The Works of Guy de Maupassant, Volume 2

II

Countess de Mascaret was waiting in her room for dinner time, like a criminal sentenced to death, awaits the hour of his execution. What was he going to do? Had he come home? Despotic, passionate, ready for any violence as he was, what was he meditating, what had he made up his mind to do? There was no sound in the house, and every moment she looked at the clock. Her lady's maid had come and dressed her for the evening, and had then left the room again. Eight o'clock struck and almost at the same moment there were two knocks at the door, and the butler came in and told her that dinner was ready.

"Has the Count come in?" "Yes, Madame la Comtesse; he is in the dining-room."

For a little moment she felt inclined to arm herself with a small revolver which she had bought some time previously, foreseeing the tragedy which was being rehearsed in her heart. But she remembered that all the children would be there, and she took nothing except a smelling bottle. He rose somewhat ceremoniously from his chair. They exchanged a slight bow, and sat down. The three boys, with their tutor, Abbé Martin, were on her right, and the three girls, with Miss Smith, their English governess, were on her left. The youngest child, who was only three months old, remained upstairs with his nurse.

The Abbé said grace as usual, when there was no company, for the children did not come down to dinner when there were guests present; then they began dinner. The Countess, suffering from emotion, which she had not at all calculated upon, remained with her eyes cast down, while the Count scrutinized, now the three boys, and now the three girls, with uncertain, unhappy looks, which traveled from one to the other. Suddenly, pushing his wine-glass from him, it broke, and the wine was spilt on the tablecloth, and at the slight noise caused by this little accident, the Countess started up from her chair, and for the first time they looked at each other. Then, almost every moment, in spite of themselves, in spite of the irritation of their nerves caused by every glance, they did not cease to exchange looks, rapid as pistol shots.

The Abbé, who felt that there was some cause for embarrassment which he could not divine, tried to get up the conversation, and he started various subjects, but his useless efforts gave rise to no ideas and did not bring out a word. The Countess, with feminine tact and obeying her instincts of a woman of the world, tried to answer him two or three times, but in vain. She could not find words, in the perplexity of her mind, and her own voice almost frightened her in the silence of the large room, where nothing else was heard except the slight sound of plates and knives and forks.

Suddenly, her husband said to her, bending forward: "Here, amidst your children, will you swear to me that what you told me just now, is true?"

The hatred which was fermenting in her veins, suddenly roused her, and replying to that question with the same firmness with which she had replied to his looks, she raised both her hands, the right pointing towards the boys and the left towards the girls, and said in a firm, resolute voice, and without any hesitation: "On the head of my children, I swear that I have told you the truth."

He got up, and throwing his table napkin onto the table with an exasperated movement, he turned round and flung his chair against the wall, and then went out without another word, while she, uttering a deep sigh, as if after a first victory, went on in a calm voice: "You must not pay any attention to what your father has just said, my darlings; he was very much upset a short time ago, but he will be all right again, in a few days."

Then she talked with the Abbé and with Miss Smith, and had tender, pretty words for all her children; those sweet spoiling mother's ways which unfold little hearts.

When dinner was over, she went into the drawing-room with all her little following. She made the elder ones chatter, and when their bedtime came she kissed them for a long time, and then went alone into her room.

She waited, for she had no doubt that he would come, and she made up her mind then, as her children were not with her, to defend her human skin, as she defended her life as a woman of the world; and in the pocket of her dress she put the little loaded revolver, which she had bought a few days previously. The hours went by, the hours struck, and every sound was hushed in the house. Only the cabs continued to rumble through the streets, but their noise was only heard vaguely through the shuttered and curtained windows.

She waited, energetic and nervous, without any fear of him now, ready for anything, and almost triumphant, for she had found means of torturing him continually, during every moment of his life.

But the first gleams of dawn came in through the fringe at the bottom of her curtains, without his having come into her room, and then she awoke to the fact, much to her stupefaction, that he was not coming. Having locked and bolted her door, for greater security, she went to bed at last, and remained there, with her eyes open, thinking, and barely understanding it all, without being able to guess what he was going to do.

When her maid brought her tea, she at the same time gave her a letter from her husband. He told her that he was going to undertake a long journey, and in a postscript he added that his lawyer would provide her with any sums of money she might require for all her expenses.

III

It was at the Opéra, between two of the acts in Robert the Devil. In the stalls, the men were standing up, with their hats on, their waistcoats cut very low so as to show a large amount of white shirt front, in which the gold and precious stones of their studs glistened, and were looking at the boxes full of ladies in low dresses, covered with diamonds and pearls, and who were expanding like flowers in that illuminated hothouse, where the beauty of the faces and the whiteness of their shoulders seemed to bloom in order to be looked at, in the midst of the music and of human voices.

