The Portent and Other Stories

He resolved at last to convey the body for the meantime into a concealed cellar in the house, seeing something must be done before his daughter came down. Proceeding to remove it, his consternation as greatly increased when he discovered how the body had grown in weight since he had thus disposed of it, leaving on his mind scarcely a hope that it could turn out not to be a vampire after all. He could scarcely stir it, and there was but one whom he could call to his assistance—the old woman who acted as his housekeeper and servant.

He went to her room, roused her, and told her the whole story. Devoted to her master for many years, and not quite so sensitive to fearful influences as when less experienced in horrors, she showed immediate readiness to render him assistance. Utterly unable, however, to lift the mass between them, they could only drag and push it along; and such a slow toil was it that there was no time to remove the traces of its track, before Lilith came down and saw a broad white line leading from the door of the studio down the cellarstairs. She knew in a moment what it meant; but not a word was uttered about the matter, and the name of Karl Wolkenlicht seemed to be entirely forgotten.

But how could the affairs of a house go on all the same when every one of the household knew that a dead body lay in the cellar?—nay more, that, although it lay still and dead enough all day, it would come half alive at nightfall, and, turning the whole house into a sepulchre by its presence, go creeping about like a cat all over it in the dark—perhaps with phosphorescent eyes? So it was not surprising that the painter abandoned his studio early, and that the three found themselves together in the gorgeous room formerly described, as soon as twilight began to fall.

Already Teufelsbürst had begun to experience a kind of shrinking from the horrid faces in his own pictures, and to feel disgusted at the abortions of his own mind. But all that he and the old woman now felt was an increasing fear as the night drew on, a kind of sickening and paralysing terror. The thing down there would not lie quiet—at least its phantom in the cellars of their imagination would not. As much as possible, however, they avoided alarming Lilith, who, knowing all they knew, was as silent as they. But her mind was in a strange state of excitement, partly from the presence of a new sense of love, the pleasure of which all the atmosphere of grief into which it grew could not totally quench. It comforted her somehow, as a child may comfort when his father is away.

Bedtime came, and no one made a move to go. Without a word spoken on the subject, the three remained together all night; the elders nodding and slumbering occasionally, and Lilith getting some share of repose on a couch. All night the shape of death might be somewhere about the house; but it did not disturb them. They heard no sound, saw no sight; and when the morning dawned, they separated, chilled and stupid, and for the time beyond fear, to seek repose in their private chambers. There they remained equally undisturbed.

But when the painter approached his easel a few hours after, looking more pale and haggard still than he was wont, from the fears of the night, a new bewilderment took possession of him. He had been busy with a fresh embodiment of his favourite subject, into which he had sketched the form of the student as the sufferer. He had represented poor Wolkenlicht as just beginning to recover from a trance, while a group of surgeons, unaware of the signs of returning life, were absorbed in a minute dissection of one of the limbs. At an open door he had painted Lilith passing, with her face buried in a bunch of sweet peas. But when he came to the picture, he found, to his astonishment and terror, that the face of one of the group was now turned towards that of the victim, regarding his revival with demoniac satisfaction, and taking pains to prevent the others from discovering it. The face of this prince of torturers was that of Teufelsbürst himself. Lilith had altogether vanished, and in her place stood the dim vampire reiteration of the body that lay extended on the table, staring greedily at the assembled company. With trembling hands the painter removed the picture from the easel, and turned its face to the wall.

Of course this was the work of Lottchen. When he left the house, he took with him the key of a small private door, which was so seldom used that, while it remained closed, the key would not be missed, perhaps for many months. Watching the windows, he had chosen a safe time to enter, and had been hard at work all night on these alterations. Teufelsbürst attributed them to the vampire, and left the picture as he found it, not daring to put brush to it again.

