A Modern Aladdin

Scene Second. —A room in the Hôtel de Flourens, whither Oliver has been removed after having fainted in madame's salon

It is the next day, and Oliver is discovered lying upon a sofa, limp, heart-sick, overshadowed by the looming of coming misfortune. The ladies have sent many inquiries as to his health, and two little notes from Céleste are lying upon the table at his elbow. Enter suddenly Henri, who is in attendance upon him.

"A gentleman to see monsieur," said the valet, and almost instantly another voice, speaking from behind him, said:

"It is I, Oliver. I have taken the liberty of an old friend of your dear uncle; I was anxious concerning your health, and so followed immediately. You need not wait, Henri" – to the valet.

He entered as he spoke, and waiting for a moment to make sure that Henri had gone, then closed the door and turned to Oliver, who now sat speechless, motionless, fascinated, with eyes fixed, and a face as white as wax. He drew forward a chair, and placing it close to Oliver, sat for a long time looking fixedly and intently at him. At last, without removing his eyes, he drew out his snuffbox – the famous snuffbox that Madame de Pompadour had given him with her own hands – and took a pinch of snuff with a deal of gusto.

"Well," said he, "have you nothing to say to me?"

"I thought," said Oliver, dully, "that it was you who had, perhaps, something to say to me."

The Count de St. Germaine laughed. "Something to say to you?" said he. "Oh! You mean, perhaps, about that looking-glass of mine, upon which you drew that accursed sign with one of those very diamonds that I had taught you to make? Perhaps you thought that by doing so you would prevent my following your motions for the future. Well, as far as the mirror is concerned, you were right; you have spoiled it for me. You, who are generally so dull, sometimes surprise one with sudden gleams of your bucolic cunning. I confess that you did most effectually what you intended; you ruined that looking-glass forever. So far as I am concerned, I can never see anything in it again. Are you not deserving of punishment for that?"

Oliver strove to speak, but his white lips uttered no sound.

"Again," said the Count de St. Germaine, "I commanded you when we parted that you should never return to Paris; I forbade you imperatively, absolutely, from coming. I unbosomed myself to you and told you all; I confessed to you that I feared your influence upon my destiny. What has resulted? You, knowing that you have taken away all my means of following your movements, did return here against those express commands that I had laid upon you, braving all my threats of punishment. Should you not be punished for that?"

"I could not help it," said Oliver, hoarsely; "the marquis compelled me to come."

Once more the other laughed. "I know nothing of that," said he. "I only know that you are here. Why you are here concerns yourself, and not me. Now what do you think that I am about to do to you, Oliver?"

"I do not know," said Oliver. And he hid his face in his trembling hands.

The Count de St. Germaine, without removing his eyes from his victim, took another deep, luxurious pinch of snuff. Then he shut the lid with a snap, and slipped the box again into his pocket, but all that time his eyes never once moved from the cowering Oliver. Suddenly he burst out laughing, and clapped the lad upon the shoulder. "I will tell you what I will do to you, Oliver," said he; "I will forgive you! Do you hear me? I will forgive you!"

Oliver slowly removed his hands from his face, and looked up with dumb bewilderment. "You forgive me?" he repeated, stupidly.

"Yes, I forgive you."

A long pause of silence followed, during which Oliver looked intently and earnestly into that smiling face, so close to his own. That smiling face – it was an impenetrable mask, it was the face of a sphinx, and Oliver might almost as well have tried to read the one as the other. Yet there was a soul behind it, and that soul could not entirely be hidden; one glimpse of it flashed out through the eyes. Oliver saw it and shuddered.

"You forgive me?" he repeated. "What do you mean? I do not comprehend. What would you have me do?"

The other shrugged his shoulders and raised his eyebrows. "What would I have you do?" said he. "You surprise me! I talk to you, and you do not seem to hear me. I say that I forgive you, and you do not seem to understand. What I mean is that you shall continue to live here, as you have already done, in an atmosphere of happiness and love. It is beautiful, as all Paris says; it is delightful! After all, I cannot punish you, for I have not the heart to interfere with it. By-and-by you shall marry Mademoiselle Céleste."

