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JONATHAN BUCKLEY

Ghost MacIndoe


Dedication

for Susanne Hillen

Contents

Cover

Title Page

Dedication

1. Our Lady of Fatima

2. Gisbert

3. Nan Burnett

4. Eck

5. The Doodlebug House

6. The Winslow Boy

7. The Bovis stove

8. Tollund Man

9. Praa

10. Monty

11. The girls’ party

12. The Diet of Augsburg

13. The great Mclndoe

14. The cave

15. 6 July 1958

16. Chocolate soldiers

17. Welcome back, Private MacIndoe

18. A Name You Can Trust

19. Edie the WAAF

20. Dixon’s Discs

21. Pen

22. The Crown and Anchor

23. The Park Rangers

24. Mitchell

25. Gone but forgotten

26. Shipping Supplied

27. All My Appointed Time

28. Edwin

29. Esmé

30. The riot in Buenos Aires

31. The light on the stairs

32. Mr Harvey

33. All Saints

34. Nafplio

35. MacIndoe’s

36. Pont des Arts

37. A Night at the Opera

38. The Greta

39. La Plaza de Toros de la Real Maestranza de Caballería de Ronda

40. 27 April 1983

41. Bank

42. The Bellevue

43. The Rotunda in Ranelagh Gardens

44. The desk

45. Titus Egnatius Tyrannus

46. Roderick

47. The firemen’s band

48. Goodnight Ralph

49. 5 November

50. Irene

51. Be like the dead

52. The father

53. Creeping Jesus

54. Flat 3

55. Carpe Mañana

56. Sea lavender

Copyright

About the Publisher

1. Our Lady of Fatima

The postman was sitting on the doorstep of a shop halfway down the hill, with his empty bag like a cat on his lap, but he stood up when Alexander MacIndoe and his mother stopped, as if he had been waiting for them. There was dust all over his moustache, Alexander noticed, and on his eyelashes. The postman tipped his helmet to Alexander’s mother. ‘Morning, Mrs Mac,’ he smiled, showing teeth that were the colour of pencil wood. ‘Very elegant today, I must say.’

‘Too kind, Mr Durrant,’ she replied, with a serious face. She adjusted Alexander’s cap and tucked the trailing end of his scarf into the breast of his coat.

Mr Durrant knocked the cap skew-whiff again, then straightened it. ‘Hello, Master Mac, how are we this morning?’ he asked.

Alexander said nothing. He looked from the postman’s grey jacket to the clouds behind him, which were a different grey, and then to the balloons that wagged above him, which were another different grey and were bent like sad old dogs on their long, long leads. And when, in his fifty-eighth year, Alexander MacIndoe came to assemble the chronology of his life, this would be the oldest memory of which he could be certain. He would see a postman in a grey jacket, with grey barrage balloons above him, on a cold yellow morning in February, in 1944.

‘A bad night, Mrs Mac,’ said Mr Durrant.

‘It was that,’ she agreed, shifting the canvas bag that she had put in the seat of Alexander’s pushchair.

‘A grim one,’ mused Mr Durrant. ‘Your place come through all right?’

‘Thank you, yes. All’s well.’

‘Count our blessings, eh?’

‘Indeed we must.’

Alexander turned for a moment to watch a dray-horse haul a van out of Wemyss Road, and Mr Durrant moved a step closer to his mother. ‘Copped it down there they did,’ the postman told her, jabbing a thumb over his shoulder. He smiled sympathetically at Alexander, who saw that his eyes had tears in them. ‘Would the wee man like something?’ asked Mr Durrant. And here Alexander MacIndoe’s earliest true memory would recommence, with a postcard sliding upwards from a flap and a picture of the Virgin Mary, her white-shrouded head at the centre of the swirling rays of an orange sun, against a sky that was bluer than any he had ever seen. Mr Durrant turned the card and traced the words he then displayed with a finger that was creased like a worn sock. ‘The Thompson Family, 13 Shooters Hill Road, London, England.’ He worked the card between Alexander’s fingers and left it in the boy’s grip.

‘He can’t take that,’ said his mother.

‘Well, I can’t deliver it, Mrs MacIndoe,’ Mr Durrant replied. ‘Nobody of that name at that address for as long as I’ve been around.’ Gently he extracted the postcard from the boy’s grip and turned its reverse to her. ‘No message anyhow, see? People, eh? Forget their own names, some of them would.’ He posted the card back into Alexander’s hands and patted him on the head.

‘Say thank you, Alexander,’ Irene MacIndoe instructed her son. Without a sound he mouthed the words.

‘We’ll meet again, young fellow-me-lad,’ said Mr Durrant, pinching a cheek. ‘Take care, Mrs Mac. Take care, tiny man.’

Alexander’s mother took him along a street that was not the way to Mrs Kiernan’s. Her curls bobbed quickly as she hurried, steering the pushchair with her fingertips; Alexander, holding the cold steel handle, had to skip along to keep up. She began to sing to him the song she sang every morning on the way to Mrs Kiernan’s house. ‘She’s the girl that makes the thing that drills the hole that holds the spring, that drives the rod that turns the knob, that works the thingumebob,’ she sang, stroking his nose with a fingertip at the end of the verse. The pavement became gritty, and soon there was water running down the road, water that was plaited like his father’s belt. He saw Mrs Murrell, Mrs Beckwith, Mrs Darling and Mrs Evans, standing side by side in the middle of the street, looking away from them. The women glanced back and parted to allow Alexander and his mother into the line. There were branches all over the ground and an ambulance parked by a stump of a tree, and behind it was a hill of bricks and broken boards, over which some men were walking. To the side of the hill was a wall with a chimney on it, and pink-striped wallpaper on the upper part, above patches of blue stripes. On one blue-striped patch hung a mirror on a thin chain.

‘Terrible business, Irene,’ said Mrs Evans, the first of the women to speak.

‘It is, it is,’ said Alexander’s mother. ‘There but for the grace,’ she added, a phrase her son would often, in the following weeks, repeat silently to himself, reassured of his mother’s wisdom by his inability to understand what she had meant.

‘The Fitchies,’ said Mrs Darling. She sniffed loudly, jerking her head back as though she had been struck on the forehead. The doors of the ambulance opened and two men stepped out of it, carrying two long poles between them, with a sling of canvas between the poles.

Irene MacIndoe took hold of Alexander’s hand. Where the two men walked he could make out a bread tin among the bricks, and a whole glass bottle between the legs of a chair with a snapped back. A mauve eiderdown, speared on a broken windowframe, was the only thing on the hill that was not the colour of cement. At the back of a gully in the rubble, an empty doorway stood upright still, and Mr Nesbit, from the ironmonger’s shop, stood in its frame, looking at something he had placed in the bowl of a white tin helmet. Alexander watched Mrs Murrell fold a handkerchief then drop it into her handbag, which fastened with a click of the two brass berries on the clasp.

The women talked in whispers to his mother. ‘They found Moira. Donald’s in there as well, almost definitely,’ he heard Mrs Murrell say, a moment before Mr Nesbit lost his footing and tumbled out of sight.

‘Mind how you go, Douggie,’ said Mrs Darling, not loudly.

All the women, even Alexander’s mother, made a brief laughing sound, but none of them smiled.

‘All right your way, Irene?’ asked Mrs Beckwith.

His mother nodded, watching Mr Nesbit as he clambered back up towards the doorway.

‘Ruby’s son-in-law, too. Out on patrol in East India Docks,’ said Mrs Murrell. ‘Couldn’t have seen the parachute. God knows how he missed it. Lovely lad,’ she said, and shook her head. ‘Shame it is. Bloody shame.’

‘Rita,’ said Mrs Evans.

‘Siemens caught it and all, I heard,’ said Mrs Darling.

‘Not what I heard,’ Mrs Murrell told her. ‘And a bloody shame is what it is. A bloody damned shame.’

‘Rita,’ insisted Mrs Evans. ‘The boy.’

‘Oh Christ,’ Mrs Beckwith winced. ‘Irene,’ she said, and then his mother’s hands closed over his face. He could not breathe properly, so he pulled at her hands. She turned his face into her coat, but Alexander strained his eyes to peer through a gap in her fingers, and what he saw was the two men coming down off the ruins of the house, and a pair of feet sticking up from the sling, one with a brown sock on it and the other bare and yellowish, like a pig’s trotter in the butcher’s. One of the men opened the ambulance door and climbed in. The feet waggled like ducks on a pond.

‘We’re not doing any good here, girls,’ said Mrs Darling, which made Mrs Murrell, Mrs Beckwith and Mrs Evans turn and form a circle around Alexander and the pushchair. Alexander put out a hand to bat a coat aside; the ambulance doors were closed.

Mrs Evans stooped down to Alexander and touched the postcard. ‘What have you got there, Allie?’ she asked him, squeezing his chin lightly.

He bowed his head and with the nose of a shoe scuffed a circle in the rough powder that lay over the pavement.

‘Be polite, Alexander,’ said his mother.

Mrs Murrell crouched beside Mrs Evans. There were grains like sugar, but finer, amid the fine pale hairs of her cheeks, and in her hat was a pin in the shape of a swan, with wings of red stones.

Alexander raised the postcard to hide himself behind it.

