Miscellaneous Essays

Now came her trial. This trial, moving of course under English influence, was conducted in chief by the Bishop of Beauvais. He was a Frenchman, sold to English interests, and hoping, by favor of the English leaders, to reach the highest preferment. Bishop that art, Archbishop that shalt be, Cardinal that mayest be, were the words that sounded continually in his ear; and doubtless, a whisper of visions still higher, of a triple crown, and feet upon the necks of kings, sometimes stole into his heart. M. Michelet is anxious to keep us in mind that this Bishop was but an agent of the English. True. But it does not better the case for his countryman; that, being an accomplice in the crime, making himself the leader in the persecution against the helpless girl, he was willing to be all this in the spirit, and with the conscious vileness of a catspaw. Never from the foundations of the earth was there such a trial as this, if it were laid open in all its beauty of defence, and all its hellishness of attack. Oh, child of France! shepherdess, peasant girl! trodden under foot by all around thee, how I honor thy flashing intellect, quick as God's lightning, and true as that lightning to its mark, that ran before France and laggard Europe by many a century, confounding the malice of the ensnarer, and making dumb the oracles of falsehood! Is it not scandalous, is it not humiliating to civilization, that, even at this day, France exhibits the horrid spectacle of judges examining the prisoner against himself; seducing him, by fraud, into treacherous conclusions against his own head; using the terrors of their power for extorting confessions from the frailty of hope; nay, (which is worse,) using the blandishments of condescension and snaky kindness for thawing into compliances of gratitude those whom they had failed to freeze into terror? Wicked judges! Barbarian jurisprudence! that, sitting in your own conceit on the summits of social wisdom, have yet failed to learn the first principles of criminal justice; sit ye humbly and with docility at the feet of this girl from Domrémy, that tore your webs of cruelty into shreds and dust, "Would you examine me as a witness against myself?" was the question by which many times she defied their arts. Continually she showed that their interrogations were irrelevant to any business before the court, or that entered into the ridiculous charges against her. General questions were proposed to her on points of casuistical divinity; two-edged questions which not one of themselves could have answered without, on the one side, landing himself in heresy (as then interpreted), or, on the other, in some presumptuous expression of self-esteem. Next came a wretched Dominican that pressed her with an objection, which, if applied to the Bible, would tax every one of its miracles with unsoundness. The monk had the excuse of never having read the Bible. M. Michelet has no such excuse; and it makes one blush for him, as a philosopher, to find him describing such an argument as "weighty," whereas it is but a varied expression of rude Mahometan metaphysics. Her answer to this, if there were room to place the whole in a clear light, was as shattering as it was rapid. Another thought to entrap her by asking what language the angelic visitors of her solitude had talked: as though heavenly counsels could want polyglott interpreters for every word, or that God needed language at all in whispering thoughts to a human heart. Then came a worse devil, who asked her whether the archangel Michael had appeared naked. Not comprehending the vile insinuation, Joanna, whose poverty suggested to her simplicity that it might be the costliness or suitable robes which caused the demur, asked them if they fancied God, who clothed the flowers of the valleys, unable to find raiment for his servants. The answer of Joanna moves a smile of tenderness, but the disappointment of her judges makes one laugh horribly. Others succeeded by troops, who upbraided her with leaving her father; as if that greater Father, whom she believed herself to have been serving, did not retain the power of dispensing with his own rules, or had not said, that, for a less cause than martyrdom, man and woman should leave both father and mother.

