Read the book: «The Garden in the Clouds: From Derelict Smallholding to Mountain Paradise»
THE GARDEN IN
THE CLOUDS
From Derelict Smallholding to Mountain Paradise

ANTONY WOODWARD


Copyright
William Collins
An imprint of HarperCollinsPublishers 1 London Bridge Street London SE1 9GF
www.harpercollins.co.uk
First published in Great Britain by HarperPress in 2010
Copyright © Antony Woodward 2010
Antony Woodward asserts the moral right to be identified as the author of this work
A catalogue record for this book is available from the British Library
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Source ISBN: 9780007216512
Ebook Edition © MAY 2010 ISBN: 9780007351930
Version: 2016-02-19
To Vez
sine qua non
It is better to have your head in the clouds, and know where you are…than to breathe the clearer atmosphere below them, and think that you are in paradise.
HENRY DAVID THOREAU
The link between imagination and place is no trivial matter.
The existential question, ‘Where do I belong?’ is addressed to the imagination. To inhabit a place physically, but to remain unaware of what it means or how it feels, is a deprivation more profound than deafness at a concert or blindness in an art gallery. Humans in this condition belong no where.
EUGENE WALTER, Placeways, 1988

Contents
Cover Page
Title Page
Copyright
To Vez
Prologue
1 Walking country
2 Tair-Ffynnon
3 The Yellow Book
4 A short detour about wood-chopping
5 Winter on the hill
6 The Not Garden
7 The perfect country room
8 The County Organiser
9 The important matter of gates
10 The orchard
11 Bees
12 How not to mow a meadow
13 The Accident
14 The pond
15 Stoning
16 Return of the County Organiser
17 Life, death and hedge-cutting
18 The house
19 ‘Garden Open Today’
Epilogue
Keep Reading
Acknowledgements
The National Gardens Scheme
About the Author
About the Publisher
Prologue
Hell is all right. The human mind is inspired enough when it comes to inventing horrors; it is when it tries to invent a Heaven that it shows itself cloddish.
EVELYN WAUGH, Put Out More Flags, 1942
My first involvement with gardening was aged seven. I am sitting in the back of my mother’s car (Austin 1300 Countryman, cream, wood-effect trim). She’s at the wheel; my father’s in the passenger seat, my older brother Jonathan is in the back with me. We’ve pulled off a country road alongside some iron railings. Through the railings a garden can be seen leading back, via a wide lawn, to a handsome stone-built villa. Wiltshire probably; possibly Gloucestershire or Somerset.
‘Antony’—my mother only used my full Christian name when she was serious—‘I won’t ask you again. Get out of the car.’
‘No.’
‘Get—out—of—the—car.’
‘Why? Why me?’
‘The more you sit here arguing, the longer we’re going to be.’
‘Why can’t Jonny do it?’
‘You’re smaller than he is. Anyway, it’s your turn.’
‘What if someone comes? What if the people come back?’
‘They won’t come back.’
‘But what if they do?’
‘I must say, I’m not sure this is wise,’ says my father. ‘It’s breaking the law.’
‘Don’t be so feeble, Peter. How could anyone mind? If the child got on with it, we could all be on our way home by now.’
‘Exactly. It’s breaking the—’
‘Be quiet, Antony.’
‘What if someone does come?’ says my father.
‘He just runs for it, of course.’ She turns to me. ‘You can come back through the gate if you want. Look,’ she adopts a more conciliatory tone, ‘it won’t take a second. You’ll be back here before you know it, and I’ll cook sausages for tea.’
‘The fence is too high. I’ll never get over.’
‘It does look high, Liza. I really do think—’ says my father.
‘Fiddlesticks. Really Peter, you’re as bad as the children.’
‘It’s not fair…where’s the bloody thing again?’
‘Don’t use bad language. It’s the helianthemum. Over there under the wall, with the small white flowers. In that raised bed. On the left.’
From the car there is a view through the wrought-iron gate, down a short, flag-stoned path onto the lawn. Diagonally across this is the raised bed, about eighty yards away.
‘The white thing by the big red bush?’
‘Yes. Now get a move on. And remember: pull downwards so a piece of the stalk comes with it.’
It had recently rained and as I push through the shrubbery to the railings, every move brings a shower of water droplets down my neck and arms. Insects hum loudly, and beetles keep dropping onto me. Straddling the crossbar, trying to get my second leg over, one of my belt loops catches on an iron point. For a few seconds I’m helpless, exposed to both the house and anyone passing. Vigorous arm movements from the car indicate that my mother thinks I’m stalling. I wriggle free, drop back down into the laurels, crawling under their cover until I reach the lawn’s edge. Then I sprint. By the raised bed, I grab at the plant, and a few moments later, breathless with adrenaline, I’m back at the gate. The latch is tight, lifting with a clang, the hinges screech deafeningly, but at last I’m back in the safety of the car.
‘Quick, go,’ I pant, pulling the car door shut.
‘Let me see,’ demands my mother.
I thrust the sprig of foliage into her hand.

‘Come on. Go.’
‘This isn’t a helianthemum,’ says my mother. ‘This is aubrietia. You nincompoop, Ant. You’ve got the wrong plant.’
‘What?’
‘This is no use at all.’
‘Well, I can’t help it. You should have said.’
‘No use at all,’ repeats my mother. ‘Why on earth would I ask for aubrietia? Quick—back you go.’
‘WHAT?’
‘Come on. We haven’t got all day.’
‘I’m not going back in there.’
‘Of course you are. And this time, use your nous,’ she adds, tapping her temple with her forefinger; ‘it’s an alpine. Come on. Get on with it.’
For the second time, I find myself ejected. ‘Well make sure you switch the engine on…’
‘Yes, yes, yes.’
The angry yell of a man’s voice comes from the direction of the house just as my hand stretches out to the raised bed: ‘Hey! You! What are you doing?’
I don’t look, I just leg it across the lawn to the flagged path to the gate. This is my undoing. Following the rain, as soon as my feet touch the flags, I perform a graceless cartwheel, coming down agonisingly on my left thigh. Picking myself up, I fumble for the gate latch. A clang, a squeal of hinges, and I’m back in the car. ‘Quick. Quick. Someone’s coming. Quick. Go. Go, go, go.’
My mother hasn’t started the engine. I dive behind the front seats as she fiddles unhurriedly with the ignition. As we at last pull away, I emerge to find my mother holding the cutting at arm’s length (she’s longsighted), appraising as she steers with one hand.
‘Please keep your eyes on the road, Liza,’ says my father.
‘That should take alright,’ she says. She starts to wrap the cutting in one of the numerous crumpled paper handkerchiefs that always surround her, the car swerving dangerously as she does so. ‘See darling?’ she says, turning to me. ‘That couldn’t have been easier, could it? All that fuss. You do make such a meal of everything.’

