayer Book?
‘I heard a voice from heaven, saying unto me, Write …’
Dear Auntie Gwen, thought Stephanie Windibanks' son, Rod Lomas, Mummy and I have come up to Yorkshire for your funeral which has been rather Low Church for my taste and rather low company for Mummy’s. You were quite right to keep these Hubys in their place, as dear Keechie puts it. They are the product of very unimaginative casting. Father John looks too like a bad-tempered Yorkshire publican to be true, and Goodwife Ruby (Ruby Huby! no scriptwriter would dare invent that!) is the big, blonde barmaid to the last brassy gleam. Younger daughter Jane is cast in the same jelly-mould and where this superfluity of flesh comes from is easy to see when you look at the elder girl, Lexie. In shape no bigger than an agate stone on the forefinger of an alderman, I swear she could enter an ill-fitting door by the joint. With those great round glasses and that solemn little face, she looks like a barn owl perched on a pogostick!
But all this you know, dear Auntie, and much else besides. What can I, who am here, tell you, who are there? Still, I must not shirk my familial obligations, unlike some I can think of. The weather here is fine, corn-yellow sun in a cornflower sky, just right for early September. Mummy is as well as can be expected in the tragic circumstances. As for me, suffice it to say that after my brilliant but brief run as Mercutio in the Salisbury Spring Festival, I am once more resting, and I will not conceal from you that a generous helping of the chinks would not have gone astray. Well, we must live in hope, mustn’t we? Except for you, Auntie, who, if you do still exist, must now exist in certainty. Don’t be too disappointed in our disappointment, will you? And do have the grace to blush when you find what a silly ass you’ve been making of yourself all these years.
Must sign off now. Almost time for the cold ham. Take care. Sorry you’re not here. Love to Alexander. Your loving cousin a bit removed,
Rod.
‘Come ye blessed children of my Father, receive the kingdom prepared for you …’
I hope the preparation’s a bit better than yours was, Dad, thought Lexie Huby, sensitive, as she had learned to be from infancy, to the rumbles of volcanic rage emanating from her father’s rigid frame. She had giggled when Mr Thackeray had told her about Gruff-of-Greendale but she had not giggled when she broke the news to her father that night.
‘Two hundred pounds!’ he’d exploded. ‘Two hundred pounds and a stuffed dog!’
‘You did used to make a fuss of it, Dad,’ Jane had piped up. ‘Said it were one of the wonders of nature, it were so lifelike.’
‘Lifelike! I hated that bloody tyke when it were alive, and I hated it even more when it were dead. At least, living, it’d squeal when you kicked it! Gruff-of-sodding-Greendale! You’re not laking with me are you, Lexie?’
‘I’d not do that, Dad,’ she said calmly.
‘Why’d old Thackeray tell you all this and not me direct?’ he demanded suspiciously. ‘Why’d he tell a mere girl when he could’ve picked up the phone and spoken straight to me? Scared, was he?’
‘He were trying to be kind, Dad,’ said Lexie. ‘Besides, I were as entitled to hear it as you. I’m a beneficiary too.’
‘You?’ Huby’s eyes had lit with new hope. ‘What did you get, Lexie?’
‘I got fifty pounds and all her opera records,’ said Lexie. ‘Mam got a hundred pounds and her carriage clock, the brass one in the parlour, not the gold one in her bedroom. And Jane got fifty and the green damask tablecloth.’
‘The old cow! The rotten old cow! Who got it, then? Not that cousin of hers, not old Windypants and her useless son?’
‘No, Dad. She gets two hundred like you, and the silver teapot.’
‘That’s worth a damn sight more than Gruff-of-sodding-Greendale! She always were a crook, that one, like that dead husband of hers. They should’ve both been locked up! But who does get it then? Is it Keech? That scheming old hag?’
‘Miss Keech gets an allowance on condition she stays on at Troy House and looks after the animals,’ said Lexie.
‘That’s a meal ticket for life, isn’t it?’ said John Huby. ‘But hold on. If she stays on, who gets the house? I mean, it has to belong to some bugger, doesn’t it? Lexie, who’s she left it all to? Not to some bloody charity, is it? I couldn’t bear to be passed over for a bloody dogs’ home.’
‘In a sense,’ said Lexie, taking a deep breath. ‘But not directly. In the first place she’s left everything to …’
‘To who?’ thundered John Huby as she hesitated.
And Lexie recalled Eden Thackeray’s quiet, dry voice … ‘the rest residue and remainder of my estate whatsoever whether real or personal I give unto my only son Second Lieutenant Alexander Lomas Huby present address unknown …
‘She’s done what? Nay! I’ll not credit it! She’s done what? It’ll not stand up! It’s that slimy bloody lawyer that’s behind it, I’ll warrant! I’ll not sit down under this! I’ll not!’