Oliver never removed his looks from the other's face. "Marry Céleste?" he murmured, mechanically.

"Certainly," said the other, "I never saw you so dull. I said that you were to marry Mademoiselle Céleste – to marry her. But, there! I see what it is. You are not yet recovered from your illness in Madame de Pompadour's salon. It was indeed insufferably hot. Poor lady! she is like a green cockatoo, she cannot abide a touch of cold. But I weary you; I will take another opportunity of visiting you. But remember, my dear Oliver, I forgive you. Au revoir!"

He was gone; and Oliver sat as Monsieur de St. Germaine had left him, clad in his dressing-gown, and seated upon the edge of the sofa, leaning with his elbows upon his knees, his hands clasped before him, and his eyes fixed dully upon the floor. Forgive him! His soul told him that he need expect no forgiveness from that cold, iron heart. What should he do? How should he escape the fate which he felt was hanging over him? The master had said that he was to marry Céleste. Upon the eve of that marriage, perhaps, he would come and proclaim him the cheat, the charlatan that he was. He shuddered as he pictured the shame of the humiliation of such a disclosure. Suddenly a thought flashed upon him, like light upon the darkness: why not tell Céleste his story? Why not confess all to her, and throw himself upon her mercy? His shame would be less, and she would scorn him less, than if he waited for the Count de St. Germaine to expose him. His heart stood still at the thought of Céleste's grief and despair. And Paris! How Paris would laugh at the denouement of that romance which it now petted and approved. In a sudden rush of determination, and without giving himself time for second thought, he drew paper and ink towards him, and set himself to write a letter to Céleste. It was a blundering, blotted letter. It took him a long, long time to write it, but at last it was done; in it he told her all; and then, still without giving himself time to think, he rang the bell, and Henri appeared. He hesitated, for one last moment, with a shrinking heart.

"What will monsieur have?" said Henri.

"Take this letter," said Oliver, with one last, desperate resolve,"to Mademoiselle Céleste, and – and wait her answer."

"Yes, monsieur."

Oliver watched the man as he crossed the room, as he noiselessly closed the door; he was gone.

How long the answer was in returning Oliver never could tell. It might have been only a few minutes that he walked up and down the room. It seemed to him hours.

"Monsieur, a letter."

Oliver turned sharply. It was Henri, and he presented upon his tray a little note. It was, as far as outward appearance was concerned, almost exactly like those two others upon the table; but what was within? Oliver hardly dared touch it. He opened it slowly, hesitatingly; there were only three words, "I love you" – that was all. Yes, that was all. Oliver sat looking at it with eyes that blinded more and more, until at last one hot drop fell with a pat upon the open sheet. Then even Henri's presence was not enough to inspire self-control. He broke down, and began crying, and probably, if Henri thought anything at all, it was that there had been a quarrel.

Scene Third. —The grand salon of the Hôtel de Flourens; the hour, near midnight. Oliver is discovered walking rapidly and agitatedly up and down the length of the great room, still illuminated by a thousand and one candles

And now the last guest has been gone for some time, the last huge unwieldy coach has rumbled away, and the dull silence seems to hum and buzz after the clatter of the afternoon and night. He is married. Oliver is still bewildered. He is like one in a dream; he only half knows what he does and says; he only half senses what he sees and hears; his heart thrills almost agonizingly with joy and triumph. Céleste is his, his very own, his wife; and what is more, it has been arranged that he and she are to depart for Flourens – dear, sweet, beautiful Flourens – the very next morning.

Some days before, Oliver had proposed the departure to the marquis, and the marquis had made no objection. He had made but one stipulation, that he himself should remain in Paris.

"There are many matters of business to attend to," he had said. "We have as yet been able to dispose of only a minute portion of our diamonds. The amount we have realized upon them has been enormous, yet it is only a drop or two taken from the bucket."