On Easter Sunday, when the trial had been long proceeding, the poor girl fell so ill as to cause a belief that she had been poisoned. It was not poison. Nobody had any interest in hastening a death so certain. M. Michelet, whose sympathies with all feelings are so quick that one would gladly see them always as justly directed, reads the case most truly. Joanna had a two-fold malady. She was visited by a paroxysm of the complaint called home-sickness; the cruel nature of her imprisonment, and its length, could not but point her solitary thoughts, in darkness, and in chains, (for chained she was,) to Domrémy. And the season, which was the most heavenly period of the spring, added stings to this yearning. That was one of her maladies—nostalgia, as medicine calls it; the other was weariness and exhaustion from daily combats with malice. She saw that everybody hated her, and thirsted for her blood; nay, many kind-hearted creatures that would have pitied her profoundly as regarded all political charges, had their natural feelings warped by the belief that she had dealings with fiendish powers. She knew she was to die; that was not the misery; the misery was that this consummation could not be reached without so much intermediate strife, as if she were contending for some chance (where chance was none) of happiness, or were dreaming for a moment of escaping the inevitable. Why, then, did she contend? Knowing that she would reap nothing from answering her persecutors, why did she not retire by silence from the superfluous contest? It was because her quick and eager loyalty to truth would not suffer her to see it darkened by frauds, which she could expose, but others, even of candid listeners, perhaps, could not; it was through that imperishable grandeur of soul, which taught her to submit meekly and without a struggle to her punishment, but taught her not to submit—no, not for a moment—to calumny as to facts, or to misconstruction as to motives. Besides, there were secretaries all around the court taking down her words. That was meant for no good to her. But the end does not always correspond to the meaning. And Joanna might say to herself—these words that will be used against me to-morrow and the next day, perhaps in some nobler generation may rise again for my justification. Yes, Joanna, they are rising even now in Paris, and for more than justification.

Woman, sister—there are some things which you do not execute as well as your brother, man; no, nor ever will. Pardon me if I doubt whether you will ever produce a great poet from your choirs, or a Mozart, or a Phidias, or a Michael Angelo, or a great philosopher, or a great scholar. By which last is meant—not one who depends simply on an infinite memory, but also on an infinite and electrical power of combination; bringing together from the four winds, like the angel of the resurrection, what else were dust from dead men's bones, into the unity of breathing life. If you can create yourselves into any of these great creators, why have you not? Do not ask me to say otherwise; because if you do, you will lead me into temptation. For I swore early in life never to utter a falsehood, and, above all, a sycophantic falsehood; and, in the false homage of the modern press towards women, there is horrible sycophancy. It is as hollow, most of it, and it is as fleeting as is the love that lurks in uxoriousness. Yet, if a woman asks me to tell a faleshood, I have long made up my mind—that on moral considerations I will, and ought to do so, whether it be for any purpose of glory to her, or of screening her foibles (for she does commit a few), or of humbly, as a vassal, paying a peppercorn rent to her august privilege of caprice. Barring these cases, I must adhere to my resolution of telling no fibs. And I repeat, therefore, but not to be rude, I repeat in Latin—

 
  Excudent alii meliús spirantia signa,
  Credo equidem vivos ducent de marmore vultus:
  Altius ascendent: at tu caput, Eva, memento
  Sandalo ut infringas referenti oracula tanta.[6]
 

