The Works of Guy de Maupassant, Volume 8
TextA DEAD WOMAN'S SECRET
She had died painlessly, tranquilly, like a woman whose life was irreproachable, and she now lay on her back in bed, with closed eyes, calm features, her long white hair carefully arranged as if she had again made her toilet ten minutes before her death, all her pale physiognomy so composed, now that she had passed away, so resigned that one felt sure a sweet soul had dwelt in that body, that this serene grandmother had spent an untroubled existence, that this virtuous woman had ended her life without any shock, without any remorse.
On his knees, beside the bed, her son, a magistrate of inflexible principles, and her daughter Marguerite, in religion, Sister Eulalie, were weeping distractedly. She had from the time of their infancy armed them with an inflexible code of morality, teaching them a religion without weakness and a sense of duty without any compromise. He, the son, had become a magistrate, and, wielding the weapon of the law, he struck down without pity the feeble and the erring. She, the daughter, quite penetrated with the virtue that had bathed her in this austere family, had become the spouse of God through disgust with men.
They had scarcely known their father; all they knew was that he had made their mother unhappy without learning any further details. The nun passionately kissed one hand of her dead mother, which hung down, a hand of ivory like that of Christ in the large crucifix which lay on the bed. At the opposite side of the prostrate body, the other hand seemed still to grasp the rumpled sheet with that wandering movement which is called the fold of the dying, and the lines had retained little wavy creases as a memento of those last motions which precede the eternal motionlessness. A few light taps at the door caused the two sobbing heads to rise up, and the priest who had just dined, entered the apartment. He was flushed, a little puffed, from the effects of the process of digestion which had just commenced; for he had put a good dash of brandy into his coffee in order to counteract the fatigue caused by the last nights he had remained up and that which he anticipated from the night that was still in store for him. He had put on a look of sadness, that simulated sadness of the priest to whom death is a means of livelihood. He made the sign of the cross, and coming over to them with his professional gesture said:
"Well, my poor children, I have come to help you to pass these mournful hours."
But Sister Eulalie suddenly rose up.
"Thanks, father, but my brother and I would like to be left alone with her. These are the last moments that we now have for seeing her; so we want to feel ourselves once more, the three of us, just as we were years ago when we – we – we were only children, and our poor – poor mother – "
She was unable to finish with the flood of tears that gushed from her eyes, and the sobs that were choking her.
But the priest bowed, with a more serene look on his face, for he was thinking of his bed. "Just as you please, my children."
Then, he knelt down, again crossed himself, prayed, rose up, and softly stole away murmuring as he went: "She was a saint."
They were left alone, the dead woman and her children. A hidden timepiece kept regularly ticking in its dark corner, and through the open window the soft odors of hay and of woods penetrated with faint gleams of moonlight. No sound in the fields outside, save the wandering notes of toads and now and then the humming of some nocturnal insect darting into like a ball, and knocking itself against the wall.
An infinite peace, a divine melancholy, a silent serenity surrounded this dead woman, seemed to emanate from her, to evaporate from her into the atmosphere outside and to calm Nature itself.
Then the magistrate, still on his knees, his head pressed against the bed-clothes, in a far-off, heart-broken voice that pierced through the sheets and the coverlet, exclaimed:
"Mamma, mamma, mamma!" And the sister, sinking down on the floor, striking the wood with her forehead fanatically, twisting herself about and quivering like a person in an epileptic fit, groaned: "Jesus, Jesus – mamma – Jesus!"
And both of them shaken by a hurricane of grief panted with a rattling in their throats.
Then the fit gradually subsided, and they now wept in a less violent fashion, like the rainy calm that follows a squall on a storm-beaten sea. Then, after some time, they rose, and fixed their glances on the beloved corpse. And memories, those memories of the past, so sweet, so torturing to-day, came back to their minds with all those little forgotten details, those little details so intimate and familiar, which make the being who is no more live over again. They recalled circumstances, words, smiles, certain intonations of voice which belonged to one whom they should hear speaking to them again. They saw her once more happy and calm, and phrases she used in ordinary conversation rose to their lips. They even remembered a little movement of the hand peculiar to her, as if she were keeping time when she was saying something of importance.