The next night was passed much after the same fashion. But the fear had begun to die away a little in the hearts of the women, who did not know what had taken place in the studio on the previous night. It burrowed, however, with gathered force in the vitals of Teufelsbürst. But this night likewise passed in peace; and before it was over, the old woman had taken to speculating in her own mind as to the best way of disposing of the body, seeing it was not at all likely to be troublesome. But when the painter entered his studio in trepidation the next morning, he found that the form of the lovely Lilith was painted out of every picture in the room. This could not be concealed; and Lilith and the servant became aware that the studio was the portion of the house in haunting which the vampire left the rest in peace.

Karl recounted all the tricks he had played to his friend Heinrich, who begged to be allowed to bear him company the following night. To this Karl consented, thinking it would be considerably more agreeable to have a companion. So they took a couple of bottles of wine and some provisions with them, and before midnight found themselves snug in the studio. They sat very quiet for some time, for they knew that if they were seen, two vampires would not be so terrible as one, and might occasion discovery. But at length Heinrich could bear it no longer.

“I say, Lottchen, let’s go and look; for your dead body. What has the old beggar done with it?”

“I think I know. Stop; let me peep out. All right! Come along.”

With a lamp in his hand, he led the way to the cellars, and after searching about a little they discovered it.

“It looks horrid enough,” said Heinrich, “but think a drop or two of wine would brighten it up a little.”

So he took a bottle from his pocket, and after they had had a glass apiece, he dropped a third in blots all over the plaster. Being red wine, it had the effect Höllenrachen desired.

“When they visit it next, they will know that the vampire can find the food he prefers,” said he.

In a corner close by the plaster, they found the clothes Karl had worn.

“Hillo!” said Heinrich, “we’ll make something of this find.”

So he carried them with him to the studio. There he got hold of the lay-figure.

“What are you about, Heinrich?”

“Going to make a scarecrow to keep the ravens off old Teufel’s pictures,” answered Heinrich, as he went on dressing the lay-figure in Karl’s clothes. He next seated the creature at an easel with its back to the door, so that it should be the first thing the painter should see when he entered. Karl meant to remove this before he went, for it was too comical to fall in with the rest of his proceedings. But the two sat down to their supper, and by the time they had finished the wine, they thought they should like to go to bed. So they got up and went home, and Karl forgot the lay-figure, leaving it in busy motionlessness all night before the easel. When Teufelsbürst saw it, he turned and fled with a cry that brought his daughter to his help. He rushed past her, able only to articulate:

“The vampire! The vampire! Painting!”

Far more courageous than he, because her conscience was more peaceful, Lilith passed on to the studio. She too recoiled a step or two when she saw the figure; but with the sight of the back of Karl, as she supposed it to be, came the longing to see the face that was on the other side. So she crept round and round by the wall, as far off as she could. The figure remained motionless. It was a strange kind of shock that she experienced when she saw the face, disgusting from its inanity. The absurdity next struck her; and with the absurdity flashed into her mind the conviction that this was not the doing of a vampire; for of all creatures under the moon, he could not be expected to be a humorist. A wild hope sprang up in her mind that Karl was not dead. Of this she soon resolved to make herself sure.

She closed the door of the studio; in the strength of her new hope undressed the figure, put it in its place, concealed the garments—all the work of a few minutes; and then, finding her father just recovering from the worst of his fear, told him there was nothing in the studio but what ought to be there, and persuaded him to go and see. He not only saw no one, but found that no further liberties had been taken with his pictures. Reassured, he soon persuaded himself that the spectre in this case had been the offspring of his own terror-haunted brain. But he had no spirit for painting now. He wandered about the house, himself haunting it like a restless ghost.

When night came, Lilith retired to her own room. The waters of fear had begun to subside in the house; but the painter and his old attendant did not yet follow her example.

As soon, however, as the house was quite still, Lilith glided noiselessly down the stairs, went into the studio, where as yet there assuredly was no vampire, and concealed herself in a corner.

As it would not do for an earnest student like Heinrich to be away from his work very often, he had not asked to accompany Lottchen this time. And indeed Karl himself, a little anxious about the result of the scarecrow, greatly preferred going alone.