‘Same colour as I’m wearing,’ said Mrs Murrell, holding her overcoat open to reveal a pleat of her radiant blue dress.

Mrs Darling hitched up her coat and came down so her face was level with Alexander’s. Her lips glistened with wet red lipstick; her breath had a smell he would later know was the smell of cherries. ‘That’s nice. Where did you get that?’ she asked him. Alexander MacIndoe shrugged and looked to his mother. ‘Who is it?’ coaxed Mrs Darling.

‘The bomb lady,’ said Alexander.

Mrs Murrell laughed and touched his cheek as if to wipe a bit of dirt away. All together the three women stood up straight. Mrs Evans tapped the arm of his mother and spoke to her in a voice that sounded like gas flowing into a mantle. He felt something settle on his head; it was Mrs Beckwith’s hand. She teased his hair as his mother sometimes did at night when he could not sleep.

Mr Nesbit, raising a plank upright, called out and waved his hands. The other men all went towards him, kicking half-bricks down the hill.

‘Must get his highness delivered,’ his mother said, swivelling the pushchair around.

‘We’ll all be late at this rate,’ answered Mrs Murrell. ‘See you in the slave quarters, Irene.’

Mrs Evans squeezed his hand before he could reach the handle of the pushchair. ‘You’re a funny little mite,’ she said to him with a smile up at his mother, and she pressed his fingers softly in her soft, cool palm.

Alexander would remember clutching his postcard on a corner where the smell of burned paint was strong, and the clanging of a fire engine as his mother said goodbye, then being put on the draining board of the kitchen sink for his evening wash. He was there when his father returned.

His mother slapped the wrung flannel onto the sink between the taps before kissing his father, who flipped back the shiny steel bar of his briefcase and took out a thing that was like a dirty handkerchief stiffened with frost. He placed it on the table and gave it a nudge; it rattled on the wood. ‘Look at that,’ he said to them. ‘You know what they are?’ Alexander shook his head. ‘Letters, that’s what. Written on stuff called vellum, which is an old kind of paper. A fire shrivelled them up. Nobody will be reading those again, will they?’ he said to Alexander. His coat had brought the atmosphere of the street indoors; the perfume of smoke rose from his collar in a draught of coolness.

Touching the baked object, his mother shivered. ‘Like having someone’s shinbone on the table.’

‘Something odd to amuse our child,’ his father said. ‘It’s going back tomorrow anyway. If you knew the risks I’ve taken to bring it here.’ He turned up the collar of his coat and squinted shiftily at his son. ‘Mr MacIndoe, Undercover Operations Man,’ he croaked.

‘Mr MacIndoe, daft man,’ Alexander’s mother sighed. She raised the jug above the boy’s head to trickle the lukewarm water over him.

Alexander watched his father squirm free of his coat, then settle in his chair and close his eyes. A moment later his father yawned, took off his spectacles, placed them on the round table, and lifted the newspaper so close to his face that Alexander could see nothing of him except his hands and legs. Over the top of the paper was the top of the door, which had been on the tilt, his mother said, since the day after he was born, when the Thousand Pounder fell in the next street. The crockery had flown across the room and scratched a shape like the letter A in the table, which is why he had been called Alexander.

Briskly his mother rubbed his chest with the thick green towel, humming as she buffed his skin. His cheek rested on the flesh of her upper arm, which was smooth as soap and smelled of lavender. Wrapped in the towel, he was carried to the fireplace and into his mother’s lap, on the chair beside the round table. She scoured his hair and combed it and parted it, then placed him on her knee and held him towards her husband.

‘We are beautiful, aren’t we?’ she asked and then pressed her open lips to Alexander’s ear.

The newspaper came down a few inches. Slowly his father put on his spectacles again, and peeped over the edge of the drooping page. ‘We are,’ he said.

‘We both?’ replied his mother.

His father flapped the newspaper open wide. ‘Fish, fish, fish,’ he said, and turned a page.

‘Daddy will take you to bed,’ his mother told him, slicking his hair with her hand.

‘In a minute,’ said his father from behind the page. ‘The home front can wait a minute longer.’

Pursing her lips, Alexander’s mother looked towards the window. Underneath the reflection of the ceiling moved a cloud that was the colour of tea. ‘Where’s Mr Fitchie?’ Alexander asked.

She turned him to face her and regarded him as if she were not certain that it had been Alexander who had spoken. ‘Where’s who?’ she said.

‘Mr Fitchie. Where’s he gone?’

She tucked the towel more tightly around his shoulders. ‘He’s not here any more,’ she said.

‘I saw him.’

‘Saw who?’ his mother asked. He would remember the shape of her eyes as she asked him this, narrowed as if straining to see in the dark.

‘Mr Fitchie.’

‘When did you see him?’

‘Today. I saw him. Where’s he gone?’

‘Away, Alexander.’

‘Where to?’

His mother smoothed his hair again. ‘Graham,’ she pleaded.

‘I like Mr Fitchie,’ he told his mother.

‘So did I,’ said his mother.

‘He’s nice.’

‘Graham,’ she repeated.

‘Where’s he gone?’ asked Alexander.

‘He’s with Jesus, Alexander. Mr Fitchie’s gone to live with Jesus.’

‘Might have,’ his father joined in. ‘But then again –’

‘Graham. Please.’

Alexander closed his eyes once more, and in his head he saw the ambulance door and waggling feet. His father picked him up and carried him to his bed in the shelter.

From this night and from other nights Alexander would remember the top of the cellar steps, where the mud-coloured boards of the hallway ended at two shallow troughs of pale, splintery wood. The material of his father’s jacket scratched at his face when his father hunched over to duck through the gate of the cage in the cellar. He would recall his mattress in the corner of the cage, and the toy truck that was wedged into the folds of the blankets. He recalled gripping the wires in a span of his hand as his father climbed back up the steps, and testing his tongue against the metal, getting a taste that was tart.

Unequivocally from this February night he remembered waking in the darkness to hear first the grinding in the sky, and then his mother’s breathing. Her hand touched his forehead and its dampness made him shudder. ‘It’s all right,’ she said. ‘They’ll soon be gone. We’ll be all right.’ He pressed his face against his mother’s arms, waiting for the ack-acks on the Heath and the woof of the big guns. Upstairs someone knocked on the door and he heard the clang of his father’s helmet against the wall as he left.

‘You were born on a night like this,’ his mother told him. ‘Nothing bad is going to happen to you, or to any of us.’ She sang to him quietly. ‘The cats and dogs will dance in the heather,’ she sang, and soon he could not hear the planes, but only his mother’s voice and her heartbeat, and Alexander slid into sleep, imagining tiny aeroplanes flying out from under a big blue gown like the flies around the bins at the end of the road, and the men on Shooters Hill firing their guns while the big balloons grazed in the clouds above them, and a factory full of seamen, and Mr Fitchie. Mr Fitchie was in a black suit that shone like a crow’s feathers and he was staring across a road at Alexander as if Alexander was floating past in a boat. Mr Fitchie was not happy but he was not sad either. He looked across the road with his head at an angle, and his hands in his pockets. His eyes blinked quickly three or four times, in the shadow of the brim of his hat, the way the geese blink at you through the railings around the lake in the park.

2. Gisbert

He was in the street with Jimmy Murrell, as Alexander was to recall in his fifty-eighth year, and they were taking it in turns to throw a ball against the kerbstone for the straw-coloured stray to catch. The ball was black and almost as hard as a cricket ball, and each time they took it from the dog’s mouth it left crumbs of rubber mixed with dog spit on their hands. Jimmy Murrell had a thick white gap in one eyebrow where he’d fallen from a rock and cracked his head in the farmyard at Exmouth, the town he soon went to live in, with his mother and father and his sisters.

To confuse the dog, Jimmy chucked a handful of air towards the kerb and the dog was twenty yards up the street before it heard the ball hit the tarmac down the slope. Its claws made a noise like a sewing machine as it ran, and its head went up and down in time with the bouncing ball. In Exmouth, Jimmy Murrell said, it was warmer than in London. With all the other children Jimmy used to go to a beach that was bigger than the Heath. Again he described the house at the back of the dunes, the only house for miles, with a fence of white boards around it and big nets hanging from the boards. The walls of the house were white wood, and right in the centre was a red door that looked like a pillarbox stuck in the sand. Thousands of pools were left on the sand when the tide went out, said Jimmy, with shreds of seaweed in them and sometimes a small green crab-shell. The tide went out so far that it was farther than walking from his house to the shops, and at night if the tide was low you couldn’t even hear the sea. But if the tide was high at night, you could see the waves glowing, as if there were torches under the water.

The dog, too tired to drop the ball, sat down beside Alexander. Its tongue was bent behind the ball and drooped sideways out of its mouth, dripping big dark circles onto the paving stones.

‘Bigger than all the houses,’ Jimmy Murrell said. ‘Higher and longer,’ and with a swing of his arm he made Alexander see the marvellous dunes.

Alexander would remember in his later years that Jimmy Murrell was waving his arms and speaking to him when he heard his mother’s voice. She was calling his name and she was running alongside the privet hedges with her arms straight up in the air in a gesture that frightened him.