And they loved her as they had never before loved her. And by the depth of their despair they realized how strongly they had been attached to her, and how desolate they would find themselves now.
She had been their mainstay, their guide, the best part of their youth, of that happy portion of their lives which had vanished; she had been the bond that united them to existence, the mother, the mamma, the creative flesh, the tie that bound them to their ancestors. They would henceforth be solitary, isolated; they would have nothing on earth to look back upon.
The nun said to her brother:
"You know how mamma used always to read over her old letters. They are all there in her drawer. Suppose we read them in our turn, and so revive all her life this night by her side? It would be like a kind of road of the cross, like making the acquaintance of her mother, of grandparents whom we never knew, whose letters are there, and of whom she has so often talked to us, you remember?"
And they drew forth from the drawer a dozen little packets of yellow paper, carefully tied up and placed close to one another. They flung these relics on the bed, and selecting one of them on which the word "Father" was written, they opened and read what was in it.
It consisted of those very old letters which are to be found in old family writing-desks, those letters which have the flavor of another century. The first said, "My darling," another "My beautiful little girl," then others "My dear child," and then again "My dear daughter." And suddenly the nun began reading aloud, reading for the dead her own history, all her tender souvenirs. And the magistrate listened, while he leaned on the bed, with his eyes on his mother's face. And the motionless corpse seemed happy.
Sister Eulalie, interrupting herself, said: "We ought to put them into the grave with her, to make a winding-sheet of them, and bury them with her."
And then she took up another packet, on which the descriptive word did not appear.
And in a loud tone she began: "My adored one, I love you to distraction. Since yesterday I have been suffering like a damned soul burned by the recollection of you. I feel your lips on mine, your eyes under my eyes, your flesh under my flesh. I love you! I love you! You have made me mad! My arms open! I pant with an immense desire to possess you again. My whole body calls out to you, wants you. I have kept in my mouth the taste of your kisses."
The magistrate rose up; the nun stopped reading. He snatched the letter from her, and sought for the signature. There was none, save under the words, "He who adores you," the name "Henry." Their father's name was René. So then he was not the man.
Then, the son, with rapid fingers, fumbled in the packet of letters took another of them, and read: "I can do without your caresses no longer."
And, standing up, with the severity of a judge passing sentence, he gazed at the impassive face of the dead woman.
The nun, straight as a statue, with teardrops standing at each corner of her eyes, looked at her brother, waiting to see what he meant to do. Then he crossed the room, slowly reached the window, and looked out thoughtfully into the night.
When he turned back, Sister Eulalie, her eyes now quite dry, still remained standing near the bed, with a downcast look.
He went over to the drawer and flung in the letters which he had picked up from the floor. Then he drew the curtains round the bed.
And when the dawn made the candles on the table look pale, the son rose from his armchair, and without even a parting glance at the mother whom he had separated from them and condemned, he said slowly:
"Now, my sister, let us leave the room."
THE CAKE
Let us say that her name was Madame Anserre so as not to reveal her real name.
She was one of those Parisian comets which leave, as it were, a trail of fire behind them. She wrote verses and novels; she had a poetic heart, and was ravishingly beautiful. She opened her doors to very few – only to exceptional people, those who are commonly described as princes of something or other.
To be a visitor at her house constituted a claim, a genuine claim of intellect: at least this was the estimate set on her invitations.
Her husband played the part of an obscure satellite. To be the husband of a star is not an easy thing. This husband had, however, an original idea, that of creating a State within a State, of possessing a merit of his own, a merit of the second order; it is true; but he did, in fact, in this fashion, on the days when his wife held receptions, hold receptions also on his own account. He had his special set who appreciated him, listened to him, and bestowed on him more attention than they did on his brilliant partner.
