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Dickens' London

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In spite of the world-wide fame of the great markets of "Covent Garden," "Smithfield," and "Billingsgate," London is wofully deficient in those intermediaries between the wholesaler and the consumer, the public market, as it exists in most Continental cities and in America.

An article in the Quarterly Review, in Dickens' day, – and it may be inferred things have only changed to a degree since that time, – illustrated, in a whimsical way, the vastness of the supply system. The following is described as the supply of meat, poultry, bread, and beer, for one year: 72 miles of oxen, 10 abreast; 120 miles of sheep, do.; 7 miles of calves, do.; 9 miles of pigs, do.; 50 acres of poultry, close together; 20 miles of hares and rabbits, 100 abreast; a pyramid of loaves of bread, 600 feet square, and thrice the height of St. Paul's; 1,000 columns of hogsheads of beer, each 1 mile high. In mere bulk this perhaps does not convey the impression of large figures, but it is certainly very expressive to imagine, for instance, that one has to eat his way through 72 miles of oxen.

The water used in the metropolis was chiefly supplied by the Thames, and by an artificial channel called the New River, which entered on the north side of the metropolis. The water is naturally good and soft. The spots at which it is raised from the Thames used to be within the bounds of the metropolis, at no great distance from the mouths of common sewers; but it is now obtained from parts of the river much higher up, and undergoes a very extensive filtration, with which eight companies are concerned. The returns of the registrar-general showed that the average daily supply of water for all purposes to the London population, during August, 1870, was 127,649,728 gallons, of which it is estimated the supply for domestic purposes amounted to about 90,000,000 gallons. The total number of houses fed was 512,540. The metropolis draws its coal supplies principally from the neighbourhood of Newcastle, but largely also from certain inland counties, the import from the latter being by railway. Newcastle coal is preferred. It arrives in vessels devoted exclusively to the trade; and so many and so excessive are the duties and profits affecting the article, that a ton of coal, which can be purchased at Newcastle for 6s. or 7s., costs, to a consumer in London, from 28s. to 33s. The quantity of coal brought to London annually much exceeds 6,000,000 tons, of which considerably more than 2,000,000 come by railway.

As for the markets themselves, "Billingsgate," the great depot for the distribution of fish, is described in that section devoted to the Thames.

"Smithfield," is the great wholesale cattle market, while "Leadenhall" Market, in the very heart of the business world of London, is headquarters for poultry.

A detailed description of "Covent Garden Market," which deals with vegetables, fruits, and flowers only, must here suffice.

Covent Garden Market occupies a site which is exceedingly central to the metropolis. It was once the garden to the abbey and convent of Westminster: hence the name Convent or Covent. At the suppression of the religious houses in Henry VIII.'s reign, it devolved to the Crown. Edward VI. gave it to the Duke of Somerset; on his attainder it was granted to the Earl of Bedford, and in the Russell family it has since remained. From a design of Inigo Jones, who built the banqueting-room at Whitehall, the York Water Gate, and other architectural glories of London, it was intended to have surrounded it with a colonnade; but the north and a part of the east sides only were completed. The fruit and vegetable markets were rebuilt in 1829-30. The west side is occupied by the parish church of St. Paul's, noticeable for its massive roof and portico. Butler, author of "Hudibras," lies in its graveyard, without a stone to mark the spot. In 1721, however, a cenotaph was erected in his honour in Westminster Abbey. The election of members to serve in Parliament for the city of Westminster was formerly held in front of this church, the hustings for receiving the votes being temporary buildings. The south side is occupied by a row of brick dwellings. Within this square thus enclosed the finest fruit and vegetables from home and foreign growers are exposed for sale, cabbages and carrots from Essex and Surrey, tomatoes and asparagus from France and Spain, oranges from Seville and Jaffa, pines from Singapore, and bananas from the West Indies, not forgetting the humble but necessary potato from Jersey, Guernsey, or Brittany. A large paved space surrounding the interior square is occupied by the market-gardeners, who, as early as four or five in the morning, have carted the produce of their grounds, and wait to dispose of it to dealers in fruit and vegetables residing in different parts of London; any remainder is sold to persons who have standings in the market. Within this paved space rows of shops are conveniently arranged for the display of the choicest fruits of the season: the productions of the forcing-house, and the results of horticultural skill, appear in all their beauty. There are also conservatories, in which every beauty of the flower-garden may be obtained, from the rare exotic to the simplest native flower. The Floral Hall, close to Covent Garden Opera House, has an entrance from the northeast corner of the market, to which it is a sort of appendage, and to the theatre. Balls, concerts, etc., are occasionally given here. The Farringdon, Borough, Portman, Spitalfields, and other vegetable markets, are small imitations of that at Covent Garden.