While she was waiting for what might happen, the conviction grew upon Lilith, as she reviewed all the past of the story, that these phenomena were the work of the real Karl, and of no vampire. In a few moments she was still more sure of this. Behind the screen where she had taken refuge, hung one of the pictures out of which her portrait had been painted the night before last. She had taken a lamp with her into the studio, with the intention of extinguishing it the moment she heard any sign of approach; but as the vampire lingered, she began to occupy herself with examining the picture beside her. She had not looked at it long, before she wetted the tip of her forefinger, and began to rub away at the obliteration. Her suspicions were instantly confirmed: the substance employed was only a gummy wash over the paint. The delight she experienced at the discovery threw her into a mischievous humour.

“I will see,” she said to herself, “whether I cannot match Karl Wolkenlicht at this game.”

In a closet in the room hung a number of costumes, which Lilith had at different times worn for her father. Among them was a large white drapery, which she easily disposed as a shroud. With the help of some chalk, she soon made herself ghastly enough, and then placing her lamp on the floor behind the screen, and setting a chair over it, so that it should throw no light in any direction, she waited once more for the vampire. Nor had she much longer to wait. She soon heard a door move, the sound of which she hardly knew, and then the studio door opened. Her heart beat dreadfully, not with fear lest it should be a vampire after all, but with hope that it was Karl. To see him once more was too great joy. Would she not make up to him for all her coldness! But would he care for her now? Perhaps he had been quite cured of his longing for a hard heart like hers. She peeped. It was he sure enough, looking as handsome as ever. He was holding his light to look at her last work, and the expression of his face, even in regarding her handiwork, was enough to let her know that he loved her still. If she had not seen this, she dared not have shown herself from her hiding-place. Taking the lamp in her hand, she got upon the chair, and looked over the screen, letting the light shine from below upon her face. She then made a slight noise to attract Karl’s attention. He looked up, evidently rather startled, and saw the face of Lilith in the air: He gave a stifled cry threw himself on his knees with his arms stretched towards her, and moaned—

“I have killed her! I have killed her!”

Lilith descended, and approached him noiselessly. He did not move. She came close to him and said—

“Are you Karl Wolkenlicht?”

His lips moved, but no sound came.

“If you are a vampire, and I am a ghost,” she said—but a low happy laugh alone concluded the sentence.

Karl sprang to his feet. Lilith’s laugh changed into a burst of sobbing and weeping, and in another moment the ghost was in the arms of the vampire.

Lilith had no idea how far her father had wronged Karl, and though, from thinking over the past, he had no doubt that the painter had drugged him, he did not wish to pain her by imparting this conviction. But Lilith was afraid of a reaction of rage and hatred in her father after the terror was removed; and Karl saw that he might thus be deprived of all further intercourse with Lilith, and all chance of softening the old man’s heart towards him; while Lilith would not hear of forsaking him who had banished all the human race but herself. They managed at length to agree upon a plan of operation.

The first thing they did was to go to the cellar where the plaster mass lay, Karl carrying with him a great axe used for cleaving wood. Lilith shuddered when she saw it, stained as it was with the wine Heinrich had spilt over it, and almost believed herself the midnight companion of a vampire after all, visiting with him the terrible corpse in which he lived all day. But Karl soon reassured her; and a few good blows of the axe revealed a very different core to that which Teufelsbürst supposed to be in it. Karl broke it into pieces, and with Lilith’s help, who insisted on carrying her share, the whole was soon at the bottom of the Moldau and every trace of its ever having existed removed. Before morning, too, the form of Lilith had dawned anew in every picture. There was no time to restore to its former condition the one Karl had first altered; for in it the changes were all that they seemed; nor indeed was he capable of restoring it in the master’s style; but they put it quite out of the way, and hoped that sufficient time might elapse before the painter thought of it again.