This book is partly about an attempt to make a garden and partly an attempt to resolve my vexed relationship with the whole subject of gardening. The specific impulse was planted about twenty years ago, during a conversation with a friend whose party trick was hypnotising people. ‘We all have a garden in our heads,’ he happened to mention. Asked to close our eyes and imagine ourselves in our favourite garden, most people will find a special place, usually a childhood garden. Real or imaginary, once chosen, it’ll always be the same place we visit, if requested to do so thereafter, again and again. This fact, he said, was indispensable to hypnotists, who need to make their subject feel secure, contented, fulfilled, calm and relaxed—in short, highly susceptible to whatever humiliating routines he had planned for them—in a hurry. ‘Just get them into the garden,’ he finished cheerfully. ‘Then you’ve got ’em.’
‘What if they don’t have a favourite garden?’
‘Everyone has a favourite garden.’
Somehow, this idea stuck in my head. The genius of it was its individuality. The instant he said it, I knew I had just such a place. It was the house where my grandmother lived when I was little: a gabled, Elizabethan Cotswold farmhouse with outbuildings, down a long drive, above a valley of hanging beech woods. The house was built of that honey-coloured limestone that seems to absorb the sunshine then radiate it back so even on grey days it still felt warm. The roof was of mossy stone tiles, the windows mullioned. The south-facing garden side was framed by two trees: a vast and ancient Irish yew and a flowering cherry whose white blossom indicated spring had arrived. A stream ran across the lawn in front of the house, feeding a natural swimming pool hewn out of the rock. Inside the dark interior, there were beams and oak panelling and a smell of wood smoke and beeswax. A trap door under the sitting-room carpet led to the cellar. Even the name was charmed: Rookwoods-on-the-Holy-Brook.
Rookwoods was sold in 1968, when I was five and my brother Jonny was seven. ‘It was far too remote for an old woman in winter,’ my mother would declare matter-of-factly when, later, we demanded to know why. ‘It only took a frost for her to be cut off.’ It was the only criticism of Rookwoods I ever heard. The sense of loss, the mounting resentment, the indignant accusations, they followed gradually. As we grew up, vignettes of our Cotswold idyll would drift back, until, by our teens, mere mention of the name was enough to trigger outraged nostalgia. My brother and I would compete for whose imagination had the greater claim on the place, trumping each other’s memories in an area in which my brother, with a two-and-a-half-year head start, had an irksome advantage.
When Granny died, decades later, we inherited two Rookwoods heirlooms. One was a bird table made by Cyril, the gardener. Architecturally, it was little different to most bird tables—a platform on a post beneath a pitched roof—but it was clearly handmade. The pitched roof was of beaten tin. Whittled oak pegs served as perches. The supporting pole had an irregular section where Cyril had taken the corners off with a draw knife. Erected in its new home, our garden, the bits gradually fell off: first the roof, then the supporting pillars, then the perches and the lip to stop the food blowing off. But, because it was oak, the rest, the pole and the platform, lasted: a daily presence outside the kitchen, gently reminding us of its charmed provenance.

The other heirloom was a picture. Before selling Rookwoods, Granny commissioned a painting of the house from a retired artist who lived nearby. The artist was Ernest Dinkel (the illustrator behind some of the classic 1930s underground posters) and he made a particularly good job of it. His watercolour, in its limed oak frame, moved with Granny to her next house. When she died it came to us, and when Jonny and I left home, it went to him, sparking a row so immense my father had a copy made for me.

I once read that in loving relationships between adults, the relationship does not start the day two people meet, but in the childhood of each partner. That’s when the template which governs adult behaviour, when it comes to love, is laid down. If that’s the case, then why shouldn’t much the same apply to our relationship with places? It’s always fascinated me that if you ask someone where, if they could have one, their secret rural hideaway would be—by a stream, say, in the woods, by the sea or in the hills—they always seem to know immediately. How can this be?
When I started trying to make my own garden, I discovered the task had actually begun years earlier, before I’d even found the place where my garden was to be, and that I was embarking on a more involved adventure than I could possibly have guessed, one in which all kinds of unexpected influences came to bear. Careful, patient assessment of the garden in my head, no doubt, might have explained some of these things, while simultaneously revealing much about myself (to make your paradise, after all, you need to know yourself). I did no such thing. Instead, I blundered on, baffled but trying to stay loyal to my instincts, following inexplicable imperatives. Only gradually did some explanations begin to dawn. The result is a book that often strays beyond the garden gate to all kinds of peripheral things, from childhood and family to wood-chopping.
My hope is that, on the off chance that others, too, have a garden in their heads alongside the one that they’re trying to make for real, my explorations will prompt them to reflect on theirs. After all, no one can deny the sheer grandeur of ambition or romantic purity of the impulse behind Britain’s greatest shared passion, to which anyone who’s ever dropped into a garden centre of a Saturday morning, hauled resentfully on a mower pull-start, or opened a packet of seeds has, however unconsciously, already succumbed.
A. W.
Tair-Ffynnon, 2010
1 Walking country