‘Boys!’ she yelled, and then she did a couple of skips just like Jimmy’s sisters when they played on the path. ‘Boys! Come here!’ she shouted, though she was running so fast she was with them before they could get to their feet. She picked up Alexander and hugged him to her chest. It remained in Alexander’s memory that she was wearing the pale blue blouse with the daisies on it, and that the second button of her blouse was in the top buttonhole. Then she put him down and hugged Jimmy Murrell where he stood, squashing his face against her legs. She put out a hand and ruffled Alexander’s hair, and it was then he realised that nothing bad had happened.

‘It’s over,’ she said. ‘It’s over, it’s over, it’s over,’ she sang and she clapped her hands as she looked down on them, as though they had done something that had delighted her. ‘Your daddy will be back soon,’ she told Jimmy Murrell.

‘How soon?’ asked Jimmy.

‘Very soon,’ she said. With her left hand she took hold of Jimmy’s right and she gave the other to her son and whirled them both around her skirt. ‘Home we go,’ she declared, then hand in hand they walked back up the road, with the dog behind them.

The kitchen was full of women when they arrived. By the radio sat Mrs Murrell, her cheek close to the front of it, as if it was telling her something no one else was meant to hear, while Mrs Evans was at the sink, rinsing and wiping the tea cups. Other women stood around the table, and on the garden step was a woman Alexander knew worked at his mother’s factory, but he did not know her name; she was smoking a cigarette, and she turned as he came into the room and breathed out a cloud of smoke that covered her face for a moment. There was hardly any space for him to stand in.

‘Jimmy with you, Alexander?’ Mrs Murrell asked, then Jimmy stepped in from the hall. She did not get up, but held her arms wide open for her son to walk into, and pinched his cheeks so his lips stretched like a rubber band.

Setting the tray on the table, Mrs Evans remarked – ‘It’ll all be different now.’

‘It will that, Iris,’ said Irene MacIndoe. ‘Everything will change now.’

‘Different world,’ agreed Mrs Murrell.

Lying on the lawn beside his friend, Alexander stared at the sky and wondered in what way the sky would be a different sky. He imagined planes that were different planes, shaped like starfish or painted green. Rockets meandered over the horizon and nosed among the chimneys like curious dogs, then meandered off again. He thought he might live in a house by the sea, and he saw on the inside of his eyelids a beach as long as the river, and a house with a red door. He saw Mr Fitchie walking along a beach towards a red door that was on its own, and felt as if he were floating up off the grass into the warm high sky. A cheering came from the kitchen, and then church bells were ringing like on a Sunday, but they did not stop; the bells kept on for hours.

The following day his parents took him out of the house at an hour when normally he would already have been in bed, and they went to call for Mrs Beckwith. There were more people on the street that night than he had ever seen in the day. Their heads bobbed like apples in a bowl, and the noise of their voices and feet blended into one loud rumble. On the Heath there were hundreds and hundreds of people, moving towards a fire that rose in a single pinnacle of flame over their heads. Alexander and his parents and Mrs Beckwith joined the crowd, falling in with the purposeful pace. The people pressed more tightly on Alexander with every step; the bit of the sky that he could see was no larger than his father’s head; he looked down at the grass, and seeing it flattened and ripped by the thousands of feet he suddenly cried out, and was in an instant hoisted onto his father’s shoulders.

‘What can you see?’ his father asked. The fire glinted on his spectacles as he bent his head back to speak to him.

‘Nothing,’ Alexander reported.

‘You must see something, Alexander,’ said his mother.

‘I can see the top of the fire,’ he replied. ‘And lots of people,’ he added, scanning the Heath. Every road was full of marching people.

‘All of England must be here,’ said his mother.

‘Not quite,’ said Mrs Beckwith.

Alexander saw his mother touch Mrs Beckwith’s shoulder. He was impatient to discover what it was they had come to see.

They came across three soldiers in berets, sitting on a settee beside a track, and drinking from a bottle which one of them jiggled at Mrs Beckwith as they passed. Alexander saw a woman he thought at first was the woman who worked in Mr Prentice’s shop; a man’s bandaged hand was resting on her waist, and she had a little trumpet in her mouth. They were near enough to the fire for him to glimpse two shrieking faces on the other side of the flames when a split appeared in the crowd and what looked for a second like a galloping bull rushed through the gap. It was two men carrying a park bench between them; on the bench was stretched a man made out of an old jumper and trousers, with newspaper hands and feet and a football for a head. The two men seized the dummy, held it up for everyone to see, then hurled it onto the fire. The people around all cheered, and they cheered again when the two men rocked the bench backwards and forwards and let it go into the flames.

They stayed by the fire for half an hour or so, then his father led them off the Heath, past the Nissen huts. It was late, but they did not go straight home. They walked down the hill with Mrs Beckwith, who held Alexander’s hand but seemed dejected. His father and mother went in front, her head resting on his shoulder as they walked. At the railway bridge they stopped. A train was at the station below the road; above the grumbling of its engine he heard Mrs Beckwith say: ‘It’ll be a time yet, Irene.’ His mother put a hand on Mrs Beckwith’s shoulder again and nodded at his father, who lifted him to look over the parapet as the train pulled out.

Inside the carriages every seat was filled. Men were standing between the seats, clinging to the racks, while women were sitting on the laps of other women, and the pale blue light in the carriages made all the faces inside look as pale as peeled potatoes. A window clacked open and a man yelled up something that Alexander could not hear. Mrs Beckwith waved at the train without looking at it.

‘They’re going up to town,’ his father told him.

‘Tough work,’ said Mrs Beckwith, ‘but someone’s got to do it.’

‘Not for the likes of us, young man,’ said his father sternly, but smiling.

‘It’s bed for us,’ his mother confirmed, and Alexander watched the red light at the back of the train disappear into the darkness of the cutting on its way into town, a place he saw as an arrangement of perfectly regular streets and buildings with thousands of windows, all undamaged because town was somewhere that was always there, outside the war. It seemed to him that the passengers he had seen on the train were on a night-time mission of some sort, a mission that was to do with making things change.

His mother was always at home now, and throughout that summer he went to the shops with her most mornings, and queued beside her patiently, while the other children larked on the pavement outside. In the afternoon he would play with Jimmy Murrell or with other boys whose names he was to lose from his memory in his twenties and thirties, or he would walk through Greenwich Park with his mother, sometimes continuing right down to the river, where they might go into the tunnel beneath the water, to see the long walls that were curved and covered in tiles like frozen milk. Often, when they walked through the park, she would take him to the statue of Wolfe and sit on the slope below the bronze general, making an armchair for him from her arms and legs, and he would lie back against her chest while she sang an American song for him under her breath. Once she pointed across the river and said something about St Paul’s, something that made him think the church had somehow fought off the bombers, a scene he pictured as the dome swivelling and sending out some sort of beam to bring the enemy down.

It was an image he would always retain, though within a few years it had slipped from its mooring in the weeks between the victory days. What Alexander would recall unerringly from that interval, throughout his life, was the sight of his mother dabbing her eyes as she made his bed one morning, and on a different day dusting the sideboard as if in a daze, her eyes fixed on the wallpaper in front of her, and another day standing in the hallway with the mop planted upright in its bucket, gazing through the open door and down the front path as if she were waiting for someone, though it was several hours before his father would finish work. Many times he would stand silently beside her when she was doing her housework, as he did when they queued in the shops. And once, he remembered more completely than anything from that period, she put the mop aside and framed his face in her hands to stare into his eyes. ‘My God, you do look like an angel,’ she said, but she said it as if it were some illness that he had. She gathered both his hands in one of hers and kissed them. ‘My black-eyed angel,’ she murmured, and looked over his shoulder through the narrow window beside the door, at the pavement along which nobody was passing.

This was a short time before a Saturday on which he went with his father to the church hall to collect a pair of trestles which they put in the garden of Mrs Darling’s house, alongside a stack of planks. Later that day he made flags with his mother, holding the scissors for her as she pulled the old sheets through the open blades, so they ripped with a thrilling squeal. They cut out triangles of material and stewed them in pots of red and blue water, then pegged them out to dry on the line, and when that was done they made letters of black card which they pasted on a placard out the front, spelling the words ‘Welcome Home George’. When Mr Evans came over with Mrs Evans to see the placard, Alexander looked down from his bedroom and saw Mrs Evans begin crying as soon as she had read the word ‘Welcome’ aloud; Mr Evans steered her back through the gate, his enormous hand spread right across her back, and his shoes made sparks on the paving stones.

At the start of the party Jimmy Murrell handed out conical paper hats and Alexander was tucked into a place at the end of the table by Mrs Beckwith, facing the stage that the men from the pub had built. The air smelled special, of marzipan and hair oil and washing powder, and the sunlight made the raspberry jelly glow so beautifully that he felt sad when one of the adults spooned a divot from it and tipped it on his plate. The owner of the pub played the piano on the stage while everyone ate, and then Mr Evans made a speech and all the adults banged their cups up and down. ‘Irene, if you will,’ said Mr Evans, holding out a hand in mid-air. Alexander watched his mother climb the steps at the side of the stage. She went over to the piano and stood beside it, with one hand resting on the top of it. He waited for her to call him. The pianist played a few notes and stopped. Alexander leaned forward to find his father, but could not see where he was. His mother was looking at her shoes. Mrs Beckwith stood up and moved a couple of steps away from him, towards the stage. The pianist played the same tune again, and this time Alexander’s mother began to sing. It was the song about the bluebirds that she sang, and she sang it in a voice that was not like the voice with which she used to sing at home. Her eyes were closed as if she were singing for herself alone, but her voice was stronger than he had ever heard it, so strong that all the people around began to sing with her one by one, and when the chorus came he could barely hear her above their shouting. The pianist took one hand off the keyboard and made a scooping motion; all the adults who had been sitting rose in front of Alexander, excluding his mother from view. Hands went threading under elbows; backs swayed against backs.