Two friends, with their backs to the orchestra were scanning those rows of elegance, that exhibition of real or false charms, of jewels, of luxury and of pretensions which showed itself off all round the Grand-Théâtre, and one of them Roger de Salnis, said to his companion, Bernard Grandin: "Just look how beautiful Countess de Mascaret still is."

Then the older, in turn, looked through his opera glasses at a tall lady in a box opposite, who appeared to be still very young, and whose striking beauty seemed to appeal to the eyes in every corner of the house. Her pale complexion, of an ivory tint, gave her the appearance of a statue, while a small, diamond coronet glistened on her black hair like a milky way.

When he had looked at her for some time, Bernard Grandin replied with a jocular accent of sincere conviction: "You may well call her beautiful." "How old do you think she is?" "Wait a moment. I can tell you exactly, for I have known her since she was a child, and I saw her make her debut into society when she was quite a girl. She is … she is … thirty … thirty-six." "Impossible!" "I am sure of it." "She looks twenty-five." "She has had seven children." "It is incredible." "And what is more, they are all seven alive, as she is a very good mother. I go to the house, which is a very quiet and pleasant one, occasionally, and she realizes the phenomenon of the family in the midst of the world." "How very strange! And have there never been any reports about her?" "Never." "But what about her husband? He is peculiar, is he not?"

"Yes, and no. Very likely there has been a little drama between them, one of those little domestic dramas which one suspects, which one never finds out exactly, but which one guesses pretty nearly." "What is it?" "I do not know anything about it. Mascaret leads a very fast life now, after having been a model husband. As long as he remained a good spouse, he had a shocking temper and was crabbed and easily took offense, but since he has been leading his present, rackety life, he has become quite indifferent; but one would guess that he has some trouble, a worm gnawing somewhere, for he has aged very much."

Thereupon the two friends talked philosophically for some minutes about the secret, unknowable troubles, which differences of character or perhaps physical antipathies, which were not perceived at first, give rise to in families, and then Roger de Salnis, who was still looking at Madame de Mascaret through his opera-glasses, said: "It is almost incredible that that woman has had seven children!" "Yes, in eleven years; after which, when she was thirty, she put a stop to her period of production in order to enter into the brilliant period of representation, which does not seem near coming to an end." "Poor women!" "Why do you pity them?"

"Why? Ah! my dear fellow, just consider! eleven years of pregnancy, for such a woman! What a hell! All her youth, all her beauty, every hope of success, every poetical ideal of a bright life, sacrificed to that abominable law of reproduction which turns the normal woman into a mere machine for reproduction." "What would you have? It is only nature!"

"Yes, but I say that nature is our enemy, that we must always fight against nature, for she is continually bringing us back to an animal state. You may be sure that God has not put anything onto this earth that is clean, pretty, elegant, or accessory to our ideal, but the human brain has done it. It is we who have introduced a little grace, beauty, unknown charm and mystery into creation by singing about it, interpreting it, by admiring it as poets, idealizing it as artists, and by explaining it as learned men who make mistakes, but who find ingenious reasons, some grace and beauty, some unknown charm and mystery in the various phenomena of nature. God only created coarse beings, full of the germs of disease, and who, after a few years of bestial enjoyment, grow old and infirm, with all the ugliness and all the want of power of human decrepitude. He only seems to have made them in order that they may reproduce their species in a dirty manner, and then die like ephemeral insects. I said, reproduce their species in a dirty manner, and I adhere to that expression. What is there, as a matter of fact, more ignoble and more repugnant than that filthy and ridiculous act of the reproduction of living beings, against which all delicate minds always have revolted, and always will revolt? Since all the organs which have been invented by this economical and malicious Creator serve two purposes, why did he not choose others that were not dirty and sullied, in order to entrust them with that sacred mission, which is the noblest and the most exalted of all human functions? The mouth, which nourishes the body by means of material food, also diffuses abroad speech and thought. Our flesh revives itself by means of itself, and at the same time, ideas are communicated by it. The sense of smell, which gives the vital air to the lungs, imparts all the perfumes of the world to the brain: the smell of flowers, of woods, of trees, of the sea. The ear, which enables us to communicate with our fellow men, has also allowed us to invent music, to create dreams, happiness, the infinite and even physical pleasure, by means of sounds! But one might say that the cynical and cunning Creator wished to prohibit man from ever ennobling and idealizing his commerce with women. Nevertheless, man has found love, which is not a bad reply to that sly Deity, and he has ornamented it so much with literary poetry, that woman often forgets the contact she is obliged to submit to. Those among us who are powerless to deceive themselves, have invented vice and refined debauchery, which is another way of laughing at God, and of paying homage, immodest homage, to beauty.

"But the normal man makes children; just a beast that is coupled with another by law.

"Look at that woman! Is it not abominable to think that such a jewel, such a pearl, born to be beautiful, admired, fêted and adored, has spent eleven years of her life in providing heirs for the Count de Mascaret?"