It had been an irony unappreciated by John Huby that in the old church of St Wilfrid, what he had sat down under was a brass wall plaque reading In Loving Memory of Second Lieutenant Alexander Lomas Huby, missing in action in Italy, May 1944.
It was Sam Huby, the boy’s father, who had caused the plaque to be erected in 1947. For two years he had tolerated his wife’s refusal to believe her son was dead, but there had to be an end. For him the installation of the plaque marked it. But not for Gwendoline Huby. Her conviction of Alexander’s survival had gone underground for a decade and then re-emerged, bright-eyed and vigorous as ever, on her husband’s death. She made no secret of her belief, and over the years in the eyes of most of her family and close acquaintances, this dottiness had become as unremarkable as, say, a wart on the chin, or a stutter.
To find at last that it was this disregarded eccentricity which had robbed him of his merited inheritance was almost more than John Huby could bear.
Lexie had continued, ‘If he doesn’t claim it by April 4th in the year 2015, which would be his ninetieth birthday, that’s when it goes to charity. There’s three of them, by the way …’
But John Huby was not in the mood for charity.
‘2015?’ he groaned. ‘I’ll be ninety then too, if I’m spared, which doesn’t seem likely. I’ll fight the will! She must’ve been crazy, that’s plain as the nose on your face. All that money … How much is it, Lexie? Did Mr sodding Thackeray tell you that?’
Lexie said, ‘It’s hard to be exact, Dad, what with share prices going up and down and all that …’
‘Don’t try to blind me with science, girl. Just because I let you go and work in that bugger’s office instead of stopping at home and helping your mam in the pub doesn’t make you cleverer than the rest of us, you’d do well to remember that! So none of your airs, you don’t understand all that stuff anyway! Just give us a figure.’
‘All right, Dad,’ said Lexie Huby meekly. ‘Mr Thackeray reckons that all told it should come to the best part of a million and a half pounds.’
And for the first and perhaps the last time in her life, she had the satisfaction of reducing her father to silence.
‘The grace of our Lord Jesus Christ …’
Ella Keech’s gaze was not in fact focused on some beatific vision of an ascending soul, as Mrs Windibanks had theorized. Myopic she was, it was true, but her long sight was perfectly sound and she was staring over the clerical shoulder into the green shades of the churchyard beyond. Money and descendants being alike in short supply, most of the old graves were sadly neglected, though in the eyes of many, long grass and wild flowers became the lichened headstones rather more than razed turf and cellophaned wreaths could hope to. But it was no such elegiac meditation which occupied Miss Keech’s mind.
She was looking to where a pair of elderly yews met over the old lychgate forming a tunnel of almost utter blackness in the bright sun. For several minutes past she had been aware of a vague lightness in that black tunnel. And now it was moving; now it was taking shape; now it was stepping out like an actor into the glare of the footlights.
It was a man. He advanced hesitantly, awkwardly, between the gravestones. He wore a crumpled, sky-blue, lightweight suit and he carried a straw hat before him in both hands, twisting it nervously. Around his left sleeve ran a crepe mourning band.
Miss Keech found that he became less clear the closer he got. He had thick grey hair, she could see that, and its lightness formed a striking contrast with his suntanned face. He was about the same age as John Huby, she guessed.
And now it occurred to her that the resemblance did not end there.
And it also occurred to her that perhaps she was the only one present who could see this approaching man…
‘… the fellowship of the Holy Ghost be with us all evermore. Amen.’
As the respondent amens were returned (with the London Lomas party favouring a as in ‘play’ and the Old Mill Huby set preferring ah as in ‘father’) it became clear that the fellowship of the newcomer was not so ghostly as to be visible only to Miss Keech. Others were looking at him with expressions ranging from open curiosity in the face of Eden Thackeray to vacuous benevolence on the face of the vicar.
But it took John Huby to voice the general puzzlement.
‘Wha’s yon bugger?’ he asked no one in particular.
The newcomer responded instantly and amazingly.
Sinking on his knees, he seized two handfuls of earth and, hurling them dramatically into the grave, threw back his head and cried, ‘Mama!’
There were several cries of astonishment and indignation; Mrs Windibanks looked at the newcomer as if he’d whispered a vile suggestion in her ear, Miss Keech fainted slowly into the reluctant arms of Eden Thackeray, and John Huby, perhaps viewing this as a Judas kiss, cried, ‘Nah then! Nah then! What’s all this? What’s all this? Is this another one of thy fancy tricks, lawyer? Is that what it is, eh? By God, it’s time someone gave thee a lesson in how decent folks behave at a funeral!’