Now and then we passed through winding valleys speckled with farms that looked romantic and pretty from a distance, but bleak and comfortless up close. Mostly they were smallholdings with lots of rusted tin everywhere—tin sheds, tin hen huts, tin fences—looking rickety and weatherbattered. We were entering one of those weird zones, always a sign of remoteness from the known world, where nothing is ever thrown away. Every farmyard was cluttered with piles of cast-offs, as if the owner thought that one day he might need 132 half-rotted fence-posts, a ton of broken bricks and the shell of a 1964 Ford Zodiac.
BILL BRYSON, Notes from a Small Island, 1996
‘What d’you want that old place for? You a farmer? You don’t sound like a farmer.’
Mr. Games had the easy telephone manner of someone used to talking for a living and the cheery directness which I was beginning to associate with the Borderland brogue. It was late September and I’d been told there was nothing he didn’t know about property in the Black Mountains of South Wales. If we needed someone to bid on our behalf, then, as a pillar of one of the old established local auctioneers, valuers and land agents, no one was better for the task than Mr. Games.
‘I’m a writer.’
‘Are you, bloody hell?’
‘I was wondering, is there any chance—’
‘If you’re a writer, you’ll know Oliver Goldsmith? I was thinking of him just now.’
‘Oliver Goldsmith? No, I don’t think—’
‘Her modest looks the cottage might adorn,/Sweet as the primrose peeps beneath the thorn;/Now lost to all; her friends, her virtue fled,/Near her betrayer’s door she lays her head,/And, pinched with cold and shrinking from the shower,/With heavy heart deplores that luckless hour.’
‘That is lovely. No, I don’t know that poem, but—’
‘The Deserted Village. You must know that.’
‘I must look it up. But I was wondering—?’
‘What about Keats? Adieu! adieu! thy plaintive anthem fades/Past the near meadows, over the still stream,/Up the hill-side; and now ’tis buried deep/In the next valley-glades:/Was it a vision, or a waking dream?/Fled is that music—do I wake or sleep? How do they do it? That’s the bloody question. It’s in there you know, right from the start. Thomas, d’you read much of him? “And Death Shall Have No Dominion?”’
‘I…er…’
‘No more may gulls cry at their ears/Or waves break loud on the seashores…’
Was everyone in Border Country like this, I wondered? Everyone we met seemed to love to talk.
‘…He was nineteen. Nineteen. How can you know that stuff aged nineteen?’
‘Amazing, isn’t it? But I was wondering—’
‘So why d’you want this house anyway? It’s in the middle of bloody nowhere.’
‘That’s the point. I like—’
‘D’you read Johnston? You must’ve read him? That time at the Giant’s Causeway…’
And he was off again. Forty minutes later, with difficulty, I extricated myself (‘Got to go, have you?’)—though, as I put the phone down, I felt at least we now had a sound ally. I arranged to meet at his office the following Friday at twelve o’clock to run through the formalities before the afternoon’s auction.
The call was the culmination of a decade of dreaming followed by a three-year wild-goose chase. I’d been looking for a rural hideaway for as long as I could remember. In my mind, I knew precisely what I was after. It would be a remote, whitewashed stone cottage with a sagging roof of mossy stone slates, up a long, rocky track. Inside would be a sitting room lined with books, and battered old leather armchairs, a threadbare carpet and a blazing log fire. The place would have elements of Gavin Maxwell’s Camusfearna (his cottage on the West Coast of Scotland in Ring of Bright Water), Uncle Monty’s Lake District retreat in the film Withnail and I, and Shackleton’s hut at the South Pole, with its tin stove pipe, cosy bunks and (yes, let us not forget) plentiful wooden packing cases of canned lobster soup and vintage claret. It had to be somewhere properly wild: mountains or moorland—walking country—where the wind howled and the rain lashed, somewhere that would be cut off for weeks by snow in winter, as an antidote to the airless, Tupperware skies of London. In this place, after long walks in the hills (wearing sturdy, red-laced boots), worries could be soaked away in deep baths while sipping whisky (not that I liked whisky) while savouring the sound of the weather hammering the windows. It seemed a straightforward enough fantasy, yet finding it had proved anything but. Scotland, Snowdonia and the Lakes were too far. The Dales and High Peak were too expensive. Exmoor wasn’t wild enough. Dartmoor wasn’t mountainous enough.
And thus my late twenties passed into my thirties, with me no nearer, mentally or financially, to finding my rural hideaway. So, my forties on the horizon, I compromised. I bought an ancient Land Rover and parked it in the street as a daily reminder that one day that’s where I was going.
Then I met Vez, who also worked in London, and thoughts of escape to remote rural hideaways seemed less urgent.
Until, out of the blue, my friend Mary called. She’d heard of a place in the Black Mountains, likely to be cheap, but we’d have to move fast. I’d not even heard of the Black Mountains, but spring was in the air and it felt like an adventure. So Vez and I dropped everything, called in sick to our respective offices, and next day drove down the M4 to Wales.
We met our mystery guide, Ian, in a pub. From the start a sense of intrigue and skulduggery pervaded the day, enough to make us feel, for once, we were on the inside track. In the pub, Ian spoke in whispers: ‘Keep your voice down, these walls have ears.’ Then he whisked us off in his car along a wide green valley of big fields, before turning up an unsigned lane, the sides of which narrowed and deepened as it began to climb until the car fitted it like a tube train. Up and up we went, the lane kinking and twisting past ancient tree trunks whose vast boles were sawn flush to allow just enough room for a car to squeeze by. Eventually the gradient eased and we emerged, blinking in the light, at a small crossroads. Ahead of us, framed through a gateway, rose a table-topped summit. ‘Sugar Loaf,’ said Ian.
He took a turning marked ‘NO THROUGH ROAD’. A dark mountainscape opened up on our left, completely different to the grassy valley where we’d started. A hairpin bend took us steeply uphill again. The hedges were getting scrappier now, and gateways revealed ever-more-dramatic panoramas of heathery hilltops above sheep-dotted fields. Up and up—my ears popped—until a quarter of a mile later the road ended at a gate between dry-stone walls. An embossed wooden sign read: ‘NO CARS ON THE COMMON. PRIVATE ACCESS ONLY.’ Beyond the gate a rocky track bordered by a stone wall continued upwards, curving tantalisingly out of sight between bracken-covered banks before disappearing into wispy fog. ‘That’s as far as we can go,’ said Ian at that point. There were complications. The house was being sold by Court Order: a bitter divorce. There was no question of actually seeing the place. We wouldn’t understand the niceties, he said, but he’d keep us posted.
And with that, we returned to London. But over the days and weeks that followed, phrases Ian had used kept drifting back. ‘Over a thousand feet’, ‘National Park’, ‘Offa’s Dyke’, ‘red kites’, ‘wild ponies’, ‘spring water’…Each alone was enough to send me into happy reveries. As it turned out, however, it didn’t come to market. ‘Don’t give up,’ said Ian. ‘It’ll happen.’
Our next attempt to see the place coincided with the height of the foot-and-mouth epidemic in 2001. With the grand obliviousness to rural affairs that only the truly urban can display, we’d booked a B&B, packed walking boots and maps and arrived in the Black Mountains astonished to find every road into the uplands ending in sinister roadblocks plastered with yellow warning notices: ‘FOOT-AND-MOUTH DISEASE. BY ORDER, KEEP OUT.’
The effect of this was to make a place already enticingly elusive positively tantalising. What was this mysterious, out-of-reach farmstead like? By now I could think of little else. Sitting in London traffic, Vez got used to endless conversations prefaced: ‘Just say we got the place in Wales…’ Briefly, it looked as if it might really be coming to market. Ian sent us a small ad in the local paper formally announcing its sale, only to call, a few weeks later, telling us it had again been withdrawn. A third visit, six months later, prompted by a friend’s wedding near Hay-on-Wye, found the Black Mountains open and accessible again. Festooned with binoculars and cameras we walked up Offa’s Dyke footpath, looking forward to glimpsing for the first time the subject of so much discussion, only to find that due to a fold of the hill and some trees still in leaf, almost nothing could be made out except a collection of ramshackle outbuildings and tin barns clustered round a boxy house. Big dry-stone walls reached up the hill behind to claim green fields back from the gorse and bracken. To take too much interest, however, seemed like tempting fate. The place clearly wasn’t coming to market, so after a few minutes, we walked briskly on.
Abandoning hope, we left our names with other agents. But every set of particulars that arrived—for derelict water mills in dank valleys, remote farms beyond the protective cocoon of the National Park, medieval farmhouses way beyond our price range—just seemed to confirm the essential rightness of ‘our place’.
Then, unexpectedly, the day Vez went into hospital to have our first baby, particulars for ‘our place’ arrived. ‘Tair-Ffynnon’, we learnt it was called (formerly ‘Hill Cottage’). It was described as ‘occupying an outstanding rural location in the Brecon Beacons National Park, a good size, three-bedroom, detached, two-storey cottage in need of modernisation and improvement. The property occupies a spectacular position with outstanding views from its isolated location…approached via a stone track across the common…approximately 5 acres of sloping pasture…private water supply from a natural spring…For sale by public auction 3rd October.’ There was a smudgy photograph of the house but, it was pleasingly awful, it conveyed no sense to anyone who didn’t know the place of its remarkable setting.
And so, finally, with our daughter Maya just seven days old, we saw it properly. We drove through the hill gate, bumped up the track, and arrived, officially, to inspect my dream hideaway. Admittedly, to an impartial observer, the place’s appeal might have seemed obscure. The yard was littered with derelict cars and bits of twisted metal, jostling with random lumber heaps, rubble and old tyres. Geese babbled and puttered in the mud. A wall-eyed sheepdog ambushed us as we got out of the car with a series of terrific lunges to the limit of a long chain. The assorted outbuildings all looked on the point of collapse. As for the house, it was hard to say which side was ugliest. It had received a full 1970s makeover, burying all trace of the stone cottage it presumably replaced beneath breezeblock, render, concrete tiles and cavernous, flush-fitted windows. The fields around were so lumpy with anthills they appeared to have a kind of geomorphological acne, and ruckled up like bedclothes on the steep slope. There was a suggestion in the hulks of broken farm machinery that things had grown here, but it was hard to conceive what or when.