He had devoted himself to agriculture – to agriculture in the Chamber. There are in the same way generals in the Chamber – those who are born, who live, and who die, on the round leather chairs of the War Office, are all of this sort, are they not? Sailors in the Chambers – viz., in the Admiralty – Colonizers in the Chamber, etc., etc. So he had studied agriculture, indeed he had studied it deeply, in its relations with the other sciences, with political economy, with the Fine Arts – we dress up the Fine Arts with every kind of science, since we even call the horrible railway bridges "works of art." At length he reached the point when it was said of him: "He is a man of ability." He was quoted in the Technical Reviews; his wife had succeeded in getting him appointed a member of a committee at the Ministry of Agriculture.
This latest glory was quite sufficient for him.
Under the pretext of diminishing the expenses, he sent out invitations to his friends for the day when his wife received hers, so that they associated together, or rather they did not – they formed two groups. Madame, with her escort of artists, academicians, and Ministers, occupied a kind of gallery, furnished and decorated in the style of the Empire. Monsieur generally withdrew with his agriculturists into a smaller portion of the house used as a smoking-room and ironically described by Madame Anserre as the Salon of Agriculture.
The two camps were clearly separated. Monsieur, without jealousy, moreover, sometimes penetrated into the Academy, and cordial handshakings were exchanged, but the Academy entertained infinite contempt for the Salon of Agriculture, and it was rarely that one of the princes of science, of thought, or of anything else mingled with the agriculturists.
These receptions occasioned little expense – a cup of tea, a cake, that was all. Monsieur, at an earlier period, had claimed two cakes, one for the academy, and one for the agriculturists, but Madame having rightly suggested that this way of acting seemed to indicate two camps, two receptions, two parties, Monsieur did not press the matter, so that they used only one cake, of which Madame Anserre did the honors at the Academy, and which then passed into the Salon de Agriculture.
Now, this cake was soon, for the Academy, a subject of observation well calculated to arouse curiosity. Madame Anserre never cut it herself. That function always fell to the lot of one or other of the illustrious guests. The particular duty, which was supposed to carry with it honorable distinction, was performed by each person for a pretty long period, in one case for three months, scarcely ever for more; and it was noticed that the privilege of "cutting the cake" carried with it a heap of other marks of superiority – a sort of royalty, or rather very accentuated vice-royalty.
The reigning cutter spoke in a haughty tone, with an air of marked command; and all the favors of the mistress of the house were for him alone.
These happy individuals were in moments of intimacy described in hushed tones behind doors as the "favorites of the cake," and every change of favorite introduced into the Academy a sort of revolution. The knife was a scepter, the pastry an emblem; the chosen ones were congratulated. The agriculturists never cut the cake. Monsieur himself was always excluded, although he ate his share.
The cake was cut in succession by poets, by painters, and by novelists. A great musician had the privilege of measuring the portions of the cake for some time; an ambassador succeeded him. Sometimes a man less well-known, but elegant and sought after, one of those who are called according to the different epochs, "true gentleman," or "perfect knight," or "dandy," or something else, seated himself, in his turn, before the symbolic cake. Each of them, during his ephemeral reign, exhibited greater consideration towards the husband; then, when the hour of his fall had arrived, he passed on the knife towards the other and mingled once more with the crowd of followers and admirers of the "beautiful Madame Anserre."
This state of things lasted a long time, but comets do not always shine with the same brilliance. Everything gets worn out in society. One would have said that gradually the eagerness of the cutters grew feebler; they seemed to hesitate at times when the tray was held out to them; this office, once so much coveted, became less and less desired. It was retained for a shorter time; they appeared to be less proud of it.
Madame Anserre was prodigal of smiles and civilities. Alas! no one was found any longer to cut it voluntarily. The new comers seemed to decline the honor. The "old favorites" reappeared one by one like dethroned princes who have been replaced for a brief spell in power. Then, the chosen ones became few, very few. For a month (O, prodigy!) M. Anserre cut open the cake; then he looked as if he were getting tired of it; and one evening Madame Anserre, the beautiful Madame Anserre, was seen cutting it herself. But this appeared to be very wearisome to her, and, next day, she urged one of her guests so strongly to do it that he did not dare to refuse.