Yet, sister woman—though I cannot consent to find a Mozart or a Michael Angelo in your sex, until that day when you claim my promise as to falsehood—cheerfully, and with the love that burns in depths of admiration, I acknowledge that you can do one thing as well as the best of us men—a greater thing than even Mozart is known to have done, or Michael Angelo—you can die grandly, and as goddesses would die were goddesses mortal. If any distant world (which may be the case) are so far ahead of us Tellurians in optical resources as to see distinctly through their telescopes all that we do on earth, what is the grandest sight to which we ever treat them? St. Peter's at Rome, do you fancy, on Easter Sunday, or Luxor, or perhaps the Himalayas? Pooh! pooh! my friend: suggest something better; these are baubles to them; they see in other worlds, in their own, far better toys of the same kind. These, take my word for it, are nothing. Do you give it up? The finest thing, then, we have to show them is a scaffold on the morning of execution. I assure you there is a strong muster in those fair telescopic worlds, on any such morning, of those who happen to find themselves occupying the right hemisphere for a peep at us. Telescopes look up in the market on that morning, and bear a monstrous premium; for they cheat, probably, in those scientific worlds as well as we do. How, then, if it be announced in some such telescopic world by those who make a livelihood of catching glimpses at our newspapers, whose language they have long since deciphered, that the poor victim in the morning's sacrifice is a woman? How, if it be published on that distant world that the sufferer wears upon her head, in the eyes of many, the garlands of martyrdom? How, if it should be some Marie Antoinette, the widowed queen, coming forward on the scaffold, and presenting to the morning air her head, turned gray prematurely by sorrow, daughter of Cæsars kneeling down humbly to kiss the guillotine, as one that worships death? How, if it were the "martyred wife of Roland," uttering impassioned truth—truth odious to the rulers of her country—with her expiring breath? How, if it were the noble Charlotte Corday, that in the bloom of youth, that with the loveliest of persons, that with homage waiting upon her smiles wherever she turned her face to scatter them—homage that followed those smiles as surely as the carols of birds, after showers in spring, follow the re-appearing sun and the racing of sunbeams over the hills—yet thought all these things cheaper than the dust upon her sandals in comparison of deliverance from hell for her dear suffering France? Ah! these were spectacles indeed for those sympathizing people in distant worlds; and some, perhaps, would suffer a sort of martyrdom themselves, because they could not testify their wrath, could not bear witness to the strength of love, and to the fury of hatred, that burned within them at such scenes; could not gather into golden urns some of that glorious dust which rested in the catacombs of earth.

On the Wednesday after Trinity Sunday in 1431, being then about nineteen years of age, the Maid of Arc underwent her martyrdom. She was conducted before mid-day, guarded by eight hundred spearmen, to a platform of prodigious height, constructed of wooden billets supported by occasional walls of lath and plaster, and traversed by hollow spaces in every direction for the creation of air-currents. The pile "struck terror," says M. Michelet, "by its height;" and, as usual, the English purpose in this is viewed as one of pure malignity. But there are two ways of explaining all that. It is probable that the purpose was merciful. On the circumstances of the execution I shall not linger. Yet, to mark the almost fatal felicity of M. Michelet in finding out whatever may injure the English name, at a moment when every reader will be interested in Joanna's personal appearance, it is really edifying to notice the ingenuity by which he draws into light from a dark corner a very unjust account of it, and neglects, though lying upon the high road, a very pleasing one. Both are from English pens. Grafton, a chronicler but little read, being a stiff-necked John Bull, thought fit to say, that no wonder Joanna should be a virgin, since her "foule face" was a satisfactory solution of that particular merit. Holinshead, on the other hand, a chronicler somewhat later, every way more important, and universally read, has given a very pleasing testimony to the interesting character of Joanna's person and engaging manners. Neither of these men lived till the following century, so that personally this evidence is none at all. Grafton sullenly and carelessly believed as he wished to believe; Holinshead took pains to inquire, and reports undoubtedly the general impression of France. But I cite the case as illustrating M. Michelet's candor.[7]