It had been arranged that Oliver was to see the marquis upon some final business that very night, and so it is that he is now discovered walking so impatiently up and down the empty room at that hour, his heart thrilling with joy and delight. But through all Oliver's joy and delight there ran every now and then a discordant pang of uneasiness, for suddenly, in spite of himself, his thoughts would flash back upon the memory of the master, and under that vivid sinister flash of recollection his soul shrank and trembled within him. Twelve hours still stretched between him and that time of departure. What might not happen in twelve hours?

"Twelve hours," muttered Oliver to himself. "I would give all my diamonds if they were passed and gone." He thought of Céleste, and a keen thrill pierced through his heart; he thought of the master, and another keen thrill – this time heart-sickening – shot through him as the other had done. "No matter," he muttered to himself, "the morning will soon come and we will be miles away, with nothing to fear and with nothing to think of but our love." He pressed his face against the window and looked out into the night, then he turned and pulled out his watch impatiently and looked at it; it was ten minutes of twelve. "I wish he would make haste," he muttered.

As though in answer to his impatient murmur, the door opened and a servant announced that the marquis was ready to see him now in his closet.

Oliver found him seated at his escritoire, with books and papers spread out before him. He took the chair that the marquis indicated, and then the marquis began talking to him. Oliver did not know what he was saying; whenever the other would pause for a reply, he would say, "Yes, yes, that is so," or, "I think not," as the words seemed to demand; sometimes he understood what was said, but more generally it might as well have been spoken in Greek.

"Then," said the marquis, "if I understand correctly, you are entirely satisfied with my management of your affairs?"

Oliver was beginning to grow weary of this business. "Yes," said he, restlessly, "yes, I am entirely satisfied. Manage them as you choose; I do not care; it is of no importance."

The marquis opened his arms. "Embrace me!" he cried. "You are generosity itself; I admire generosity! Your confidence in me touches me. You must know, Oliver, that I manage most discreetly. We have lived here, as you are aware, without stint or economy – it would have been wrong for me to limit that generosity of yours which I so much admire – but yet I have not been extravagant; for not only have we maintained the establishment here in Paris, but we have also paid off the debts upon it, as well as upon Flourens. Yes, Flourens is freed; and I – I am not to be outdone in generosity; those ancestral estates of Flourens that have been in the hands of our family for generations" – he waved his hand – "I give them to you, Oliver, and to Céleste for your own."

"I thank you," said Oliver.

The marquis paused for a moment; his own generosity moved him profoundly. "But I was about to say," continued he, presently, "that the reason more especially why I called you here was to let you see how few of our diamonds have been disposed of. I will show you."

"I do not care to see," said Oliver.

"Pardon me," said the marquis, "but you must see them, my dear Oliver. It is business. Look! yonder is the chest of diamonds. I have had it brought here to-day not only to show you how little of the contents we have as yet disposed of, but also because I expect three merchants from Amsterdam to visit me to-morrow and inspect the gems. They write to me that they have formed a company for the purchase of a quantity of them."

While he was speaking he had taken a bunch of keys from a secret compartment of the escritoire. One of them was the key of the chest. He thrust it into the lock, drew back the bolts, and opened the lid. "You see," said he, "there is not one-tenth of this first tray of diamonds that we have as yet disposed of." Oliver glanced indifferently at them. "The rest of the trays," continued the marquis, "have not yet been touched. I will show them to you."

"I do not care to see them," said Oliver; "I will take your word for it. If there is nothing further that you care to speak to me about, I would like to be excused; there are many things that I have to prepare for my journey."

"Ah!" said the marquis, "I see these dull affairs of business, they are of no interest to you. Youth is so impetuous! It is better," said he, as he locked the chest and replaced the keys in the secret compartment of his escritoire – "it is better to possess youth and love than all the wealth and gems of the Indies. Go, my dear Oliver, and trust in me. I will manage your affairs, my child, as though they were my own."