So saying, and full of selfless eagerness to administer this lesson, he began to advance on Eden Thackeray. The lawyer, finding himself in the Court of Last Resources, attempted to ward him off with the person of Miss Keech. Sidestepping to get at his proper prey, John Huby’s foot found space where it looked for terra firma. For a second he teetered on one leg; then with a cry in which fear was now indistinguishable from rage, he plunged headlong into the open grave.
Everyone froze, then everyone moved. Some pressed forward to offer assistance, some pressed back to summon it. Ruby Huby leapt into the grave to succour her husband and landed with both knees in his kidneys. Eden Thackeray, no longer needing Miss Keech for aegis, released her and was then constrained to grab her again as she too started the easy descent into the pit. The vicar stopped smiling comfortingly and Rod Lomas looked across the grave, caught Lexie Huby’s eye, and laughed aloud.
Gradually order was restored and the unquiet grave emptied of all but its proper inmate. It was only now that most of those present realized that at some point in the confusion the catalystic stranger had vanished. Once it was ascertained that the only permanent damage was to John Huby’s blue serge, Miss Keech, still leaning heavily on the arm of Eden Thackeray, signalled that the obsequies were back on course by announcing that a cold collation awaited those who cared to return with her to Troy House.
Walking away from the graveside, Rod Lomas found himself alongside Lexie Huby. Stooping to her ear, he murmured, ‘Nothing in Aunt Gwen’s life, or her fortune for that matter, became her like the leaving of it, wouldn’t you say?’
She looked at him in alarmed bewilderment. He smiled. She frowned and hurried on to join her sister who glanced back, caught the young man’s eye, and blushed beneath her blusher at his merry respondent wink.
Chapter 2
The façade of the Kemble was a mess. To rescue the old theatre from bingo in these hard times; to renovate, refurbish and restore it; to divert public money and extort private sponsorship to finance it; these had been acts of faith or of lunacy depending on where you stood, and the division in the local council had not been on straight party lines.
But the will had been great and the work had been done. Creamy grey stone had emerged from beneath a century of grime and Shakespeare’s numbers had triumphed over the bingo-caller’s.
But now the huge eye catching posters which advertised the Grand Opening Production of Romeo and Juliet had been ripped down, and what caught the eye now were aerosoled letters in primary colours taking stone, glass and woodwork in their obscene stride.
GO HOME NIGGER! CHUNG = DUNG! WHITE
HEAT BURNS BLACK BASTARDS!
Sergeant Wield took a last look as he left the theatre. Council workers were already at their priest-like task of ablution, but it was going to be a long job.
When he got back to the station, he went to see if his immediate superior, Detective-Inspector Peter Pascoe, was back from the hospital. Long before he reached the inspector’s door, a dull vibration of the air like thunder in the next valley suggested that Pascoe was indeed back and was being lectured, doubtless on some essential constabulary matter, by Superintendent Andrew Dalziel Head of Mid-Yorkshire CID.
‘The very man,’ said Dalziel as the sergeant entered. ‘What odds is Broomfield giving against Dan Trimble from Cornwall?’
‘Three to one. Theoretical, of course, sir,’ said Wield.
‘Of course. Here’s five theoretical quid to put on his nose, right?’
Wield accepted the money without comment. Dalziel was referring to the strictly illegal book Sergeant Broomfield had opened on the forthcoming appointment of a new Chief Constable. The shortlist had been announced and interviews would take place in a fortnight’s time.
Pascoe, slightly disapproving of this frivolity when there was serious police business toward, said, ‘How was the Kemble, Wieldy?’
‘It’ll wash off,’ said the sergeant. ‘What about the lad in hospital?’
Pascoe said, ‘That’ll take a bit longer to wash off. They fractured his skull.’
‘The two things are connected, you reckon?’ said Dalziel.
‘Well, he is black and he is a member of the Kemble Company.’
The attack in question had taken place as the young actor had made his way to his digs after an evening out drinking with some friends. He’d been found badly beaten in an alleyway at six o’clock that morning. He could remember nothing after leaving the pub.
The trouble at the Kemble had started with the controversial appointment of Eileen Chung as artistic director. Chung, a six-foot-three-inch-tall Eurasian with a talent for publicity, had gone instantly on local television to announce that under her regime, the Kemble would be an outpost of radical theatre. Alarmed, the interviewer had asked if this meant a diet of modern political plays.
‘Radical’s content, not form, honey,’ Chung said sweetly. ‘We’re going to open with Romeo and Juliet, is that old-fashioned enough for you?’
Asked, why Romeo and Juliet? she had replied, ‘It’s about the abuse of authority, the psycho-battering of children, the degradation of womanhood. Also it’s on this year’s O-level syllabus. We’ll pack the kids in, honey. They’re tomorrow’s audience and they’ll melt away unless you get a hold of them today.’
