Read the book: «The Four Corners»

CHAPTER I
A NEW SONG

The town itself was one that stood at the foot of Virginia's blue mountains. The house where the Corners lived was on the edge of the town, facing a street which ended at the front gate. At the side of the garden another long street wound its way uphill and was called the old County Road when it began to go down grade. The house was a rambling old affair which had not been painted for some years and was, therefore, of an indescribable hue. One wing was shut up, but the remainder was made excellent use of by four lively girls, of whom the eldest was Nancy Weston. She was variously known as Nan, Nance or Nannie, though she greatly preferred Nannette and sometimes stealthily signed herself so. When she was, as her Cousin Phil expressed it, "on the bias," he often delighted to tease her by calling her Sharp Corner, but her Aunt Sarah often declared that West Corner suited her perfectly since from that quarter sprang up the briskest, as well as the most agreeable, of breezes.

Next to Nan came Mary Lee. She was always called by both names as is a Virginia custom. After Mary Lee came Jacqueline, or Jack as she was called, and her twin sister, Jean. Mary Lee was very unlike Nan, and though there was less than two years difference in their ages, she seemed the older of the two. She was less impetuous, more quiet and reserved, though more self-absorbed and less thoughtful for others. Neither was she so original as Nan and generally followed some one's lead, most frequently that of her Cousin Phil Lewis who was her special comrade, for Mary Lee adored open-air sports, especially boyish ones. Nan liked these intermittently, though when she did enter into them she was liable to be more daring and impetuous than her sister.

Phil lived scarce a block away and, since the confines of his own dooryard were limited, he preferred to spend much of his time within the larger range of his cousins' three acres. He and Mary Lee were about the same age and had many tastes in common; both were devoted to animals, and had a tendency to fads over which they became very enthusiastic for the time being. Phil was a wiry, dark, little fellow quite Mary Lee's opposite, she being fair-haired and blue-eyed with a slow drawl in speaking. Nan spoke more nervously when she was excited, though she, too, spoke with a lingering accent upon certain words. Nan's eyes were sometimes a grayish blue, sometimes almost a hazel, and at times showed the color of deep and tranquil pools of water, an indescribable hue. Their expression changed as did their color and when languidly drooped under their long dark lashes, seemed those of a sentimental romantic maid, but, when in moments of excitement, Nan opened them wide, they glowed like two stars. Her eyes were Nan's best feature. She did not possess a straight nose like Mary Lee's nor such a rosebud of a mouth, but her flashing smile showed even, white little teeth, and the oval of her face was perfect.

The twins were much alike in coloring and feature, but in expression were so different that even the most casual observer could not fail to distinguish Jack from Jean. They had blue eyes like Mary Lee but were dark-haired like Nan. Jack was, as Aunt Sarah Dent expressed it, "a pickle." She had a dreamy pathetic countenance and wore a saintly expression when she was plotting her worst mischief. At her best she was angelic; at her worst she was impish, and just how she would eventually turn out no one could foretell.

Jean was a sweet-tempered, affectionate child, gentle and obedient. Once in a while it seemed as if she felt it a duty to be naughty, but the naughtiness was always as if it were a pretense, and was more of a bluster than an exhibition of actual original sin. "There is no mistake that Jack is full of the old Adam," Aunt Sarah was wont to declare, "but Jean always acts to me as if she wasn't quite sure that she ought to be human."

Nan was overflowing with sentiment, a lover of music, books, and pictures, yet liking nothing better than to whirl in and help in domestic emergencies. She had much inventive and mechanical talent which most of the others lacked. She was usually the sunniest and most sweet-tempered of persons, but had her moody days when she "flocked by herself," and liked to brood upon sombre subjects or weave lugubrious ballads which she set to melancholy tunes. These moody moments occurred but seldom and were generally the outcome of hurt feelings after some teasing bout with one of her sisters or some contrite condition following a deserved lecture from her mother or her Aunt Sarah.

Aunt Sarah Dent often came to make long stays with the family after the death of the children's father. A small life insurance and the little place at the end of the street was about all that was left to their mother. Aunt Sarah had a modest income of her own which she cheerfully added to the family exchequer and, therefore, her coming usually meant some added comforts, so they managed fairly well. A woman came in to wash and clean, but the rest of the work was done by the family with the assistance of a half-grown colored girl, and an old negro man, Landy by name. It was supposed that his name in its beginning had been Philander, but he had forgotten and no one else knew. He was a little bent, dried-up old darky, but was tough and wiry and could accomplish more than many younger ones of his color, whom he scorned openly.