Oliver did not wait for a second bidding; he flew from the place and the tiresome talk of diamonds and business. As he was about to enter the room which he had left only a little while before, he hesitated for a moment, he knew not why. A sudden pang shot through him, and he pressed his hand to his bosom. That instant a clock rang out sharply in the silence. He counted the twelve strokes, and then opened the door.

Some one stood looking out of the window, his face close to the glass. He wore a long black cloak, beneath which he carried a large oval frame of some sort. Oliver walked mechanically up the room, and as he advanced that other turned slowly towards him. Oliver's heart gave a great bound, and then stood quite still within him. The next instant every grain of strength seemed to slip away from him; his knees grew suddenly weak and smote together; his hands dropped with a leaden heaviness to his sides, and his tongue clave to the roof of his mouth. It was the master!

A moment or two of dead silence followed, and in the heavy, breathless stillness the sharp ticking of a clock sounded with piercing distinctness upon Oliver's tensely-drawn nerves. The master said not a word, but he looked upon him with a cool, contained smile of ineffable complacency.

At last, somehow, Oliver found his voice. "You!" he said, hoarsely; and then again, with a gulp: "You! How came you here?"

The Count de St. Germaine laughed. "How came I here? I walked here. That does not satisfy you? Well, no matter. I have, as you may know, many, very many, ways of coming and going as I choose. Just now it is sufficient that I am here."

"And for what have you come?" said Oliver, in that same slow, hoarse voice.

For a while the master leaned against the deep window-casing, and looked at him from under his brows, his eyes burning like green sparks.

"For what did I come, Oliver?" said he at last. "I will tell you. You must know that I have a silly habit of keeping my promises. Did I not make you the richest man in France? Did I not teach you the secret of the water of wealth? Did I not teach you all that you know, and make you all that you are? Very good. By so doing I fulfilled one part of a promise I some time made you. Now I have come to fulfil the other part. I promised you then that should you ever return to Paris I would ruin you; I am going to ruin you. I promised that I would crush you; I am about to crush you. I promised to make your life a hell; I will make it a hell. I will make you wish a thousand times that you had never been born. When I first met you in Madame de Pompadour's salon, I read in your face your fear that I would betray you. Ah, no! that would have been childish; it would have been petulant; it would have been impatient and premature. No, Oliver; I have waited until now, and what do you think I have waited for?"

Oliver's lips moved, but he could not answer. He stood leaning with his hand upon the side of the table, stunned and dizzied. He felt as though every word that the master spoke struck a leaden blow upon his heart. But the other did not wait for a reply. He flung back his cloak, and brought forth that which he carried beneath it. It was the magic mirror, upon the face of which was drawn the sign that, as Oliver knew, stood between his master and his supernatural power.

The master stood it upon the table beside Oliver, and then, brushing the dust from his hands, turned a smiling face upon his victim.

"You cannot guess?" said he, returning to the question he had asked. "Ah, well, it does not matter. I will tell you. I intend to pierce your heart through that young wife of yours, Oliver."

The words struck upon Oliver's ears like a blow, and like a blow shattered into fragments the dull, heavy, icy despair that rested upon him.

"My wife!" he cried. "My wife! Oh God! You devil! You at least shall die!" His dress-sword hung at his side, and as he spoke he flashed it out.

But the Count de St. Germaine only laughed. "Come," said he, "we are silly; we are childish. Do you think, then, that I am afraid of your sword? Ha!"

As he uttered the exclamation he struck his hands sharply together, and it seemed to Oliver as though the blow had fallen upon him physically. Sparks of fire danced before his eyes; for a few seconds his head spun like a teetotum, and the objects in the room flew around him in a dizzy horizontal whirl. Suddenly the whirling stopped, and as his brain recovered from its confusion, he saw before him again the pale, smiling face of the master. He still held his sword in his hand, but he was powerless. It was as though a leaden weight hung upon his will. He could move neither hand nor foot.

"Put up your sword, my child," said the Count de St. Germaine.