Such talk had made many of the city fathers uneasy, but it had delighted a lot of people including Ellie Pascoe who, as local membership secretary of WRAG, the Women’s Rights Action Group, had quickly got in touch with Chung. Since their first meeting, she had talked about the newcomer with such adulation that Pascoe had found himself referring to her in a reaction, which privately at least he recognized as jealous, as Big Eileen.
It was after her television appearance that trouble had started in the form of obscene phone calls and threatening letters. But the previous night’s attack and vandalization had been the first direct interpretation of these threats.
‘What did Big Eileen have to say?’ inquired Pascoe.
‘Miss Chung, you mean?’ said Wield, correctly. ‘Well, she was angry about the paint and the beating-up, naturally. But to tell the truth, what seemed to be bothering her most was getting someone to replace the lad in hospital. He had an important part, it seems, and they’re due to open next Monday, I think it is.’
‘Yes, I know. I’ve got tickets,’ said Pascoe without enthusiasm. It was Ellie who’d got the tickets and also an invitation to the backstage party to follow the opening. His objection that there was a showing of Siegel’s The Killers on the telly that night had not been sympathetically received.
‘Do we count it as one case or as two, sir?’ inquired Wield, who was a stickler for orderliness.
Pascoe frowned but Dalziel said, ‘Two. You stick with the assault, Peter, and let Wield here handle the vandals. If they tie in together, well and good, but at the moment, what’ve we got? Someone gives a lad a kicking after closing time. Happens all the time. Someone else goes daft with a spray can. Show me a wall where they haven’t! It’s like Belshazaar’s Feast down in the underpass.’
Pascoe didn’t altogether agree but knew better than to argue. In any case, Dalziel didn’t leave a space for argument. Having disposed of this policy decision, he was keen to get back to the main business of the day.
‘Who’s Broomfield making favourite, Wieldy?’ he asked.
‘Well, there’s Mr Dodd from Durham. Two to one on. Joint.’
‘Joint? Who with.’
‘Mr Watmough,’ said Wield, his craggily ugly face even more impressive than usual. It was well known that Dalziel rated Watmough, the present Deputy Chief Constable, as a life form only slightly above amoeba.
‘What? He wants his head looked at! Find out what he’ll give me against our DCC finding his way out of the interview room without a guide dog, Wieldy!’
Wield smiled, though it hardly showed. He was smiling at Dalziel’s abrasive humour, at Pascoe’s faintly pained reaction, and also just for the sheer pleasure of being part of this. Even Dalziel would only speak so abusively of a superior before subordinates he liked and trusted. With a slight shock of surprise, Wield found he was happy. It was not a state he was much used to in recent years, not in fact since he had broken up with Maurice. But here it was at last, the dangerous infection breaking through, a slight but definite case of happiness!
The phone rang. Pascoe picked it up.
‘Hello? Yes. Hang on.’
He held out the phone to the sergeant.
‘For you, they say. Someone asking for Sergeant Mac Wield?’
The note of interrogation came on the Mac. This was not a name he’d ever heard anyone call Wield by.
The sergeant showed no emotion on his rugged face but his hand gripped the receiver so tightly that the tension bunched his forearm muscles against the sleeve of his jacket.
‘Wield,’ he said.
‘Mac Wield? Hi. I’m a friend of Maurice’s. He said if ever I was in this neck of the woods and needed a helping hand, I should look you up.’
Wield said, ‘Where are you?’
‘There’s a caff by the booking office at the bus station. You can’t miss me. I’m the suntanned one.’
‘Wait there,’ said Wield and put down the receiver.
The other two were regarding him queryingly.
‘I’ve got to go out,’ said Wield.
‘Anything we should know about?’ said Dalziel.
Mebbe the end of life as I know it, thought Wield, but all he said was, ‘Could be owt or nowt,’ before turning away abruptly and leaving.
‘Mac,’ said Pascoe. ‘I never knew Wield had Scottish connections.’
‘I don’t suppose they know either. He gives nowt much away, does he?’
‘It was probably a snout and we all like to keep our snouts under wraps,’ said Pascoe defensively.
‘If I looked like Wield, I’d put my snouts on display and keep my face under wraps,’ growled Dalziel.
Thank you, Rupert Brooke, thought Pascoe, regarding the superintendent’s huge balding head which his wife had once likened to a dropsical turnip.
But he was careful to sneeze the thought into his handkerchief, being much less sure than Sergeant Wield of his ability to shut his mind against Dalziel’s gaze, which could root up insubordination like a pig snuffling out truffles.
Wield’s capacity for concealment was far greater than anything Pascoe ever suspected.
Mac, the voice had said. Perhaps it had served him right for relaxing his guard and letting happiness steal in like that, but such instant retribution left the courts for dead! That a voice would one day call to change his life as he had chosen to live it had always been possible, indeed likely. That it should sound so young and speak so simply he had not anticipated.