Add to the family an old mule named Pete, a handsome Angora cat called Lady Gray, and a mongrel dog whose name was Trouble, and you have its membership.

It was one afternoon in late summer that Nan, having been called Sharp Corner more times than her temper would amiably permit, had gone to a haunt much favored by herself. This was at the extreme edge of the place, a little nook where the orchard ended and a few stunted pines lapped over into the next field. The field had not been cultivated for some time and was overgrown with weeds and a young growth of pine and fir trees. It was rather a desolate spot, for the nearest house was hidden in summer by a thick grove, and the slope of the hill prevented the road from being seen from this point.

Creeping through the rail fence Nan felt that she had placed herself outside trammeling conditions and made her way to where a fallen log, covered with moss, invited her. This was Nan's piano. She seated herself upon a pile of sticks and stones which she had heaped up before the log. In front of her she had constructed a sort of rack, using a bit of wood which she had nailed to the log. Against the rack she placed a newspaper clipping which she secured from blowing away by means of a pin. After a few graceful sweeps of her hands up and down the pretended key-board, she wailed forth to a silent accompaniment:

There was more of the song but Nan sang the first stanza over and over again. At the close of the performance her eyes were full of tears and her voice vibrated with emotion as she quavered forth: "Little Jamie." A flock of crows in the field beyond rose from the stubbly undergrowth with solemn caws and sailed off to the grove beyond. The birds of ill-omen exactly suited Nan's mood. She took an æsthetic delight in their presence. They seemed to be applauding her. She went to the other side of the log and lay down upon the dry pine needles, her head against the log and her eyes fixed upon the blue sky. Her thoughts were with the verses she had cut from a country newspaper. She thought they were delightful, and her fancy brought before her an orphan boy tattered and torn but beautiful as a dream. She felt all the enthusiasm of a true composer as she hummed over the tune she had made.

"I will publish it some day," she said. "The next time everybody is busy and out of the sitting-room, I will try to write it so I will not forget it. I think, myself, that it is lovely and I ought to get a great deal of money for it, enough to buy a piano."

The possession of a piano was Nan's dearest wish. The only musical instrument of which the family could boast was an old wheezy melodeon which stood in the sitting-room. It skipped notes once in a while, especially in its middle range, and was at once a source of pleasure and disappointment to Nan. Her Aunt Sarah declared that it drove her wild to hear Nan try to pick out tunes on it, so the girl usually had to be sure of having the place to herself before she dared to make attempts at music. Feeble little attempts these were, for she knew scarce anything beyond the mere rudiments. But to a great love of music she added a true ear, a good memory, and boundless ambition and perseverance.

"It will be autumn soon," Nan went on to herself, her thoughts still wandering in a vague dream. "I think I like autumn best of all seasons. I'd like to write poetry about it. When I am a great musician, I will write a piece of music and call it 'Autumn Whispers,' and it will sound like the wind in the trees and the corn shocks. Then I will write another and that will be called 'Autumn Secrets.' It will be about golden sunshine and shining red leaves and little pools of water in the hollows that look as if a piece of blue sky had dropped in them. I wish I could write music that would be a picture and a poem, too; it would be nice to have them all together. Trouble, where did you come from? I know Phil is around somewhere," she exclaimed, suddenly, sitting up very straight. "I don't want him to find me here. He has called me 'Sharp Corner' once too often to-day."

She jumped up and bending low, ran along the line of fence toward the hollow which intervened between this and the next rise of ground. Trouble stood still for a moment, uncertainly looking after her, then he trotted off in an opposite direction.

Pursuing her way, Nan reached the small stream which ran through the hollow. Ferns and mosses were here in abundance. Here and there a cardinal flower flaunted its red banner. Low aground trailed the hedge bindweed, and in the field beyond a slim spire of goldenrod showed itself. This attracted Nan's notice. "I said it would be autumn soon," she said, "for there is the first goldenrod of the season. I must get that piece for Aunt Sarah, though if she has an idea of where it came from, she won't have it." She gave a hasty glance in the direction of the house beyond sheltering trees as she gained the other side of the brook to gather her ambitious spray of goldenrod, for that house set in the grove of oaks belonged to Grandmother Corner, whose grandchildren were strangers to her. The running brook was the barrier which they seldom crossed and, when they did, it was secretly. The big buff house was closed, the green shutters tightly fastened, the door boarded up and the gate locked, for its owner was abroad. With her daughter Helen, she had been in Europe ever since Nan could remember.