The greater part of the corn, meaning, in this case, wheat, as well as maize, as Indian corn is known throughout Great Britain, used for bread and other purposes in the metropolis, is sold by corn-factors at the Corn Exchange, Mark Lane; but the corn itself is not taken to that place. Enormous quantities of flour are also brought in, having been ground at mills in the country and in foreign parts.

The beer and ale consumed in the metropolis is, of course, vast in quantity, beyond comprehension to the layman. If one could obtain admission to one of the long-standing establishments of Messrs. Barclay & Perkins or Truman & Hanbury, whose names are more than familiar to all who travel London streets, he would there see vessels and operations astonishing for their magnitude – bins that are filled with 2,000 quarters of malt every week; brewing-rooms nearly as large as Westminster Hall; fermenting vessels holding 1,500 barrels each; a beer-tank large enough to float an up-river steamer; vats containing 100,000 gallons each; and 60,000 casks.

PAST AND PRESENT

The American is keenly alive to all the natural and added beauties of English life, and even more so of London. He does not like to have his ideals dispelled, or to find that some shrine at which he would worship has disappeared for ever, like some "solemn vision and bright silver dream," as becomes a minstrel. For him are the traditions and associations, the sights and sounds, which, as he justly says, have no meaning or no existence for the "fashionable lounger" and the "casual passenger." "The Barbican does not to every one summon the austere memory of Milton; nor Holborn raise the melancholy shade of Chatterton; nor Tower Hill arouse the gloomy ghost of Otway; nor Hampstead lure forth the sunny figure of Steele and the passionate face of Keats; nor old Northumberland Street suggest the burly presence of 'rare Ben Jonson;' nor opulent Kensington revive the stately head of Addison; nor a certain window in Wellington Street reveal in fancy's picture the rugged lineaments and splendid eyes of Dickens." But to the true pilgrim London speaks like the diapason of a great organ. "He stands amid achievements that are finished, careers that are consummated, great deeds that are done, great memories that are immortal; he views and comprehends the sum of all that is possible to human thought, passion, and labour, and then – high over mighty London, above the dome of St. Paul's Cathedral, piercing the clouds, greeting the sun, drawing unto itself all the tremendous life of the great city and all the meaning of its past and present – the golden cross of Christ."

The regular old-fashioned coaches of London were from the first to third quarters of the nineteenth century supplanted by the ark-like omnibus, which even till to-day rumbles roughly through London streets. Most of the places within twenty miles of the metropolis, on every side, were thus supplied with the new means of transportation. The first omnibus was started by Mr. Shillibeer, from Paddington to the Bank, July 4, 1829. From this time to 28th June, 1870, – the number of such vehicles licensed in the Metropolitan District was 1,218. Every omnibus and hackney-carriage within the Metropolitan District and the City of London, and the liberties thereof, has to take out a yearly license, in full force for one year, unless revoked or suspended; and all such licenses are to be granted by the Commissioners of Police, whose officers are constantly inspecting these public vehicles. Generally speaking, each omnibus travels over the same route, and exactly the same number of times, day after day, with the exception of some few of the omnibuses which go longer journeys than the rest, and run not quite so often in winter as in summer. Hence the former class of omnibus comes to be associated with a particular route. It is known to the passengers by its colour, the name of its owner, the name given to the omnibus itself, or the places to and from which it runs, according to circumstances. The greater portion are now the property of the London General Omnibus Company. The designations given to the omnibuses are generally given on the front in large letters.

 

At least so it is written in the guide-book. As a matter of fact, the stranger will be fortunate if he can figure out their destination from the mass of hoardings announcing the respective virtues of Venus Soap and Nestlés' Milk. To the Londoner this is probably obvious, in which case the virtues of this specific form of advertising might be expected to be considerably curtailed.