Unnoticed, Alexander eased his seat back from the table. The stray was lying close by, under a tail of tablecloth. Crumbling a piece of cake on the road to entice the dog, Alexander wandered off, in the opposite direction from the stage. There was another chorus, even louder than the first, and when it was finished everyone sang it again. And as the first line began again, Alexander glanced up from the dog to see a man sitting with his back against the shelter at the top of the road. He was a thin man, doubled over as if he were made of folded card, and he had hair that was the colour of the dog’s hair. The man was looking at Alexander but he was not singing. He had eyes like the sky and a big thin nose.

Stretching his long legs into the gutter, the man put his hands on the sides of the dog’s head and looked at its face as if it was a cup that was cracked. ‘He is yours?’ he asked, in a voice that was peculiar, and sounded as though he was telling him something rather than asking. His jacket was inky blue and made of stuff like the felt Alexander’s mother put on the sideboard to stop the vase from scratching. ‘Not yours?’ the man asked, to which Alexander shook his head. ‘What is his name?’

‘He doesn’t have a name.’

‘But you have a name,’ the man responded, but Alexander did not reply. ‘My name is Gisbert,’ said the man. ‘My name is Gisbert. G-I-S-B-E-R-T,’ he recited. At the bottom of the street the piano made a booming sound and everybody laughed. ‘Now you tell me your name.’

‘Alexander.’

‘Alexander what?’ asked Gisbert.

‘Alexander MacIndoe.’ His name sounded strange when he spoke it to this stranger, as if he had been labelled like a bottle in the kitchen.

‘Where do you live, Alexander?’

He pointed to the placard. ‘The house with the writing,’ he said.

‘Welcome Home, George,’ Gisbert read, but he said the last word so it sounded like ‘judge’.

‘Where do you live?’ asked Alexander.

The man stood up; he was much taller than Alexander’s father, and the cuffs of his jacket did not cover his wrists. A bony forefinger indicated the rooftops. ‘Today I live on the Shooters Hill,’ he explained. ‘But my home is a longer way.’

‘Over the hill?’ asked Alexander.

‘Yes. A long way over the hill. A long way.’ Gisbert made his brow wrinkle, and scratched the side of his nose. ‘I will go there soon. Tomorrow perhaps. Next week perhaps.’ Then he smiled so widely that the gums showed above his back teeth.

‘Is it like here?’

‘No, not like here,’ said Gisbert, and he petted the dog as though the dog had asked the question. ‘There are big mountains, big forests, big lakes. Everything green. Not like here.’

Alexander would always remember Gisbert’s name, the fabric of his jacket, his chilly eyes, and these words that conjured for him a scene in which Gisbert walked over the rise of Shooters Hill and down a long slope to a vast green forest, a forest he imagined as being just beyond his sight when, some five months later, his father and mother took him past the crest of the hill for the first time.

‘Here is something for you, Alexander MacIndoe,’ said Gisbert as he reached into his jacket. He extracted a button, breathed on it and rubbed it on his sleeve. Alexander extended a palm to receive the gift. Raised on the button was a wonderful and mysterious sign, a pair of wings with no body. Holding it by the little loop of metal on the other side, Alexander breathed on the button too, and slipped it into his pocket. ‘Thank you,’ he said.

‘You are welcome,’ said Gisbert. ‘But I think you must leave, Alexander,’ he added, in the same moment as Alexander heard Mrs Beckwith’s voice.

‘Away, Alex,’ she shouted. ‘Come here. Come away. Here.’ She tugged him towards her and bent over to get close to his face. ‘You mustn’t talk to him,’ she said. Alexander looked back to see Gisbert shrug his shoulders at him and raise his left hand. Mrs Beck with tapped the boy’s chin to make him turn.

‘Why not?’ he asked.

‘Because I say so.’

‘Why?’

‘Because you shouldn’t be talking to him, that’s why. He’s not one of us,’ she said.

‘Who?’

‘Don’t be contrary, Alex,’ Mrs Beckwith told him.

‘One of who?’ Alexander persisted.

‘Us, Alex. You and me and your parents and your friends,’ she stated. ‘He shouldn’t be here.’

At the table she pushed the chair into the backs of his knees. His mother was moving towards him, cradling a dish of custard. Alexander craned his neck to see if he could see Gisbert, but he had gone back to the hill. He repeated inwardly the letters of Gisbert’s name, the first name he ever made an effort to remember.

Five hours more the party lasted, but only one moment from those hours was to endure in Alexander’s mind as long as Gisbert’s name and Gisbert’s forest. It was at the end of the night, and he alone was left sitting at the table. He was inhaling the tangy smoke from the candles that his mother and Mrs Beckwith had blown out, when he heard the sound of a footfall he recognised as his father’s. A firework slid up the sky with a shush and sprayed new stars on the sky. His father leaned over him to pick him up. ‘Little Lord Weary,’ his father said to his mother. Alexander watched a red dot of burning tobacco chase around the rim of his father’s cigar. He looked at the fire below the flower of grey ash and then he saw his father kiss his mother on her mouth, which he had never seen him do before.

3. Nan Burnett

The hedge at the front of his grandmother’s house was so high that even his father could not see over it, and instead of a front gate she had a proper door of dark wood, around which the leaves grew in a solid arch. The metal numbers on the door – 122 – were held in place by screws that had gone furry with rust. A spoon-shaped thumb-pad protruded through the keyhole on the right side of the door, and when it was pressed the catch always screeched. Inside there was a slab of greenish concrete on which the underside of the door would scrape, then three steps made of red bricks that had crumbled into a shape like a half-filled sack. From the steps a path of crazy paving zigzagged across the grass, passing a rose bush that grew so few flowers it looked like a ball of wire on which the shreds of a small pink scarf had snagged. Down the length of the garden ran a washing-line held high by a stick of dirty-looking wood, which was planted in the grass near the hollow that had once been a pond. All of this Alexander would remember, and the white rhododendron overhanging the hollow, under which he would find a frog sometimes, and kneel on the soggy ground to watch the panicky pulse in the animal’s side until it sprang away, falling into the dandelions with the quietest of crashes.

An ivy, rooted under the bay of the front room, swerved under the sills and then spread outwards, covering most of the bathroom window and part of the bedroom’s bay, spilling down over the porch and flowing inwards to the door. Once a month, on a Sunday, Alexander and his parents would visit Nan Burnett, and if the weather was fine his father would be certain, at some point in the afternoon, to lean aside and look down the hallway from the kitchen, remarking: ‘Things a bit wild out front, aren’t they, Nan?’ or ‘Had problems locating the entrance recently?’ or ‘Found any Japs this week?’ And whatever the joke, Nan Burnett would pat the back of his father’s hand and call him a treasure, and his father, standing behind a chair to grasp the topmost rung of its back like the handrail of a captain’s bridge, would order all MacIndoe hands on deck. ‘Action stations!’ he commanded, opening the door from the kitchen to the backyard, which was nothing but a small rectangle of glazed grey bricks, with a tiny shed where Nan Burnett stored the stepladders and the shears, and a gate opening onto an alley that had a crest of grass down the middle and lumps of black glassy rock on its verges.

Alexander would follow his father back through the house, bearing the shears blade-downwards past the coat-stand and the oval mirror and the line of Nan Burnett’s shoes, with their toe caps turned up like heads, watching the goings-on in the hall. When his father had rolled his sleeves up above his elbows and loosened his tie, Alexander would present the shears and then stand back in attendance, while his father sliced long cords of ivy from the wall and lopped hanks of foliage off the hedge that separated the garden from the street.

‘Remove please, toot sweet,’ his father said, glancing back over his shoulder first at his son and then at the tangle of cuttings, which Alexander scooped into his arms and carried out to the yard, where his father would burn them. If ever he was left alone to keep an eye on the smouldering leaves, Alexander would step into the blue, stripy smoke that streamed from the fire, so that his clothes that evening would be soaked with a smell that had come from Nan Burnett’s garden.