I’m a friend of Maurice’s. That had been unnecessary. Only Maurice Eaton had ever called him Mac, their private name, short for Macumazahn, the native name of Allan Quatermain, the stocky, ill-favoured hero of the Rider Haggard novels Wield loved. It meant he-who-sleeps-with-one-eye-open and Wield could remember the occasion of his christening as clearly as if … He snapped his mind hard on the nostalgia. What had existed between him and Maurice was dead, should be forgotten. This voice from the grave brought no hope of resurrection, but trouble as sure as a War Office telegram.
When he reached the café, he had no problem in picking out the caller. Blue-streaked hair, leg-hugging green velvet slacks and a tight blue T-shirt with a pair of fluorescent lips pouting across the chest, were in this day and age not out of the ordinary even in Yorkshire. But he’d called himself the suntanned one, and though his smooth olive skin came from mixed blood rather than a Mediterranean beach, the youth would have been impossible to miss even if he hadn’t clearly recognized Wield and smiled at him welcomingly.
Wield ignored him and went to the self-service bar.
‘Keeping you busy, Charley?’ he said.
The man behind the counter answered, ‘It’s the quality of the tea, Mr Wield. They come here in buses to try it. Fancy a cup?’
‘No, thanks. I want a word with that lad in the corner. Can I use the office?’
‘Him that looks like a delphinium? Be my guest. Here’s the key. I’ll send him through.’
Charley, a cheerful chubby fifty-year-old, had performed this service many times for both Wield and Pascoe when the café had been too full for a satisfactory tête-à-tête with an informant. Wield went through a door marked TOILETS, ignored the forked radish logo to his left and the twin-stemmed Christmas tree to his right, and unlocked the door marked Private straight ahead. It was also possible to get into this room from behind the bar, but that would draw too much attention.
Wield sat down on a kitchen chair behind a narrow desk whose age could be read in the tea-rings on its surface. The only window was narrow, high and barred, admitting scarcely more light than limned the edges of things, but he ignored the desk lamp.
A few moments later the door opened to reveal the youth standing uncertainly on the threshold.
‘Come in and shut it,’ said Wield. ‘Then lock it. The key’s in the hole.’
‘Hey, what is this?’
‘Up here we call it a room,’ said Wield. ‘Get a move on!’
The youth obeyed and then advanced towards the desk.
Wield said, ‘Right. Quick as you like, son. I’ve not got all day.’
‘Quick as I like? What do you mean? You don’t mean …? No, I can see you don’t mean …’
His accent was what Wield thought of as Cockney with aitches. His age was anything between sixteen and twenty-two. Wield said, ‘It was you who rang?’
‘Yes, that’s right …’
‘Then you’ve got something to tell me.’
‘No. Not exactly …’
‘No? Listen, son, people who ring me at the station, and don’t give names, and arrange to meet me in dumps like this, they’d better have something to tell me, and it had better be good! So let’s be having it!’
Wield hadn’t planned to play it this way, but it had all seemed to develop naturally from the site and the situation. And after years of a carefully disciplined and structured life, he sensed that what lay ahead was a new era of playing things by ear. Unless, of course, this boy could simply be frightened away.
‘Look, you’ve got it all wrong, or maybe you’re pretending to get it wrong … Like I said, I’m a friend of Maurice’s …’
‘Maurice who? I don’t know any Maurices.’
‘Maurice Eaton!’
‘Eaton? Like the school? Who’s he when he’s at home?’
And now the youth was stung to anger.
Leaning with both hands on the desk, he yelled, ‘Maurice Eaton, that’s who he is! You used to fuck each other, so don’t give me this crap! I’ve seen the photos, I’ve seen the letters. Are you listening to me, Macumazahn? I’m a friend of Maurice Eaton’s and like any friend of a friend might, I thought I’d look you up. But if it’s shit-on-auld-acquaintance time, I’ll just grab my bag and move on out. All right?’
Wield sat quite still. Beneath the unreadable roughness of his face, a conflict of impulses raged.
Self-interest told him the best thing might be to spell out what a misery the boy’s life was likely to be if he hung around in mid-Yorkshire, and then escort him gently to the next long-distance coach in any direction and see him off. Against this tugged guilt and self-disgust. Here he was, this youth, a friend of the only man that Wield had ever thought of as his own friend, in the fullest, most open as well as the deepest, most personal sense of the word, and how was he treating him? With suspicion, and hate, using his professional authority to support a personal - and squalid - impulse.
And also, somewhere down there was another feeling, concerned with both pride and survival - an apprehension that sending this boy away was no real solution to his long-term dilemma, and in any case, if the youth meant trouble, he could as easily stir it up from the next phone box on the A1 as from here.
‘What’s your name, lad?’ said Wield.