When they had done, and Lilith, for all his entreaties, would remain with him no longer, Karl took his former clothes with him, and having spent the rest of the night in his old room, dressed in them in the morning. When Teufelsbürst entered his studio next day, there sat Karl, as if nothing had happened, finishing the drawing on which he had been at work when the fit of insensibility came upon him. The painter started, stared, rubbed his eyes, thought it was another spectral illusion, and was on the point of yielding to his terror, when Karl rose, and approached him with a smile. The healthy, sunshiny countenance of Karl, let him be ghost or goblin, could not fail to produce somewhat of a tranquillising effect on Teufelsbürst. He took his offered hand mechanically, his countenance utterly vacant with idiotic bewilderment. Karl said—

“I was not well, and thought it better to pay a visit to a friend for a few days; but I shall soon make up for lost time, for I am all right now.”

He sat down at once, taking no notice of his master’s behaviour, and went on with his drawing. Teufelsbürst stood staring at him for some minutes without moving, then suddenly turned and left the room. Karl heard him hurrying down the cellar stairs. In a few moments he came up again. Karl stole a glance at him. There he stood in the same spot, no doubt more full of bewilderment than ever, but it was not possible that his face should express more. At last he went to his easel, and sat down with a long-drawn sigh as if of relief. But though he sat at his easel, he painted none that day; and as often as Karl ventured a glance, he saw him still staring at him. The discovery that his pictures were restored to their former condition aided, no doubt, in leading him to the same conclusion as the other facts, whatever that conclusion might be—probably that he had been the sport of some evil power, and had been for the greater part of a week utterly bewitched. Lilith had taken care to instruct the old woman, with whom she was all-powerful; and as neither of them showed the smallest traces of the astonishment which seemed to be slowly vitrifying his own brain, he was at last perfectly satisfied that things had been going on all right everywhere but in his inner man; and in this conclusion he certainly was not far wrong, in more senses than one. But when all was restored again to the old routine, it became evident that the peculiar direction of his art in which he had hitherto indulged had ceased to interest him. The shock had acted chiefly upon that part of his mental being which had been so absorbed. He would sit for hours without doing anything, apparently plunged in meditation.—Several weeks elapsed without any change, and both Lilith and Karl were getting dreadfully anxious about him. Karl paid him every attention; and the old man, for he now looked much older than before, submitted to receive his services as well as those of Lilith. At length, one morning, he said in a slow thoughtful tone—

“Karl Wolkenlicht, I should like to paint you.”

“Certainly, sir,” answered Karl, jumping up, “where would you like me to sit?”

So the ice of silence and inactivity was broken, and the painter drew and painted; and the spring of his art flowed once more; and he made a beautiful portrait of Karl—a portrait without evil or suffering. And as soon as he had finished Karl, he began once more to paint Lilith; and when he had painted her, he composed a picture for the very purpose of introducing them together; and in this picture there was neither ugliness nor torture, but human feeling and human hope instead. Then Karl knew that he might speak to him of Lilith; and he spoke, and was heard with a smile. But he did not dare to tell him the truth of the vampire story till one day that Teufelsbürst was lying on the floor of a room in Karl’s ancestral castle, half smothered in grandchildren; when the only answer it drew from the old man was a kind of shuddering laugh and the words “Don’t speak of it, Karl, my boy!”

THE CASTLE

On the top of a high cliff, forming part of the base of a great mountain, stood a lofty castle. When or how it was built, no man knew; nor could any one pretend to understand its architecture. Every one who looked upon it felt that it was lordly and noble; and where one part seemed not to agree with another, the wise and modest dared not to call them incongruous, but presumed that the whole might be constructed on some higher principle of architecture than they yet understood. What helped them to this conclusion was, that no one had ever seen the whole of the edifice; that, even of the portion best known, some part or other was always wrapped in thick folds of mist from the mountain; and that, when the sun shone upon this mist, the parts of the building that appeared through the vaporous veil were strangely glorified in their indistinctness, so that they seemed to belong to some aerial abode in the land of the sunset; and the beholders could hardly tell whether they had ever seen them before, or whether they were now for the first time partially revealed.