Oliver strove to resist the command, but it was as though his body was not his own – as though the master controlled it. His arm appeared to rise of itself, stiffly, and the sword slid back again into the scabbard.

"Now, then," said the master, "look into the mirror and see what you shall see; it is spoiled forever to my sight, but for you its power is as great as ever. Look!"

Oliver fixed his gaze upon the smooth, brilliant surface of the glass as he was bidden to do. His own face stood there for a moment, then blurred, faded, dissolved. Then on this brilliant surface he saw Céleste.

She stood in her own room as he stood here before the glass – stiffened in every limb – fixed, immovable, as though the same leaden power that overmastered him overmastered her.

The master stood with his eyes fixed upon Oliver's face, and perhaps he saw in that face all that Oliver saw in the mirror.

"Ha!" said he, "it is as I had hoped, my dear Oliver. I congratulate you; your wife is yours in heart and soul. That is the secret of my power over her. I reduce you to my will by my occult power, and at the same time I reduce her also. Observe now what comes of it."

He made a rapid pass in the air, and in an instant Oliver saw Céleste's stiff and rigid form become soft and relaxed. Her face was still white and stony, her eyes were still set intently as ever, but she began moving. Reaching her hand out before her, as though feeling her way in darkness, she passed out of the door of the room.

The master had ceased smiling now, and he stood motionlessly with his gaze fixed upon Oliver's face. His brows were drawn together; his eyes sparkled and glanced like those of a snake; his very head seemed to flatten and broaden like a serpent's when it fixes its victim. He made a quick gesture with his hands, and Oliver saw Céleste stop, take up a cloak from a chair and wind it around her face and body until she was completely disguised. Then she moved again, and presently Oliver saw that she had passed out into the dark court-yard. As she drew near the great gate-way, he saw that it stood open, although, no doubt, the porter had long since closed it. Then, in a moment, Céleste stopped short, and Oliver saw that a coach, with unlighted lamps, stood near at the open gate-way. Suddenly the door of the coach opened, and some one leaped out from within; swiftly, silently, like a hideous distorted shadow. The lanterns at the gate were unlighted, but Oliver knew that distorted, shadow-like figure at once, and as clearly as though he saw it with the eyes of his soul – it was Gaspard. Gaspard thrust his hand into his bosom and drew forth something long and dark. As he approached her Céleste began struggling, as though with the inflexible though invisible power that held her. In her struggles the cloak fell away from her face, and Oliver had one dreadful glimpse of it. The next instant it was hidden. Gaspard, with one sudden movement, and in spite of her blind struggles, had drawn the black bag over her head and shoulders. At that sight Oliver gave a shrill, piping, inarticulate cry. The next instant he saw Gaspard pick her up bodily, and, running forward, fling her limp, death-like form into the coach, leap in himself, close the door with a crash that Oliver almost heard, and the next moment rumble away into the darkness.

"Oh God!" whispered Oliver. "Oh God! Poor Céleste! poor Céleste!"

"That will do," said the master; "you need look no more;" and in answer to his words Oliver turned towards him. A shadow of a dusky pallor lay upon the master's face, and beads of sweat stood on his forehead.

"It is very difficult," he observed, "to psychologize two people at once in this way, and they so far distant from one another. I am glad that Gaspard has taken charge of the case, and removed the strain from me."

Oliver heard the words with a certain dumb consciousness through the agony that hummed in his ears. He felt his face twitching and writhing, and drops of sweat trickled down his forehead. The master replaced his handkerchief and took a pinch of snuff, looking keenly at his victim. "You see," said he, "it is uncomfortable, this being ruined; but then we should have thought of that before we came back to Paris. But I am not yet done with you, Oliver. You have lost your wife; now your wealth must follow. Do you see this?" and he drew something from his pocket and put it upon the table beside him. It was the phial with the black label, marked with this symbol – . that phial which Oliver had brought from the mysterious chambers. "When you and I parted company, Oliver, and I asked you whether you were satisfied with the result of our twelve months of labor, and you said 'Yes,' you did not think of or care for this other bottle; you were contented with the diamonds alone. It would have been wiser, Oliver, if you had insisted upon knowing the properties of this phial of liquor. What they are I will presently show you. In destroying that mirror with your accursed signs you did me irreparable harm. Nevertheless, I know that your diamonds are in this house, for I have, through certain Amsterdam merchants, who are agents of mine, taken care that they should be brought here at this time. Through your present psychological condition, I can also read in your mind that you know where they are. Take this phial, Oliver, and lead the way to them. I will follow, and direct you what further to do."