On days when Alexander’s mother had to go up to town or do something else that she had to do without him, she would usually take him to Nan Burnett’s house, and often another visitor would arrive while he was there. Sometimes it was Dot, whose surname he never knew; she lived somewhere further down the street, past the newsagent’s shop, and from time to time she would hand him a twist of paper in which four or five boiled sweets were wrapped. Or it might be Mrs Solomon, Nan Burnett’s neighbour, who brought one of her cats with her in a wicker basket, and had a hairy mole in the centre of her cheek. On a Wednesday it was likeliest to be Beryl Stringer, a woman of his mother’s age, whom he was to remember only for her turquoise woollen bonnet. If he were at Nan Burnett’s on a Saturday he might see Nurse Reilly, who had violet hair and thick legs that had no ankles, and always brought two things with her: a paper bag full of wool and knitting needles, and a small bale of magazines, tied up with rough yellow twine. Always Nan Burnett would place the magazines on a stool beneath the table before taking her own piece of knitting from the basket on the shelf above the oven, and then the two women would sit on opposite sides of the table and the only sounds would be the ticking of the big clock beside the hall door and the jittery clicking of the needles. And once in a while the caller would be Miss Blake, whose name perplexed Alexander, as Miss Blake was no younger than Nan Burnett. Neither her name nor any feature of her appearance lasted long in Alexander’s mind, but one image of her presence did persist, in a scene in which Nan Burnett and another old lady were seated at the kitchen table, each with one elbow on the tabletop, each facing the window that looked onto the yard. There was a pot of tea between them, under a knitted tea-cosy, and they were listening to a tennis match on the radio. Alexander was listening too, but intermittently, for what engrossed him was the intentness and pleasure of the two old women, whose eyes flickered back and forth as they listened, as if the game were visible to them on the glass of the kitchen window.

But the visitor whom Alexander was to remember most fully was the one whose heavy tread down the hallway made the boards creak in the front room, where Alexander was, and whose laugh – a laugh so like a scream that momentarily he thought Nan had scalded herself – raised his curiosity to a pitch that forced him out to see who this person was. It was a short fat woman, and she was sitting in the chair that Nan Burnett normally sat in. She was dressed all in black but for a band of shiny white material above her eyes, below the black scarf that covered her hair. Her skirt was made of stuff that was like a tablecloth and it came down to the laces of her highly polished shoes, which were men’s shoes and also black. Instead of a blouse or a cardigan she wore a sort of cape that hung from her shoulders down to her waist. Her arms, tightly covered in black fabric, rose from the folds of the cape as she gave Alexander her hand.

‘So this will be Alexander MacIndoe?’ she said. Her fingernails were so perfectly trimmed and so white and so clean they made him feel queasy. ‘Alexander the tiny, is it?’ she laughed, clapping her palms on her knees.

‘Don’t be shy, Alexander,’ said Nan Burnett. ‘Say hello to Sister Martha.’

He did not speak. He looked at Sister Martha’s faintly creased pink cheeks; they reminded him of marshmallows.

‘Let’s take a view of you,’ said Sister Martha, resting her hands on his shoulders. ‘You’re a fine young specimen of a boy, I must say,’ she said. ‘A handsome young man. You watch out for the ladies now,’ she warned him, and when she laughed her cheeks bunched into little globes right under her eyes. ‘Are you at school yet?’ asked Sister Martha, and Alexander replied that he was.

‘And are there other Alexanders at your school?’ she asked.

‘I don’t think so.’

‘Do you like your name, Alexander?’

‘Yes,’ he replied, beginning to be troubled by the idea that his name bore some significance of which he was unaware.

‘And so you should, young fellow. It’s a distinguished name,’ said Sister Martha. ‘A very distinguished name. Lots of great men have been called Alexander. Alexander the Great, he goes without saying. There have been Russian kings and Scottish kings called Alexander, too. Mr Alexander Fleming, he’s a great man. There was Alexander Pope the poet, though I’m not so sure about him. And there have been many Alexander popes as well, of course,’ she chuckled.

Alexander looked at Nan Burnett, who winked at him and passed him a sandwich she had made. The sliver of brown meat lay between slices of bread that were as grey as her hair.

‘There have been many popes called Alexander,’ Sister Martha said. ‘There was Mister Borgia, who was from Spain and a very bad man, it must be admitted. Not a great one at all. But then there was Mr Chigi, who was Italian and a good man, though he was very rich. And a long time before him there was a young Pope Alexander, who was made a martyr in Rome on the third of May.’ Sister Martha wiggled her eyebrows at him. ‘You look astonished. Your birthday wouldn’t be the third of May, would it, by any chance?’

‘No,’ said Alexander, lifting the sandwich to his mouth.

‘No. That would have been a strange thing,’ Sister Martha told him. Putting her fists on her hips she looked up at the ceiling and said to it: ‘And we mustn’t overlook another young Pope Alexander, one of the seven sons of Felicitas.’ Her attention returned to the boy. ‘Another saint,’ she smiled, as if to encourage him. ‘Also made a martyr in Rome.’

When he was alone again, in the front room, he repeated to himself the mystifying phrase. ‘Made a martyr in Rome,’ he muttered, imagining something that was like being knighted, but more important, and very pleasing to the people who saw it happen.

He enjoyed sitting on the kitchen floor and scanning the pictures in the magazines that Nurse Reilly had brought. He might pass an hour bowling a ball at a line of milk bottles in the alley out the back, or shunting his Dinky van around the streets defined by the cracks between the bricks in the yard. Most of all, however, he enjoyed being in the front room of Nan Burnett’s house. The room had a rich and sleepy smell, a smell of varnished wood and old rugs, a smell that no other room had and was always the same. There were pictures in every corner of the room, hanging on nails midway up the walls, attached to the picture rail by slender brass chains, displayed in cardboard frames that stood on the sideboard, on the china cabinet and the mantelpiece above the fireplace, which had not been lit in years. To the left of the fireplace the miracles were gathered: The Loaves and the Fishes, The Bath at Bethesda, The Wedding at Cana, The Woman of Samaria, all in shades of cream and brown. To the right was Moses, tipping a dog-sized calf off its pedestal, standing aghast before a burning bush, dividing a sea that curled back onto itself like drying leaves. The pictures on the cabinet were photographs of his mother’s father and two other men, all in tones of brown and cream but with a chalky finish that made it seem as if everything in the pictures – the men’s skin, their jackets, the walls behind them – were made of the same stuff. Alexander once asked Nan Burnett who the other men were, expecting to hear that they were relatives, but they were friends of her husband, who had died with Stanley Burnett at a place Alexander never forgot because Nan Burnett swore when she said it. ‘Wipers,’ he would repeat as he regarded the dead men. ‘That bloody place,’ he would whisper, echoing his grandmother’s curse, and sometimes he would take the red glass stopper from the perfume bottle that Nan Burnett kept with the china and put it over one eye while he looked at them. And having looked at them, he would draw the thick brown curtains all the way across the window, then take the wide cushions from the brown velvet armchairs and lay them in front of the fireplace. Lying in the silence that seemed to come out of the walls of Nan Burnett’s front room, Alexander would close his eyes and see the handsome women balancing the pitchers on their heads, the men with smooth beards and the children in striped gowns, walking down roads that were strewn with stones shaped not like real stones but more like miniature boxes. As clearly as if his eyes were open he would see The Last Supper, with the figure of Jesus looking straight at him, and the picture of the nameless woman holding her chest on a crumpled bed, her head thrown back as if she felt sick, and the rigid faces of Stanley Burnett and his two dead friends.

‘What on earth do you do in there all day?’ he would recall his mother asking him, as he rubbed his eyes in the hall.

‘The boy just likes to be quiet,’ Nan Burnett answered for him.

‘Odd thing for a boy,’ said his mother.

‘Don’t fuss, Irene. He’s a happy lad. Aren’t you, Alexander?’ Nan Burnett asked.

‘Yes,’ he said, blushing, because he did not know if he was telling the truth.

Nan Burnett would never call him from the front room until his mother returned, but sometimes she called him from the yard to run an errand for her. He was on an errand when Megan arrived.

‘Take this round to Mrs Solomon, will you, pet,’ said Nan Burnett. She gave him a piece of paper full of numbers, with a drawing of a pullover on one side.

Mrs Solomon was putting a saucer of milk at the top of the stairs; one of her cats sprinted between Alexander’s legs and the banisters; he stroked the cat a few times, handed over the pattern, and no more than five minutes after leaving he was back in the hall of Nan Burnett’s house, his hand outstretched to open the door of the front room. Startled to hear his mother call his name, he jumped and looked to his left, and saw Megan for the first time.

His mother and Mrs Beckwith were advancing towards him down the hall, pushing the girl before them. Her eyes were the same colour as Gisbert’s had been, but they were wider and brighter, like marbles, and her hair was red, exactly the red of the stain under the tap in Nan Burnett’s bathroom. More than fifty years later, Alexander would be able to describe to Megan the outfit she was wearing: the white cotton blouse with the scallops around the neck; the blue-checked pinafore; the sandals with the pattern of petals cut over the toes. His mother said: ‘Alexander, this is Megan. She will be living with Mrs Beckwith now.’

The girl looked at him as if she was the one who lived in the house and Alexander was the one who had never been there before.

‘You’ll be friends, Alexander. That’ll be nice, won’t it?’ said his mother.

Megan held out her right hand like a man. ‘Hello, Alexander,’ she said.

‘Come on, say hello,’ said his mother.

Alexander stared at the girl. Silently he repeated her name. The word had a taste and a texture, a bit like toffee.

‘Pleased to meet you,’ said Megan, jerking her hand as if she were already holding his.

‘Come on, Alexander,’ his mother chivvied, but still Alexander stared. ‘Buck up, boy. Show some manners.’ Over his mother’s shoulder, Nan Burnett made a mock frown at him; she wagged a finger and mouthed the words ‘bad boy’. And then Alexander kissed the girl, who took a step back and put a hand to the place where his mouth had touched her. ‘You’re an impossible child,’ said his mother, taking hold of an arm.