Nor, although it was inhabited, could certain information be procured as to its internal construction. Those who dwelt in it often discovered rooms they had never entered before—yea, once or twice,—whole suites of apartments, of which only dim legends had been handed down from former times. Some of them expected to find, one day, secret places, filled with treasures of wondrous jewels; amongst which they hoped to light upon Solomon’s ring, which had for ages disappeared from the earth, but which had controlled the spirits, and the possession of which made a man simply what a man should be, the king of the world. Now and then, a narrow, winding stair, hitherto untrodden, would bring them forth on a new turret, whence new prospects of the circumjacent country were spread out before them. How many more of these there might be, or how much loftier, no one could tell. Nor could the foundations of the castle in the rock on which it was built be determined with the smallest approach to precision. Those of the family who had given themselves to exploring in that direction, found such a labyrinth of vaults and passages, and endless successions of down-going stairs, out of one underground space into a yet lower, that they came to the conclusion that at least the whole mountain was perforated and honeycombed in this fashion. They had a dim consciousness, too, of the presence, in those awful regions, of beings whom they could not comprehend. Once they came upon the brink of a great black gulf, in which the eye could see nothing but darkness: they recoiled with horror; for the conviction flashed upon them that that gulf went down into the very central spaces of the earth, of which they had hitherto been wandering only in the upper crust; nay, that the seething blackness before them had relations mysterious, and beyond human comprehension, with the far-off voids of space, into which the stars dare not enter.

At the foot of the cliff whereon the castle stood, lay a deep lake, inaccessible save by a few avenues, being surrounded on all sides with precipices which made the water look very black, although it was pure as the nightsky. From a door in the castle, which was not to be otherwise entered, a broad flight of steps, cut in the rock, went down to the lake, and disappeared below its surface. Some thought the steps went to the very bottom of the water.

Now in this castle there dwelt a large family of brothers and sisters. They had never seen their father or mother. The younger had been educated by the elder, and these by an unseen care and ministration, about the sources of which they had, somehow or other, troubled themselves very little—for what people are accustomed to, they regard as coming from nobody; as if help and progress and joy and love were the natural crops of Chaos or old Night. But Tradition said that one day—it was utterly uncertain when—their father would come, and leave them no more; for he was still alive, though where he lived nobody knew. In the meantime all the rest had to obey their eldest brother, and listen to his counsels.

But almost all the family was very fond of liberty, as they called it; and liked to run up and down, hither and thither, roving about, with neither law nor order, just as they pleased. So they could not endure their brother’s tyranny, as they called it. At one time they said that he was only one of themselves, and therefore they would not obey him; at another, that he was not like them, and could not understand them, and therefore they would not obey him. Yet, sometimes, when he came and looked them full in the face, they were terrified, and dared not disobey, for he was stately and stern and strong. Not one of them loved him heartily, except the eldest sister, who was very beautiful and silent, and whose eyes shone as if light lay somewhere deep behind them. Even she, although she loved him, thought him very hard sometimes; for when he had once said a thing plainly, he could not be persuaded to think it over again. So even she forgot him sometimes, and went her own ways, and enjoyed herself without him. Most of them regarded him as a sort of watchman, whose business it was to keep them in order; and so they were indignant and disliked him. Yet they all had a secret feeling that they ought to be subject to him; and after any particular act of disregard, none of them could think, with any peace, of the old story about the return of their father to his house. But indeed they never thought much about it, or about their father at all; for how could those who cared so little for their brother, whom they saw every day, care for their father whom they had never seen?—One chief cause of complaint against him was that he interfered with their favourite studies and pursuits; whereas he only sought to make them give up trifling with earnest things, and seek for truth, and not for amusement, from the many wonders around them. He did not want them to turn to other studies, or to eschew pleasures; but, in those studies, to seek the highest things most, and other things in proportion to their true worth and nobleness. This could not fail to be distasteful to those who did not care for what was higher than they. And so matters went on for a time. They thought they could do better without their brother; and their brother knew they could not do at all without him, and tried to fulfil the charge committed into his hands.