But I was not an impartial observer. I was in love. My only concern was that, with so much emotion invested, I might cock up the bidding. Which was why Ian had suggested Mr. Games as our man.

The Montague Harris office was exactly as I imagined an old established auctioneers and valuers (‘offices Brecon and Abergavenny, serving the Usk Valley’) in a rural market town should be. Its sash windows overlooked the cattle market, with (this not being market day) its metal sheds and steel sheep pens empty. A receptionist led us upstairs to Mr. Games’s office where, behind a panelled door, was a wide leather-topped desk, behind which was Mr. Games himself. The floor sagged, perhaps from age, perhaps from the weight of the desk and the hundreds of calf-bound volumes and racing calendars that lined the shelves behind it. Mr. Games, as he rose to greet us, contributed a considerable presence. His complexion was that of the pure-bred countryman, evoking the hills and the hunting field and dispersal sales held in all weathers, balanced and offset by his shoes, polished to a deep-hued patina somewhere between oxblood and mahogany. Those shoes were things of wonder: mighty, double-welted brogues against which the turn-ups of his heavy green tweed suit gently broke. ‘You’re the one wants that bloody place on the mountain.’ He looked me up and down. His eyes narrowed: ‘You don’t look mad. Are you mad?’
His secretary was despatched to fetch a disclaimer form. On it there was a box for the highest bid we were prepared to make. The night before, I’d persuaded Vez that we must be prepared to pay what it cost, to remortgage ourselves for everything we had if necessary. We’d agreed on a figure that was absurdly high for a derelict smallholding in the hills; it would have required us both to sell our cars and probably our television too. I wrote in the amount. Mr. Games took my arm and led me over to the other side of the room, out of Vez’s earshot. He lowered his voice. ‘You’re bloody mad. It’s not worth it. You might think it’s alright now, in October, but get up there in the winter, in the mist and the rain and the snow and the mud. You don’t want that place.’ Evidently feeling he’d discharged his responsibilities as best he could, he watched as I signed the paper. Vez couldn’t bring herself to sign. When I proffered the paper, she turned away, pretending not to know. ‘Well, don’t say I didn’t tell you you’re bloody mad,’ said Mr. Games.
In the end, it was neither as cheap as we hoped, nor, happily, anywhere near as much as I’d have paid. Mr. Games sat silently through the bidding, before calmly rising to secure it with two perfectly timed movements of his hand.
And so, thirty days later, I got to drive my Land Rover to its new country home.
2 Tair-Ffynnon