Sometimes Nan would push her way through the hedge which surrounded the lawn, plunge through the long grass and stand staring up at the silent house where her father had been born. Certain accounts given by old Landy made her believe that it was of palatial magnificence and she longed to see its interior. Once when the care-taker had made one of his infrequent visits, one of the lower windows was opened, and Nan who had long watched and waited for such an opportunity, tiptoed up to peep in. At first she saw nothing but ghostly sheeted furniture and pictures shrouded in muslin cases, bare floors and uncurtained windows. She was about to creep away disappointed when she saw the man upon a ladder uncovering a picture. It was of a stately lady in a velvet gown, the slender fingers half hidden by costly lace, and Nan gazed with all her eyes at the haughty face. Was it her grandmother's portrait, she wondered. She watched till the man readjusted the covering and then she crept away dreaming of a day when she might see the original of the portrait and when she might be allowed to walk through those silent rooms again restored to their former splendor.

On this afternoon, however, she did not go near the house, but followed the stream for a short distance, crossed back again and came around the other side of her own home garden where old Landy was at work, talking to himself as was his wont.

"Reckon dese yer vines is done fo'. Clar 'em erway. No mo' beans on 'em. How co'n comin' on? Get a mess offen dis row by Sunday. Tomats plenty. Melons gittin' good an' ripe." He stooped down to tap a large melon with his bony knuckles. "She jest a bus'in' wid sweetness by 'nother week. Um, um, she fa'r make me dribble at de mouf to look at huh."

"Who-o-o!" came a long-drawn owlish cry from behind him.

"Who dat?" cried Landy, pulling himself erect from his contemplation of the melon. "Whicher one o' yuh chilluns is it? Hyar, yuh, Jack er Phil er whomsoever yuh is, git outen fum behin' dat co'n brake. I sees yuh."

A suppressed giggle from Nan made known her whereabouts, and she arose up from behind the tall tasseled corn. "You didn't see me or you wouldn't have called me Phil or Jack, but you heard me, didn't you? Did you think I was a real sure enough owl, Unc' Landy?"

"Humph! I knows ole hooty-owl better'n dat. I knows yuh is a huming varmint."

"Oh, Unc' Landy! the idea of calling me a varmint. I am not one at all."

"Den wha' fo' yuh grubbin' roun' in de gyardin' stuff lak ole mole?" he asked chuckling.

"Same reason you do; to see how it is getting on. When will the watermelons be ready to eat? It seems to me they are very late this year."

"Dey is late. I say dey is, but nex' week, ef de Lord sees fittin', we bus' open dis one. She de fust to be pick. I layin' out to lif huh fum huh sandy baid nex' Tuesday."

"And we'll have it for dinner. Oh, my! I wish it were ready now. Did they used to have a watermelon patch over at Grandmother Corner's? There isn't any now."

"How yuh so wise?"

"Oh, I've been all around the place. I know just where the garden used to be."

"Yo' ma say yuh chilluns ain't to ha'nt de ole place."

"I know and I don't haunt it; I just go there once in a while. I haven't been for a long, long time. I don't see, anyhow, why we can't go when it was father's home."

"Yuh nuvver sees yo' ma er yo' auntie cross de brook."

"No, but then – "

"Den wha' fo' yuh do what dey don' do?"

"I do lots of things which they don't do and they do lots of things I don't do; that's no reason. When do you reckon my Grandmother Corner will come back?"

"Das mo'n any huming know, I tell yuh, honey. She done taken huh disagreeables an' huh hity-tyties long wid huh. Das all I kyar to know. She want de yarth an' all dat derein is, das what she want; mebbe she fin' it off yandah in dem quare countries, but she don't git back dem ha'sh words she speak to yo' pa on his las' day. Dey a-follerin' huh an' a gnawin' an' a clawin' at huh heart. She cyarnt git rid o' dem wha'soevah she go, though she try to flee fum 'em."

