The Master's Violin

I
The Master Plays

The fire blazed newly from its embers and set strange shadows to dancing upon the polished floor. Now and then, there was a gleam from some dark mahogany surface and an answering flash from a bit of old silver in the cabinet. April, warm with May’s promise, came in through the open window, laden with the wholesome fragrance of growing things, and yet, because an old lady loved it, there was a fire upon the hearth and no other light in the room.

She sat in her easy chair, sheltered from possible draughts, and watched it, seemingly unmindful of her three companions. Tints of amethyst and sapphire appeared in the haze from the backlog and were lost a moment later in the dominant flame. In that last hour of glorious life, the tree was giving back its memories – blue skies, grey days just tinged with gold, lost rainbows, and flashes of sun.

Friendly ghosts of times far past were conjured back in shadows – outspread wings, low-lying clouds, and long nights that ended in dawn. Swift flights of birds and wandering craft of thistledown were mirrored for an instant upon the shining floor, and then forgotten, because of falling leaves.

Lines of transfiguring light changed the snowy softness of Miss Field’s hair to silver, and gave to her hands the delicacy of carved ivory. A tiny foot peeped out from beneath her gown, clad in its embroidered silk stocking and high-heeled slipper, so brave in its trappings of silver buckles that she might have been eighteen instead of seventy-five.

Upon her face the light lay longest; perhaps with an answering love. The years had been kind to her – had given her only enough bitterness to make her realise the sweetness, and from the threads that Life had placed in her hands at the beginning, had taught her how to weave the blessed fabric of Content.

“Aunt Peace,” asked the girl, softly, “have you forgotten that we have company?”

Dispelled by the voice, the gracious phantoms of Memory vanished. There was a little silence, then the old lady smiled. “No, dearie,” she said, “indeed I haven’t. It is too rare a blessing for me to forget.”

“Please don’t call us ‘company,’” put in the other woman, quickly, “because we’re not.”

“‘Company,’” observed the young man on the opposite side of the hearth, “is extremely good under the circumstances. Somebody nearly breaks down your front door on a rainy afternoon, and when you rush out to save the place from ruin, you discover two dripping tramps on your steps. Stranded on an island in the road is a waggon containing their trunks, from which place of refuge they recently swam to your door. ‘How do you do, Aunt Peace?’ says mother; ‘we’ve come to live with you from this time on to the finish.’ On behalf of this committee, ladies, I thank you, from my heart, for calling us ‘company.’”

Laughing, he rose and made an exaggerated courtesy. “Lynn! Lynn!” expostulated his mother. “Is it possible that after all my explanations you don’t understand? Why, I wrote more than two weeks ago, asking her to let us know if she didn’t want us. Silence always gives consent, and so we came.”

“Yes, we came all right,” continued the boy, cheerfully, “and, as everybody knows, we’re here now, but isn’t it just like a woman? Upon my word, I think they’re queer – the whole tribe.”

“Having thus spoken,” remarked the girl, “you might tell us how a man would have managed it.”

“Very easily. A man would have called in his stenographer – no, he wouldn’t, either, because it was a personal letter. He would have made an excavation into his desk and found the proper stationery, and would have put in a new pen. ‘My dear Aunt Peace,’ he would have said, ‘you mustn’t think I’ve forgotten you because I haven’t written for such a long time. If I had written every time I had wanted to, or had thought of you, actually, you’d have been bored to death with me. I have a kid who thinks he is going to be a fiddler, and we have decided to come and live with you while he finds out, as we understand that Herr Franz Kaufmann, who is not unknown to fame, lives in your village. Will you please let us know? If you can’t take us, or don’t want to, here’s a postage stamp, and no hard feelings on either side.’”

“Just what I said,” explained Mrs. Irving, “though my language wasn’t quite like yours.”

The old lady smiled again. “My dears,” she began, “let us cease this unprofitable discussion. It is all because we are so far out of the beaten track that we seldom go to the post-office. I am sure the letter is there now.”

“I will get it to-morrow,” replied Lynn, “which is kind of me, considering that my remarks have just been alluded to as ‘unprofitable.’”

“You can’t expect everybody to think as much of what you say as you do,” suggested Iris, with a trace of sarcasm.

“Score one for you, Miss Temple. I shall now retire into my shell.” So saying, he turned to the fire, and his face became thoughtful again.