One who was curious of inspecting contrasting elements might have done worse than to take an outside "garden seat" on a Stratford and Bow omnibus, at Oxford Circus, and riding – for sixpence all the way —via Regent Street, Pall Mall, Trafalgar Square, Strand, Fleet Street, St. Paul's, past the Mansion House and the Bank, Royal Exchange, Cornhill, Leadenhall Street, Aldgate, Whitechapel Road, Mile End, to Stratford.

The convenient, if ungraceful, cab had completely superseded the old pair-horse hackney-coaches in London in general use previous to 1850. According to the returns of the day, there were 6,793 of the modern single-horse hackney-coaches in the metropolis altogether, of two different kinds, "four-wheelers" and "hansoms," which took their name from the patentee. The "four-wheelers" are the more numerous; they have two seats and two doors; they carry four persons, and are entirely enclosed. The "hansoms" have seating capacity for but two, and, though convenient and handy beyond any other wheeled thing until the coming of the automobile, the gondola of London was undeniably dangerous to the occupant, and ugly withal, two strongly mitigating features.

Of the great event of Dickens' day, which took place in London, none was greater or more characteristic of the devotion of the British people to the memory of a popular hero than the grand military funeral of the Right Honourable Field Marshal Arthur Wellesley, Duke of Wellington (November, 1852). Certainly no military pageant of former times – save, possibly, the second funeral of Napoleon – was so immeasurably of, and for, the people. By this time most of the truly great of England's roll of fame had succumbed, died, and were buried with more or less ostentation or sincere display of emotion, but it remained for Wellington – a popular hero of fifty years' standing – to outrival all others in the love of the people for him and his works. He died at Walmer Castle on the Kent coast.

His body lay there in state, at Chelsea Hospital and in St. Paul's Cathedral, before it was finally laid to rest in the marble sarcophagus which is seen to-day in the same edifice. With Nelson, nay, more than Nelson, he shares the fervid admiration of the Briton for a great warrior.

Disraeli's eulogium in the House of Commons appears to have been the one false note of sincerity in all the pæan that went forth, and even this might perhaps have survived an explanation had Beaconsfield chosen to make one. Certainly racial opposition to this great statesman had a great deal to do with the cheap denunciation which was heaped upon his head because he had made use of the words of another eulogist, a Frenchman, upon the death of one of his own countrymen; "a second-rate French marshal," the press had called him, one Marshal de St. Cyr. It was unfortunate that such a forceful expression as this was given second-hand: "A great general must not only think, but think with the rapidity of lightning, to be able to fulfil the highest duty of a minister of state, and to descend, if need be, to the humble office of a commissary and a clerk; must be able, too, to think with equal vigour, depth, and clearness, in the cabinet or amidst the noise of bullets. This is the loftiest exercise and most complete triumph of human faculties."

All this, and much more, is absolutely authenticated as having been uttered by M. Thiers twenty years before the occasion referred to. It is perhaps true that the great Wellington deserved better than this second-hand eulogy, and perhaps right that there should have been resentment, but further comment thereon must be omitted here, save that the incident is recorded as one of those events of an age which may well be included when treating of their contemporary happenings.

No account of the London of any past era could ignore mention of those great civic events, occurring on the 9th November in each year, and locally known as "Lord Mayor's Day," being the occasion on which that functionary enters into his term of office. As a pageant, it is to-day somewhat out of date, and withal, tawdry, but as a memory of much splendour in the past, it is supposedly continued as one of those institutions which the Briton is wont to expect through tradition and custom. Perhaps the following glowing account of one of these gorgeous ceremonies, when the water pageant was still in vogue, written by an unknown journalist, or "pressman," as he is rather enigmatically called in London, in 1843, will serve to best describe the annually recurring event of pride and glory to your real Cockney.

LORD MAYOR'S DAY
 
"'Oh! such a day
So renown'd and victorious,
Sure such a day was never seen —
City so gay,
And Cits so uproarious,
As tho' such sight had never been!
 
 
"'All hail! November —
Though no hail to-day
(At least that we remember),
Hath pav'd the way
His Civic Majesty hath will'd to go,
And swore he'd go it 'spite hail, rain, or snow!
 