A few minutes later Alexander and his mother were at the door, ready to leave. ‘Next week,’ she said as she reached for the handle. Alexander took one last look down the hall. Nan Burnett was standing in the kitchen with her hands on Megan’s shoulders and smiling as if the girl’s arrival were a treat she had arranged for him.

That was the face Alexander saw on the day on which, three years and five months after this one, he came back to Number 122 with his parents, to say goodbye to the house. His mother and father went upstairs, up the bare staircase, past the three white rectangles on the wall. He heard their feet on the floor above him, and when they moved into the room that had been Nan Burnett’s bedroom he pushed open the door of the front room. As the door gave way to his touch, he heard his mother’s voice in the hall say ‘Alexander’ softly, and he saw his grandmother in her kitchen, alone, but smiling as she had smiled when she had stood on that spot with Megan in front of her. A cold terror doused his body; he flinched and sucked in a breath without meaning to, and she was no longer there. And then it was like putting a finger in water and expecting it to be very cold and feeling it very cold when in fact it is warm, as it quickly becomes. He was not frightened, he realised. He had the sensation of being absolutely alone in a pleasant place, like a big garden that everyone else has left.

His mother saw a tear on his cheek. ‘Are you all right, Alexander?’ she asked him. ‘We are a pair,’ she said, and she put her handkerchief to the corners of her eyes and then to his.

‘You’re all right, aren’t you?’ asked his father.

‘Yes,’ said Alexander honestly, but he knew he must not mention what he had seen.

4. Eck

A nightlight, set on a saucer which had a crack across its pattern of blue willow leaves, burned on the stool between Alexander’s bed and the window, casting the hilly shadow of his body across the wall. The short yellow flame, batted by the draught, nodded on the surface of the molten wax, in which tiny tadpoles of cinder swam about in circles, drifting close to flame, darting away to the edge of the pool, drifting back. Sometimes he would pluck a hair from his head and feed it into the flame to watch it become a wisp of smoke before it could enter the body of the fire, or hold his hand over the candle until the heat felt like a nail driven through his palm. Then he would lie motionless again, his arms folded on his chest, his face to the ceiling, watching the steam of his breath roll off into the room. At last he heard his mother’s footsteps on the stairs, and the creak of the floorboards as she came to the landing. Downstairs the doors were being shut, always in the same order, ending with the clunk of the kitchen door and the rattle of its tall pane. His father’s slower tread followed, becoming even slower as he reached the top of the stairs, making a louder creak. And on the nights when the electricity was off he would twice see the candlelight rise and fade under his door as first his mother and then his father went by, and then the door of his parents’ room would close with a small thump and the light was gone. He lay listening to the rustling of the gardens and the dwindling grumble of his father’s voice, keeping his eyes open until only the sounds of the wind remained.

In the mornings the glass was caked with ice on the inside, and often the night’s fall of snow sloped high up the pane. When he opened the curtains the walls of his room were the tone of chicken flesh, and clammy as the disc of white wax that the nightlight had become. On the back of the chair beside the door a clean white shirt hung in the shadowless light like a big strip of cold fat. The tin bomber that was parked on the chest of drawers looked wet, like a car in fog. Rather than get out of bed, he would often daydream of Nan Burnett’s garden, where the snow was so deep he could tunnel through it, crawling on his hands and knees into the hollow that had once been the pond, and lying down under the radiant white roof, with no idea which way the house was, and then digging on until the floor of the tunnel changed from grass to bare earth, when he would leap upright, diving up into the world again. And sometimes, lying like an effigy on a tomb, he would send himself on an imaginary walk across the ceiling of his room, around and around the twisting stalk of the lightbulb’s flex, over the bulge of plaster that looked as if it should yield like a pillow, and then stepping over the dam below the door to gaze up at the stairwell, which he could see so clearly it was as if his door were not closed.

When his mother called from the foot of the stairs he dressed and went down. ‘Rip Van MacIndoe, awake at last,’ she often said, and this was how she greeted him on the one morning that he would always be able to recall from this winter.

The smell of the previous evening’s fish was still in the room. Every windowpane was streaming, and strings of water lay in the cracks of the windowframes between the sashes. Frozen clothes were stacked against the wall at an angle of forty-five degrees, the stiff cuffs and shirt-tails resting on the floor. He picked up a shirt and bent it across his knee; it cracked softly, like the rending of a dead branch.

‘Where’s your tumbler?’ his mother asked him. She was holding the ribbed glass bottle of rose-hip syrup in one hand, while the other formed the shape of the missing glass. ‘Have you left it in your room?’

‘No,’ he replied, and his mother laughed.

‘Look at that stupid animal,’ she said, pointing out of the window.

A black cat was stalking across the garden’s perfect snow, pausing after every step and lowering its head for a moment; a robin watched it from the fence then flew away before the cat was close. Alexander looked at the track that the cat’s belly had smudged across the snow, and it made him think of the snowball fight in the street two days before, when Mrs Beckwith and Megan had passed by. ‘Go on,’ Mrs Beckwith had said, and Megan had gone over to a car that was parked nearby and wiped a handful of snow from its bonnet. She raised her arm, but before she could throw it he threw a ball that hit her on the buttons of her coat. She dusted the snow off, and turned to walk back to Mrs Beckwith, and she did not stop when another snowball fell apart on her back. He called her name, but she did not look round. ‘It’s all right, Alexander,’ Mrs Beckwith had called to him, as she patted the snow from Megan’s back.

‘Is Mrs Beckwith Megan’s mother?’ he asked.

‘No, Alexander,’ his mother replied. ‘She’s her auntie.’

It was a word that Alexander had never heard Megan use. ‘So where is Megan’s mother?’ he asked. His mother placed the bottle on the draining board and drew a chair from the table for him to sit on. Putting her hands on his legs, she looked into his eyes.

‘She doesn’t have a mother any more,’ she said.

‘What about her father?’

‘Megan doesn’t have a father any more, either,’ said his mother. Her fingers went tight on his legs. ‘It is very sad, Alexander, and we mustn’t ever say anything about it. Not to her and not to anybody. Do you understand?’

‘Why doesn’t she have a mother and father?’ he persisted. ‘Were they killed?’

‘No, they weren’t killed.’

‘So where are they?’

‘They’re not here any longer, Alexander. That’s all we need to know. We mustn’t talk about it. It won’t do any good.’ She fastened the top button of his cardigan, as if to signify that the subject was at a close. ‘It would upset Megan and Mrs Beckwith and everybody. Now, let’s find that glass.’

Alexander followed his mother to the pantry, where her slippers made a sticky sound on the painted floor. She reached for a tin from the shelf below the perforated panel of zinc, on which the dots of sky always looked white, whatever kind of day it was.

‘Will we be friends?’ he asked.

‘Who?’

‘Me and Megan.’

‘Of course you’ll be friends. Don’t you like her?’

‘I don’t know,’ Alexander replied. ‘Why doesn’t she come here?’

‘She will do. She’s a bit shy, that’s all,’ his mother explained, but he thought of the way Megan looked at him when he said hello in the corridor at school, as if she had heard some story that had made her think she should stay away from him, and he remembered her walking across the playground with her teacher and talking to her as she would have talked to Mrs Beckwith, and she did not seem shy at all.

‘I don’t think she is,’ he said.

‘Yes, she is, Alexander,’ his mother assured him. ‘Give it time. Just wait.’

Through the spring of that year Alexander waited, even when he saw Megan ahead of him as they came out of school, walking on her own. She never looked back, and he could not speak to her, because there were things about Megan that nobody could speak about, and he was afraid that by accident he might say something that would make her unhappy.

‘Hello, Alexander, how are you?’ she said to him once, by the door of the assembly room, and it seemed she was pretending to be older to prevent him from talking to her, and he smiled at her and left her alone.

And so it continued until May, and the Saturday morning that would begin in Alexander’s memory outside the shoe repairer’s, from which he and his mother had emerged to find that the rain had stopped. His mother suggested they go to the park for an hour, and a short way beyond the gates, on the path to the Ranger’s House, they met Gladys Watts, who had also worked at the plating factory when the war was on. Too big to bend, Gladys tickled the side of Alexander’s face with her black cotton gloves.

‘I’ll be lucky if he’s sweet as this one,’ she said. ‘We’ve met before, young lad. At your house. Remember?’

Alexander glanced at his mother. ‘Go on, then,’ she said to him. ‘Not far, mind. Not out of sight.’ She unbuttoned the black and white cardigan that Nan Burnett had knitted for him.

‘One word from us and they do as they like,’ said Gladys Watts, who gave him a smile as if he had said something clever, though he had not said a word.

His mother folded the cardigan and threaded it through the handles of her shopping bag. ‘Wouldn’t say that,’ she remarked. ‘Would you, Alexander?’

He would not be able to recall, even five years later, to whom his mother had been talking in the park that Saturday morning, five minutes before he first saw Mr Beckwith, but he would remember to the end of his life what happened then.