I usually skip topographical details in novels. The more elaborate the description of the locality, the more confused does my mental impression become. You know the sort of thing:—Jill stood looking out of the door of her cottage. To the North rose the vast peak of Snowdon. To the South swept the valley, dotted with fir trees. Beyond the main ridge of mountains a pleasant wooded country extended itself, but the nearer slopes were scarred and desolate. Miles below a thin ribbon of river wound towards the sea, which shone, like a distant shield, beyond the etc. etc. By the time I have read a little of this sort of thing I feel dizzy. Is Snowdon in front or behind? Are the woods to the right or to the left? The mind makes frenzied efforts to carry it all, without success. It would be very much better if the novelist said ‘Jill stood on the top of a hill, and looked down into the valley below.’ And left it at that.
BEVERLEY NICHOLS, Down the Garden Path, 1932
An obligatory requirement for any house in interesting country is a wall-map. Having made the satisfying discovery that Tair-Ffynnon was not only marked on the Black Mountains map, but mentioned by name—we were, literally, ‘on the map’—I wasted no time in pasting one up by the stairs. The map of the Black Mountains is a particularly pleasing one. The many contours make up the shape of a bony old hand, a left hand placed palm down by someone sitting opposite you. Four parallel ridges form the fingers, with the peaks of Mynydd Troed and Mynydd Llangorse constituting the joints of the thumb. At the joint between the second and third fingers is the Grwyne Fawr reservoir, up a long no through road. Between the third and fourth knuckles is the one through route, a mountain road that passes up the Llanthony Valley, past the abbey and Capel-y-Fin (‘the chapel at the end’) and up over the Gospel Pass (at 1,880 feet the highest road pass in Wales), before switchbacking down to Hay-on-Wye.
Hay, at the northern end, with its castle and bookshops and spring literary festival, is one of the three towns that skirt the Black Mountains. Crickhowell is to the south-west, beneath its flat-topped ‘Table Mountain’ (‘Crug Hywel’, from which the town takes its name). With its medieval bridge, antique shops and hint of gentility, Crickhowell is to the Black Mountains what Burford is to the Cotswolds. To the south-east, Abergavenny is the town with the least pretensions of the three, sitting beneath the great bulk of Blorenge (one of the few words in the English language to rhyme with ‘orange’) as Wengen sits beneath the Eiger. Central to our new universe was the Skirrid Mountain Garage, a name which conjured (to me, at least) wind-flayed and hail-battered petrol pumps huddled beneath a high pass, but which, in reality, was a homely establishment facing the mountain, selling everything the rural dweller could need, from chicken feed to homemade cakes.
Until some basic building work allowed us to move properly—installing central heating, replacing missing windows and slates, moving the bathroom upstairs—we were still only visiting Tair-Ffynnon at weekends, armed with drills and paint brushes. Our first night on the hill, after weeks of B&Bs down in the valley, felt as remote and exciting as bivouacking on Mount Everest, especially when we woke to find a hard, blue-skied frost had turned everything white and brought five Welsh Mountain ponies with romantically trailing manes and tails to drink at the bathtub where the spring emerged. The same day we spotted our first pair of red kites, easily distinguishable from the ubiquitous buzzards by their forked tails, elegant flight and mournful, whistled cries: pweee-ooo ee oo ee oo ee oo, pweee-ooo ee oo ee oo ee oo.

Between DIY efforts, we explored. no one who hasn’t moved to a new area can understand the excitement that almost every modest outing brings, be it merely trying out a pub or seeking a recommended shop, and the incidental discoveries the journey brings in the form of new views, a charming farm or enticing-looking walk for some future date. Much of our delight came just from being somewhere we’d chosen to be, as opposed to somewhere foisted upon us by our work or childhood. From growing up in Somerset I knew it was possible to live in a place without feeling the slightest connection with it, and the experience had left me hungry for knowledge of our new locality. Skirrid, Sugar Loaf and Blorenge, as the three triangulation points visible from most places, had to be climbed. The Black Hill and Golden Valley had to be inspected to see if they lived up to their names. Expeditions had to be mounted to walk Offa’s Dyke, and to drive the upland roads where Top Gear tested their supercars, to check out Cwmyoy church’s crooked tower and Kilpeck church’s saucy gargoyles of peeing women. And when we heard that a cult porn classic had been filmed in 1992 exclusively around a particular local farm, naturally we hurried off to see that too. The Revenge of Billy the Kid* (plot: farmer shags goat; monstrous half-goat-half-man progeny returns to kill his family) may not rank directly alongside Kilvert’s Diaries, Chatwin’s On the Black Hill, or Eric Gill’s sculptures (not that Gill’s extra-curricular activities were so far removed) but it still supplied local colour.