 
He takes to water for an airing,
Before perhaps he dines with Baring
Or sees the waiter, so alert,
Place the fav'rite Patties-on
The table near him – knave expert
To make the most of "what is on!"
By this we mean, what's most in season,
To say no more we have a reason!'
 
– Anon.

"Since the first mayoralty procession, in the year 1215, probably there have been few finer pageants than that of Thursday last, when the November sun even gilded with his beams the somewhat tarnished splendour of the City state.

"According to annual custom, the new lord mayor (Alderman Magnay) was sworn into his office of Chief Magistrate of the City of London, at the Guildhall.

"Being a member of the Stationers' Company, the master, wardens, and court of assistants of that company proceeded to Mansion House, where they were met by the new lord mayor and his sheriffs. After a sumptuous déjeûner à la fourchette, the whole of the civic dignitaries proceeded to the Guildhall.

"The next day the various officials assembled at the Guildhall, and, the procession being formed, proceeded thence through King Street, Cateaton Street, Moorgate Street, London Wall, Broad Street, Threadneedle Street, Mansion House Street, Poultry, Cheapside, and Queen Street, to Southwark Bridge, where his lordship embarked at the Floating Pier for Westminster. This somewhat unusual arrangement arose from the new lord mayor being the alderman of Vintry Ward, wherein the bridge is situated, and his lordship being desirous that his constituents should witness the progress of the civic procession. The embarkation was a picturesque affair; the lord mayor's state barge, the watermen in their characteristic costume, and the lord mayor and his party were, in civic phrase, 'taking water.'

"The novelty of the point of embarkation drew clustering crowds upon the bridge and the adjoining river banks. There were the usual waterside rejoicings, as the firing of guns, streaming flags, and hearty cheers; and the water procession had all the festal gaiety with which we have been wont to associate it in the past. The scene was very animating, the river being thickly covered with boats of various descriptions, as well as with no less than seven state barges, filled inside and outside with the livery belonging to the City Companies, and all anxiously awaiting the word of command to proceed onward to Westminster. The sun shone resplendently upon the flags and banners studding the tops of the barges, and the wharfs near the spot all exhibited similar emblems. As the new lord mayor entered the City barge, and was recognized, the air was rent with the most deafening shouts of applause, which his lordship gracefully acknowledged by repeatedly bowing to the assembled thousands. The aquatic procession now left the pier, the City barge being accompanied by the Stationers, Fishmongers, Goldsmiths, Wax Chandlers, and Ironmongers' Companies, in their respective state barges.

"On arrival at Westminster, the lord mayor and civic authorities having landed, they walked in procession to the Court of Exchequer, where a large number of ladies and gentlemen awaited their arrival. Having been introduced to the chief baron by the recorder, who briefly stated the qualifications of Alderman Magnay for his important office of chief magistrate, and the learned baron having eloquently replied, the new lord mayor invited his lordship to the inauguration dinner, and afterward proceeded to the other courts, inviting the judge of each court to the same.

"His lordship and the various officials then reëmbarked in the state barge for Blackfriars Bridge, where the procession was re-formed and joined by the ambassadors, her Majesty's ministers, the nobility, judges, members of Parliament, and various other persons of distinction. The whole then moved through Ludgate Hill, St. Paul's Churchyard, Cheapside, and down King Street to the Guildhall, where the inaugural entertainment was to be given.

"The plate given herein shows the return of the procession, just as the gorgeous state coach is about to wend its way up Ludgate Hill. The coach is, doubtless, the most imposing feature of the modern show, and has thus played its part for nearly fourscore years and ten. It is a piece of cumbrous magnificence, better assorting with the leisurely progress of other days than the notions of these progressive times. Yet it is a sight which may have inspired many a City apprentice, and spurred him onward to become an 'honourable of the land;' it is, moreover, the very type of this 'red-letter day' in the City; and, costly as it is, with its disappearance, even portly aldermen will vanish into thin air.

"The foremost group shows the lord mayor seated in the coach, attended by his chaplain, and the sword and mace-bearers, the former carrying – which has to be held outside the coach, be it observed; its stature is too great for it to find shelter inside – the pearl sword presented to the City by Queen Elizabeth, upon opening the Royal Exchange; the latter supporting the great gold mace given by Charles I. The coach is attended by the lord mayor's beadles in their gold-laced cloaks, and carrying small maces.