He was standing close to the roses, and a squirrel was fretting at a nut by the foot of a chestnut tree, not a yard from where Alexander stood. A bandy-legged Jack Russell hurried after its owner with a peculiar skipping motion of its hind legs. To his right, walking along a tarmac path towards one of the gates, was Megan, two steps in front of a man who looked like no person Alexander had ever seen. The skin of his face and arms and hands was the colour of the wall behind him, but it shone like it had oil all over it. The man was both old and not old. His hair was dark and thick and he kept his back very straight as he walked, like Alexander’s father did, yet he had the face of an old man. Down his cheeks ran lines like the grain on floorboards, and the lines beside his mouth were so deep it was as if his jaw had two slots cut into it. He wore no tie but the collar of his shirt was fastened and looped slackly around his dark brown neck. The trousers that he was wearing did not seem to belong to him. They hung like curtains around his legs and were bunched around his waist with a narrow leather belt, the end of which dangled down past his pocket. His arms dangled too, lifelessly, from his rolled-up sleeves, as if they were attached to his body on hooks, and although he held his head up and was looking straight ahead, he did not seem to be seeing what was around him. The Jack Russell scampered across the path, kicking up clumps of cut grass, but he did not look down. A pigeon flew low past his head; he appeared not to notice it. Staying two steps behind Megan, saying nothing, the man might have been playing a game in which she was the adult and he the child.

Alexander followed them for a minute, keeping to the grass beside the path. ‘Megan?’ he said, when he was about ten feet from them. She looked up and quickly turned her face, as if she did not know who he was. Her left hand went back towards the man, and for a moment he touched her fingers as she led him to the gate. The man followed Megan out into the street, not even glancing at Alexander and his mother, who was now beside him, on her own. Preventing him from following, his mother’s hand came over his shoulder and pressed in the centre of his chest.

‘Who’s that with Megan?’ he asked, and she told him it was Mrs Beckwith’s husband.

‘Why wouldn’t they stop?’ he asked.

‘It’s nothing to concern yourself over, Alexander. Sometimes when we’re together we don’t want other people barging in. Isn’t that so? Even if they are friends. Some things are private.’

‘But they weren’t talking to each other,’ Alexander observed.

‘You don’t know that.’

‘I do. I was watching them. They didn’t say anything.’

‘Well, you shouldn’t be so nosy, Alexander,’ said his mother, refolding his cardigan. She looked towards the gate through which Megan and Mr Beckwith had departed. ‘The thing is, Alexander,’ she went on, ‘that Mr Beckwith is poorly, and you don’t really want to talk much when you’re poorly, do you?’

Alexander looked at the gate, where the trace of the brown-skinned man appeared in a dark flash, in the way a shape of light would appear inside his eyes after he had glanced at the sun.

‘What’s the matter with him?’ he asked.

‘It doesn’t matter. He needs to be left alone for a while, that’s all. He’ll be well again soon.’

Several times that summer Alexander saw Megan and her uncle, and Mr Beckwith never seemed to be well. The next time he saw them was at All Saints church. From the parade of shops he watched Megan walking down the path from the church door, as if testing an icy track for Mr Beckwith, who walked two steps behind her, with his arms as loose as lengths of rope. Then on Vanbrugh Hill he saw her standing on the kerb and beckoning across the road to Mr Beckwith, who lifted his head and looked at her and squinted as if she were too far away to make out clearly who she was. Megan crossed over and took his hand to lead him to the pavement, where she let it go and his arm swung back onto his leg as if it had gone dead. Once he saw them crossing the Heath, on the horizon of the hill, as if pretending to be Indian scouts in file. And once again, allowed to roam away from his mother for a while, Alexander saw Mr Beckwith and Megan in the park, and followed them again, but from a greater distance than before. For a quarter of an hour he followed them, down the broad path past the hollow oak tree, back up the slope, on the grass. Now and then Mr Beckwith would stop and stare up into the branches of a tree, or stop and look down at his feet, like a clockwork toy that had wound down, and Megan would crouch at his knees and gaze up at him, and brush his hand to make him walk after her again. Mr Beckwith never spoke, nor did he look at Megan, except for a moment, when, standing underneath a plane tree in a spread of light that turned his white shirt the colour of lime juice, he threw aside his cigarette and touched her on the back of the head, and Alexander saw her smile as broadly as she had smiled in the hallway of Nan Burnett’s house. Fascinated by the strangeness of it, Alexander stood wondering, until Megan came hurrying towards him, leaving Mr Beckwith to continue his walk without her.

She held out her hands as though pushing something invisible. A couple of yards from Alexander she stopped and pointed a finger like a gun. ‘Don’t stare at him,’ she demanded.

‘I’m sorry,’ he said.

‘You always stare.’

‘I’m sorry,’ Alexander repeated.

‘You always stare. Do you think nobody can see you? Standing there gawping. Don’t stare at him.’ She pushed her hair out of her eyes and glared at him before turning back.

‘I’m sorry,’ he said again.

‘You’re so stupid,’ she shouted over her shoulder.

When she and her uncle had gone from sight he returned disconsolately to his mother, pausing on his way under the plane tree, where he retrieved the stub of Mr Beckwith’s cigarette.

This was the last occasion that Alexander spoke to Megan Beckwith that summer, and it was not until one morning in late September that he spoke to her again. He was sitting on the step that had sparkling bits of mica in it, watching the cricket game, when Megan came clambering over the wall from the girls’ playground. She pushed him on the shoulder to move him along, sat down beside him and asked directly: ‘What are you thinking about?’

He would always remember what he was thinking about. The night before, listening from the top of the stairs on his way to bed, he had overheard his father talking to his mother. He had heard the words ‘Marshall aid’ and something of an explanation, from which he had arrived at a picture of men like military cowboys, patrolling the towns of Europe and handing out money to the grateful people.

‘It’s nothing to do with that,’ said Megan, circling her knees with her arms. ‘It’s a man’s name. He’s an American,’ she stated firmly. ‘My mum says that America is the country of the future,’ she said. ‘It’s amazing what they have there. In America they’ve seen UFOs. That stands for Unidentified Flying Objects.’

Megan peered up into the sky, wrinkling her nose; Alexander mimicked her gaze. She looked at him and sighed an adult sigh. ‘It’s all right,’ she said, in a tone that sounded like his mother’s. ‘About my father. It’s all right. Mum talked to me.’

A teacher appeared in the doorway and called out: ‘Megan Beckwith. Come here. This instant.’

‘Caught,’ she muttered, and she shook his hand. ‘I’m sorry I was angry with you, Eck,’ she said, using for the first time the name she was always to use.

The teacher, after shepherding Megan into the corridor, asked him: ‘Exempt from exercise are we, Alexander?’

‘No, miss,’ he said, but he returned to the step as soon as she had gone, to sit where Megan had sat.

5. The Doodlebug House

His mother would take his hand to cross the road and, pointing towards the shops, begin gaily: ‘Now what do we see?’

And he would quickly respond: ‘We see a queue.’

‘So what do we do?’

‘We join it.’

‘And when do we join it?’

‘Straight away.’

‘We join it now, without delay,’ his mother agreed, concluding the singsong exchange that she and Mrs Evans had made up as the three of them walked along the same street on another Saturday morning.

There were always five or six women outside the shop, whichever one they stopped at, and another woman halfway through the doorway, with her foot against the bottom of the door, and a dozen more inside, packed tightly like on the bus. ‘What’s today’s special, girls?’ Mrs Evans might ask as they took their place at the back, and sometimes she would answer herself: ‘Whatever it is, it’ll be worth the wait.’ Once, however, a woman in a black coat with huge buttons turned round and said sharply, ‘I don’t know what you’re so cheerful about. The war’s not over yet.’ Then another woman said, ‘You’re right about that,’ and thus Alexander conceived a dread of the day when the bombers would come back, a fear he kept to himself until the day, five weeks later, on which a dormant mine, excited by the tremors of a nearby demolition, exploded in the garden of a house two streets from where he lived. That night he told his mother what he thought about every night, and he would always remember standing beside the bath that evening, gazing at the ebbing bathwater as his mother explained that he had misunderstood, while rubbing the towel on his hair as if to scrub off his foolishness.

An hour or more they sometimes queued, but Alexander’s patience was constant, because no pleasure could exceed the pleasure of at last entering the shop. Nestled amid coats and skirts, he would breathe in greedily to take hold of the scents that came from the women. An elusive aroma of lemons arose whenever one particular woman stepped forward, a woman with soft white arms and bracelets that clinked when she handed her money over. There was a woman who sometimes had a thin black line down the centre of her bare calves, whose clothes gave off a perfume that was like roses when they begin to wilt. Often she was with a friend called Alice, who had beautiful fingers and a perfume that remained mysterious until the day his father brought home a pomegranate in a stained paper bag.

Every sense was satisfied in these crowded shops, and a dense residue of memories was left in Alexander’s mind by the mornings he spent in them. Forty years later, looking at the maritime souvenirs that filled the window of what had been the grocer’s, he could hear above the traffic’s growl the crunch and chime of the ancient cash till, and he saw again the brass plate on the front of the till, and the comical bulbous faces mirrored in its embossed lettering. He saw the counter of the chemist’s shop, with the dimpled metal strip on its front edge that looked like a frozen waterfall. His fingers touched the window as he remembered how he would stroke the old wooden drawers by the chemist’s counter, sweeping his fingertips slowly across the varnished scars that looked like the script of an unknown language. The scurf of stinking pink sawdust in the butcher’s shop returned to him, and the sun shining off the slanted glass that covered the white trays of kidneys in their little puddles of brown blood. And standing before the Cutty Sark, gazing up through its spars at the coalsack-coloured October sky, he sensed the elation that arose instantly in him one morning, when he arrived at the head of the queue to see, displayed in a wicker basket, a heap of fat oranges that had come from Spain.