The picture of her grandmother's fleeing from place to place pursued by bitter words in the form of skeleton-like creatures who gnashed their teeth and clawed with bony fingers took hold of Nan's imagination. Her mother never mentioned Grandmother Corner's name, and from old Landy Nan gleaned all that she knew of her. Heretofore, what had been told her did not cause her to give much love to this unknown grandmother, but now she began to feel rather sorry for her. "I wish you took care of the big house," she said, "for then you could let me go in there to see the pictures and beautiful things, and I could play on the piano."

"Humph! I say let you in. Ef it depen' upon ole Landy yuh ain' nuvver go inside de do'. Nobody tell me go but onct. I ain't nuvver pass my foot ovah de do'-sill agin whilst I lives on dis yarth."

While he talked Landy slashed away at the dead vines vindictively. As he clawed at them with his lean black fingers he made Nan think of the bitter words which pursued her grandmother. They must appear something like Landy, only more bony and wicked-looking. Nan laughed at the conceit.

"'Tain't nothin' to larf at," grumbled Landy. "Dese yer fambly q'urrels is turrble things. Yo' pa know yo' gran'ma don't like be crossed 'bout de proputty, but he feel lak he bleedged to say what he think, an' she tu'n on him an' de las' word she uvver give mek him have de heart-ache. Yo' ma ain' fergit dat, an' das fo' why she don' lak you chilluns to go trespassin' on de ole place. Hit yo' gran'ma's an' she got full an' plenty whilst yo' pa what oughter had his share done got nothin' ter leave yuh-alls but dis little ole place. Das why I laks ter mek hit smile an' see de melons grow plum big an' de co'n-fiel' lookin' prosp'ous. Yo' gran'pa mean yo' pa to hev his shar' but de ole lady hol' on to uvvry thing whilst she 'bove groun'. Nemmin', yuh-alls has full an' plenty to eat. Ain' de tomats jest a-humpin' deyse'fs? Yo' ma has pickles an' cans o' 'em fo' de whole wintah, dey so many."

"I like the little yellow ones best," remarked Nan, who was tired of the old man's long monologue. He was given to reciting these bits of family history to her though to no one outside the family itself would he have breathed a word. "I think these make the very nicest preserves," continued Nan, "and I like them raw, too. I always feel as if I were eating golden fairy fruit only they aren't sweet like I imagine fairy fruit would be." She stooped to gather a tiny red tomato from the vines at her feet. They used to call these love-apples, Aunt Sarah says, and they thought they were poisonous. "I am glad they found out it wasn't so," she said, popping the red morsel into her mouth. "What are you going to do now, Landy?"

"Gwine tek a tu'n at de fence." When Landy's other occupations did not demand attention there was always the fence to turn to; something upon which to exhaust his energies. It was patched and mended beyond hope now, Mrs. Corner thought, and the repairs were creeping from the side to the front, for Landy had frequently "borrowed from Peter to pay Paul," and when a paling was missing from the front he had always promptly supplied it from the sides, replacing it by a board, a post, or whatever came handy, so that the two side fences presented a curious style of building. White, green or gray boards took their place as occasion required. Tops from empty boxes set forth some address in staring black letters, a bit of wire fence was hitched to a cedar post on one side and an old bed-slat on the other; but the fence served its purpose to keep out wandering cattle from the garden which was Landy's pride. And though Mrs. Corner sighed when she went that way, there was no money to be spared for new fences so the old one was eked out from year to year.

Leaving Landy to work upon the fence, Nan supplied herself with more small tomatoes and went up to the house thinking of the grandmother across seas and determining to curb her own tongue lest it lead her into such trying ordeals as the being haunted by bitter words.

CHAPTER II
THE FAIRY GODMOTHER

As she entered the long living-room, Nan found it deserted except for the presence of Lady Gray, who sleepily stretched out her paws on the broad window-sill where she was taking a nap, and winked one eye at Nan. "Nobody here, at least nobody who counts, if you will excuse the remark, Lady Gray," said Nan, "so I can try my song."

She went to the corner where the melodeon stood. It was piled high with a variety of things; her mother's work-basket, Aunt Sarah's knitting, a scrap-book, and some sheets of paper from which Nan was taking cuttings, the twins' dolls, and a pile of books which she herself had taken from the shelves. All these had to be removed before the song could be tried.