Bernard Grandin replied with a laugh: "There is a great deal of truth in all that, but very few people would understand you."

Salnis got more and more animated. "Do you know how I picture God myself?" he said. "As am enormous creative organ, unknown to us, who scatters millions of worlds into space, just as one single fish would deposit its spawn in the sea. He creates, because it is His function as God to do so, but He does not know what He is doing, and is stupidly prolific in His work, and is ignorant of the combinations of all kinds which are produced by his scattered germs. Human thought is a lucky little local, passing accident, which was totally unforeseen and condemned to disappear with this earth, and to recommence perhaps here or elsewhere, the same or different, with fresh combinations of eternally new beginnings. We owe it to this slight accident which has happened to His intellect, that we are very uncomfortable in this world, which was not made for us, which had not been prepared to receive us, to lodge and feed us or to satisfy reflecting beings, and we owe it to Him also that we have to struggle without ceasing against what are still called the designs of Providence, when we are really refined and civilized beings."

Grandin, who was listening to him attentively, as he had long known the surprising outbursts of his fancy, asked him: "Then you believe that human thought is the spontaneous product of blind, divine parturition?" "Naturally? A fortuitous function of the nerve-centers of our brain, like some unforeseen chemical action which is due to new mixtures, and which also resemble a product of electricity, caused by friction, or the unexpected proximity of some substance, which lastly resemble the phenomena caused by the infinite and fruitful fermentations of living matter.

"But, my dear fellow, the truth of this must be evident to any one who looks about him. If human thought, ordained by an omniscient Creator, had been intended to be what it has become, altogether different from mechanical thoughts and resignation, so exacting, inquiring, agitated, tormented, would the world which was created to receive the beings which we now are, have been this unpleasant little dwelling place for poor fools, this salad plot, this rocky wooded and spherical kitchen garden where your improvident Providence had destined us to live naked, in caves or under trees, nourished on the flesh of slaughtered animals, our brethren, or on raw vegetables nourished by the sun and the rain?

"But it is sufficient to reflect for a moment, in order to understand that this world was not made for such creatures as we are. Thought, which is developed by a miracle in the nerves of the cells in our brain, powerless, ignorant and confused as it is, and as it will always remain, makes all of us, who are intellectual beings, eternal and wretched exiles on earth.

"Look at this earth, as God has given it to those who inhabit it. Is it not visibly and solely made, planted and covered with forests, for the sake of animals? What is there for us? Nothing. And for them, everything, and they have nothing to do but to eat, or go hunting and eat each other, according to their instincts, for God never foresaw gentleness and peaceable manners; He only foresaw the death of creatures which were bent on destroying and devouring each other. Are not the quail, the pigeon and the partridge the natural prey of the hawk? the sheep, the stag and the ox that of the great flesh-eating animals, rather than meat that has been fattened to be served up to us with truffles, which have been unearthed by pigs, for our special benefit?

"As to ourselves, the more civilized, intellectual and refined we are, the more we ought to conquer and subdue that animal instinct, which represents the will of God in us. And so, in order to mitigate our lot as brutes, we have discovered and made everything, beginning with houses, then exquisite food, sauces, sweetmeats, pastry, drink, stuffs, clothes, ornaments, beds, mattresses, carriages, railways, and innumerable machines, besides arts and sciences, writing and poetry. Every ideal comes from us and all the amenities of life, in order to make our existence as simple reproducers, for which divine Providence solely intended us, less monotonous and less hard.

"Look at this theater. Is there not here a human world created by us, unforeseen and unknown by Eternal destinies, comprehensible by our minds alone, a sensual and intellectual distraction, which has been invented solely by and for that discontented and restless little animal that we are.

"Look at that woman, Madame de Mascaret. God intended her to live in a cave naked, or wrapped up in the skins of wild animals, but is she not better as she is? But, speaking of her, does anyone know why and how her brute of a husband, having such a companion by his side, and especially after having been boorish enough to make her a mother seven times, has suddenly left her, to run after bad women?"

Grandin replied: "Oh! my dear fellow, this is probably the only reason. He found that always sleeping with her was becoming too expensive in the end, and from reasons of domestic economy, he has arrived at the same principles which you lay down as a philosopher."

Just then the curtain rose for the third act, and they turned round, took off their hats, and sat down.

IV

The Count and Countess Mascaret were sitting side by side in the carriage which was taking them home from the opera, without speaking. But suddenly the husband said to his wife: "Gabrielle!" "What do you want?" "Don't you think that this has lasted long enough?" "What?" "The horrible punishment to which you have condemned me for the last six years." "What do you want? I cannot help it." "Then tell me which of them it is!" "Never!" "Think that I can no longer see my children or feel them round me, without having my heart burdened with this doubt. Tell me which of them it is, and I swear that I will forgive you, and treat it like the others." "I have not the right to." "You do not see that I can no longer endure this life, this thought which is wearing me out, or this question which I am constantly asking myself, this question which tortures me each time I look at them. It is driving me mad."