The three women looked at him from widely differing points of view. The girl, concealed in the shadow, took maidenly account of his tall, well-knit figure, his dark eyes, his sensitive mouth, and his firm, finely modelled chin. From a half-defined impulse of coquetry, she was glad of the mood which had led her to put on her most becoming gown early in the afternoon. The situation was interesting – there was a vague hint of a challenge of some kind.

Aunt Peace, so long accustomed to quiet ways, had at first felt the two an intrusion into her well-ordered home, though at the same time her hospitable instincts reproached her bitterly. He was of her blood and her line, yet in some way he seemed like an alien suddenly claiming kinship. A span of fifty years and more stretched between them, and across it, they contemplated each other, both wondering. For his part he regarded her as one might a cameo of fine workmanship or an old miniature. She was so passionless, so virginal, so far removed from all save the gentlest emotions, that he saw her only as one who stood apart.

The smile still lingered upon her lips and the firelight made shadows beneath her serene eyes. Had they asked her for her thoughts she could have phrased only one. Deep down in her heart she wondered whether anything on earth had ever been so joyously young as Lynn.

His mother, too, was watching him, as always when she thought herself unobserved. In spite of his stalwart manhood, to her he was still a child. Forgiving all things, dreaming all things, hoping all things with the boundless faith of maternity, she loved him, through the child that he was, for the man that he might be – loved him, through the man that he was, for the child that he had been.

The fire had died down, and Iris, leaning forward, laid a bit of pine upon the dull glow in the midst of the ashes. It caught quickly, and once again the magical light filled the room.

“Sing something, dear,” said Aunt Peace, drowsily, and Iris made a little murmur of dissent.

“Do you sing, Miss Temple?” asked Irving, politely.

“No,” she answered, “and what’s more, I know I don’t, but Aunt Peace likes to hear me.”

“We’d like to hear you, too,” said Mrs. Irving, so gently that no one could have refused.

Much embarrassed, she went to the piano, which stood in the next room, just beyond the arch, and struck a few chords. The instrument was old and worn, but still sweet, and, fearful at first, but gaining confidence as she went on, Iris sang an old-fashioned song.

Her voice was contralto; deep, vibrant, and full, but untrained. Still, there were evidences of study and of work along right lines. Before she had finished, Irving was beside her, resting his elbow upon the piano.

“Who taught you?” he asked, when the last note died away.

“Herr Kaufmann,” she replied, diffidently.

“I thought he was a violin teacher.”

“He is.”

“Then how can he teach singing?”

“He doesn’t.”

Irving went no farther, and Miss Temple, realising that she had been rude, hastened to atone. “I mean by that,” she explained, “that he doesn’t teach anyone but me. I had a few lessons a long time ago, from a lady who spent the Summer here, and he has been helping me ever since. That is all. He says it doesn’t matter whether people have voices or not – if they have hearts, he can make them sing.”

“You play, don’t you?”

“Yes – a little. I play accompaniments for him sometimes.”

“Then you’ll play with me, won’t you?”

“Perhaps.”

“When – to-morrow?”

“I’ll see,” laughed Iris. “You should be a lawyer instead of a violinist. You make me feel as if I were on the witness stand.”

“My father was a lawyer; I suppose I inherit it.” Iris had a question upon her lips, but checked it.

“He is dead,” the young man went on, as though in answer to it. “He died when I was about five years old, and I remember him scarcely at all.”

“I don’t remember either father or mother,” she said. “I had a very unhappy childhood, and things that happened then make me shudder even now. Just at the time it was hardest – when I couldn’t possibly have borne any more – Aunt Peace discovered me. She adopted me, and I’ve been happy ever since, except for all the misery I can’t forget.”

“She’s not really your aunt, then?”

“No. Legally, I am her daughter, but she wouldn’t want me to call her ‘mother,’ even if I could.”

The talk in the other room had become merely monosyllables, with bits of understanding silence between. Iris went back, and Mrs. Irving thanked her prettily for the song.

“Thank you for listening,” she returned.

“Come, Aunt Peace, you’re nodding.”

“So I was, dearie. Is it late?”

“It’s almost ten.”

In her stately fashion, Miss Field bade her guests good night. Iris lit a candle and followed her up the broad, winding stairway. It made a charming picture – the old lady in her trailing gown, the light throwing her white hair into bold relief, and the girl behind her, smiling back over the banister, and waving her hand in farewell.