The warm summer sunshine sifted in through the vines that covered the western windows and disclosed the dinginess of the room. An old-fashioned paper, discolored by time, covered the walls; its green and gold had been pleasant to look upon in days gone by, but now it was patched and streaked. Upon the floor was a worn carpet; handsome old mahogany furniture which had lost its polish gave a well-filled appearance to the room, though the springs of the long sofa had been greatly weakened by frequent jumpings upon them, so that the seat of the sofa presented an uphill and down-dale surface, not rendered more inviting by the neutral-toned, frayed upholstery.

A tall secretary with a beautifully leaded glass top had been chosen by some yellow-jackets as a place for building purposes, and they were droning about their mud-bedaubed residences along the edge of the secretary's top.

A handsome centre-table with claw feet was littered with books and magazines. A set of chairs in about the same condition as the sofa evidenced that a constant use had been made of them. The shades at the windows were in a more or less worn condition. Over the mantel hung a portrait of a man in gray uniform, one hand on his sword. His eyes were like Nan's.

Nan began industriously to pick out her tune by working the pedals of the old melodeon vigorously, an operation which was followed by a long-drawn wheezing complaint from somewhere in the interior of the instrument. But Nan did not perceive any reason for amusement; she carefully wrote down her notes one by one, saying aloud "D, d, f, a, – I wish that note would sound. I think it must be a – b, a, – I wonder if it is a; it comes so often, too, I ought to know. Oh, dear, e is out of order, too. Let me see, where was I? Oh, yes, 'blue his eyes,' it is eyes that ought to be e. I reckon I'll know what it is anyhow, even if I don't get it exactly right. 'Blue his eyes,'" she sang softly.

"Nannie," came a voice from the window, "do shut up that dreadful wheezing thing; I want to take a nap."

Nan jumped up and closed the melodeon with a bang. Why was it that Aunt Sarah always wanted to take a nap when she was "composing"? It was always so. Aunt Sarah might go days and never think of napping in the daytime, but let Nan but send forth one note and, if Aunt Sarah were anywhere within hearing distance, there came the order to stop. "I wish I could have it all to myself somewhere out of the way," she said. "I'll ask mother if I may get Landy to take it over in one of the old rooms, or up in the attic or somewhere so nobody will hear me."

Acting upon this idea she sought out her mother who was busy at her sewing-machine. Mrs. Corner looked up brightly, though she did not stop her work when Nan appeared. "Well, daughter?" she said.

"Oh, mother, mayn't I have the old melodeon all to myself somewhere; over in the barn, or in one of the shut up rooms of the wing or in the garret or somewhere so nobody can hear when I am playing?"

"Playing?" An amused pucker came around Mrs. Corner's eyes. "It is truly playing that you do with it. I don't see how I can let you have it, for it is so useful to pile things on in the living-room."

"But mother, a table would do just as well."

"If one had the table."

"I'm sure there must be one somewhere in the garret."

"None that is whole."

"There's one that is only a little rickety in the legs, and Landy could mend that."

"Landy has no time for such things, at least, unless they are absolutely necessary. He has all that he can do."

"Oh, but I do want it so very much. Aunt Sarah always wants to take a nap the minute I begin to play and I always have to stop."

Mrs. Corner smiled again. "I'm not surprised. Don't be unreasonable, Nan. You know it is trying to hear any one wheeze out impossible tunes with one finger, or make distracting discords which are agony to a sensitive ear. You are getting too big to want to drum."

A lump arose in Nan's throat. She was shy of divulging her ambitions. Her mother did not understand that she did not want to drum, but that this was a serious matter. She would not explain, however, but she hurried away with a sense of being aggrieved. Mary Lee and Phil were at that moment deeply interested in watching a family of tadpoles which were about to lose their tails. The two children kept them in an old half-cask and spent many moments in bending over it. Jack and Jean were playing house with paper-dolls in the orchard. No one wanted Nan and she did want her music. She made one more attempt, returning slowly to her mother's door. "If you only just knew, mother, how awfully much I want it, you'd let me have it."

Her mother stopped stitching. "Poor little girl," she spoke sympathetically, "I wish you could have lessons, and that I could give you a good piano to practice on, for I do appreciate your love of music, but dear, I don't see that your efforts on that old worn-out melodeon will bring you the slightest reward; in fact, I have heard it said that it is not well to allow a child to practice on a poor instrument. Now, be reasonable, darling, and don't want impossibilities. You know mother would give you your every heart's desire if she could."