‘Cliff,’ said the young man sullenly, ‘Cliff Sharman.’
Wield switched on the table lamp and the corners of the room sprang into view. None was a pretty sight, but in one of them stood an old folding chair.
‘All right, Cliff,’ said Wield. ‘Why don’t you pull up that chair and let’s sit down together for a few minutes and have a bit of a chat, shall we?’
Chapter 3
As soon as Pascoe walked through the door, his daughter began to cry.
‘You’re late,’ said Ellie.
‘Yes, I know. I’m a detective. They teach us to spot things like that.’
‘And that’s Rosie crying.’
‘Is it? I thought maybe we’d bought a wolf.’
He took off his jacket, draped it over the banisters and ran lightly up the stairs.
The little girl stopped crying as soon as he entered her room. This was a game she’d started playing only recently. That it was a game was beyond doubt; Ellie had observed her deep in sleep till her father’s key turned in the lock, and then immediately she let out her summoning wail and would not be silent till he came and spoke to her. What he said didn’t matter.
Tonight he said, ‘Hi, kid. Remember last week I was telling you I should be hearing about my promotion soon? Well, the bad news is, I still haven’t, so if you’ve been building up any hopes of getting a new pushchair or going to Acapulco this Christmas, forget it. Want some advice, kid? If you feel like whizzing, don’t start unless you can keep it up. Nobody loves a whizzkid that’s stopped whizzing! Did I hear you ask me why I’ve stopped? Well, I’ve narrowed it down to three possibilities. One: they all think I’m Fat Andy’s boy and everyone hates Fat Andy. Two: your mum keeps chaining herself to nuclear missile sites and also she’s Membership Secretary of WRAG. So what? you say. WRAG is non-aligned politically, you’ve read the hand-outs. But what does Fat Andy say? He says WRAG’s middle-of-the-road like an Italian motorist. All left-hand drive and bloody dangerous! Three? No, I’ve not forgotten three. Three is, maybe I’m just not good enough, what about that? Maybe inspector’s my limit. What’s that you said? Bollocks? You mean it? Gee, thanks, kid. I always feel better after talking to you!’
Gently he laid the once more sleeping child back on her bed and pulled the blanket up over her tiny body.
Downstairs he went first into the kitchen and poured two large Scotch-on-the-rocks. Then he went through into the living-room.
In his brief absence his wife had lost her clothes and gained a newspaper.
‘Have you seen this?’ she demanded.
‘Often,’ said Pascoe gravely. ‘But I have no objection to seeing it again.’
‘This,’ she said, brandishing the Mid-Yorks Evening Post.
‘I’ve certainly seen one very like it,’ he said. ‘It was in my jacket pocket, but it can hardly be the same one, can it? I mean your well known views on the invasion of privacy would hardly permit you to go through your husband’s pockets, would they?’
‘It was sticking out.’
‘That’s all right, then. You’re equally well known for your support of a wife’s right to grab anything that’s sticking out. What am I looking at? This Kemble business. Well, the chap who got kicked is going to be all right, but he can’t remember a thing. And Wield’s looking into the graffiti. Now why don’t you put the paper down …’
‘No, it wasn’t the Kemble story I wanted you to look at. It was this.’
Her finger stabbed an item headed Unusual Will.
Published today, the will of the late Mrs Gwendoline Huby of Troy House, Greendale, makes interesting reading. The bulk of her estate whose estimated value is in excess of one million pounds is left to her only son, Alexander Lomas Huby, who was reported missing on active service in Italy in 1944. Lieutenant Huby’s death was assumed though his body was never found. In the event that he does not appear to claim his inheritance by his ninetieth birthday in the year 2015, the estate will be divided equally between the People’s Animal Welfare Society, the Combined Operations Dependants’ Relief Organization, both registered charities in which Mrs Huby had a long interest, and Women For Empire, a social-political group which she had supported for many years.
‘Very interesting,’ said Pascoe. ‘Sad too. Poor old woman.’
‘Stupid old woman!’ exclaimed Ellie.
‘That’s a bit hard. OK, she must have been a bit dotty, but …’
‘But nothing! Don’t you see? A third of her estate to Women For Empire! More than a third of a million pounds!’
‘Who,’ wondered Pascoe, sipping one of the Scotches, ‘are Women For Empire?’
‘My God. No wonder they’re dragging their feet about promoting you to Chief Inspector! Fascists! Red, white and blue, and cheap black labour!’
‘I see,’ said Pascoe feeling the crack about his promotion was a little under the belt. ‘Can’t say I’ve ever heard of them.’
‘So what? You’d never heard of Bangkok massage till you married me.’
‘That’s true. But I’d still like to know which of my worldwide sources of intelligence I can blame for my ignorance. Where did you hear about them?’