In Lynn’s fond sight, his mother was very lovely as she sat there, with the firelight shining upon her face. He liked the way her dark hair grew about her low forehead, her fair, smooth skin, and the mysterious depths of her eyes. Ever since he could remember, she had worn a black gown, with soft folds of white at the throat and wrists.

“It’s time to go out for our walk now,” he said.

“Not to-night, son. I’m tired.”

“That doesn’t make any difference; you must have exercise.”

“I’ve had some, and besides, it’s wet.”

Lynn was already out of hearing, in search of her wraps. He put on her rubbers, paying no heed to her protests, and almost before she knew it, she was out in the April night, woman-like, finding a certain pleasure in his quiet mastery.

The storm was over and the hidden moon silvered the edges of the clouds. Here and there a timid planet looked out from behind its friendly curtain, but only the pole star kept its beacon steadily burning. The air was sweet with the freshness of the rain, and belated drops, falling from the trees, made a faint patter upon the ground.

Down the long elm-bordered path they went, the boy eager to explore the unfamiliar place; the mother, harked back to her girlhood, thrilled with both pleasure and pain.

Happy are they who leave the scenes of early youth to the ministry of Time. Going back, one finds the river a little brook, the long stretch of woodland only a grove in the midst of a clearing, and the upland pastures, that once seemed mountains, are naught but stony, barren fields.

As they stood upon the bridge, looking down into the rushing waters, Margaret remembered the lost majesty of that narrow stream, and sighed. The child who had played so often upon its banks had grown to a woman, rich with Life’s deepest experiences, but the brook was still the same. Through endless years it must be the same, drawing its waters from unseen sources, while generation after generation withered away, like the flowers that bloomed upon its grassy borders while the years were young.

Lynn broke rudely into her thoughts. “I wish I’d known you when you were a kid, mother,” he said.

“Why?”

“Oh, I think I’d have liked to play with you. We could have made some jolly mud pies.”

“We did, but you were three, and I was twenty-five. Much ashamed, too, I remember, when your father caught me doing it.”

“Am I like him?”

He had asked the question many times and her answer was always the same. “Yes, very much like him. He was a good man, Lynn.”

“Do I look like him?”

“Yes, all but your eyes.”

“When you lived here, did you know Herr Kaufmann?”

“By sight, yes.” He was looking straight at her, but she had turned her face away, forgetting the darkness. “We used to see him passing in the street,” she went on, in a different tone. “He was a student and never seemed to know many people. He would not remember me.”

“Then there’s no use of my telling him who I am?”

“Not the least.”

“Maybe he won’t take me.”

“Yes, he will,” she answered, though her heart suddenly misgave her. “He must – there is no other way.”

“Will you go with me?”

“No, indeed; you must go alone. I shall not appear at all.”

“Why, mother?”

“Because.” It was her woman’s reason, which he had learned to accept as final. Beyond that there was no appeal.

East Lancaster lay on one side of the brook and West Lancaster on the other. The two settlements were quite distinct, though they had a common bond of interest in the post-office, which was harmoniously situated near the border line. East Lancaster was the home of the aristocracy. Here were old Colonial mansions in which, through their descendants, the builders still lived. The set traditions of a bygone century held full sway in the place, but, though circumscribed by conditions, the upper circle proudly considered itself complete.

West Lancaster was on a hill, and a steep one at that. Hardy German immigrants had settled there, much to the disgust of East Lancaster, holding itself sternly aloof year after year. It was not considered “good form” to allude to the dwellers upon the hill, save in low tones and with lifted brows, yet there were not wanting certain good Samaritans who sent warm clothing and discarded playthings, after nightfall and by stealth, to the little Teutons who lived so near them.

Hemmed in by the everlasting hills, estranged from its neighbour, and barely upon speaking terms with other towns, East Lancaster let the world go on by. Two trains a day rushed through the station, for the main line of the railroad, receiving no encouragement from East Lancaster, had laid its tracks elsewhere. It was still spoken of as “the time when, if you will remember, my dear, they endeavoured to ruin our property with dirt and noise.”

“Her clothes are like her name,” remarked Lynn.

“Whose clothes?” asked Mrs. Irving, taken out of her reverie.

“That girl’s. She had on a green dress, and some yellow velvet in her hair. Her eyes are purple.”

“Violet, you mean, dear. Did you notice that?”