At length, one day, for the thought seemed to strike them simultaneously, they conferred together about giving a great entertainment in their grandest rooms to any of their neighbours who chose to come, or indeed to any inhabitants of the earth or air who would visit them. They were too proud to reflect that some company might defile even the dwellers in what was undoubtedly the finest palace on the face of the earth. But what made the thing worse, was, that the old tradition said that these rooms were to be kept entirely for the use of the owner of the castle. And, indeed, whenever they entered them, such was the effect of their loftiness and grandeur upon their minds, that they always thought of the old story, and could not help believing it. Nor would the brother permit them to forget it now; but, appearing suddenly amongst them, when they had no expectation of being interrupted by him, he rebuked them, both for the indiscriminate nature of their invitation, and for the intention of introducing any one, not to speak of some who would doubtless make their appearance on the evening in question, into the rooms kept sacred for the use of the unknown father. But by this time their talk with each other had so excited their expectations of enjoyment, which had previously been strong enough, that anger sprung up within them at the thought of being deprived of their hopes, and they looked each other in the eyes; and the look said: “We are many and he is one—let us get rid of him, for he is always finding fault, and thwarting us in the most innocent pleasures;—as if we would wish to do anything wrong!” So without a word spoken, they rushed upon him; and although he was stronger than any of them, and struggled hard at first, yet they overcame him at last. Indeed some of them thought he yielded to their violence long before they had the mastery of him; and this very submission terrified the more tender-hearted amongst them. However, they bound him; carried him down many stairs, and, having remembered an iron staple in the wall of a certain vault, with a thick rusty chain attached to it, they bore him thither, and made the chain fast around him. There they left him, shutting the great gnarring brazen door of the vault, as they departed for the upper regions of the castle.

Now all was in a tumult of preparation. Every one was talking of the coming festivity; but no one spoke of the deed they had done. A sudden paleness overspread the face, now of one, and now of another; but it passed away, and no one took any notice of it; they only plied the task of the moment the more energetically. Messengers were sent far and near, not to individuals or families, but publishing in all places of concourse a general invitation to any who chose to come on a certain day, and partake for certain succeeding days of the hospitality of the dwellers in the castle. Many were the preparations immediately begun for complying with the invitation. But the noblest of their neighbours refused to appear; not from pride, but because of the unsuitableness and carelessness of such a mode. With some of them it was an old condition in the tenure of their estates, that they should go to no one’s dwelling except visited in person, and expressly solicited. Others, knowing what sort of persons would be there, and that, from a certain physical antipathy, they could scarcely breathe in their company, made up their minds at once not to go. Yet multitudes, many of them beautiful and innocent as well as gay, resolved to appear.

Meanwhile the great rooms of the castle were got in readiness—that is, they proceeded to deface them with decorations; for there was a solemnity and stateliness about them in their ordinary condition, which was at once felt to be unsuitable for the light-hearted company so soon to move about in them with the self-same carelessness with which men walk abroad within the great heavens and hills and clouds. One day, while the workmen were busy, the eldest sister, of whom I have already spoken, happened to enter, she knew not why. Suddenly the great idea of the mighty halls dawned upon her, and filled her soul. The so-called decorations vanished from her view, and she felt as if she stood in her father’s presence. She was at one elevated and humbled. As suddenly the idea faded and fled, and she beheld but the gaudy festoons and draperies and paintings which disfigured the grandeur. She wept and sped away. Now it was too late to interfere, and things must take their course. She would have been but a Cassandra-prophetess to those who saw but the pleasure before them. She had not been present when her brother was imprisoned; and indeed for some days had been so wrapt in her own business, that she had taken but little heed of anything that was going on. But they all expected her to show herself when the company was gathered; and they had applied to her for advice at various times during their operations.