"Onward are seen the other leading features of the procession; the crowd is truly dense, for at this point is the great crush of the day; 'the Hill' is thronged, and the City police require all their good temper to 'keep the line.' The scene is exciting, and the good-humoured crowd presents many grotesque points for those who delight in studies of character. Altogether, the scene is as joyous, if rather gaudy, picture of a civic holiday as the times could present."

Perhaps the greatest topographical change in the London of Dickens' day was the opening, on November 6, 1869, of the Holborn Viaduct. This improvement was nothing short of the actual demolition and reconstruction of a whole district, formerly either squalid, over-blocked, and dilapidated in some parts, or oversteep and dangerous to traffic in others. But a short time before that same Holborn Valley was one of the most heartbreaking impediments to horse traffic in London, with a gradient on one side of one in eighteen, while opposite it was one in twenty. Thus everything on wheels, and every foot-passenger entering the City by the Holborn route, had to descend twenty-six feet to the Valley of the Fleet, and then ascend a like number to Newgate. The new Viaduct levelled all this, and made the journey far easier than that by Ludgate Hill.

The greatest architectural work which took shape in London during Dickens' day was the construction of the new Houses of Parliament.

Associated intimately with Dickens' first steps to success were the old buildings, which were burned in 1834. Here he received his first regular journalistic employment, as reporter for the True Sun, an event which soon led to the acceptance of his writings elsewhere. Some discussion has recently been rife in London concerning the name of the paper with which Dickens had his first Parliamentary employment.

According to Forster, Dickens was in his twenty-third year when he became a reporter on the Morning Chronicle. At this time the Chronicle was edited by John Black, who had conducted it ever since Perry's death, and the office of the paper from June, 1834, until it died in 1862, was 332 Strand, opposite Somerset House, a building pulled down under the Strand improvement scheme. It had then been for nearly forty years – ever since the Chronicle vacated it, in fact – the office of another newspaper, the Weekly Times and Echo. It may be worth while to add that Dickens first entered "The Gallery" at the age of nineteen, as reporter for the True Sun, and that he afterward reported during two sessions for the Mirror of Parliament before he joined the staff of the Morning Chronicle.

 

The new Houses of Parliament form one of the grandest administrative piles of any city in the world, built though, it is feared, of a stone too soon likely to decay, and with a minuteness of Gothic ornament which is perhaps somewhat out of keeping with a structure otherwise so massive.

The House of Peers is 97 feet long, 45 wide, and 45 high. It is so profusely painted and gilt, and the windows are so darkened by deep-tinted stained glass, that it is with difficulty that the details can be observed. At the southern end is the gorgeously gilt and canopied throne; near the centre is the woolsack, on which the lord chancellor sits; at the end and sides are galleries for peeresses, reporters, and strangers; and on the floor of the house are the cushioned benches for the peers. Two frescoes by David Maclise – "The Spirit of Justice" and "The Spirit of Chivalry" – are over the strangers' gallery, as well as a half-dozen others by famous hands elsewhere. In niches between the windows and at the ends are eighteen statues of barons who signed Magna Charta. The House of Commons, 62 feet long, 45 broad, and 45 high, is much less elaborate than the House of Peers. The Speaker's chair is at the north end, and there are galleries along the sides and ends. In a gallery behind the Speaker, the reporters for the newspapers sit. Over which is the ladies' gallery, where the view is ungallantly obstructed by a grating. The present ceiling is many feet below the original one, the room having been to this extent spoiled because the former proportions were bad for hearing.

On the side nearest to Westminster are St. Stephen's Porch, St. Stephen's Corridor, the Chancellor's Corridor, the Victoria Tower, the Royal Staircase, and numerous courts and corridors. At the south end, nearest Millbank, are the Guard Room, the Queen's Robing-Room, the Royal Gallery, the Royal Court, and the Prince's Chamber. The river front is mostly occupied by libraries and committee-rooms. The northern or Bridge Street end displays the Clock Tower and the Speaker's Residence. In the interior of the structure are vast numbers of lobbies, corridors, halls, and courts. The Victoria Tower, at the southwest angle of the entire structure, is a wonderfully fine and massive tower; it is 75 feet square and 340 feet high. The clock tower, at the north end, is 40 feet square and 320 feet high, profusely gilt near the top. After two attempts made to supply this tower with a bell of fourteen tons weight, and after both failed, one of the so-called "Big Bens," the weight of which is about eight tons (the official name being "St. Stephen"), now tells the hour in deep tones. There are, likewise, eight smaller bells to chime the quarters. The clock is by far the largest and finest in England. There are four dials on the four faces of the tower, each 22½ feet in diameter; the hour figures are 2 feet high and 6 feet apart; the minute marks are 14 inches apart; the hands weigh more than 2 cwt. the pair; the minute hand is 16 feet long, and the hour hand 9 feet; the pendulum is 15 feet long and weighs 680 lbs. The central tower rises to a height of 300 feet.