“Of course – don’t I notice everything? Come, mother; I’ll race you to the top of the hill.”

Once again her objections were of no avail. Together they ran, laughing, up the winding road that led to the summit, stopping very soon, however, and going on at a more moderate pace.

The street was narrow, and the houses on either side were close together. Each had its tiny patch of ground in front, laid out in flower-beds bordered with whitewashed stones, in true German fashion. There were no street lamps, for West Lancaster also resented all modern innovations, but in the Spring night one could see dimly.

Lanterns flitted here and there, like fireflies starred against the dark. Margaret protested that she was tired, but Lynn put his arm around her and hurried her on. Never before had she set foot upon the soil of West Lancaster, but she had full knowledge of the way.

The brow of the hill was close at hand, and she caught her breath in sudden fear. Lynn, in the midst of a graphic recital of some boyish prank, took no note of her agitation. He did not even know that they had come to the end of their journey, until a man tiptoed toward them, his finger upon his lips.

“Hush!” he breathed. “The Master plays.”

At the very top of the hill, almost at the brink of the precipice, was a house so small that it seemed more like a box than a dwelling. In the street were a dozen people, both men and women, standing in stolid patience. The little house was dark, but a window was open, and from within, muted almost to a whisper, came the voice of a violin.

For an hour or more they stood there, listening. By insensible degrees the music grew in volume, filled with breadth and splendour, yet with a lyric undertone. Sounding chords, caught from distant silences, one by one were woven in. Songs that had an epic grasp; question, prayer, and heartbreak; all the pain and beauty of the world were part of it, and yet there was something more.

To Lynn’s trained ear, it was an improvisation by a master hand. He was lost in admiration of the superb technique, the delicate phrasing, and the wonderful quality of the tone. To the woman beside him, shaken from head to foot by unutterable emotion, it was Life itself, bare, exquisitely alive, tuned to the breaking point – a human thing, made of tears and laughter, of ecstasy, tenderness, and black despair, lying on the Master’s breast and answering to his touch.

The shallows touch the pebbles, and behold, there is a little song. The deeps are stirred to their foundations, and, long afterward, there is a single vast strophe, majestic and immortal, which takes its place by right in the symphony of pain. To Margaret, standing there with her senses swaying, all her possibilities of feeling were merged into one unspeakable hurt.

“Take me away;” she whispered, “I can bear no more!”

But Lynn did not hear. He was simply and solely the musician, his body tense, his head bent forward and a little to one side, nodding in emphasis or approval.

She slipped her arm through his and, trembling, waited as best she might for the end. It came at last and the little group near them took up its separate ways. Someone put down the window and closed the shutters. The Master knew quite well that some of his neighbours had been listening, but it pleased him to ignore the tribute. No one dared to speak to him about his playing.

“Mother! Mother!” said Lynn, tenderly, “I’ve been selfish, and I’ve kept you too long!”

“No,” she answered, but her lips were cold and her voice was not the same. They went downhill together, and she leaned heavily upon his supporting arm. He was humming, under his breath, bits of the improvisation, and did not speak again until they were at home.

The fire was out, but Iris had left two lighted candles on a table in the hall. “A fine violin,” he said; “by far the finest I have ever heard.”

“Yes,” she returned, “a Cremona – that is, I think it must be, from its tone.”

“Possibly. Good night, and pleasant dreams.”

They parted at the head of the stairs, and down on the landing the tall clock chimed twelve. Margaret lay for a long time with her eyes closed, but none the less awake. Toward dawn, the ghostly fingers of her dreams tapped questioningly at the Master’s door, but without disturbing his sleep.

II
“Mine Cremona”

Lynn went up the hill with a long, swinging stride. The morning was in his heart and it seemed good to be alive. His blood fairly sang in his pulses, and his cheery whistle was as natural and unconscious as the call of the robin in the maple thicket beyond.

The German housewives left their work and came out to see him pass, for strangers in West Lancaster were so infrequent as to cause extended comment, and he left behind him a trail of sharp glances and nodding heads. The entire hill was instantly alive with gossip which buzzed back and forth like a hive of liberated bees. It was a sturdy dame near the summit who quelled it, for the time being.

“So,” she said to her next-door neighbour, “I was right. He will be going to the Master’s.”

The word went quickly down the line, and after various speculations regarding his possible errand, the neglected household tasks were taken up and the hill was quiet again, except for the rosy-cheeked children who played stolidly in their bits of dooryards.