The symbol was too well-known, however; the guests stared at one another with scared anxious faces. To cut the cake was nothing, but the privileges to which this favor had always given a claim now frightened people; therefore, the moment the dish made its appearance the academicians rushed pell-mell into the Salon of Agriculture, as if to shelter themselves behind the husband, who was perpetually smiling. And when Madame Anserre, in a state of anxiety, presented herself at the door with a cake in one hand and the knife in the other, they all seemed to form a circle around her husband as if to appeal to him for protection.
Some years more passed. Nobody cut the cake now; but yielding to an old inveterate habit, the lady who had always been gallantly called "the beautiful Madame Anserre" looked out each evening for some devotee to take the knife, and each time the same movement took place around her, a general flight, skillfully arranged, and full of combined maneuvers that showed great cleverness, in order to avoid the offer that was rising to her lips.
But, one evening, a young man presented himself at her reception – an innocent, unsophisticated youth. He knew nothing about the mystery of the cake; accordingly, when it appeared, and when all the rest ran away, when Madame Anserre took from the man-servant's hands the dish and the pastry, he remained quietly by her side.
She thought that perhaps he knew about the matter; she smiled, and in a tone which showed some emotion, said:
"Will you be kind enough, dear Monsieur, to cut this cake?"
He displayed the utmost readiness, and took off his gloves, flattered at such an honor being conferred on him.
"Oh, to be sure Madame, with the greatest pleasure."
Some distance away in the corner of the gallery, in the frame of the door which led into the Salon of the Agriculturists, faces which expressed utter amazement were staring at him. Then, when the spectators saw the new comer cutting without any hesitation, they quickly came forward.
An old poet jocosely slapped the neophyte on the shoulder.
"Bravo, young man!" he whispered in his ear.
The others gazed at him with curiosity. Even the husband appeared to be surprised. As for the young man, he was astonished at the consideration which they suddenly seemed to show towards him; above all, he failed to comprehend the marked attentions, the manifest favor, and the species of mute gratitude which the mistress of the house bestowed on him.
It appears, however, that he eventually found out.
At what moment, in what place, was the revelation made to him? Nobody could tell; but, when he again presented himself at the reception, he had a preoccupied air, almost a shamefaced look, and he cast around him a glance of uneasiness.
The bell rang for tea. The man-servant appeared. Madame Anserre, with a smile, seized the dish, casting a look about her for her young friend; but he had fled so precipitately that no trace of him could be seen any longer. Then, she went looking everywhere for him, and ere long she discovered him in the Salon of the Agriculturists. With his arm locked in that of the husband, he was consulting that gentleman as to the means employed for destroying phylloxera.
"My dear Monsieur," she said to him, "will you be so kind as to cut this cake for me?"
He reddened to the roots of his hair, and hanging down his head, stammered out some excuses. Thereupon M. Anserre took pity on him, and turning towards his wife, said:
"My dear, you might have the goodness not to disturb us. We are talking about agriculture. So get your cake cut by Baptiste."
And since that day nobody has ever cut Madame Anserre's cake.
A LIVELY FRIEND
They had been constantly in each other's society for a whole winter in Paris. After having lost sight of each other, as generally happens in such cases, after leaving college, the two friends met again one night, long years after, already old and white-haired, the one a bachelor, the other married.
M. de Meroul lived six months in Paris and six months in his little chateau of Tourbeville. Having married the daughter of a gentleman in the district, he had lived a peaceful, happy life with the indolence of a man who has nothing to do. With a calm temperament and a sedate mind, without any intellectual audacity or tendency towards revolutionary independence of thought, he passed his time in mildly regretting the past, in deploring the morals and the institutions of to-day, and in repeating every moment to his wife, who raised her eyes to Heaven, and sometimes her hands also, in token of energetic assent:
"Under what a government do we live, great God!"
Madame de Meroul mentally resembled her husband, just as if they had been brother and sister. She knew by tradition that one ought, first of all, to reverence the Pope and the King!
And she loved them and respected them from the bottom of her heart, without knowing them, with a poetic exaltation, with a hereditary devotion, with all the sensibility of a well-born woman. She was kindly in every fold of her soul. She had no child, and was incessantly regretting it.