Ellie blushed gently. It was a phenomenon observed by few people as the change of colour was not so much in her face as in the hollow of her throat, the rosy flush seeping down towards the deep cleft of her breasts. Pascoe claimed that here was the quintessence of female guilt, i.e. evidence of guilt masquerading as a mark of modesty.
‘Where?’ he pressed.
‘On the list,’ she muttered.
‘List?’
‘Yes,’ she said defiantly. ‘There’s a list of ultra-right-wing groups we ought to keep an eye open for. We got a copy at WRAG.’
‘A list!’ said Pascoe taking another drink. ‘You mean, like the RC’s Index? Forbidden reading for the faithful? Or is it more like the Coal Board’s famous hit list? These organizations are the pits and ought to be closed down?’
‘Peter, if you don’t stop trying to be funny, I’ll get dressed again. And incidentally, why are you drinking from both those glasses?’
‘Sorry,’ said Pascoe handing over the fuller of the two. ‘Incidentally in return, how come at nine-thirty in the evening you’re wearing nothing but the Evening Post anyway?’
‘Every night for what seems weeks now you’ve been staggering in late. Rosie instantly sets up that awful howl and you stagger upstairs to talk to her. I dread to think what long term effect these little monologues are having on the child!’
‘She doesn’t complain.’
‘No. It’s the only way she can get your attention for a little while. That’s what all this is about. The next stage is for you to stagger back downstairs, have a couple of drinks, eat your supper and then fall asleep beyond recall by anything less penetrative than Fat Andy’s voice. Well, tonight I’m getting in my howl first!’
Pascoe looked at her thoughtfully, finished his drink and leaned back on the sofa.
‘Howl away,’ he invited.
The Unusual Will item had caught other eyes that day too.
The Mid-Yorks Evening Post was one of several northern local papers in the Challenger group. The Challenger itself was a Sunday tabloid, published in Leeds with a mainly northern circulation though in recent years under the dynamic editorship of Ike Ogilby it had made some inroads into the Midlands. Nor did Ogilby’s ambitions end at Birmingham. In the next five years he aimed either to expand the Challenger into a full-blown national or use it as his personal springboard to an established editorial chair in Fleet Street, he didn’t much care which.
The other editors within the group were requested to bring to Ogilby’s notice any local item which might interest the Challenger. In addition Ogilby, who trusted his fellow journalists to share a story like the chimpanzee trusts its fellow chimps to share a banana, encouraged his own staff to scan the evening columns.
Henry Vollans, a young man who had recently joined the staff from a West Country weekly, spotted the piece about the Huby will at half past five. Boldly he took it straight to Ogilby who was preparing to go home. The older man, who admired cheek and recognized ambition to match his own, said dubiously, ‘Might be worth a go. What were you thinking of? Sob piece? Poor old mam, lost child, that sort of thing?’
‘Maybe,’ said Vollans who was slim, blond and tried not unsuccessfully to look like Robert Redford in All the President’s Men. ‘But this lot, Women For Empire, that rang a bell. There was a letter in the correspondence column a couple of weeks back when I was sorting them out. From a Mrs Laetitia Falkingham. I checked back and it had the heading. She lives at Ilkley and calls herself the founder and perpetual president of Women For Empire. The letter was about that bother in Bradford schools. She seemed to think it could be solved by sending all the white kids to Eton and educating the blacks under the trees in the public parks. I checked through the files. Seems she’s been writing to the paper off and on for years. We’ve published quite a few.’
‘Yes, of course. Rings a bell now,’ said Ogilby. ‘Sounds nicely batty, doesn’t she? OK. Check it out to see if there’s anything there for us. But I suspect the doting mum/lost kid angle will be the best. This racial vandal stuff at the Kemble theatre looks more interesting.’
‘Could be if there’s some bother on the opening night,’ said Vollans. ‘Shall I go? I could do a review anyway.’
‘Theatre correspondent too,’ mocked Ogilby, admiring the young man’s pushiness. ‘Why not? But talk to me again before you do anything on Mrs Falkingham. We’re treading very warily about Bradford.’
Bradford’s large and growing Asian community had highlighted by reversal the problems of mixed race schooling. It was the usual question of how best to cater for the classroom needs of a minority, only in this case the minority was frequently white. The Challenger’s natural bent was conservative, but Ogilby wasn’t about to alienate thousands of potential readers right on his doorstep.
‘OK, Henry,’ said Ogilby dismissively. ‘Well spotted.’
Vollans left, so pleased with himself that he forgot his Robert Redford walk for several paces.
Nor did interest in the will end there.
A few hours later the telephone was answered in a flat in north Leeds, quite close to the University. The conversation was short and guarded.
‘Yes?’