The circumstantial incidents of the execution, unless with more space than I can now command, I should be unwilling to relate. I should fear to injure, by imperfect report, a martyrdom which to myself appears so unspeakably grand. Yet for a purpose pointing, not at Joanna but at M. Michelet,—viz., to convince him that an Englishman is capable of thinking more highly of La Pucelle than even her admiring countryman, I shall, in parting, allude to one or two traits in Joanna's demeanor on the scaffold, and to one or two in that of the bystanders, which authorize me in questioning an opinion of his upon this martyr's firmness. The reader ought to be reminded that Joanna d'Arc was subjected to an unusually unfair trial of opinion. Any of the elder Christian martyrs had not much to fear of personal rancor. The martyr was chiefly regarded as the enemy of Cæsar; at times, also, where any knowledge of the Christian faith and morals existed, with the enmity that arises spontaneously in the worldly against the spiritual. But the martyr, though disloyal, was not supposed to be, therefore, anti-national; and still less was individually hateful. What was hated (if anything) belonged to his class, not to himself separately. Now Joanna, if hated at all, was hated personally, and in Rouen on national grounds. Hence there would be a certainty of calumny arising against her, such as would not affect martyrs in general. That being the case, it would follow of necessity that some people would impute to her a willingness to recant. No innocence could escape that. Now, had she really testified this willingness on the scaffold, it would have argued nothing at all but the weakness of a genial nature shrinking from the instant approach of torment. And those will often pity that weakness most, who, in their own persons, would yield to it least. Meantime, there never was a calumny uttered that drew less support from the recorded circumstances. It rests upon no positive testimony, and it has a weight of contradicting testimony to stem. And yet, strange to say, M. Michelet, who at times seems to admire the Maid of Arc as much as I do, is the one sole writer amongst her friends who lends some countenance to this odious slander. His words are, that, if she did not utter this word recant with her lips, she uttered it in her heart. "Whether, she said the word is uncertain: but I affirm that she thought it."

Now, I affirm that she did not; not in any sense of the word "thought" applicable to the case. Here is France calumniating La Pucelle: here is England defending her. M. Michelet can only mean, that, on a priori principles, every woman must be presumed liable to such a weakness; that Joanna was a woman; ergo, that she was liable to such a weakness. That is, he only supposes her to have uttered the word by an argument which presumes it impossible for anybody to have done otherwise. I, on the contrary, throw the onus of the argument not on presumable tendencies of nature, but on the known facts of that morning's execution, as recorded by multitudes. What else, I demand, than mere weight of metal, absolute nobility of deportment, broke the vast line of battle then arrayed against her? What else but her meek, saintly demeanor, won from the enemies, that till now had believed her a witch, tears of rapturous admiration? "Ten thousand men," says M. Michelet himself, "ten thousand men wept;" and of these ten thousand the majority were political enemies knitted together by cords of superstition. What else was it but her constancy, united with her angelic gentleness, that drove the fanatic English soldier—who had sworn to throw a faggot on her scaffold, as his tribute of abhorrence, that did so, that fulfilled his vow—suddenly to turn away a penitent for life, saying everywhere that he had seen a dove rising upon wings to heaven from the ashes where she had stood? What else drove the executioner to kneel at every shrine for pardon to his share in the tragedy? And, if all this were insufficient, then I cite the closing act of her life as valid on her behalf, were all other testimonies against her. The executioner had been directed to apply his torch from below. He did so. The fiery smoke rose upwards in billowing volumes. A Dominican monk was then standing almost at her side. Wrapt up in his sublime office, he saw not the danger, but still persisted in his prayers. Even then, when the last enemy was racing up the fiery stairs to seize her, even at that moment did this noblest of girls think only for him, the one friend that would not forsake her, and not for herself; bidding him with her last breath to care for his own preservation, but to leave her to God. That girl, whose latest breath ascended in this sublime expression of self-oblivion, did not utter the word recant either with her lips or in her heart. No; she did not, though one should rise from the dead to swear it.

* * * * *

Bishop of Beauvais! thy victim died in fire upon a scaffold—thou upon a down bed. But for the departing minutes of life, both are oftentimes alike. At the farewell crisis, when the gates of death are opening, and flesh is resting from its struggles, oftentimes the tortured and the torturer have the same truce from carnal torment; both sink together into sleep; together both, sometimes, kindle into dreams. When the mortal mists were gathering fast upon you two, Bishop and Shepherd girl—when the pavilions of life were closing up their shadowy curtains about you—let us try, through the gigantic glooms, to decipher the flying features of your separate visions.