When M. de Meroul came across his old school fellow Joseph Mouradour at a ball, he experienced from this meeting a profound and genuine delight, for they had been very fond of one another in their youth.
After exclamations of astonishment over the changes caused by age in their bodies and their faces, they had asked one another a number of questions as to their respective careers.
Joseph Mouradour, a native of the South of France, had become a Councilor General in his own neighborhood. Frank in his manners, he spoke briskly and without any circumspection telling all his thoughts with sheer indifference to prudential considerations. He was a Republican, of that race of good-natured Republicans who make their own ease the law of their existence, and who carry freedom of speech to the verge of brutality.
He called at his friend's address in Paris, and was immediately a favorite, on account of his easy cordiality, in spite of his advanced opinions. Madame de Meroul exclaimed:
"What a pity! such a charming man!"
M. de Meroul said to his friend, in a sincere and confidential tone: "You cannot imagine what a wrong you do to our country." He was attached to his friend nevertheless, for no bonds are more solid than those of childhood renewed in later life. Joseph Mouradour chaffed the husband and wife, called them "my loving turtles," and occasionally gave vent to loud declarations against people who were behind the age, against all sorts of prejudices and traditions.
When he thus directed the flood of his democratic eloquence, the married pair, feeling ill at ease, kept silent through a sense of propriety and good-breeding; then the husband tried to turn off the conversation, in order to avoid any friction. Joseph Mouradour did not want to know anyone unless he was free to say what he liked.
Summer came round. The Merouls knew no greater pleasure than to receive their old friends in their country house at Tourbeville. It was an intimate and healthy pleasure, the pleasure of homely gentlefolk who had spent most of their lives in the country. They used to go to the nearest railway station to meet some of their guests, and drove them to the house in their carriage, watching for compliments on their district, on the rapid vegetation, on the condition of the roads in the department, on the cleanliness of the peasants' houses, on the bigness of the cattle they saw in the fields, on everything that met the eye as far as the edge of the horizon.
They liked to have it noticed that their horse trotted in a wonderful manner for an animal employed a part of the year in field-work; and they awaited, with anxiety the newcomer's opinion on their family estate, sensitive to the slightest word, grateful for the slightest gracious attention.
Joseph Mouradour was invited, and he announced his arrival.
The wife and the husband came to meet the train, delighted to have the opportunity of doing the honors of their house.
As soon as he perceived them, Joseph Mouradour jumped out of his carriage with a vivacity which increased their satisfaction. He grasped their hands warmly, congratulated them, and intoxicated them with compliments.
He was quite charming in his manner as they drove along the road to the house; he expressed astonishment at the height of the trees, the excellence of the crops, and the quickness of the horse.
When he placed his foot on the steps in front of the chateau, M. de Meroul said to him with a certain friendly solemnity:
"Now you are at home."
Joseph Mouradour answered: "Thanks old fellow; I counted on that. For my part, besides, I never put myself out with my friends. That's the only hospitality I understand."
Then, he went up to his own room, where he put on the costume of a peasant, as he was pleased to describe it, and he came down again not very long after, attired in blue linen, with yellow boots, in the careless rig-out of a Parisian out for a holiday. He seemed, too to have become more common, more jolly, more familiar, having assumed along with his would-be rustic garb a free and easy swagger which he thought suited the style of dress. His new apparel somewhat shocked M. and Madame de Meroul who even at home on their estate always remained serious and respectable, as the particle "de" before their name exacted a certain amount of ceremonial even with their intimate friends.
After lunch, they went to visit the farms; and the Parisian stupefied the respectable peasants by talking to them as if he were a comrade of theirs.
In the evening, the curé dined at the house – a fat old priest, wearing his Sunday suit, who had been specially asked that day in order to meet the newcomer.
When Joseph saw him he made a grimace, then he stared at the priest in astonishment as if he belonged to some peculiar race of beings, the like of which he had never seen before at such close quarters. He told a few smutty stories allowable enough with a friend after dinner, but apparently somewhat out of place in the presence of an ecclesiastic. He did not say, "Monsieur l'Abbe," but merely "Monsieur"; and he embarrassed the priest with philosophical views as to the various superstitions that prevailed on the surface of the globe.