Only if his friends took him off to play would Alexander leave his place. ‘Bad news I’m afraid, Mrs MacIndoe,’ Eric Mullins joked, twirling the horns of a phantom moustache as he brought his heels smartly together. ‘We need your son.’ The company behind him – Lionel Griffiths and Gareth Jones and Davy Hennessy, whose leather-trimmed beret would last far longer than any other aspect of his appearance in Alexander’s memory – nodded their regretful confirmation that this was so. ‘Beastly business,’ said Eric, jamming his spectacles tight to the bridge of his nose with a forefinger. ‘Sorry and all that.’

‘Very well. Dismissed,’ his mother replied solemnly, lowering her chin, and they ran around the corner to Mr Mullins’ pub.

Entering by the door marked ‘Private’, below the white plaster unicorn with its scarlet crown, they bounded up the back stairs to the empty top floor, where each of the rooms had no furniture nor any curtains or carpets, but had a washbasin with taps that did not work. The rooms were connected by a corridor that curved like the tunnel under the river, and up and down its lino they would smack a tin of snoek wrapped in a sock, using cricket bats for hockey sticks and aiming for the swing doors that led to the stairs. Or in their stockinged feet they would skate along the lino rink, and their feet would make a hissing noise that Alexander, looking down the corridor at the two blind eyes of the windows in the doors, once imagined as the building’s breathing, an idea that so absorbed and unsettled him that he was startled when Lionel Griffiths, slithering to a stop behind him, shouted in his ear: ‘Wake up, Alex. Park time.’

In the park, at the side of one of the hills, there was a miniature valley in which the grass grew long between untrimmed bushes, and there they would stalk each other, descending the slopes on their bellies. When the others had gone home Alexander would stay for a while in the overgrown gully, and lie unseen within earshot of the path and listen to the talk of the people trudging up the hill towards the Heath. And when there was time he would then go to the place he called the Doodlebug House and continued to call the Doodlebug House even after his father told him it was not a doodlebug that had wrecked it but incendiaries and a broken gas main, many months before the flying bombs arrived.

A flap of corrugated iron, daubed with Danger – Keep Out in wrinkled red paint, was the door to the ruin. The four outer walls still stood to the height of the gutter, framing a square of sky, and within the walls were piles of debris, embedded with fractured joists and floorboards and laths that were like the ribs of a scavenged carcass. Against one of the walls leaned a huge tent of roof tiles, protecting a mantelpiece that had not been damaged at all. A perpetual stink of damp plaster dust and cats and scorched wood filled the Doodlebug House, and silvery ash was in every cranny. Low on the walls were stuck little rags of ash that vanished when he touched them. A book with leaves of ash trembled under the block of the toppled chimney. A skin of ash, pitted by raindrops, covered the door that lay flat in the middle of the house. Lumps of ash like mushrooms lay around the sheltered cradle of broken boards in which Alexander would recline and watch his portion of sky, hearing in his head the doodlebug’s misfiring snarl and then the thrilling moment of silence before it plummeted, a silence that excited him like the moment before he let himself drop from the empty window into the pool of torn bedding and sodden clothes at the back of the Doodlebug House.

Ash as slippery as sleet coated the joist by which Alexander would climb to the window at the side of the house, to sit between the battens that had been hammered crosswise into the empty frame. There, hidden from view, he would watch the people in the street pass by, or take out his Tales from the Bible, and read the story of the walls of Jericho or the Tower of Babel. Every time he came to the Doodlebug House he would go up to the window, until the day that Mrs Darling walked by and, without raising her head, called out ‘Be careful up there, Alexander’ and waved her hand behind her as if fixing a headscarf that had become unknotted. In later years he would often recall his lookout in the Doodlebug House, but most frequently he would revisit the part of the building that had once been the kitchen. Beached on a hummock that bristled with fractured pipes, there was a bathtub in which he sometimes dozed, and ten feet or so from the bath, wedged into the stump of the stairs, there was a wardrobe door that had a mirror fixed to it. The mirror was cracked from top to bottom, and the door was set at such an angle that, as Alexander neared the top of the hummock, he would find a place from which the mirror showed the wreckage to his left and to his right, but did not show any image of himself. Perched on a raft of wallpapered plywood, his arms held out like a tightrope walker, he stared in fascination at the reflection of the ruin, experiencing the smells and sights and sounds of the Doodlebug House, while apparently invisible. And he remembered that as he squatted on a beam and surveyed the rubble, a sadness seemed to flow through his body, a sadness that seemed to strengthen and purify him, to raise him out of his childhood for as long as it lasted. He was the guardian of the house’s relics, and such was his care for them that fifty years later he could draw a plan of the craters and barrows of the Doodlebug House, mapping the resting place of every item. Behind the bath there lay a washboard with barley-sugar glass rods that had not even been chipped by the blast; beside it was the brown canvas camera case that had been chewed by mice, and the cookery book with the spine that was a strip of bandage clogged with brittle glue. Closer to the wall there was the black iron mincer with its heavy crank attached, and the mangle with hard blue rubber rollers, and the soggy cartons of bandages and rusting nails. Some days he would touch one of the relics or raise it on his open palms and close his eyes, and Mr Fitchie would sometimes appear and look at him, as if across a river.

Neither would he forget the only time he ever took anyone to the Doodlebug House. Mrs Evans was with them, wearing the big silver brooch in the shape of a sleeping cat, and her green felt hat with a pheasant’s feather tucked under its band. They were at the butcher’s shop, and Mrs Evans made up another rhyme: ‘What a peculiar thing to do, to spend all day in the butcher’s queue, and all for a sausage, or sometimes two.’ When a man behind them started swearing, Mrs Evans cupped her fingers over Alexander’s ears. ‘For what we’re about to buggering well receive may the buggering Lord make us buggering grateful,’ said the man, and from the sly way Mrs Evans looked at Alexander he could not be sure if she had not meant him to hear. Then Mrs Beckwith turned up with Megan, who was holding the shopping bag in front of her, gripping its handles in both fists as if carrying the bag was a serious undertaking.

‘Why don’t you two go to the park?’ said Mrs Beckwith.

‘We’ll come for you in an hour,’ said his mother. ‘Shall we see you by the pond?’

Megan submitted the bag to her mother without saying anything, and the idea occurred to Alexander that he should take her to the Doodlebug House. ‘It’s wonderful,’ he told her as they entered the park. ‘It’s like being in a big well, or a castle. The walls are as high as that tree, on all four sides, and there’s nothing in the middle of them.’

‘How far is it?’ Megan asked.

‘Can’t tell you,’ said Alexander. ‘But we won’t be late back. Promise.’

Megan looked at the tree to which Alexander had pointed. She made her mouth and eyes slightly smaller, as though she doubted what he said, but then she followed him to the Doodlebug House.

‘No one except me has ever been in here,’ he told her. He pulled up a corner of the corrugated iron sheet so that she could crawl in. ‘You mustn’t tell anyone,’ he said.

Megan stood on a small rectangle of clear floor in the hallway, swatting the dust from her dress. Rising behind her, the walls seemed higher than ever, and the movement of the clouds that were edging over the Doodlebug House made the bricks seem to teeter. Alexander began to climb the joist to his window, but was stopped by Megan’s voice. ‘This is a pile of rubbish, Eck,’ she said, looking about her as if someone who had annoyed her was hiding in the ruin. ‘It’s nothing like a castle.’

He could not think what to say. He rested one foot on the fringe of floor that stuck out from the wall and held out a hand, though she was a long way below him. ‘Look from up here,’ he said.

‘Don’t be stupid, Eck,’ Megan told him. ‘It’s dangerous. I’m going.’ She licked a finger and turned her attention to a mark on her dress.

Despondent and resentful, he followed her away from the Doodlebug House. ‘You won’t tell anyone?’ he pleaded, when they were back in the park.

‘Of course not,’ she said.

‘Promise?’ he persisted.

‘God, Eck,’ she snapped. ‘Don’t be so boring. Why would I tell anyone? There’s nothing to tell.’

Alexander returned to the Doodlebug House many times afterwards, and the echo of Megan’s voice was always there. He could no more rid the atmosphere of her irritation than he could get rid of the smell of cats. With his arms crossed he would sit on the lip of the bath and scan the shell of the building, as if waiting with diminishing hope for a friend to answer an accusation. ‘A pile of rubbish,’ he heard her say, and he could no longer bring himself to see it differently. Finally there came the day on which he found that he was in a place that felt like a copy of the Doodlebug House, and he resolved that he would never visit it again.

The free sample has ended.

Age restriction:
0+
Release date on Litres:
27 December 2018
Volume:
591 p. 2 illustrations
ISBN:
9780007447299
Copyright Holder::
HarperCollins

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