Once more Oliver strove to resist, but he was powerless. It was as though his will was held in bonds of steel. He took the phial as the master directed, and with the same leaden, heavy steps led the way to the marquis's cabinet, the master following behind him. With the same stiff obedience to the master's will, he went to the escritoire, opened it, brought out the keys, unlocked the chest, and flung back the lid. The master took the bottle from his resistless hand, and uncorked it with his gleaming teeth.

What followed, Oliver only partly saw. He heard a bubbling, hissing sound; he saw a dull, heavy, yellow smoke arise to the ceiling, where it spread out to slowly widening rings. Then it was done, and the master closed the lid.

"And now, Oliver," said he, "since you have been so kind as to do with your diamonds as I desired, I will ask you to do one thing more before we leave this cabinet. Sit down at yonder table, and write a letter. I will dictate it for you."

Again Oliver did as he was bidden; he drew a sheet of paper before him, and dipped the pen into the ink.

"Monseigneur," said the Count de St. Germaine, and Oliver began writing – "I thank you for all of your kindness to me. Those diamonds were false, and more worthless than paste. What they are, you may see for yourself by looking into the chest. I am a charlatan, monseigneur, and have by a trick imposed these artificial diamonds upon you. They have now resolved themselves back into their original form, and I, in the mean time, have escaped from your impending wrath with your daughter, whom I love. It will be useless, monseigneur, for you to seek to discover our hiding-place. Where we have gone you can never follow. Let me say here that my name is not Oliver de Monnière-Croix, but that it is Oliver Munier, and that I am the son of Jean Munier, a poor tailor of Flourens, as you yourself might have discovered had you taken the trouble.

"Adieu, monseigneur, and may better luck attend you at cards than in the choice of your son-in-law.

"Oliver."

"There, Oliver," said the Count de St. Germaine, "this letter will, I flatter myself, put the finishing-touch to your ruin. Seal it and address it, and then let us return to the other room. And you shall call the servant and send the letter to papa-in-law."

Once more mechanically obeying, Oliver led the way to the apartment they had quitted. The master pointed to the bell, and in answer Oliver struck it. After some delay the servant appeared, looking with sleepy wonder from Oliver to the visitor, and back again.

Oliver turned to the man, and then he heard his own voice speaking as though it belonged to some one else. "Take this letter directly to your master," said he. "It is of the greatest importance, and bid him from me go instantly to his cabinet. Tell him something has happened to his diamonds, and that he will see it all for himself. Go, I say!"

There was something in his tone, something in his look, that sent the man off like a flash.

The master laughed as the fellow shut the door. "That man," said he, "has never been so surprised in his life before. You should have observed his face when you spoke to him; it was a study. But now I must leave you, Oliver. I have some little matters to attend to, and then I must go and see whether Gaspard has taken your wife to my apartments as I bade him. I am obliged to you for having done everything that I asked you in such an accommodating manner. In return I will give you a piece of advice: go to the river, Oliver, and throw yourself into the water; it is the easiest way to end your troubles. Your wife you shall never see again as long as you live. Your fortune" – he drew his fingers together, and then spread them quickly open with a puff – "it is gone; and papa, the marquis – should you happen to fall into his hands it might be very unpleasant. Yes, take my advice and throw yourself into the water; the disagreeableness will be only for a moment, and then your troubles will be over and done with. Adieu, my child. Now go; it is my order that you drown yourself."