"I know," said Nan weakly as she turned again from the room. A sudden inspiration had seized her, and her heart beat very fast as she made her way back to the retreat in the pines and from there to the hollow and on to the very threshold of the house at Uplands, the old Corner place. She tried the door but it did not yield to her efforts. From window to window she went making an effort to open each. To the side door, the back door and around to the porch on the north side. There were side lights to the door here, and, shading her eyes, Nan tried to peer through into the dimness.

Nan thought she heard sounds within and felt a little scared, then all at once she saw a form in black garments flit across the hall, and with a suppressed scream she turned and fled, crashing through the weeds and underbrush, leaping across the brook and reaching her retreat frightened and wondering. There could be no mistake; some one was certainly there. Was it flesh and blood presence or some ghostly visitor? Uplands had the reputation of being haunted and Nan really believed she had seen the ghost of her great-great-grandmother.

She sat quaking and yet half trying to make up her mind to return for further investigation when a shadow fell across the spot where she sat, and, looking up, she saw a strange little lady standing before her, looking down at her wistfully. The lady was all in black and though her face was young, and her cheeks showed softly pink, her hair was very white. Nan had not seen her approach, and it appeared almost as if she had dropped from the skies. "Who are you?" inquired the little lady.

"One of the four Corners," returned Nan with a sudden smile.

"Which one?"

"Nan."

"I was sure of it. And why were you trying to get into that house?" The little lady nodded toward Uplands.

"Because it is my grandmother's and – and – " She glanced up shyly at the stranger.

"Go on, please," said the lady, taking a seat on an end of Nan's pretended piano. "Did you want anything in particular?"

There was something compelling in the lady's manner, and Nan replied, "Yes, I did. I know I really ought not to have gone, for mother doesn't like us even to cross the brook. She never actually forbids it, but she looks distressed if she finds out that any of us have been over, but I wanted awfully to see if I could get in and try to open the piano. It seems so perfectly dreadful for it to stand there month after month and year after year, no good to anybody, when I'd give my right hand to have it."

"If you gave your right hand for it," said the lady, suddenly dimpling, "you could only play bass, you know, and I don't believe you would care for that."

Nan laughed. "No, I wouldn't. I like the fine high notes, though sometimes I think the growling bass of the organ at church is beautiful. It makes me think of what it says in the Psalter: 'The noise of the seas, the noise of the waves, and the tumult of the people.'"

The lady nodded understandingly and was silently thoughtful for some moments, then she said, "This is a nice little spot." She put her hand upon Nan's improvised music-rack. "What is this for?" she asked.

Nan blushed. "It's just to hold up the music, you know. That's my piano where you are sitting."

"Goodness!" cried the lady, jumping up. "How undignified of me to sit on a piano. Please pardon me; I didn't know."

"Of course not." Nan's eyes grew starlike. It was not only very delightful but very exciting to meet one who so perfectly understood. "You see," she went on, "all I have at home is a dreadful old melodeon that skips notes and wheezes like our old Pete; he has the heaves, you know."

"Poor old Pete," said the lady, with a tender retrospective look in her eyes. "You have the melodeon, yes, and then?"

"Aunt Sarah always wants to take a nap the minute I begin to play, and to-day," her voice dropped and she went nearer to her visitor, "I had made a new tune and I did so want to write it down. I came out here first and tried it; it sounded very well, I thought, but I had written only a little of it when I had to shut the melodeon. Aunt Sarah always does have such inconvenient times for taking naps," she sighed.

"Won't you let me hear your song, or your tune?" said the lady, politely seating herself with an expectant air upon a stump further off.

Nan's cheeks grew redder. She did not like to seem ungracious to this stranger who showed such an unusual interest in her performances and yet her only audience heretofore had been the creatures of the field and the air. "No one has ever heard it but the crows," she said hesitatingly, then impulsively: "You won't laugh?"

"Indeed no, of course not," returned the lady with some real indignation at such a suspicion.

Nan sat still long enough to screw up her courage to the active point, and then drawing from her blouse a bit of paper, she seated herself before her log-piano and began her song. The lady, with cheek in hand, leaned forward and listened intently. Once there was a slight flicker of amusement in her eyes, but for the most part her face was tenderly serious. At the close of the song she said gently: "Thank you, dear. I think that is a very sweet little air for one so young as you to think of. May I see?" She extended her hand for Nan's half-written song. "How will you finish it?" she asked.