Lynn easily recognised the house, though he had seen it but dimly the night before. It was two stories in height, but very small, and, in some occult way, reminded one of a bird-house. It was perched almost upon the ledge, and its western windows overlooked the valley, filled with tossing willow plumes, the winding river, half asleep in its mantle of grey and silver, and the range of blue hills beyond.

It was the only house upon the hill which boasted two front entrances. Through the shining windows of the lower story, on a level with the street, he saw violins in all stages of making, but otherwise, the room was empty. So he climbed the short flight of steps and rang the bell.

The wire was slack and rusty, but after two or three trials a mournful clang came from the depths of the interior. At last the door was opened, cautiously, by a woman whose flushed face and red, wrinkled fingers betrayed her recent occupation.

“I beg your pardon,” said Irving, making his best bow. “Is Herr Kaufmann at home?”

“Not yet,” she replied, “he will have gone for his walk. You will be coming in?”

She asked the question as though she feared an affirmative answer. “If I may, please,” he returned, carefully wiping his feet upon the mat. “Do you expect him soon?”

“Yes.” She ushered him into the front room and pointed to a chair. “You will please excuse me,” she said.

“Certainly! Do not let me detain you.”

Left to himself, he looked about the room with amused curiosity. The furnishings were a queer combination of primitive American ideas and modern German fancies, overlaid with a feminine love of superfluous ornament. The Teutonic fondness for colour ran riot in everything, and purples, reds, and yellows were closely intermingled. The exquisite neatness of the place was its redeeming feature.

Apparently, there were two other rooms on the same floor – a combined kitchen and dining-room was just back of the parlour, and a smaller room opened off of it. Lynn was meditating upon Herr Kaufmann’s household arrangements, when a wonderful object upon the table in the corner attracted his attention, and he went over to examine it.

Obviously, it had once been a section of clay drainage pipe, but in its sublimated estate it was far removed from common uses. It had been smeared with putty, and, while plastic, ornamented with hinges, nails, keys, clock wheels, curtain rings, and various other things not usually associated with drainage pipes. When dry, it had been given further distinction by two or three coats of gold paint.

A wire hair-pin, placed conspicuously near the top of it, was rendered so ridiculous by the gilding that Lynn laughed aloud. Then, influenced by the sound of the scrubbing-brush close at hand, he endeavoured to cover it with a cough. He was too late, however, for, almost immediately, his hostess appeared in the doorway.

“Mine crazy jug,” she said, with gratified pride beaming from every feature.

“I was just looking at it,” responded Lynn. “It is marvellous. Did you make it yourself?”

“Yes, I make him mineself,” she said, and then retreated, blushing with innocent pleasure.

Not knowing what else to do, he went back to his chair and sat down again, carefully avoiding the purple tidy embroidered with pink roses. Outside, the street was deserted. He wondered what type of a man it was who could live in the same house with a “crazy jug” and play as Herr Kaufmann played, only last night. Then he reflected that the room had been dark, and smiled at his foolish fancy.

A square piano took up one whole side of the room, and there were two violins upon it. Unthinkingly, Lynn investigated. The first one was a good instrument of modern make, and the other – he caught his breath as he took it out of its case. The thin, fine shell was the beautiful body of a Cremona, enshrining a Cremona’s still more beautiful soul.

He touched it reverently, though his hands trembled and his face was aglow. He snapped a string with his finger and the violin answered with a deep, resonant tone, but before the sound had died away, there was an exclamation of horror in his ears and a firm grip upon his arm.

“Mine brudder’s Cremona!” cried the woman, her eyes flashing lightnings of anger. “You will at once put him down!”

“I beg a thousand pardons! I did not realise – I did not mean – I did not understand – ” He went on with confused explanations and apologies which availed him nothing. He stood before her, convicted and shamed, as one who had profaned the household god.

Wiping her hands upon her apron, she went to her work-box, took out her knitting, and sat down between Lynn and the piano. The chair was hard and uncompromising, with an upright back, but she disdained even that support and sat proudly erect.

There was no sound save the click of the needles, and she kept her eyes fixed upon her work. After an awkward silence, Lynn made one or two tentative efforts toward conversation, but each opening proved fruitless, and at length he seriously meditated flight.