"Then you have suffered a great deal?" she said.

"Terribly. Should I, without that, have accepted the horror of living by your side, and the still greater horror of feeling and knowing that there is one among them whom I cannot recognize, and who prevents me from loving the others." She repeated: "Then you have really suffered very much?" And he replied in a constrained and sorrowful voice:

"Yes, for do I not tell you every day that it is intolerable torture for me? Should I have remained in that house, near you and them, if I did not love them? Oh! You have behaved abominably towards me. All the affection of my heart I have bestowed upon my children, and that you know. I am for them a father of the olden time, as I was for you a husband of one of the families of old, for by instinct I have remained a natural man, a man of former days. Yes, I will confess it, you have made me terribly jealous, because you are a woman of another race, of another soul, with other requirements. Oh! I shall never forget the things that you told me, but from that day, I troubled myself no more about you. I did not kill you, because then I should have had no means on earth of ever discovering which of our … of your children is not mine. I have waited, but I have suffered more than you would believe, for I can no longer venture to love them, except, perhaps, the two eldest; I no longer venture to look at them, to call them to me, to kiss them; I cannot take them onto my knee without asking myself: 'Can it be this one?' I have been correct in my behavior towards you for six years, and even kind and complaisant; tell me the truth, and I swear that I will do nothing unkind."

He thought, in spite of the darkness of the carriage, that he could perceive that she was moved, and feeling certain that she was going to speak at last, he said: "I beg you, I beseech you to tell me…" "I have been more guilty than you think, perhaps," she replied; "but I could no longer endure that life of continual pregnancy, and I had only one means of driving you from my bed. I lied before God, and I lied, with my hand raised to my children's head, for I have never wronged you."

He seized her arm in the darkness, and squeezing it as he had done on that terrible day of their drive in the Bois de Boulogne, he stammered: "Is that true?" "It is true." But he, in terrible grief, said with a groan: "I shall have fresh doubts that will never end! When did you lie, the last time or now? How am I to believe you at present? How can one believe a woman after that? I shall never again know what I am to think. I would rather you had said to me: 'It is Jacques, or, it is Jeanne.'"

The carriage drove them into the courtyard of their mansion, and when it had drawn up in front of the steps, the Count got down first, as usual, and offered his wife his arm, to help her up. And then, as soon as they had reached the first floor, he said: "Can I speak to you for a few moments longer?" And she replied: "I am quite willing."

They went into a small drawing-room, while a footman in some surprise, lit the wax candles. As soon as he had left the room and they were alone, he continued: "How am I to know the truth? I have begged you a thousand times to speak, but you have remained dumb, impenetrable, inflexible, inexorable, and now to-day, you tell me that you have been lying. For six years you have actually allowed me to believe such a thing! No, you are lying now; I do not know why, but out of pity for me, perhaps!"

She replied in a sincere and convincing manner: "If I had not done so, I should have had four more children in the last six years!" And he exclaimed: "Can a mother speak like that?" "Oh!" she replied, "I do not at all feel that I am the mother of children who have never been born. It is enough for me to be the mother of those that I have, and to love them with all my heart. I am, we are women who belong to the civilized world, Monsieur, and we are no longer, and we refuse to be, mere females who restock the earth."

She got up, but he seized her hands. "Only one word, Gabrielle. Tell me the truth!" "I have just told you. I have never dishonored you."

He looked her full in the face, and how beautiful she was, with her gray eyes, like the cold sky. In her dark hair dress, on that opaque night of black hair, there shone the diamond coronet, like a milky way. Then he suddenly felt, felt by a kind of intuition, that this grand creature was not merely a being destined to perpetuate his race, but the strange and mysterious product of all our complicated desires which have been accumulating in us for centuries, but which have been turned aside from their primitive and divine object, and which have wandered after a mystic, imperfectly seen and intangible beauty. There are some women like that, who blossom only for our dreams, adorned with every poetical attribute of civilization, with that ideal luxury, coquetry and aesthetic charm which surrounds woman, that living statue who brightens our life, like sensual fevers and immaterial appetites.

Her husband remained standing before her, stupefied at that tardy and obscure discovery, confusedly hitting on the cause of his former jealousy, and understanding it all very imperfectly; and at last he said: "I believe you, for I feel at this moment that you are not lying, and formerly, I really thought that you were." She put out her hand to him: "We are friends, then?" He took her hand and kissed it, and replied: "We are friends. Thank you, Gabrielle."

Then he went out, still looking at her, and surprised that she was still so beautiful, and feeling a strange emotion arising in him, which was, perhaps, more formidable than antique and simple love.