Its rooms and staircases are almost inconceivably numerous. The river front is nine hundred feet in length, with an elaborately decorated façade with carven statues and emblems. By 1860 the cost had exceeded by a considerable sum £2,000,000.

The growth of the British Museum and its ever increasing store of knowledge is treated elsewhere, but it is worth recording here, as one of the significant events of contemporary times, the opening of the present structure with its remarkable domed reading-room.

This great national establishment contains a vast and constantly increasing collection of books, maps, drawings, prints, sculptures, antiquities, and natural curiosities. It occupies a most extensive suite of buildings in Great Russell Street, Bloomsbury, commenced in 1823, and only finished during the last quarter of the nineteenth century. It has cost a sum little less than £1,000,000. Sir Richard Smirke was the architect. The principal, or south front, 370 feet long, presents a range of forty-four columns, with a majestic central portico, with a sculptured pediment. Since its commencement, in 1755, the collection has been prodigiously increased by gifts, bequests, and purchases; and now it is, perhaps, the largest of the kind in the world. The library contains more than eight hundred thousand volumes, and is increasing enormously in extent every year. The magnificent reading-room is open only to persons who proceed thither for study, or for consulting authorities. It was opened in 1857, and built at a cost of £150,000, and is one of the finest and most novel apartments in the world; it is circular, 140 feet in diameter, and open to a dome-roof 106 feet high, supported entirely without pillars. This beautiful room, and the fire-proof galleries for books which surround it, were planned by Mr. Panizzi, an Italian and a former keeper of the printed books.

In connection with the library proper is an equally vast collection of antiquities, etc., of which all guide-books and those publications issued by the Museum authorities tell.

The building was complete by 1865, and for the last forty years has stood proudly in its commanding situation, the admiration of all who have come in contact therewith.

What Hampstead Heath is to the coster, the Crystal Palace is to the middle-class Londoner, who repairs there, or did in Dickens' time, on every possible auspicious occasion. This structure itself, though it can hardly be called beautiful by the most charitably disposed, is in many respects one of the most remarkable in the world, and owes its existence to the Great Exhibition of 1851 in Hyde Park. The materials of that building, being sold to a new company toward the close of that year, were transferred to an elevated spot near Sydenham, seven miles from town, to the south. The intention was to found a palace and park for the exhibition of art and science on a paying basis. The original estimate was £500,000, but the expenditure was nearly £1,500,000, too great to assure a probable profitable return.

The palace and grounds were opened in 1854, the towers and fountains some time after.

The building itself is 1,600 feet long and 380 wide, and at the transept is nearly 200 feet in height. Exhibition-rooms, reading-rooms, restaurants, and a vast orchestral auditorium were included under one roof, with bazaars and small shops and stalls innumerable.

The parks and garden were laid out to cover some two hundred acres, with terraces and fountains galore, the idea being to produce somewhat the effect as at Versailles, with Les Grande and Petite Eaux, on "grand days" the fountains consuming over 6,000,000 gallons. Cricket, football, and sports of various kinds used to draw vast throngs to "the Palace," and the firework displays at night were, and are to-day, justly celebrated. In short, this "Cockney Arcadia," if rather a tawdry attraction, has had the benefit of much honest admiration of the Londoner, who perforce could not get farther afield for his holiday, and its like can hardly be said to exist elsewhere in Europe or America. Hence it must perforce rank in a way as something unique in present-day outdoor entertainment, as near as is left to us of those of the days of Ranelegh and Vauxhall. Beloved of the clerk and shopkeeper, and altogether an attraction which few of their class appear to be able to resist for long at a time.