After the auction, when I’d shaken hands with the vendor’s solicitor, he’d said: ‘If you’ll be wanting a builder up there, I can recommend a tidy one. Very tidy.’ Any impartial recommendation of a local tradesman was plainly useful, given our newcomer status. And I could see that the notion of a tidy builder—the phrase, after all, was practically an oxymoron—was praiseworthy. But even if the one he was recommending was exceptionally orderly, even if he dusted every finished surface and ran the Hoover round before leaving, was this feature, in itself, sufficient justification for recommendation? Surely the foremost qualities for a builder must be workmanship, diligence, reliability, integrity, value for money, and so on, all before the undoubted bonus of tidy-mindedness?
Having, nevertheless, taken up his recommendation, over the succeeding weeks we heard mention of tidy jobs, tidy places, tidy machines, and it dawned that ‘tidy’, of course, didn’t really mean tidy at all, but was local vernacular for ‘good’ or ‘excellent’. As, in due course, we learnt that ‘ground’ was the term for ‘land’, cwtsh (pronounced ‘cutch’ as in ‘butch’) for cuddle, trow for ‘trough’, ‘by here’ for ‘here’ and so on, my favourite being the localised version of good-bye, the delightful ‘bye now’, as if parting were a mere trifling interruption, that resumption of contact was taken for granted. Phones, too, were generally answered with a joyful ‘’Alloooo’, as if you caught the recipient moments after his lottery win. The accent’s combination of Herefordshire and a hint of West Country, with a sing-song Welsh lilt, made communication easy on the ear, if periodically incomprehensible.
It also highlighted we were not just in a different place but in a different country, with a different language. ‘ARAF’ painted on roads at junctions meant ‘Slow’, while the word ‘HEDDLU’ appeared on the side of police cars. Signposts to bigger villages carried place names in both English and Welsh, however similar. The sign into our local village was large to accommodate (for absolute clarity) both ‘Llanfihangel Crucornau’ and ‘Llanvihangel Crucorney’. Cash machines offered Welsh instructions. Station and Post Office announcements were in Welsh as well as English. All official council, government or civil service documentation was bi-lingual, more than doubling its length. Names of smaller villages and individual properties tended to be in Welsh. In fact such a bewildering profusion of the same words kept cropping up again and again, of Pentwyns and Bettwses and Llanfihangels and Cwm-Thises and Nanty-Thats, that we bought a Welsh dictionary for the car. A new world emerged. In combination with words for ‘big’, ‘little’, ‘over’, ‘under’, ‘near’ or numbers, a poetic topography of landform sprang out.* Yet, despite this, and despite a general allegiance to Wales (especially evident during televised rugby finals), we soon discovered next to no one spoke or even understood Welsh.
The area seemed to be in the grip of a benign, easygoing, low-level identity crisis. Keen to learn a few basics, I spent an afternoon in the local reference library. The three classic guidebooks, A. G. Bradley’s In the March and Borderland of Wales (1905) and P. Thoresby Jones’s Welsh Border Country (1938) and H. J. Massingham’s The Southern Marches (1952), devoted pages simply trying to define where they were talking about. Everywhere there were signs of Welshness, or Englishness, or of a confusion between the two. Despite the unambiguous geophysical boundary of the ten-mile Hatterrall Ridge, the actual border with England ran only part of the way along its length, before descending to make various arbitrary and unpredictable kinks and turns, with the result that a short drive ‘round the mountain’ to Hereford or Hay crisscrossed the border repeatedly. So, not surprisingly, at least as many people seemed to be called Powell and Jones and Davies in neighbouring Herefordshire as in Monmouthshire. It was similarly interesting, if a little bewildering, to be given the option in every newsagent, however small, of nine local papers: the Abergavenny Chronicle, Monmouthshire Beacon, Abergavenny Free Press, Hereford Times, Brecon and Radnorshire Express, Western Mail, Western Free Press, Gwent Gazette and the South Wales Argus. For leisure moments, these were supplemented by the magazines Wye Valley Life, Usk Valley Life, Monmouthshire Life and Herefordshire Life, plus, for the macro view, Welsh Life. Whole sections of most newsagents were set aside for this remarkable array of verbiage. Even Abergavenny’s slogan—‘Markets, Mountains and More’—on signs hanging off lampposts and on its literature, suggested a certain doubt about exactly what it was the place stood for.
This uncertainty was echoed by the physical landscape. Upland or lowland? Sheep or cattle grazing? Hedge country or stone wall country? On the last question, most fields seemed to be a mixture, as if, halfway through walling, the waller had thought: ‘Sod this. Why don’t we just plant a hedge?’ Then, fifty years later when the hedges weren’t doing so well, another generation had said: ‘Hedges here? What were they thinking of? This should be a bloody wall.’ Even the birds seemed confused. At Tair-Ffynnon there were few trees but we had several fat green woodpeckers feeding off ants from the anthills, along with treecreepers and nuthatches. We had mountain birds like red kites and ravens, and moorland ones like red grouse and merlins. Yet we also had farmland birds like redstarts and fieldfares, water birds like yellow wagtails and herons, and garden birds: tits, chaffinches and blackbirds (though no songthrushes, strangely).
It was Border Country alright. Monmouthshire, a county in-between. But tidy, nevertheless.