The shepherd girl that had delivered France—she, from her dungeon, she, from her baiting at the stake, she, from her duel with fire, as she entered her last dream—saw Domrémy, saw the fountain of Domrémy, saw the pomp of forests in which her childhood had wandered. That Easter festival, which man had denied to her languishing heart—that resurrection of spring-time, which the darkness of dungeons had intercepted from her, hungering after the glorious liberty of forests—were by God given back into her hands, as jewels that had been stolen from her by robbers. With those, perhaps, (for the minutes of dreams can stretch into ages,) was given back to her by God the bliss of childhood. By special privilege, for her might be created, in this farewell dream, a second childhood, innocent as the first; but not, like that, sad with the gloom of a fearful mission in the rear. This mission had now been fulfilled. The storm was weathered, the skirts even of that mighty storm were drawing off. The blood, that she was to reckon for, had been exacted; the tears, that she was to shed in secret, had been paid to the last. The hatred to herself in all eyes had been faced steadily, had been suffered, had been survived. And in her last fight upon the scaffold she had triumphed gloriously; victoriously she had tasted the stings of death. For all, except this comfort from her farewell dream, she had died—died, amidst the tears of ten thousand enemies—died, amidst the drums and trumpets of armies—died, amidst peals redoubling upon peals, volleys upon volleys, from the saluting clarions of martyrs.

Bishop of Beauvais! because the guilt-burthened man is in dreams haunted and waylaid by the most frightful of his crimes, and because upon that fluctuating mirror—rising (like the mocking mirrors of mirage in Arabian deserts) from the fens of death—most of all are reflected the sweet countenances which the man has laid in ruins; therefore I know, Bishop, that you, also, entering your final dream, saw Domrémy. That fountain, of which the witnesses spoke so much, showed itself to your eyes in pure morning dews; but neither dews, nor the holy dawn, could cleanse away the bright spots of innocent blood upon its surface. By the fountain, Bishop, you saw a woman seated, that hid her face. But as you draw near, the woman raises her wasted features. Would Domrémy know them again for the features of her child? Ah, but you know them, Bishop, well! Oh, mercy! what a groan was that which the servants, waiting outside the Bishop's dream at his bedside, heard from his laboring heart, as at this moment he turned away from the fountain and the woman, seeking rest in the forests afar off. Yet not so to escape the woman, whom once again he must behold before he dies. In the forests to which he prays for pity, will he find a respite? What a tumult, what a gathering of feet is there! In glades, where only wild deer should run, armies and nations are assembling; towering in the fluctuating crowd are phantoms that belong to departed hours. There is the great English Prince, Regent of France. There is my Lord of Winchester, the princely Cardinal, that died and made no sign. There is the Bishop of Beauvais, clinging to the shelter of thickets. What building is that which hands so rapid are raising? Is it a martyr's scaffold? Will they burn the child of Domrémy a second time? No: it is a tribunal that rises to the clouds; and two nations stand around it, waiting for a trial. Shall my Lord of Beauvais sit again upon the judgment-seat, and again number the hours for the innocent? Ah! no: he is the prisoner at the bar. Already all is waiting; the mighty audience is gathered, the Court is hurrying to their seats, the witnesses are arrayed, the trumpets are sounding, the judge is going to take his place. Oh! but this is sudden. My lord, have you no counsel? "Counsel I have none: in heaven above, or on earth beneath, counsellor there is none now that would take a brief from me: all are silent." Is it, indeed, come to this? Alas! the time is short, the tumult is wondrous, the crowd stretches away into infinity, but yet I will search in it for somebody to take your brief: I know of somebody that will be your counsel. Who is this that cometh from Domrémy? Who is she that cometh in bloody coronation robes from Rheims? Who is she that cometh with blackened flesh from walking the furnaces of Rouen? This is she, the shepherd girl, counsellor that had none for herself, whom I choose, Bishop, for yours. She it is, I engage, that shall take my lord's brief. She it is, Bishop, that would plead for you: yes, Bishop, SHE—when heaven and earth are silent.