‘Something in the Mid-Yorks Evening Post that might interest. Women For Empire, that daft Falkingham woman’s little tea-circle out at Ilkley, could be in for a windfall.’
‘I know.’
‘Oh.’
‘Yes. You’re way behind, as usual. All that’s long taken care of.’
‘Oh. Sorry I spoke.’
‘No, you were right. You’re in a call-box?’
‘Natch!’
‘Good. But don’t make a habit of calling. ’Bye.’
‘And up yours too,’ said the caller disgruntledly into the dead phone. ‘Condescending cunt!’
Not far away in the living-room of his small suburban flat, Sergeant Wield too reclined on a sofa but he was wide awake, the Evening Post with its news of wills and vandals lay unopened on the hall floor, and the ice cubes in his untouched Scotch had long since diluted the rich amber to a pale straw.
He was thinking about Maurice Eaton. And he was marvelling that he had managed to think so little about him for so long. Lovers beneath the singing sky of May, they had even wandered once close to the decision, momentous in that time and at that place and in those circumstances, of openly setting up house together. Then Maurice, a Post Office executive, had been transferred north to Newcastle.
It had seemed a God-sent compromise solution at the time - close enough for regular meetings but far enough to reduce the decision on setting up house to a problem of geography.
But even small distances work large disenchantments. Wield had once been proud of his fierce fidelity but now he saw it as a form of naïve self-centredness. He recalled with amazement and shame his near-hysterical outburst of jealous rage when Maurice had finally admitted he was seeing somebody else. For thirty minutes he had been the creature of the emotions he had controlled for as many years. And he had never seen Maurice again since that day.
The only person who ever got a hint of what he had gone through was Mary, his sister. They had never spoken openly of Wield’s sexuality, but a bond of loving understanding existed between them. Two years after the break with Maurice, she had left Yorkshire too when her husband was made redundant and decided that Canada held more hope for his family than this British wasteland.
So now Wield was alone. And had remained alone, despite all temptation, treating the core of his physical and emotional being as if it were some physiological disability, like alcoholism, requiring total abstinence for control.
There had been small crises. But from the first second he had heard Sharman’s voice on the phone, he had felt certain that this was the start of the last battle.
He went over their conversation again, as he might have gone over an interrogation transcript in the station.
‘Where’d you meet Maurice?’ he’d asked.
‘In London.’
‘London?’
‘Yeah. He moved down from the North a couple of years back, didn’t you know that?’
It was a redundant question, the boy knew the answer. Wield said, ‘New job? Is he still with the Post Office?’
‘British Telecom now. Onward and upward, that’s Mo.’
‘And he’s … well?’
Perhaps he shouldn’t have let the personal query, however muted, slip out. The boy had smiled as he replied, ‘He’s fine. Better than ever before, that’s what he says. It’s different down there, see. Up North, it may be the ’eighties in the calendar, but there’s still a ghetto mentality, know what I mean? I’m just quoting Mo, of course. Me, this is the first time I’ve got further north than Wembley!’
‘Oh aye? Why’s that?’
‘Why’s what?’
‘Why’ve you decided to explore, lad? Looking for Solomon’s mines, is it?’
‘Sorry? Coal mines, you mean?’
‘Forget it,’ said Wield. ‘Just tell us why you’ve come.’
The boy hesitated. Wield read this as a decision-making pause, choosing perhaps between soft-sell and hard-sell, between freeloading and blackmail.
‘Just fancied a change of scene,’ said Sharman at last. ‘Mo and me decided to have a bit of a hol from each other …’
‘You were living together?’
‘Yeah, natch.’ The youth grinned knowingly. ‘You two never managed that, did you? Always scared of the neighbours, Mo said. That’s why he likes it down there. No one gives a fuck who’s giving a fuck!’
‘So you decided to take a trip to Yorkshire and see me?’ said Wield.
‘No! I just set off hitching and today I got dumped here and the name of the place rang a bell and I said, hello, why not get in touch with Mo’s old mate and say hello? That’s all.’
He didn’t sound very convincing, but even if he had, Wield was not in a convincible mood. Hitchhikers didn’t get dropped at bus stations.
He said, ‘So Maurice told you all about me?’
‘Oh yes,’ said Sharman confidently. ‘He was showing me some old photos in bed one night and I said, Who’s that? and he told me all about you and the thing you had together and having to keep it quiet because you were a cop and all that!’
The real pain came at that moment, the pain of betrayal, sharp and burning still as on that first occasion, an old wound ripping wide.
‘It’s always nice to hear from old friends,’ said Wield softly. ‘How long are you planning on staying, Cliff?’
‘Don’t know,’ said the boy, clearly puzzled by this gentle response. ‘Might as well take a look round now I’m here, see the natives sort of thing. I’ll need to find somewhere to kip, not too pricey though. Any suggestions?’
The free sample has ended.