My father and brother Jonny came to inspect the place. ‘D’you think my car will recover?’ said my father, parking his Fiesta after picking his way up the track. He looked well, but then he always did. Now in his eighties, he hardly seemed to have changed in the time I’d known him. Largely bald with white Professor Calculus-style hair, he’d looked old when he was young, but as his contemporaries aged, he’d just stayed the same. I bent down to kiss him, giving Jonny the usual curt nod. ‘Wonderful view. What a hideous house,’ said my father, fastidiously surveying the yard, taking in the scrap metal and the junk, as I helped him out of the car. ‘And what an appalling mess. What possessed you to buy this place, darling?’
I’d known my father wouldn’t like it. He loathed disorder, crudeness, ugliness. His relationship with the countryside was one of suspicion bordering on revulsion, and I guessed this counted as extreme countryside. I was impressed, frankly, given how bad the track was, he’d attempted it at all.
Although, technically, we’d all grown up in the country, in as much as our house was located in rural Somerset, ours wasn’t a rural existence. My father would vastly have preferred to live in the town. We were there entirely on my mother’s account, because she was obsessed with horses. Although dedicated to his garden, his interest was in abstract, strictly non-productive gardening. Most day-to-day aspects of rural living my father cordially detested. The getting stuck behind tractors and milk lorries. The smell of muck-spreading. The filth and slime with which the lanes steadily filled from December to March. It was a point almost of pride that he possessed not a solitary item of the default green country wear sold by shops with ‘country’ in their name. He was repelled by traditional rural activities such as hunting, shooting and fishing and would not have dreamt of attending an event such as the Badminton Horse Trials, had the latter not been forced upon him by my mother. Visiting churches, distinguished gardens and occasional walks up Crook’s Peak were the extent of his rural ambitions. We kept no animals, other than horses, and grew no fruit or vegetables. He wished for no contact with country people and did not enjoy having it foisted upon him (such as when he answered the door to find Ken, the farmer at the top of our lane, following one of the periodic shoots through the adjacent wood, bearing the unwelcome gift of a brace of pheasants). He made no secret of the fact that he was in the country on sufferance and would have preferred to occupy a terraced house in Bristol or Bath. Maybe it was from him that I acquired the sense of rural root-lessness that had driven me up a Welsh mountain.*
Although, technically, we’d all grown up in the country, in as much as our house was located in rural Somerset, ours wasn’t a rural existence. My father would vastly have preferred to live in the town. We were there entirely on my mother’s account, because she was obsessed with horses. Although dedicated to his garden, his interest was in abstract, strictly non-productive gardening. Most day-to-day aspects of rural living my father cordially detested. The getting stuck behind tractors and milk lorries. The smell of muck-spreading. The filth and slime with which the lanes steadily filled from December to March. It was a point almost of pride that he possessed not a solitary item of the default green country wear sold by shops with ‘country’ in their name. He was repelled by traditional rural activities such as hunting, shooting and fishing and would not have dreamt of attending an event such as the Badminton Horse Trials, had the latter not been forced upon him by my mother. Visiting churches, distinguished gardens and occasional walks up Crook’s Peak were the extent of his rural ambitions. We kept no animals, other than horses, and grew no fruit or vegetables. He wished for no contact with country people and did not enjoy having it foisted upon him (such as when he answered the door to find Ken, the farmer at the top of our lane, following one of the periodic shoots through the adjacent wood, bearing the unwelcome gift of a brace of pheasants). He made no secret of the fact that he was in the country on sufferance and would have preferred to occupy a terraced house in Bristol or Bath. Maybe it was from him that I acquired the sense of rural root-lessness that had driven me up a Welsh mountain.*
Jonny, on the other hand, was in heaven, as he methodically inspected every inch of the place, shed by shed, rusty wreck by rusty wreck. For fifteen years, Jonny’s day job had been as a Formula One motor-racing mechanic, at one time ending up as head of Ayrton Senna’s car—thus maintaining the Woodward tradition of having a job sufficiently specialised to be utterly meaningless to other members of the family. He was so shy, with us at least, he’d never, under any circumstances, contemplate leaving answerphone messages. Yet his spiky handwriting, indenting at least three sheets of paper beneath the one he was writing on, hinted at his determination once he’d set his mind on something. In recent years we’d bonded, bizarrely, over an affection for old farm machinery; the key difference between us being that he was a mechanical genius. Machines in his hands sprang back to life, as plants did in my mother’s, and as they died in my own.
‘Pick-up cylinder off an International B74 baler…radiator off a David Brown…top link arm…link box flap…hitch and footplates off a Super Major. Did you know your hay trailer’s the converted chassis of a Bedford Army Four-tonner?’
I could tell Jonny was as approving as it was possible for him to be.
‘I just do,’ said Jonny.
We went into the house for lunch. ‘What’s going there?’ asked Jonny, indicating the empty space left for the Aga.
‘An Aga.’
‘An Aga? How awful,’ said my father.
‘Oh, I don’t know. I rather like an Aga,’ said my brother. ‘What colour are you getting?’
‘Cream.’
‘Thank goodness for that.’
After lunch, Jonny returned to his inspection outside, exactly where he’d left off.
‘This hay rake’s been converted. Look, you can see where it used to be horse-drawn and they’ve welded a tractor hitch on. See, just there. Bamford’s side delivery rake…mmm, nice.’
‘What’s this called?’ We were standing next to a particularly eccentric-looking appliance which consisted of four huge metal wheels in an offset row, each spoked with sprung metal tines. From seeing it in the fields as a child, I knew it had been used for turning hay.
‘A Vicon Lily Acrobat.’ He enunciated the syllables slowly, ironically. We all smiled.
‘How do you know this stuff?’ said my father.
‘You’ve got three Ferguson ploughs, so whoever was here before you obviously had a Fergie. And a lot of this other kit’s for a Fergie too: the potato ridger, the spring tine cultivator. You can see it all used to be painted grey. Hmm,’ said Jonny, surveying it all. ‘Looks as if you’d better get yourself a tractor.’

Gradually, we began to meet our neighbours. Key amongst them was Ness, darkly beautiful, gypsy-like, striding the hill with a long-legged gait and her sheepdog Molly. She lived in a cottage behind a hedge on the lane and talked with a force and speed I have yet to encounter in another human being, as if life were too short to leave gaps between words. She was also, it soon emerged, a kind of self-appointed guardian of our corner of the National Park, waging a lone battle against what she regarded—aptly, in many people’s view—as mediocrity, idleness, bad taste, stupidity or the general failure of officialdom to discharge its duties adequately. Gratuitous street-lighting, crass development, over-signage—all fell within her remit as unofficial custodian. Early on I’d had the privilege of hearing her in action when I’d dropped in for something. Some ominous big ‘C’s had recently appeared in yellow paint on the trunks and branches of various trees on the lane up the hill, including one on the bole of a mighty, spreading oak. I found her pacing the room with a phone hooked under her chin. ‘So,arewequiteclearonthisMr.—?Ifanything—anything—happenstothattreefollowingthisconversation…IhaveyournameheresoIknowexactlywhotocomebackto.’
It was clear from her tone that her blood was up, that she’d been fobbed off by one jobsworth too many claiming he or she didn’t know what the markings meant, or that they were there in the name of health and safety. I watched agog as, with hurricane-force indefatigability, she worked her way up the hierarchy of plainly shell-shocked and unprepared officials until, when she decided she’d got far enough, she delivered her pièce de résistance: ‘Isthatclear?ForyourinformationIhavebeentaperecordingthisconversation,so,asIsay,Iwillbeholdingyoupersonallyresponsible.Thankyouverymuch.’ She put the phone down. ‘That should stir them up a bit,’ she said cheerfully, lighting a Silk Cut from a lighter marked ‘BUY YOUR OWN FUCKING LIGHTER’. ‘Now,canIofferyouacupofcoffeeord’youwantsomethingstronger?Gladyou’vecalledinbecauseI’vebeenmeaningtoaskyou…’
I need hardly add that the sentenced oak still stands, wearing its yellow death warrant like a badge of honour, a daily reminder that battles with mindless bureaucracy can be won.
Ness became a vital source of information from the start, issuing us with contact sheets of trusted local artisans, sources and suppliers, each accompanied by comprehensive briefing notes. Another was Les the Post. We enjoyed what must be one of the best-value mail services in the British Isles, with Les frequently negotiating two gates and a mile of rough track simply to deliver a flyer promising ‘Anglia Double Glazing now in your area’. He was regularly to be seen chivvying stray sheep back into their fields (being familiar with every local farmer’s markings) where we would just push uncertainly by, often herding them ever further from home. Start a conversation with Les, however, and, as he switched his engine off, you knew it was unlikely to last less than twenty minutes.
In February, we encountered our most exotic and colourful visitors to the hill. We’d had intimations of their presence, in the form of folded five pound notes wedged into cracks of the porch, or neat piles of coins left by the door, which we’d discover on Saturday mornings when we emerged, blinking, into the daylight. On this occasion, a car with long overhanging bundles on its roof-rack came racing up the track. It swept into the yard, and, without slowing, splashed through the muddy gateway to the field. Two figures leapt out and started untying the long bundles. After that, cars started arriving in a more or less steady stream. The wind was in the east. The hang-gliders and paragliders had arrived.
We’d already heard a lot about them. Within moments of getting Tair-Ffynnon at the auction, a man had introduced himself, congratulated us on our success, and explained he’d been the under-bidder, representing a consortium of hang and paraglider flyers. Were we aware, he said, that Tair-Ffynnon was one of the finest paragliding sites in the country? Apparently the Hatterrall Ridge was the first significant geological barrier to east-flowing air after the Urals on the far side of the Russian steppes two and a half thousand miles away. The previous owner had allowed, even encouraged, parking in her field: would we consider doing the same? I mumbled something about being sure we could work something out, only to discover I’d entered a minefield. The site was popular because the combination of the track and parking meant pilots could drive their heavy gear all the way to the take-off point, something few sites allowed. But permitting parking encouraged greater use of the site, sending Ness, for one, crazy from cars driving up and down past her house all day. We decided the best course for the time being was to do nothing.
There’s no doubt they were a dramatic spectacle in the late winter haze. The brightly coloured canopies of the paragliders stood out against the bracken and lichen-covered stone walls, and across the hill drifted the murmur of voices punctuated by the crackles and soft wumphs of air pockets inflating and deflating. We counted thirty in the air simultaneously that day. They brought a note of glamour and contemporaneity to the ancient hillside.