He remarked:
"Your God, monsieur, is one of those persons whom we must respect, but also one of those who must be discussed. Mine is called Reason; he has from time immemorial been the enemy of yours."
The Merouls, greatly put out, attempted to divert his thoughts.
The curé left very early.
Then the husband gently remarked:
"You went a little too far with that priest."
But Joseph immediately replied:
"That's a very good joke, too! Am I to bother my brains about a devil-dodger? At any rate, do me the favor of not ever again having such an old fogy to dinner. Curses on his impudence!"
"But, my friend, remember his sacred character."
Joseph Mouradour interrupted him:
"Yes, I know. We must treat them like girls, who get roses for being well behaved! That's all right, my boy! When these people respect my convictions, I will respect theirs!"
This was all that happened that day.
Next morning, Madame de Meroul, on entering her drawing-room, saw lying on the table three newspapers which made her draw back in horror. "Le Voltaire," "Le Republique Francaise," and "La Justice."
Presently, Joseph Mouradour, still in his blue blouse, appeared on the threshold, reading "L'Intransigeant" attentively. He exclaimed:
"There is a splendid article by Rochefort. This fellow is marvelous."
He read the article in a loud voice, laying so much stress on its most striking passages that he did not notice the entrance of his friend.
M. de Meroul had a paper in each hand. "Le Gaulois" for himself and "Le Clarion" for his wife.
The ardent prose of the master-writer who overthrew the empire, violently declaimed, recited in the accent of the South, rang through the peaceful drawing-room, shook the old curtains with their rigid folds, seemed to splash the walls, the large upholstered chairs, the solemn furniture fixed in the same position for the past century, with a hail of words, rebounding, impudent, ironical and crushing.
The husband and the wife, the one standing, the other seated, listened in a state of stupor, so scandalized that they no longer even ventured to make a gesture. Mouradour launched out the concluding passage in the article as one lets forth a jet of fireworks, then in an emphatic tone remarked:
"That's a stinger, eh?"
But suddenly he perceived the two prints belonging to his friend, and he seemed himself for a moment overcome with astonishment. Then, he came across to his host with great strides, demanding in angry tone:
"What do you want to do with these papers?" M. de Meroul replied in a hesitating voice:
"Why, these – these are my – my newspapers."
"Your newspapers! Look here, now, you are only laughing at me! You will do me the favor to read mine, to stir you up with a few new ideas, and, as for yours – this is what I do with them – "
And before his host, filled with confusion, could prevent him, he seized the two newspapers and flung them out through the window. Then he gravely placed "La Justice" in the hands of Madame de Meroul and "Le Voltaire" in those of her husband, and he sank into an armchair to finish "L'Intransigeant."
The husband and the wife, through feelings of delicacy, made a show of reading a little, then they handed back the Republican newspapers, which they touched with their finger-tips as if they had been poisoned.
Then he burst out laughing, and said:
"A week of this sort of nourishment, and I'll have you converted to my ideas."
At the end of the week, in fact, he ruled the house. He had shut the door on the curé, whom Madame Meroul went to see in secret. He gave orders that neither the "Gaulois" nor the "Clarion" were to be admitted into the house, which a man-servant went to get in a mysterious fashion at the post-office, and which, on his entrance, were hidden away under the sofa cushions. He regulated everything just as he liked, always charming, always good-natured, a jovial and all powerful tyrant.
Other friends were about to come on a visit, religious people with Legitimist opinions. The master and mistress of the chateau considered it would be impossible to let them meet their lively guest, and, not knowing what to do, announced to Joseph Mouradour one evening that they were obliged to go away from home for a few days about a little matter of business, and they begged of him to remain in the house alone.
He showed no trace of emotion, and replied:
"Very well; 'tis all the same to me; I'll wait here for you as long as you like. What I say is this – there need be no ceremony between friends. You're quite right to look after your own affairs – why the devil shouldn't you? I'll not take offense at your doing that, quite the contrary. It only makes me feel quite at my ease with you. Go, my friends – I'll wait for you."