The approach to the door was covered, but there were plenty of windows, and it would be an easy drop to the ground. He smiled as he saw himself, mentally, achieving escape in this manner and running all the way home.

“I wonder,” he mused, “where in the dickens ‘mine brudder’ is!”

The face of the woman before him was still flushed and the movement of the needles betrayed her excitement. He noted that she wore no wedding ring and surmised that she was a little older than his mother. Her features were hard, and her thin, straight hair was brushed tightly back and fastened in a little knot at the back of her head. It was not unlike a door knob, and he began to wonder what would happen if he should turn it.

His irrepressible spirits bubbled over and he coughed violently into his handkerchief, feeling himself closely scrutinised meanwhile. The situation was relieved by the sound of footsteps and the vigorous slam of the lower door.

Still keeping the piano, with its precious burden, within range of her vision, Fräulein Kaufmann moved toward the door. “Franz! Franz!” she called. “Come here!”

“One minute!” The voice was deep and musical and had a certain lyric quality. When he came up, there was a conversation in indignant German which was brief but sufficient.

“I can see,” said Lynn to himself, “that I am not to study with Herr Kaufmann.”

Just then he came in, gave Lynn a quick, suspicious glance, took up the Cremona, and strode out. He was gone so long that Lynn decided to retreat in good order. He picked up his hat and was half way out of his chair when he heard footsteps and waited.

“Now,” said the Master, “you would like to speak with me?”

He was of medium height, had keen, dark eyes, bushy brows, ruddy cheeks, and a mass of grey hair which he occasionally shook back like a mane. He had the typical hands of the violinist.

“Yes,” answered Lynn, “I want to study with you.”

“Study what?” Herr Kaufmann’s tone was somewhat brusque. “Manners?”

“The violin,” explained Irving, flushing.

“So? You make violins?”

“No – I want to play.”

“Oh,” said the other, looking at him sharply, “it is to play! Well, I can teach you nothing.”

He rose, as though to intimate that the interview was at an end, but Lynn was not so easily turned aside. “Herr Kaufmann,” he began, “I have come hundreds of miles to study with you. We have broken up our home and have come to live in East Lancaster for that one purpose.”

“I am flattered,” observed the Master, dryly. “May I ask how you have heard of me so far away as many hundred miles?”

“Why, everybody knows of you! When I was a little child, I can remember my mother telling me that some day I should study with the great Herr Kaufmann. It is the dream of her life and of mine.”

“A bad dream,” remarked the violinist, succinctly. “May I ask your mother’s name?”

“Mrs. Irving – Margaret Irving.”

“Margaret,” repeated the old man in a different tone. “Margaret.”

There was a long silence, then the boy began once more. “You’ll take me, won’t you?”

For an instant the Master seemed on the point of yielding, unconditionally, then he came to himself with a start. “One moment,” he said, clearing his throat. “Why did you lift up mine Cremona?”

The piercing eyes were upon him and Lynn’s colour mounted to his temples, but he met the gaze honestly. “I scarcely know why,” he answered. “I was here alone, I had been waiting a long time, and it has always been natural for me to look at violins. I think we all do things for which we can give no reason. I certainly had no intention of harming it, nor of offending anybody. I am very sorry.”

“Well,” sighed the Master, “I should not have left it out. Strangers seldom come here, but I, too, was to blame. Fredrika takes it to herself; she thinks that she should have left her scrubbing and sat with you, but of that I am not so sure. It is mine Cremona,” he went on, bitterly, “nobody touches it but mineself.”

His distress was very real, and, for the first time, Irving felt a throb of sympathy. However unreasonable it might be, however weak and childish, he saw that he had unwittingly touched a tender place. All the love of the hale old heart was centred upon the violin, wooden, inanimate – but no. Nothing can be inanimate, which is sweetheart and child in one.

“Herr Kaufmann,” said Lynn, “believe me, if any act of mine could wipe away my touch, I should do it here and now. As it is, I can only ask your pardon.”

“We will no longer speak of it,” returned the Master, with quiet dignity. “We will attempt to forget.”

He went to the window and stood with his back to Irving for a long time. “What could I have done?” thought Lynn. “I only picked it up and laid it down again – I surely did not harm it.”

He was too young to see that it was the significance, rather than the touch; that the old man felt as a lover might who saw his beloved in the arms of another. The bloom was gone from the fruit, the fragrance from the rose. For twenty-five years and more, the Cremona had been sacredly kept.