By the third week of February, the Aga still wasn’t installed. We’d ordered one secondhand and it was supposed to have been delivered and fitted by Christmas. After the delivery driver had failed to find Tair-Ffynnon on his first attempt, then declared the track too rough on his second, his third attempt coincided with a hard frost, converting the wet lane into an impassable sheet of ice. A fourth attempt was finally successful, but unfortunately by this time we’d missed our slot with the fitter. The disembowelled cooker was heaped in the lean-to pending his return from his January break. When he finally arrived, fresh and recuperated, he informed us the parts were from Agas of different dates and incompatible. As we’d torn out the existing Rayburn to make way for the Aga, the house was distinctly chilly and unwelcoming without either, so after that Vez declared we should not return to Tair-Ffynnon until the correct Aga parts were ready for assembly.
Then the forecast promised snow in the south of England. During weekdays away from Tair-Ffynnon a curious imaginative process had started taking place. The less we were there, the more romantically unreal the place began to seem. Stuck in London, enduring yet another mild, drearily overcast day, what I wanted to know was: what was it like on the hill, in the high, clear, cold air there? I had no difficulty imagining that a place less than two hundred miles to the west of the capital and a thousand-odd feet higher could be experiencing an entirely different climate. I was convinced a frost in London must mean feet of snow on the hill. Indeed, it would have been but a step for me to believe woolly mammoths bestrode the ridge. I got sidetracked for almost a morning researching what kind of generator would be most suitable for the inevitable power cuts and how much snow chains would be for the car. So when genuine snow was promised—well, that could not be missed.
Thus it was against Vez’s better judgement that we descended off the elevated section of the Westway out of London that Friday afternoon, the car’s temperature gauge hovering at a disappointing +1°C. (I had become a compulsive watcher of the car’s temperature gauge, which routinely indicated a two-, three-, even four-degree difference between the bottom of the hill up to Tair-Ffynnon and the top.) By Reading, however, the digital display showed 0°C and big flakes started coming at us out of the night. Larger and larger, they made a soft, unfamiliar pfffffff…pfffffff…pfffffff…pfffffff…as they settled on the windscreen. The temperature started to drop promisingly…-1°C, -1.5°C, -2°C. ‘This is mad. We’ll never get up the hill. We should go back,’ said Vez.
‘Don’t be silly. What’s the point of having the place? Of course we’ll get up the hill. And if we can’t, I’ll get the Land Rover.’ The Land Rover now lived proudly in one of the sheds at Tair-Ffynnon.
‘We’ve got a four-month-old baby in the car and no supplies.’
‘We’ll be fine.’
By the time we turned off the main road, the countryside was white and so was the tarmac. At the bottom of the hill the temperature gauge showed a satisfying -4°C. As we turned up the unsigned lane it was hard to tell how deep the snow was, but there was enough on the ground to soften the edges between the road and the hedgerow banks. The lane led directly through the yard of a farm and we were about to join the road out the other side when the front wheels began to spin. We lost traction. I reversed back to try and gain momentum, but the wheels spun again. I tried a longer run-up, reversing all the way back to the turning. I could get no further. We were, indubitably, stuck.
Strapping on a backpack, and glowing with manly virtue, I crunched and squeaked my way up the hill through pristine powder snow. The clouds had cleared by this time, revealing a moonlit snowscape beneath an absurdly starry sky. Unfortunately, having reached the Land Rover, I found I had forgotten the keys, necessitating a slightly less satisfying trudge back down the hill to fetch Vez and Maya on foot. At length, however, we were installed in the house.
Next day I got the Land Rover out of its shed, but by then more snow had fallen and it was too deep for us to go anywhere. There wasn’t much to do except pass most of the weekend huddled in bed to keep warm. ‘I hope it was worth it,’ said Vez, a little uncharitably on Sunday, as we crouched over our fourth meal of canned soup, cooked on the old electric cooker, facing the space where the Aga was supposed to be. Eventually we trudged back down the hill to the car and returned to London.
The Aga in which we’d planned to cook our Christmas turkey was eventually installed and working in time for Easter and the spring.

The free sample has ended.